Entries tagged with: The Hold Steady
Thurston Moore Band at Saint Vitus in October (more by PSquared)
The Thurston Moore Band -- aka Thurston, his former Sonic Youth bandmate Steve Shelley on drums, My Bloody Valentine's Deb Googe on bass, and guitarist James Sedwards -- put out their SY-esque The Best Day earlier this year and recently toured it, hitting NYC twice. They have more dates coming up, including a return to NYC on December 11 at the Marlin Room at Webster Hall. That's a free show presented by Norton Antivirus and Pandora, but you have to RSVP to get in. All Thurston dates are listed below.
The Hold Steady have also expanded their New Year's Eve celebration. The NYE show at MHOW sold out long ago, but they've now added a second show happening the night before (12/30) at the same venue. Both are with The So So Glos. Tickets for the 12/30 show go on sale at noon on Friday (11/21) with AmEx and artist presales starting at noon on Wednesday (11/19).
Updated Hold Steady dates are listed, with those Thurston Moore dates, below...
The Hold Steady at Forest Hills Tennis Stadium in Sept (more by PSquared)
As discussed, The Hold Steady are playing some shows at the end of the year including New Year's Eve at MHOW (sold out) and frontman Craig Finn's set at the 'Champagne Jam' at Webster (also sold out). Now there's a third chance to see them in the NYC-area, and it's happening a bit sooner than those shows. They're playing a Chrysler/Pandora show on November 19 at The Space at Westbury on Long Island which is free with RSVP. The description reads:
An exclusive performance by The Hold Steady, free to an intimate audience of Pandora listeners with RSVP. Attendees will be treated to limited-edition event swag, an open bar for the first two hours of the evening, and the chance to check out the all-new Chrysler 200!Updated dates are listed, with a video, below...
The Hold Steady at Forest Hills Tennis Stadium (more by PSquared)
The Hold Steady frontman Craig Finn and The So So Glos are already on board for the BrooklynVegan-presented 'Champagne Jam' holiday show at Webster Hall headlined by The Front Bottoms, and now it's been announced that just ten days later the full Hold Steady crew and the So So Glos will team up yet again to play New Year's Eve at Music Hall of Williamsburg. The show also doubles as Hold Steady bassist Galen Polivka's birthday party. Here's the details:
The Hold Steady will be celebrating bass player Galen Polivka's birthday in extra special style to end 2014, by having a Birthday Bash at Music Hall of Williamsburg on December 31, 2014. Special Guests The So-So Glos will start the evening off right before The Hold Steady blast through their 111th (and last) live show of 2014. Join in for a birthday toast at midnight as Galen enjoys day two of a new year. There are a limited number of tickets for the post-show Birthday Bash to be held downstairs at Music Hall. The Birthday ticket includes a limited edition numbered and THS-signed show poster and access to the Birthday Bash, where The Hold Steady will be DJ'ing from 1am until the streets are clear from that other holiday happening on December 31.Tickets for the show go on sale Friday (10/31) at noon with an AmEx presale starting Wednesday (10/29) at noon. For $30 extra, you can get the birthday ticket which "includes screened poster signed by the band and an invite to post-show birthday celebration downstairs where The Hold Steady will be DJ'ing."
The Hold Steady's only other announced dates are a four-night run in Toronto for The Horseshoe Tavern's 67th birthday celebration. The first two nights are with Single Mothers, a band who are definitely inspired by The Hold Steady. All dates are listed below...
Acclaimed Mekons documentary Revenge of the Mekons premiered a year ago at NYC Doc fest and is now getting a proper release. It'll screen in NYC at Film Forum from Oct. 29 - Nov. 4 with daily showtimes at 12:30, 2:45, 5:00, 7:15, 9:30 PM. Tickets are on sale now. The October 29 7:15 PM screening will feature a Q&A with the Mekons' Jon Langford and Steve Goulding and director Joe Angio. Later that night, Langford will play the afterparty at The Bell House (tickets). If you'd like to go for free, we're giving away a pair of tickets to attend both. Details below.
