Entries tagged with: The Hold Steady
DOWNLOAD: The Donkeys - "I Like the Way You Walk" (MP3)
The Donkeys at BV SXSW Party in 2009 (more by Leia Jospe)
The Donkeys are on tour in support of their recently released album Born With Stripes. That tour arrives at BAR in New Haven, CT tonight, 5/25, with fellow California psych-poppers and Dead Oceans labelmates Citay (who just covered Mission of Burma at Bowery Ballroom on Sunday). Thursday (5/26) both bands play Cake Shop, and The Donkeys play The Rock Shop Friday (5/27) with support from Snowmine (who play Rooftop Films on June 3) (Rooftop Films hosts Silver Swans at a rescheduled show tonight).
The Donkeys released a music video for the single "Don't Know Who We Are" off Born With Stripes. The video was directed by Jeff Lowe. Watch it below. Download the song HERE. You can also download another cut from the album, "I Like the Way You Walk," above.
The Donkeys also open for The Hold Steady on a few dates of their late August tour which just went on pre-sale. No NYC date has been announced but Tad Kubler of The Hold Steady plays Dylan Fest this Friday. Dylan turned 70 yesterday (5/24).
All tour dates and a video below...
Murder by Death @ Pop Montreal 2010 (more by Dominick Mastrangelo)
Murder by Death aren't on tour right now, but they are opening for the Hold Steady at Terminal 5 tonight (4/8) (tickets still available), and have some other random upcoming shows including a May 20th Rocks Off Concert Cruise, and a May 21st appearance at the Crowne Plaza Hotel in Somerset, NJ. That's how the band lists it, though a bit of research reveals that the NJ show is actually part of the Steampunk World's Fair which is happening at that location from May 20th - May 22nd.
All MbD dates, and details on an art contest for an upcoming 7", below...
"Remarkable set. One of my favorites, no doubt. Great crowd energy, band seemed to be having a great time. Keys or no keys, they still rule.If you missed both shows, tickets are still on sale for their April 8th Terminal 5 gig.
Craig noted that they played their first show there eight years ago to the day when it was North Six on January 31, 2003. Interesting that they're now closer to that lineup than they were for most of their existence. Full circle."
Videos from the MHOW shows, including proof of Craig's comment about 8 years, and both setlists below...
The Hold Steady @ Fun Fun Fun Fest 2010 (more)
The Hold Steady will be touring Europe and Australia in February and March, but first will warm things up with special shows at Music Hall of Williamsburg in Brooklyn on January 30th and 31st. If you miss those shows you'll have to wait until April 8th when they play NYC again, but that time at the larger Terminal 5. Tickets to all three NYC shows go on AmEx presale on Wednesday, and then general sale Friday, 1/14, at noon.
The Hold Steady are no stranger to either of the NYC venues they'll be playing. In fact, Hold Steady frontman Craig Finn last made an appearance at Terminal 5 with Frightened Rabbit back in October, and the Hold Steady last played Music Hall back in April. It's cool that they still consistently switch it up between bigger and smaller venues (as opposed to just always playing the bigger ones).
It's 1PM in Texas and I just tied a bandana around my face before its time to get down to business. I'm not some outlaw out to rob a bank and hop on a speeding stagecoach; With the dry dirt and the hordes of kids in full-on circle-pit/floorpunch mode, a bandana or a surgical mask is a key tool in dealing with the clouds of dust that form around the chaos.
Chaos it was, off-stage that is, as the crowd popped for the likes of Suicidal Tendencies, Snapcase, Dwarves, Municipal Waste, Gwar, Mastodon and others on Fun Fun Fun Fest's Black Stage (where I spent a good bit of my time). Though I wandered to the Orange Stage to catch amazing performances from Cap'n Jazz, The Hold Steady & Descendents (among many others) and the Blue Stage to catch scorching shows from Big Freedia, Pharoahe Monch, Dam-Funk, and A-Trak, but it was the Black Stage where I caught pretty much every single band in action.
