Entries tagged with: The Barr Brothers
Says the PR
On the heels of a highly successful, critically acclaimed sold-out 2012 festival, the Sasquatch! Music Festival unveils its 2013 lineup, which once again features 4 days of music. The festival, hailed as "a model of well-paced programming...in a four-day schedule as efficient and natural feeling as an expertly built algorithm" by NPR Music while Wired notes, "leave the landscape out of it and Sasquatch! has a lineup to kill for," runs May 24-27 (Memorial Day Weekend) at TheWoot. 2013 Lineup below...
Gorge, the internationally acclaimed concert venue carved in the basalt cliffs high above the Columbia River Gorge in Quincy, WA.
The long list for the 2012 Polaris Music Prize, Canada's annual award for a great album, has been revealed. It includes Leonard Cohen, Cold Specks, Drake, Feist, Fucked Up, Grimes, Japandroids, The Weeknd, Yamantaka // Sonic Titan, and more. Check out the full list below. Who's your money on?
by Andrew Sacher
Kishi Bashi at Webster Hall in March (more by Bryan Bruchman)
The Barr Brothers (Andrew and Brad Barr of The Slip) and Kishi Bashi (K Ishibashi of Jupiter One and touring member of of Montreal) have a few dates together this month including a NYC show TONIGHT (5/16) at Le Poisson Rouge. Tickets for that show are available.
Maybe you caught Kishi Bashi doing his vocal/violin set as an opening act on Of Montreal's tour. He released his debut album for the project, 151a, last month on Joyful Noise. There are some definite similarities to Owen Pallett, who also creates baroque art pop primarily with his violin and voice, though it's a bit poppier than Owen. You can stream the entire album below. Kishi Bashi will also play a much larger NYC show when he opens for Dr. Dog at Summerstage (9/20) with Delta Spirit.
All dates are listed below, along with the 151a album stream...
The 2012 music lineup was announced today for Bumbershoot: Seattle's Music & Arts Festival, which is produced by non-profit arts organization One Reel and takes place over Labor Day weekend, Sept. 1-3, at Seattle Center. The 42-year-old urban festival stands on top nationally in its variety as it showcases both familiar and up-and-coming regional and national talent in many musical genres, as well as in comedy, theater, literary and visual arts, dance, film and children's programming.The complete Bumbershoot 2012 lineup below...
Bumbershoot's Mainstage in KeyArena will feature two multi-act performances each day. Artists scheduled to perform there include groundbreaking alternative rock band Jane's Addiction, jazz legend Tony Bennett, electronic phenom Skrillex, a hip hop double bill with Mac Miller and Big Sean, M83, and AWOLNATION among others. Additional Mainstage acts will be announced in coming weeks.
Tickets are all-inclusive. All festival offerings, including Mainstage admission on a first-come, first-served basis (no separate pass required), and late-night electronic music curated by Decibel Festival for Bumbershoot After Dark, are included in the price of a single-day or 3-day ticket
photos by David Andrako
The Barr Brothers @ Joe's Pub
While not the type of music I normally listen to (KEXP/KCRW alt-folk), there is no denying they're skilled songwriters and a knockout live band. And clever arrangers too, prone to inventive instrumentation. In addition to a full-time harpist, Andrew Barr plays a "threaded" acoustic guitar which allows for a bowed-like sound, and homemade guitars and banjos. They really are great live and it won't be long before they are playing much bigger venues.Check out more pictures from the show they played at Joe's Pub last night, below...
photos by Alexandre Bédard; words & additional photos by Bill Pearis
The final day of M for Montreal is traditionally the busiest, with an entire afternoon of Francophone bands and then the big show at the Metropolis theater. This year was even more packed, with a second tiny stage that was for "international delegates" only in Metropolis' Savoy Room to keep us entertained between acts at the main show.
Our badges also got us in to see M83 who were playing around the corner from the Metropolis at Société des arts technologiques (Le SAT) which was without a doubt the best show of the weekend. M83 play two sold-out shows in NYC this week: tonight (11/22) at Webster Hall and tomorrow (11/23) at Music Hall of Williamsburg. I'm a pretty casual fan of the band but the combination of great material, a fantastic live band (including keyboardist/vocalist Morgan Kibby), plus a killer light show and sound added up to one of the best shows of the year. The crowd was way into it and you couldn't not be swept along. If you can weasel yourself into one of these shows, I highly recommend doing so as M83 are firing on all cylinders right now. Not sure how much of the light show was M83's and how much was the venue's but it certainly made a giant impact for those of us who didn't force our way to the front.