Some of the other Film Forum screening have special guests too. The October 30 9:30 PM screening features a Q&A with the Langford and Angio, and for some others:
Nov 1 - Craig Finn (of The Hold Steady) introduces 7:15pm screeningTrailer for Revenge of the Mekons and contest details, below..
Nov 3 - writer/critic Luc Sante introduces 7:15pm screening
Nov 4 - writier/critic Greil Marcus introduces 7:15pm screening
UPDATE: BROOKLYNVEGAN PRESALE PASSWORD HERE.
NJ's folk/pop/punks The Front Bottoms are teaming up with BrooklynVegan yet again to celebrate the holidays this year. Last year, it was a small show at Shea, but this year it's gonna be a much bigger affair called the Champagne Jam which takes over all three rooms of Webster Hall on Sunday, December 21. The Front Bottoms are playing the Grand Ballroom with Kevin Devine & the Goddamn Band, The Hold Steady frontman Craig Finn and magician Magic Mike. In The Marlin Room it's two NYC punk bands, The So So Glos and Big Ups, two alt-leaning rappers, Kitty and GDP, novelty rockers Baby Baby and Don Giovanni-signed comedian Chris Gethard. And in The Studio it's electronic musician Emperor X, two mathy emo bands, Tiny Moving Parts and Prawn, CT indie rockers The Guru, and Girl Spells, the new project of Adrianne Gold of Philly indie popsters Catnaps.
Tickets, which get you into all three rooms, go on sale Friday (9/26) at 10 AM. There's a BrooklynVegan presale starting Tuesday (9/23) at 10 AM and a Front Bottoms fan club presale starting Wednesday (9/24) at 10 AM. Check back here tomorrow morning for the BV presale password. The show's all ages (under 16 must be accompanied by a parent).
UPDATE: BROOKLYNVEGAN PRESALE PASSWORD HERE.
Check out a few videos from some of the artists playing, below...
photos by P Squared Photography
The Replacements at Forest Hills Tennis Stadium - 9/19/14
The Replacements did like to mess around, but they've also written some of the best songs of this kind that have ever been recorded, and the Forest Hills show had them playing hit after hit, sounding tight as hell. ("They've never sounded this tight!" exclaimed an older fan sitting next to me who seemed like he had seen them plenty of times back when.) They played just about everything you wanted to hear too. Their three most classic albums, Let It Be, Tim and Pleased to Meet Me, were well represented. But if you're a fan of their earlier punk years, you got "Takin a Ride," "Take Me Down to the Hospital," "White and Lazy," "I'm In Trouble" and a handful of others. And if you're into the more polished latter albums, you got "I'll Be You," "Merry Go Round," "All Shook Down" and "Achin' To Be."Alternative rock legends The Replacements finally brought their reunion tour to NYC this past Friday (9/19) for a show at Forest Hills Tennis Stadium in Queens with well-matched openers The Hold Steady and Deer Tick. Above is an excerpt from our review, which you can read in full along with the setlist and videos, here. Now we've got a set of pictures of all three bands from the show.
by Andrew Sacher
The Replacements @ Forest Hills Tennis Stadium - 9/19/14 (via BV Instagram)
The Replacements have been playing shows again for the first time since 1991 for over a year now, but it wasn't until this Friday (9/19) at the Forest Hills Tennis Stadium in Queens that their reunion tour finally hit NYC. The band -- original members Paul Westerberg and Tommy Stinson, plus guitarist Dave Minehan (The Neighborhoods) and drummer Josh Freese (The Vandals, Devo, Weezer) -- were supported by Deer Tick and The Hold Steady, both of whom are old pals, tourmates and huge Replacements fans. I missed Deer Tick's early set (6:30 PM), but there was a definite admiration for the headliners during The Hold Steady's set. Craig Finn told a story of being at a tennis court as a teenager and telling someone his favorite band were the Ramones (who are from Forest Hills), and the person responded, "If you like the Ramones, you should check out The Replacements." He then said how The Replacements went on to become his other favorite band, so now opening for them at a tennis stadium located where the Ramones are from felt full circle. Before he left the stage, he said, "I can't believe I'm saying this... THE REPLACEMENTS ARE UP NEXT!"