And that's a lot! One of the great things about the Black and Orange stages is that they are actually TWO stages each. A band will finish their set, and then on a stage right next to it, another band will line check and play. Times between bands varied (due to set time length and on occasion, technical difficulties), but there were moments when it was as low as 5 minutes between sets. More music and less downtime.
I started out my Saturday (11/6) with Black Congress, whose powerful post-hardcore impressed the early crowd. Hatred Surge followed, and even with a new singer in tow, the brutality has stayed a constant. Power Trip was next, and they do crossover-thrash that is less DRI/ Municipal Waste, and more serious/furious. Bands this good shouldn't play this early.
I'm very picky about sung vocals and punk rock, so it's sort of no surprise that I didn't care for either Bad Religion (who had no guitar in the mix for the first three songs), The Briggs or The Vandals, but I did enjoy what I saw of Strike Anywhere's live set (even though I am not into their recorded output). Dreadlocked singer Thomas Barnett is as energetic a frontman as I would see on the Black Stage all weekend, and really added tremendous power to the band's melodic hardcore.
Muncipal Waste (more here)
Strike Anywhere is from Richmond, and the band got a "Richmond represent" shout out from the great Municipal Waste that day. The band thrashed their way through one of my favorite sets of the afternoon, complete with thrown trash cans, a wall of death, stage diving, and an "execution" courtesy of fellow Richmond band Gwar. Gwar was fun in a kitschy way and delivered a great set later in the day, but the crowd energy and the precision of MW's live show was the most memorable.
Also on the Black stage were Valient Thorr and The Casualties who both delivered energetic sets, with the latter giving a crusty spin on the Ramones classic "Blitzkrieg Bop". The mohawk-ed kids went ape, and a wall of death, which was later faux-mocked by Municipal Waste when they initiated their own wall of death, was called upon by vocalist Jorge Herrera.
On the Orange stage, I managed to catch Woven Bones, The Appleseed Cast, and Jeff The Brotherhood. Jeff The Brotherhood is a staple of the small stage in NYC, so it was a bit odd to hear that guitar tone blaring out of 50 feet of PA speakers. Odd, but no less fun/impressive.
Along with Municipal Waste, Big Freedia was another one of my favorite sets of the day. Her nonsense odes to ass, ass, and ass-clapping were a pure sugar-rush and left 90% of the crowd in hilarious amazement and the other 10% with a big old "WTF" look. The Freedia set was tamer than her usual appearances, but no matter, it was still much fun and much booty-shakin. Dam-Funk would also get the crowd moving on that same stage hours later.
Seeing Big Freedia meant missing a good portion of Cap'n Jazz, who announced on stage that Fun Fun Fun would be their last show. Unbelieveably kinetic and powerful, Cap'n Jazz reminds me that emo is short for "emotional" and not just a psuedonym for pop-crossover. Mesmerizing and awesome.
Sunday (11/7) was a late start for me, so I got to the venue to see the tail end of Junius (who played 2nd, after Eagle Claw on the Black Stage). They're a band I'm very familiar with for their latter-Isis crunch-and-clean vocals steelo. It was surprisingly the next band that really got me going: Peelander-Z. With a large crowd looking on, Peelander-Z delivered an incredible mix of energy, stage presence, audience participation, fun and simple song-craft, and plain old good times. They played from the crowd. They stage dove. They led the audience in a giant game of limbo. They had a footrace. Totally fun.
I have a lot of recent experience seeing OFF!, High on Fire, Kylesa, Floor, Mastodon, and The Bronx, who all played the Black Stage that day. All gave predictably excellent shows though Kylesa in particular seemed a bit more energetic that usual (lots of Laura pogoing). It might have been the fact that FFF marked the end of their US tour with Torche and High on Fire, but they were particularly good on that sweltering Sunday afternoon. Floor was great as usual, though I enjoyed them more at Red 7 later that night... possibly because their music felt like a bookend to a great weekend. Both High on Fire and Mastodon's setlist delved into all of their recorded efforts which, as a long time fan, was comforting.