There were a couple other bands who played the final night of M who are swinging through NYC soon so let's hit them first. Karkwa headlined the Metropolis event, which might have even been a small show for them. Even before winning the Polaris Prize last year for their album Les Chemins de Verre, Karkwa were selling out 3000 capacity venues in Montreal. Which makes the fact they're playing Rockwood Music Hall on December 8 all the more crazy. There has to be fans driving down from Montreal for the chance to see them in such a tiny space.
I saw Karkwa at M for Montreal three years ago when I dubbed them French-Canadian Radiohead but that tag doesn't really stick so much anymore. With Les Chemins de Verre the band have more easily digestible song structure but retain that soaring, widescreen sound. Yes, they sing in French which is the main reason why America has yet to care, but if you can listen to Sigur Ros and not worry about what they're saying, you can do it here. Karkwa are compelling live, absolutely worth checking out in such an intimate setting.
The Barr Brothers
The Barr Brothers were the other highlight of the Metropolis show. I was impressed last year, but the band have just gotten better as performers thanks to near-constant touring. That touring brings them to Joe's Pub on December 7 and Union Pool on December 8.
While not the type of music I normally listen to (KEXP/KCRW alt-folk), there is no denying they're skilled songwriters and a knockout live band. And clever arrangers too, prone to inventive instrumentation. In addition to a full-time harpist, Andrew Barr plays a "threaded" acoustic guitar which allows for a bowed-like sound, and homemade guitars and banjos. They really are great live and it won't be long before they are playing much bigger venues.
The rest of the Metropolis show was filled with Big In Montreal acts: Stonesy rockers Galaxie, Random Recipe's crunchy hip hop, the lovely and talented Marie-Pierre Arthur (very Patrick Watson-ish), and Arianne Moffat.
Half Moon Run
In the Savoy Room, the "international delegates" got a second shot at seeing Half Moon Run who had wowed a lot of folks the day before. The room was packed for them and it's rare that a crowd of industry folk demand an encore but we did just that. Expect to be hearing a lot more about this trio soon.
The Savoy Room also had two sets for D'Eon who looked like Andrew WK but but whose music was an eccentric mashup of slo-jam R&B, mid-90s jungle, '80s New Beat and goth. It was weird, fun, most of the room was not paying attention but I kinda loved it. You can stream his album Palinopsia at the bottom of this post and D'Eon's got a split-12" out now with Grimes as well. Look out for this guy.
During the day Saturday was the annual Francophone showcase at Cafe Campus featuring eight bands, none of whom sang in English. Highlights were Fanny Bloom who fronts the kitschy, very French-sounding La Paterie Rose but whose solo material (the album's out early next year) was much to my taste. She's a real charmer.
I also liked Karim Oullet who opened the show and brought a bit of world music flair to his set. We also got the kooky hip hop group Alclaire Ensemble who all wore silk masks; the Franco-Celtic sounds of Canailles; Alfa Rococco who are like a Montreal Roxette (sort of, less cheese though); Peter Peter who reminded me of The Gin Blossoms (a little dull); Jimmy Hunt played Chanson-style folk (pretty good); and Alexandre Désilets whose set I missed due to a need for food. It's hard to pay attention on an empty stomach.
More photos from M for Montreal's Saturday showcases, a stream of the D'Eon album and tour dates for Karkwa and The Barr Brothers are below...
by Bill Pearis
As I mentioned briefly yesterday, I'm heading out to the M for Montreal festival which happens tonight through Saturday (11/16 - 19). This is the 6th Edition of the fest, and the fourth that I've attended. Once a showcase for up-and-coming Montreal bands that the festival organizers deemed "export-ready" and that took place primarily at one club (the two-stage Juste Pour Rire), M4M has expanded to include other parts of Canada in the last few years.
Juste Pour Rire closed shortly after last year's festival, so this year has expanded to other venues while also widening in scope. They've partnered with other international festivals (Osheaga, CMJ, SXSW) and have more bands than ever (including a few not from Canada). Bands this year include M83, Karkwa, The Barr Brothers, Active Child, Bran Van 3000 (remember "Drinking in L.A."?), CLAASS, Misteur Valaire, Anoraak, Random Recipe and the debut of Absolutely Free, the new band from 4/5s of DD/MM/YYYY. Full line-up is here.
In total there's nearly 60 bands playing, which might not seem like a crazy amount for a festival. But M for Montreal is designed with little to no overlap, so if you attend the whole thing you see all the bands. It's going to be a busy week. Look for more coverage (including my lovely point-and-shoot photography) coming later this week.