I never saw The Replacements during their initial run, and I really had no idea what to expect. So many of the stories I've heard are that they were equally or more likely to get drunk and play a bunch of sloppy covers than put on a tight set. Not to mention, not all of these reunion shows have gotten the best reviews. But I'm being totally honest when I say this was up there with the best rock shows I have ever seen. The Replacements did like to mess around, but they've also written some of the best songs of this kind that have ever been recorded, and the Forest Hills show had them playing hit after hit, sounding tight as hell. ("They've never sounded this tight!" exclaimed an older fan sitting next to me who seemed like he had seen them plenty of times back when.) They played just about everything you wanted to hear too. Their three most classic albums, Let It Be, Tim and Pleased to Meet Me, were well represented. But if you're a fan of their earlier punk years, you got "Takin a Ride," "Take Me Down to the Hospital," "White and Lazy," "I'm In Trouble" and a handful of others. And if you're into the more polished latter albums, you got "I'll Be You," "Merry Go Round," "All Shook Down" and "Achin' To Be."
They did get a few covers in, including about half of The Jackson 5's "I Want You Back" for which Paul commented on being proud of themselves for learning that riff. And they definitely weren't taking themselves too seriously or anything. Tommy joked between songs, and even if the setlist was actually planned, he and Paul at least made some of the songs seem like they were picked on the spot. Everything got a great reaction from the crowd (and the huge venue was packed), but they went out with a bang, packing all the biggest anthems -- "Can't Hardly Wait," "Bastards of Young," "Alex Chilton," "Unsatisfied," college radio ode "Left of The Dial" -- in at the end of the set. If I had to pick a personal favorite moment, it would be hearing "Androgynous" which Paul sang with the same heartbreaking, voice-cracking sincerity he recorded it with thirty years ago. But hearing that huge crowd belt out "We are the sons of nooooooo one!" and "I'm in love! With that song!" even from my seats in the upper bowl were some of the most purely satisfying moments you could ask for at any rock show. Let alone one from a band who had been away for 22 years.
We'll have pictures from the whole night soon. UPDATE: Pictures are up. Meanwhile check out the full setlist and videos from the Forest Hills show below...
photos by James Richards IV, words by Zach Pollack & Milos Markicevic
Mineral / Patti Smith / Superchunk
Riot Fest Chicago wrapped up this past Sunday (9/14) with sets from The Cure, Weezer (playing Blue Album), Primus, Social Distortion, Cheap Trick (playing Heaven Tonight), Patti Smith, Mudhoney, Hot Snakes, Mineral, Lucero, Naked Raygun (playing Throb Throb), La Dispute, Superchunk, The Hold Steady, Kurt Vile, Bouncing Souls, The Front Bottoms, The Menzingers and many more.