I'm not particularly scared of anyone, but Human Furnace of Ringworm gives me the shakes. His gravelly voice propels the rest of the Clevo-hardcore band forward and blew my mind that afternoon. They were one of my highlights of the day, and if I had only seen them and Snapcase on Sunday, I would have been content.
If my dad listened to modern music anymore, he would go apeshit for The Hold Steady. The band cranked out a crunchy Springsteen-esque set and sounded better than I have ever heard them before. Though they were killing on the Orange stage, I made the hard decision to bounce to catch the rest of Suicidal Tendencies' set.
Nothing against Mike Muir, but he isn't in the same shape that John Joseph of the Cro-Mags is (Muir and the rest of the known universe). No matter, it doesn't stop him from zigging and zagging back and forth on stage as the rest of Suicidal Tendencies runs through hits like "You Can't Bring Me Down" and "I Saw Your Mommy". High energy stuff; I can't imagine running in circles while trying to recite the words to "Institutionalized". Catch Suicidal and Cro-Mags together at Terminal 5 on November 14th.
If I was to pick two of my favorite sets from Sunday, the winners easily go to Snapcase and Descendents. Snapcase was brutal, technical, confrontational, and totally fun; the crowd gave back every ounce of energy that the band put in. From the opening notes of their third song, "Zombie Transmission" from Progress Through Unlearning, I knew that this was going to be a highlight. We need more shows from Snapcase.
Descendents, who we also need more shows from, are one of the few bands that pass my "no clean vocals in punk rock" test. Their songs are funny without being goofy, melodic without being overtly pop, and driving/hard when they want to be. Classics like "Suburban Home", "Bikeage" and a good portion of Somery, "Everything Sucks" and many of the highlights from that LP, and tons of others all made their way onto the setlist that night. And yes, the band made sure to fit in "All" and "Weinerschnitzel". Too fun, and though I left Mastodon early to catch them, I have no regrets.
As far as pictures go, we already split the fest up into ten other posts, my pictures from Saturday included. This post is number 11 and it includes all my pictures from Sunday (and it is our final set of Fun Fun Fun pics from this year) which continue, below...
Madeline Follin of Cults & Bethany Cosentino of Best Coast
It was like a buzz band explosion on Sunday when Bethany of Best Coast, who were playing the same stage later, came on stage during Cults' set to lead the crowd in singing "Happy Birthday" to Cults member Madeline Follin who then wished Toro y Moi, who played the same stage earlier, a Happy Birthday as well. Cults were good too. I didn't see any of Best Coast's actual set, though Tim did.
The reason I missed all of Best Coast's set was due to the veggie hot dog eating contest happening on the Yellow Stage. I first met Mike Litt in 2008 when we partnered on a SXSW day party (which was also in partnership with Transmission who puts on Fun Fun Fun). At the time, I didn't know much about Mike except that he was vegan, a bit of an activist, a local Austin event promoter, and that he was responsible for throwing an annual veggie hot dog eating contest every July 4th in Austin. And it was those reasons that made me immediately want to start working with him and we've stayed in contact each SXSW since, and so there was no way I was missing this special edition of his veggie dog eating contest which was happening right at the festival (not to mention I've seen Best Coast multiple times already, I've seen the Bronx, and I wasn't really planning on catching P.O.S. who was also on at the same time).