I arrived at the final day of the festival to find New Jersey punk heroes The Bouncing Souls already on the Roots Stage, and NJ folk punks The Front Bottoms getting set to perform on the Rebel Stage. Having seen the former a few times, I went for the latter band and heard "Flashlight" as I approached the stage. Their early afternoon-yet-rabid crowd screamed the lyrics along to the song's stop-start chorus. The tongue-in-cheek Talon of the Hawk opener "Au Revoir (Adios)" came next, followed by mix of songs from that album and their 2011 self-titled LP. --ZP
Kurt Vile & The Violators were the next band I caught, over at the Riot Stage. Given that Sunday beared even better weather than Saturday had, opening with "Wakin on a Pretty Day" was an apt choice in full sun. The Violators proceeded to deliver a low-key and enjoyable set that touched on Wakin on a Pretty Daze, Smoke Ring for My Halo, and Childish Prodigy. After a bit of KV and co., I headed over to the Rebel Stage to catch The Hold Steady. The NYC crew kicked things off with "I Hope This Whole Thing Didn't Frighten You" from this year's Teeth Dreams, followed by the Boys and Girls in America favorite "Stuck Between Stations." The band flew by their usual M.O. -- flexing some muscle without coming off as too cheesy -- while pulling out tunes from their back catalog. --ZP
Next I went to catch Superchunk, and I arrived at the Riot Stage a bit prior to their set. In the meantime, I caught the last few songs of Billy Bragg's performance on the nearby Roots Stage. Before playing "The Milkman of Human Kindness," Bragg shared that he's out to become "the Pete Seegar of punk" and hopes to be performing into his 90s. He turned "There Is Power in a Union" into a sing-along and finished off with "A New England." Superchunk began with the No Pocky for Kitty tune "Cast Iron," followed by the one-two punch of "Digging For Something" and "FOH." It was back to No Pocky... for "Punch Me Harder," and then Mac asked the crowd to sing along during "Learned To Surf." "I'm gonna need you to repeat after me, in the age-old tradition of repeating after people on stage, he quipped. Their 11-song set came to a close with "Slack Motherfucker" into "Precision Auto." --ZP
Michigan post-hardcore crew La Dispute were up next at the far-from-everything Rock Stage. The four-piece were heavy on this year's great Rooms of the House, and began their 10-song set with "HUDSONVILLE, MI 1956," "Stay Happy There," and "First Reactions After Falling Through the Ice" from the LP falling within the first five they played. Their meditative grooves quickly won over the large crowd they had gathered at the stage. My next target after La Dispute was the Rise Stage, where whiskey-soaked Memphis crew Lucero would soon begin their late afternoon set. I only stuck around for a few songs, but I got to hear some of my favorites from the start, including "On My Way Downtown" into "Nights Like These." --ZP
La Dispute's crowd
After Lucero, it was back over to the Rock Stage for reunited Austin emo band Mineral. The band quietly took the stage and delivered an excellent set that was split evenly between their 1997 debut The Power of Failing and 1998's EndSerenading. Highlights included their heavier moments found within the brief "Five, Eight, & Ten," "For Ivadell," and "Gloria," and also the more subdued offerings like "Love Letter Typewriter." Mineral were one of the best emo bands out there, and it's great to see them return sounding great. --ZP
One of my most anticipated sets of the three-day fest was Patti Smith's 6PM performance on the Riot Stage. Patti was born in Chicago not all that far from the stage she occupied, and spoke about coming to the park with her mother as a very young child. She and her band opened with "Dancing Barefoot" into the Horses tune "Redondo Beach." A cover of John Lennon and Yoko Ono's "Beautiful Boy (Darling Boy)" came next, followed by "Pissing in a River." Along with a select few others, Patti Smith fully embodies the spirit of Riot Fest. --ZP
While Zach was over at Patti Smith on the Riot Stage, I was at the Rise Stage for Mudhoney. The grunge grandfathers ripped through their set and barely stopped to catch their breath. Drummer Dan Peters was a beast on drums throughout the set, and at one point the band even made way for a brief drum solo, bringing in the fuzz at the climax. You would think Mark Arm's vocal style would have wrecked his pipes after all these years but the guy sounded just as good as he did on the band's debut album. The definite highlight of set was the band's classic "Touch Me I'm Sick" which left everyone floored. --MM