And I wasn't alone. A healthy size crowd showed up to view the grossness. Unfortunately there were too many contestants to fit at the table on the stage (forcing them to, at the very last minute with the timer ticking, add a 2nd table in the back for more contestants who couldn't be seen by most of the crowd), and there were a lot of introductions and comedy at the beginning that included getting volunteers from the crowd, plugging local comedy shows and musicians, some guys playing the National Anthem, and all the setup of plates and hot dogs and cups of water (not necessarily how you want to spend your valuable music festival minutes), but all in all (after a bit of anxiety waiting for the actual contest to begin), it was a good time, a rare break from the music for me, and for a worthwhile cause (I think). I (literally) love Mike Litt.
photos by Lionel Bergeron
Craig Finn & Frightened Rabbit
Just hours before Saturday night's Frightened Rabbit show, I wrote "The Craig Finn duet audio is still not available." That is no longer true, though the audio now available is the live audio from the part of the Terminal 5 show where The Hold Steady's Craig Finn came on stage and sang "Don't Go Breaking My Heart" live on stage with the headlining band during their encore (video below). The excitement continued after that when Frightened Rabbit invited up costumed crowd members, of which there were many in attendance since the show's date was October 30th.
Plants & Animals and a very stylish looking Phantom Band (who recently played our Friday CMJ day party) opened the show. More pictures with Frightened Rabbits' setlist and the videos, below....
photos by Chris Graham
"At the sold-out Sasquatch, bands holding down the headliner spots haven't necessarily turned out to be the biggest draws. Sure, My Morning Jacket played to a mostly packed house on Saturday, and Massive Attack was overwhelmingly solid on Sunday despite a not-so-full amphitheater floor, but the band drawing the most populous, most stoked, most deserved gathering was unquestionably Vampire Weekend." [SPIN]Pictures of Vampire Weekend, My Morning Jacket, and the rest of Day One of this year's Sasquatch Festival (which just went down over Memorial Day Weekend), below...
words by Andrew Frisicano, photos by Jessica Amaya
"About to see the hold mother fucking steady at music hall of wburg. I've been drinking all day in preparation." - David Chaitt
The Hold Steady hosted a pair of NYC shows on Saturday (4/17) to celebrate their new album, Heaven Is Whenever, out May 4th, and its limited Record Store Day release earlier that day (miraculously, the album remained unleaked up to that point, so those that braved the line for one of their store's 5 or so copies were the first to hear it). Now it's legally streaming in full online.
The shows were also a chance to show off the band's new touring members - guitarist Steve Selvidge (ex-Lucero) and keyboardist Dan Neustadt (ex-The World/Inferno Friendship Society) - who replaced key player/accordionist Franz Nicolay, and who'd been with the group for less than two weeks.
The late crowd at Music Hall of Williamsburg (the earlier show was at Bowery Ballroom) were part enthused revelers, part intent observers. Those up front were going wild.The set mixed old and new - "Massive Nights," "Stevie Nix," and late-in-the-set "Stay Positive" came off riotously, while the newer, more neat and polished songs like "The Weekenders" and "Rock Problems" were more subdued (time will tell how those play live post-release).
The band seemed sober and focused, a good or bad thing depending on your perspective. Craig Finn raised a sole bottle of beer to end the night, "I think I've earned this." (Compare to the two NYC shows by LCD Soundsystem a week prior, with frontman James Murphy demoing his new album blissfully shitfaced.) With the new album, the Hold Steady have clearly done some growing up. Appropriately, their next show set for New York will be at the regal, seated Beacon Theatre on October 7th.
NYC Taper has a recording of the Bowery show. More pictures from Music Hall of Williamsbug and both setlists below...
The Hold Steady have updated their tour schedule, which already included a NYC show at the Beacon Theatre on October 7th, with two more NYC gigs on Saturday, April 17th. That night they play an early show at Bowery Ballroom with J-Roddy Walston And The Business, and a late show at Music Hall of Williamsburg with The Oranges Band. Two shows. One night.
Early show tickets and late show tix go on "Internet Presale" today (2/12) at 4pm. The presale is for people that bought tickets to Beacon, but it seems reasonable to believe that it might just be a password that anyone can enter. General sale starts Wednesday (4/14) at 10am.
Speaking of the Beacon show, tickets are also still on sale.
The new record, Heaven Is Whenever, comes out May 4th. Tracks from it (including the newly leaked "Barely Breathing") are below...