If Patti Smith carries the ethos of Riot Fest, then Primus serve to represent the festival's large carnival presence. Les Claypool was transfixed on the ferris wheel he faced from the stage and spoke at length about how beautiful it was and how lucky they were to be performing near it. He later prompted guitarist Larry LaLonde to do a solo inspired by the wheel. Unlike when I saw them in 2013, Primus shed their jammy approach of late for the tighter feel of their early material. This shift was aided by stand-in timekeeper Danny Carey, who delivered a fast-handed, rigid performance. The trio opened with the Sailing the Seas of Cheese cut "Those Damned Blue-Collar Tweekers," followed by the driving LP number "Here Come the Bastards." The tweaky Brown Album song "Over the Falls" was also played, as well as more favorites like "My Name Is Mud," and set endcap "Jerry Was a Race Car Driver." --ZP
Weezer were one of the albums billed to play a classic album (The Blue Album), but first they warmed up with some of their more recent singles, steadily going back in time with each song. The band played "Pork and Beans," "Beverly Hills," "Island In The Sun," "Hash Pipe," "El Scorcho" and others before getting to 1994, the year of The Blue Album. Everything prior to The Blue Album's performance felt like filler as everyone, including myself, sang along to every Blue Album song, most loudly to "Buddy Holly" which some fans begged to be played again. Weezer performed flawlessly while their stage lights bathed everyone in blue light, keeping in theme of the album's color. It was amazing seeing the band perform The Blue Album-- one of my favorite 90s albums-- in its entirety. I only wish they could've squeezed in Pinkerton right after. --MM
The Replacements @ Boston Calling (via Erich Roehre)
The Replacements' ongoing reunion tour hit Boston Calling yesterday (9/7) for a set filled with favorites like "Androgynous," "I Will Dare," "Can't Hardly Wait," "Bastards of Young," "Kiss Me On The Bus," "Color Me Impressed," "Takin a Ride," and more, plus a couple of the covers they've been doing (The Jackson 5's "I Want You Back," Chuck Berry's "Maybellene") and an encore of "Alex Chilton." Full setlist and a video, below.
The tour finally makes its way to NYC on September 19 at Forest Hills Tennis Stadium with The Hold Steady and Deer Tick. Tickets to that show are still available and we're also giving away a pair. Details on how to enter to win, with the update list of dates, video and setlist from Boston, below...
Riot Fest Chicago 2014 is set to take place from September 12-14 throughout Humboldt Park. The 10th anniversary of the festival features Jane's Addiction, Slayer, The Offspring, Pussy Riot (Nadya Tolokonnikova & Masha Alekhina), Mastodon, The Murder City Devils, Failure, Title Fight, The National, The Flaming Lips, Wu-Tang Clan, Descendents, The Cure, Weezer, Social Distortion, Primus, Patti Smith, and many more across seven-stages. The fest has now shared daily lineups, which you can scope out at the bottom of this post. Three-day and two-day passes are still available, and single-day tickets are on sale now.
RFC 2014 daily lineups lie after the jump...
photos by Greg Cristman
Drive by Truckers / The Hold Steady @ The Paramount, 6/28/2014
"Throughout the evening, there was a striking contrast between frontmen Patterson Hood and Mike Cooley. Hood, who often leaped into the air mid-song, overflowed with emotion as he performed signature tunes like "Box of Spiders" and "Hell No, I Ain't Happy." On the opposite end of the stage, straight man Mike Cooley was a study in detached cool. From the moment he strapped on his black Flying V and launched into the hard bitten lyrics of "Birthday Boy," Cooley's mellow, sardonic attitude oozed from every pore." - [Elmore Magazine]The separate, ongoing tours of Drive-By Truckers and The Hold Steady converged with two shows in the NY area, first at Asbury Park, NJ's Stone Pony (6/27) then Long Island's The Paramount Theatre (6/28). Both bands have been touring in support of new albums, and they each played sets that highlighted the new stuff while also drawing from much of their enviably vast back-catalogues of material. The two modern rock'n'roll institutions even joined forces for an encore at The Paramount, where they covered Bruce Springsteen ("Adam Raised a Cain"), Neil Young ("Rockin' in the Free World"), and The Jim Carroll Band ("People Who Died").
Check out more pictures from the show, setlists for both bands, and video of that collaborative "Rockin'" encore.
Richmond's Fall Line Fest is returning for its second year on September 5 & 6 across various Richmond, Virginia venues. Like last year, there's a solid, diverse lineup of artists playing including Real Estate, The Hold Steady, Death, Matthew E. White, Fairweather, Tombs, Protomartyr, Priests, Potty Mouth, Tiny Moving Parts and many others. The full lineup as it stands is listed below, and there's still a few more TBA. In addition to the music, there will also be art events and food events, like the Fall Line Brunch Fest on 9/6 at The Broadberry from 11 AM to 2 PM.
TIckets for the festival are on sale now. Individual show tickets won't be sold. Lineup below...
Ever since The Replacements first announced reunion gigs, we have wondered when is NYC going to get a show. Finally we know: September 19 at Forest Hills Stadium in Queens. The Hold Steady and Deer Tick (who are old pals, tourmates and huge Replacements fans). Tickets to that show go on sale Saturday (6/21) at 11 AM, and we're also giving away a pair. Details on how to enter to win, below.
Riot Fest Chicago keeps getting crazier. First they announced their stacked lineup, then revealed that ten of those artists would be performing classic LPs in full, and now they've added more bands to the fest including a handful of heavy hitters. New additions include Primus, Tokyo Police Club, Say Anything, The Hold Steady, Only Crime, Lemuria, Pity Sex, From Indian Lakes, Lucki Eck$, Tiny Moving Parts, The Picturebooks and Survay Says. Tickets are still available.
Updated lineup, including The Cure, Jane's Addiction, Weezer, Social Distortion, Slayer, Descendents, Samhain, Patti Smith, Get Up Kids, Mineral, Failure, Mastodon and so many more, at Riot Fest's site and below...
The Hold Steady on Pier 26 in 2013 (more by Tracy Allison)
The Wiggins Park shows feature The Hold Steady, Old 97's, Rodrigo y Gabriela, Hurray for the RIff Raff, Lucius, Man Man, Nicole Atkins, Diego Garcia, Houndmouth, J. Roddy Walston & the Business, Dave Hause, Caitlin Rose, Trigger Hippy (featuring Joan Osborne, Jackie Greene & Steve Gorman), and more. 3-day passes that get you into the whole festival are on sale now.
Full lineup below...
Since we last posted the lineup, The Shaky Knees fest in Atlanta has grown to add The Replacements and more. Tickets also went on sale and are still available. Check out the lineup, headlined by The National, Modest Mouse and Alabama Shakes, in the poster above and the full schedule at the fest's site.
Shaky Knees Music Festival takes place in Atlanta's Atlantic Station, May 9-11, 2014.
Deer Tick and The Hold Steady are both also on the lineup and out on tour together now.
The Replacements at Coachella 2014 (more by Dana (distortion) Yavin)
The spring edition of the Boston Calling Music Festival is a month away (May 23-25), and they've already announced the fall edition which goes down in Boston's City Hall Plaza from September 5-7. The September lineup, which is listed in full below, includes The National, The Replacements, Nas x The Roots, Neutral Milk Hotel, Spoon, Volcano Choir, The War on Drugs, The Hold Steady, White Denim, Sky Ferreira, Future Islands, San Fermin, S. Carey, Lorde, Childish Gambino and more. 3-day passes go on sale Monday (4/28) at 10 AM.
Tickets (3-day, 2-day and single day passes) for the May festival, which includes Modest Mouse, Built to Spill, Death Cab for Cutie, The Decemberists, Brand New, Kurt Vile, Phosphorescent and more, are still available.
Full September lineup, flyer, and announcement video, and video of Green Day's Billie Joe Armstrong joining the 'Mats at Coachella, below...
The Hold Steady @ BV SXSW (more by Tim Griffin)
Deer Tick and The Hold Steady begin a 10-show run tonight (4/17) in Boston and to celebrate they've covered one of each other's songs. The Hold Steady do Deer Tick's "Easy" (off 2009's Born On Flag Day); while Deer Tick have recorded THS's "Constructive Summer" (off 2008's Stay Positive). You can stream them both below.
This tour does not hit NYC but The Hold Steady will play the NY-area at two shows this summer with Drive by Truckers: June 27 at Asbury Park, NJ's Stone Pony Summer Stage and June 28 at The Paramount in Huntington, NY. Tickets are still available.