We'll get a more complete press release in the morning (and confirm what is listed below is 100% correct), but in the meantime below is a picture of the 2010 Sasquatch poster (that someone Tweeted) and the lineup as read by Bradford Cox at tonight's Atlas Sound show in Seattle (and being listed all over the Internet)....
DOWNLOAD: Pearl and the Beard - Lost In Singapore (w/ Franz Nicolay) (MP3)
Franz Nicolay w/ Hold Steady @ Coachella '09 (more by Darren Kim)
You should know: I've left The Hold Steady. I told the band I'd be leaving in early September, played my last show with them in Minneapolis around Thanksgiving, and dotted the t's and crossed the i's this week. Five years seemed like a nice round number. Thanks to everyone who was a part of the experience, especially the Unified Scene, who are nice folks. I'll see you all soon in any case. [FranzNicolay.com]Franz goes on to list the bevy of projects that've been keeping him busy: a story collection called Complicated Gardening Techniques, a new CD with Mischief Brew & Guignol Fight Dirty, his own solo EP (a follow-up to his 2009 LP Major General), production work with The Debutante Hour, and a World/Inferno barbershop EP.
Franz has some solo shows coming up (in addition to his collaborative projects). He plays Knitting Factory on February 26th for a show with Tim Fite and Toronto band Zeus. Tickets are on sale. He'll also be touring the UK in March.
In 2009, he collaborated with Pearl and the Beard, putting accordion to the track above, off their album God Bless Your Weary Soul, Amanda Richardson. Pearl and the Beard have a show coming up this weekend, Saturday, January 23rd at Mercury Lounge, where they'll play with Xylos, Team Genius, Echo Station, The Static Jacks and Valerie June. Tickets are on sale. Their "Will Smith Medly" video is below, along with some Franz videos and all tour dates...
by Andrew Frisicano
The Hold Steady @ Rothbury Festival in July (more by Graeme Flegenheimer)
Craig Finn and Tad Kubler of The Hold Steady, along with author Chuck Klosterman, will be the featured guests at this month's Radio Happy Hour at (Le) Poisson Rouge on Saturday, November 14th (2pm). In past months, the live variety show's hosts have included Andrew W.K., Norah Jones and TVotR's Tunde Adebimpe. Clips of those past shows are below. Tickets are on sale.
Interestingly, Finn is in the process of co-adapting Chuck Klosterman's 2001 memoir Fargo Rock City with writer Tom Ruprecht (of the David Letterman show). It should also be noted that Finn & Kubler's pre-Hold Steady gig Lifter Puller will get its entire catalog of CDs re-released online on December 1st, along with a new book titled Lifter Puller Vs. the End Of and a single/rarities collection.
After Radio Happy Hour, you can catch their Hold Steady bandmate Franz Nicolay at Southpaw for "HARTZVEYTIK! A Heartbreak Survival Society Social." Also on the bill are The Low & the Lonesome, Ariel Schrag, Royal Pink, Soft Power (feat. Mary Timony) and The Shondes. There will be vegan cupcakes. Tickets are on sale.
Then, on Thursday, November 19th, see rock cultural criticism godfather Greil Marcus when he appears uptown at Columbia University's Altschul Auditorium (417 International Affairs Building, 420 West 118th St) at 6pm. The event is a "lecture-performance" for the 20th-anniversary re-release of his book Lipstick Traces: A Secret History of the 20th Century, out this month. The book deals with "the cross-currents, tangles, and whirlpools that made such vastly different movements as dada, lettrism, the Situationist International, and punk part of a single current." The event is free and open to the public. A video of Marcus discussing his 2006 book In The Shape of Things to Come is posted below. Greil Marcus wrote the book on Bob Dylan (actually a few of them) - the same night Dylan plays the last show of three shows even further uptown at United Palace Theatre.