All Deer Tick and Hold Steady dates are listed, along with the cover streams, below...
The Hold Steady @ BV SXSW 2014 (more by Tim Griffin)
The Hold Steady and Drive-By Truckers both just released new albums, and both will be on their own tours this summer. Their paths intersect for two co-headlining shows, both in the NYC area: Jun 27 at Asbury Park, NJ's Stone Pony Summer Stage and June 28 at The Paramount in Huntington, NY. Tickets for those two shows go on sale Friday (4/4) at 10 AM but there's a BrooklynVegan presale for both starting today (4/1) that runs from 10:15 AM to 10 PM. Password is "BROOKLYNVEGAN". Get them now!
All dates, including a run the Hold Steady are doing with Deer Tick, are listed below.
Drive-By Truckers @ Terminal 5 recently (more by Greg Cristman)
The Drive-By Truckers recently played Terminal 5 in NYC as part of a tour with Blitzen Trapper. We have pictures from that show. The Hold Steady were one of our headliners at SXSW this year, and just released a new album.
Check out our recent interview with Tad Kubler.
If you miss the BV presale, there are also fan club and Live Nation presales starting Wednesday (4/2) at 10 AM for the NYC shows (before the regular on sale Friday). All tour dates for both bands are listed below...
Pains / Hold Steady
After Friday, which came after Thursday, which came after a night show on Wednesday, we said hello and goodbye to both of Red 7's stages one last time with our third and final BrooklynVegan SXSW day party at the 7th & Red River venue in Austin on Saturday (3/15).
Outside, despite the rain that plagued us that day, Palehound kicked things off with their noisy indie rock, and they were followed by the high-energy poppy punk of Cincinnati's Tweens. More poppy punk came from Northampton's Potty Mouth, and then came Mary Timony's (Autoclave, Helium, Wild Flag) riff-rockin' new band Ex Hex, who were one of the most fun bands of the day to watch. They were followed by Potty Mouth's Northampton neighbors Speedy Ortiz, who were great as always, and whose new stuff (like "American Horror") sounded great next to their older songs (like "Taylor Swift"). Wye Oak followed and previewed stuff from their upcoming guitar-less album (they did have their guitar on Saturday though), and the show closed with a super fun set from The Hold Steady.
The indoor stage got off to a great start with Saintseneca, who had a tight blend of Fleet Foxes/Arcade Fire-isms, then it got weird for the UK's Fat White Family, who brought filth and fury not unlike The Stooges or The Birthday Party. (They're in NYC this weekend.) Quilt kept things trippy (but cleaner) after that, and Connan Mockasin was his eccentric self too (though he admitted he was recovering from the night before where he told everyone at Swan Dive to take their clothes off). Then came the art pop of Hundred Waters, a mostly-solo set from Braid frontman Bob Nanna which included Braid songs and some Jack and Ace action with his wife Lauren LoPiccolo, sneering Detroit post-punks Protomartyr, and finally a headlining set from the new lineup of The Pains of Being Pure at Heart, which is easily their most powerful and fun to watch yet.
Tweens / Ex Hex
Shiner beer was on special and we gave away free Jameson. Veri organic soda was free, plentiful and was there to help you rehydrate. We let in 20 people each day who were taking advantage of Esurance's SXSW-wide #EsuranceAccess program.
Indiegogo was there too, though due to the rain, like Marshall, they moved inside on Saturday.
Special thanks to all of our bands and partners and sponsors for making this party possible.
photos by Amanda Hatfield, words by Andrew Sacher
The Hold Steady @ Red 7 - 3/15/14
The Hold Steady were just down in Austin for SXSW, where they played a number of shows ahead of their new album, Teeth Dreams, which comes out next week (3/25) via Razor & Tie imprint Washington Square. One of those shows was our free Saturday BrooklynVegan day party at Red 7, where they wrapped up that day (and the entire 3-day run of parties) with a super fun outdoor set in the sun after the morning's rain had cleared. Pictures of their set from that show are in this post.
Though we still have to wait a few days to get the new Hold Steady album, there's a full stream available to listen to now on iTunes Radio. The album has some studio shine courtesy of Nick Raskulinecz (Foo FIghters, Ghost), but even if that sort of thing bothers you these are just more great songs from a consistently great band. Check it out.
More pictures below...
by Andrew Sacher, Bill Pearis, Wyatt Marshall & Zach Pollack
The Pains of Being Pure at Heart at The Bell House in 2009 (more by Chris La Putt)
The insanity that is SXSW is about to uproot folks from around the globe, sending them to Austin for a week to see 628 bands. While there will be great music from all around the world there, we thought, being a NYC-based website, we'd highlight ten artists from our hometown we think you should check out if you'll be there. You can listen to two tracks each from each band (who's on RDIO) in our RDIO playlist, and browse the list below.
Also check out our list of 50 artists from around the world (including four of the ones here) we're excited to see at SXSW and our SXSW metal preview (including NYC's Psalm Zero), and if you're going, we hope to see you at our official showcase, Invisible Oranges' showcase, or one of our day parties!
Check out the list and stream the playlist below...
UPDATE: Thursday lineup announced too
After a Wednesday night official showcase at the same venue, BrooklynVegan will take over both stages of Red 7 during the hours of noon-6pm each day on Thursday (3/13), Friday (3/14) and Saturday (3/15) of SXSW Music. All three day party lineups will be announced momentarily (update: Thursday is announced), but here is Saturday!
SATURDAY, MARCH 15, 2014 @ RED 7 (FREE)Please RSVP, and show up early to see all the bands and to ensure you get some complimentary drinks courtesy of Jameson (while supplies last).
12:45 Fat White Family
02:15 Connan Mockasin
03:00 Hundred Waters
03:45 Bob Nanna of Braid
05:05 The Pains of Being Pure at Heart
01:30 Potty Mouth
02:15 Ex Hex (Mary Timony's new band)
03:05 Speedy Ortiz
04:00 Wye Oak
05:00 The Hold Steady
We'll also have Shiner beer specials all day long, free Veri organic soda, and free popcorn at the Marshall Headphones booth where you can pose in our photobooth and where someone will win a pair of headphones every hour on the hour!
Again, this is one of three free BrooklynVegan day parties at Red 7 this year. Please RSVP once for entry to all three. SXSW badges are also welcome and be sure to stop by the Esurance Glove Box at the Austin Convention Center or their Fuel Lounge at 6th and Trinity to pick up an Esurance Access Pass. Then follow @esurance on Twitter to find out when and where you can hop the line for our party and others around Austin....
The Hold Steady's Tad Kubler (in 2008) (more by Chris La Putt)
Brooklyn's own rock prophets, The Hold Steady, recently played another sold out hometown show at Music Hall of Williamsburg. The critically lauded quartet will release their sixth album, Teeth Dreams (Washington Square) on March 25. Two of its songs are already streaming online. It's a new step for the band both from a label perspective (they were previously on Vagrant) and from a creative one as well. The band's last full-length release was 2010's Heaven is Whenever, providing the longest duration between albums since The Hold Steady's inception. BrooklynVegan spoke to guitarist and founding member Tad Kubler about the new record, the pros and cons of playing Brooklyn, and the band's PledgeMusic Campaign.
BV: With Teeth Dreams coming up, this is the longest the Hold Steady has gone between albums. What's the direction like for you guys on the new record?
Tad: I don't think it's radically a different direction. I think with every new record, one of the goals I always have is to try to be more musical. You try to write better songs. And when I say "better," I mean when you're playing music, there's something you stumble across occasionally, and you have some kind of emotional response to it. And when people hear something, they'll respond to it. I guess when I say "writing better songs" it just means being more concise or something like that than having sort of self-indulgent stuff happening. There's some stuff obviously that you do because you enjoy it, it's fun, and you like doing it, and there are other things you do because you have a connection or reaction to it. Anybody that tries to do something creative or tries to grow as an artist - those are the moments you try to look for.