Franz Nicolay has more upcoming tour dates, including a show at Mercury Lounge on November 16th (tix). Those and "Lipstick Traces" videos, and the flyer for that event, below...
photos by Graeme Flegenheimer
"It took Patricia Mudnich and Joshua Garcia two weeks, driving their RV about 3,100 miles in a winding route from Santa Cruz, Calif., to arrive at the Rothbury music festival in West Michigan.Rothbury happened July 2-5. Here are some (NSFW) pictures & videos...
Cool weather and a short wait in line after the campground opened Thursday morning didn't faze them in the least. The diehard fans of The String Cheese Incident -- the popular jam band which plays its only reunion show of the summer at the second-year festival Friday -- were all smiles.
"The lineup was so impressive, we could not turn it down," said Mudnich, 41, a high school English teacher who estimated the couple spent more than $2,100 on the long trip, including festival tickets, gasoline and side trips to tourist spots such as Yellowstone National Park and Mount Rushmore. "I used to go to these festivals all the time, but now I can only fit it into the summer."
For devoted rock fans flocking this week to the remote Double JJ Ranch from far-flung places across the United States and beyond, Rothbury has become THE summer destination.
Drawing an estimated 30,000-plus people again this year, many of the festival's devotees have logged impressive road and air miles to see their favorite bands -- from The Dead to STS9 -- with clusters of enthusiastic, colorfully adorned fans making the journey from Vermont, Florida, Texas, Nevada, Colorado and all points between in everything from compact cars and pickups to dilapidated Volkwagen vans and old school buses." [Mlive.com]
photos by Tim Griffin
DOWNLOAD: Deer Tick - Easy (MP3)
Deer Tick @ MHOW 6/9 (more by Tim Griffin)
Deer Tick played with Jenny Lewis earlier this summer. She then played a free outdoor 4th of July show. Deer Tick fans will also get a free outdoor NYC show this summer, but that's not until August 7th. That's when the band play with Grace Potter & the Nocturnals at Prospect Park.
Prospect Park will be free, but it will also only be an opening set. The real show is tonight, July 24th, at Bowery Ballroom with Dawes and These United States. Tickets are still available.
If you miss it, but still want to catch Dawes (or you want to see Dawes again), they're also headlining their own Sunday night show at Union Hall in Brooklyn with Childe and the Seedy Seeds. Tickets are on sale.
These United States also have a show (actually shows) coming up at Union Hall, but not until August 28th. That's when they play an early show (with Vandaveer) and late show (with Motel Motel). Tickets for the early set, late set and both are on sale. These United States recently played an opening set at Prospect Park too. Pictures from the show with Dr. Dog and Phosphorescent are below.
Deer Tick's second album, Born on Flag Day, which came out in June on Partisan Records, has been getting the band some big-name attention -- they were recently awkwardly interviewed by NBC's Brian Williams, who claims to be a big fan and seems to be a fan of iTunes too. See that interview below. Popmatters, in their review of the album, say that "John Joseph McCauley III is a man's man" and that "He has little patience with the Ben Gibbards and Justin Vernons of the world--in fact, he sounds like the guy who stole their wallets and fucked their girlfriends." "Easy" from that record is posted above. Daytrotter and LaundroMatinee both have new live sessions available for free download.
Justin Vernon will be back in NYC in January. No update for Ben Gibbard.
Deer Tick are one of the bands on the bill for The Positive Jam, an all-day outdoor show happening in Ithaca, NY's Stewart Park on September 6th. Headlining will be the (namesake) Hold Steady, with The Felice Brothers, The Rural Alberta Advantage and others. Tickets are on sale. The poster is below.
The Rural Alberta Advantage, one of the bands in Ithaca, will also be playing a free show at the Music Hall of Williamsburg on August 4th. The Dig and Hollerado have been added to that Brooklyn show as openers.
A set of Deer Tick videos (including the Brian Williams interview), photos of These United States, all tour dates for all bands, and a Positive Jam flyer, below...
Public Enemy @ Roots Picnic (more by Tim Griffin)
WARREN, NJ, June 24, 2009 Speculation and predictions that have filled blogs and discussion boards can be put to rest. The Virgin Mobile Festival is returning, but with a catch. It'll be free.Weird lineup.
Virgin Mobile USA, creator of one of the largest and most critically acclaimed music festivals in the U.S., announced today that it would host the 2009 Virgin Mobile Festival on Sunday, August 30, at Merriweather Post Pavilion in Columbia, Md., free of charge. All tickets will be given away, and previous Virgin Mobile Festival ticket buyers and Virgin Mobile customers will have the first crack at securing the 35,000 tickets.
The move celebrates both a giveback to music fans in a bad economy as well as an effort to solicit donations to homeless youth agencies in need around the country via The RE*Generation, Virgin Mobiles charitable arm. Most sponsors, including premier sponsor Kyocera Communications, will be building awareness for the cause in their marketing efforts around the festival.
"Instead of focusing on layoffs or the state of the economy, we want to focus on concrete ways to provide assistance to those in need", said Dan Schulman, CEO, Virgin Mobile USA. "People need outlets to both lend a helping hand and to escape and relax, for free, even if just for one day. We want to throw some good news in the mix".
The 2009 Virgin Mobile FreeFest will be hosted on the beautiful, 40 wooded acres of Merriweather Post Pavilion. The grounds and facilities of Merriweather will be expanded to accommodate the multiple stage and dance tent set-up from prior Virgin Mobile Festivals. Those scheduled to appear at this years FreeFest include Weezer, Blink-182, Franz Ferdinand, and Public Enemy, Jet, The National, Girl Talk, The Bravery, The Hold Steady, St. Vincent, Wale, and Taking Back Sunday, as well as dance tent favorites that include HOLY F*CK, Pete Tong, Danny Howells and Lee Burridge.
Press release continued, with ticket info and more funny quotes, below....
Hold Steady @ Bowery Ballroom - June 8, 2009 (Photo by Alex Reside)
tonight in NYC
* Booker T. @ Joe's Pub
* Gil Scott-Heron @ SOBs
* Olof Arnalds @ Sycamore
* Julianna Barwick @ Pianos
* The Budos Band @ Stuy Town Oval
* Antibalas @ Rock Off Boat Cruise
* The Mummies, The Back CC's @ Southpaw
* Bloodhorse, Medusa, Pollution @ Union Pool
* Eric Clapton and Steve Winwood @ Izod Center
* Survival, Exactly, Gates of Heaven @ Glasslands
* Deastro, The Upwelling, Le Mood @ Mercury Lounge
* Elvis Costello and the Sugarcanes @ Beacon Theatre
* Vernon Reid, Jamie Saft's Burning Genitals @ The Stone
* The Hold Steady, Gost Trio @ Music Hall of Williamsburg
* Rooftop Films w/ Glass Ghost @ Brooklyn Tech High School
* Apostle of Hustle, Forro in the Dark, Brian Bonz @ Bowery Ballroom
* Vision Festival w/ Marshall Allen, Sun Ra Arkestra @ Abrons Arts Center
* The Decemberists, Robyn Hitchcock & The Venus 3 @ Radio City Music Hall
* Brightblack Morning Light, Mariee Sioux, Zomes @ The Studio at Webster Hall
* Zambri, The Drums, Last Year's Model, The States, Do You See The Dark @ Annex
* John Medeski/Billy Martin/Charlie Hunter/John Ellis, Big Sam/Joe Russo/Otis Grove @ Sullivan Hall
Stuyvesant Town's weekly Music in the Oval series starts tonight with a set by The Budos Band.
Deastro plays Ghostly International's 10-yr Anniversary Bash on Friday June 12th, as part of the Northside Festival. Catch them tonight at the Mercury Lounge.
Eugene Mirman gave this year's commencement speech at his alma matter, Lexington High School. Yes, that's the same school that produced Amanda Palmer's "With the Needle That Sings in Her Heart" earlier this year. Video of the speech, below...
Fanfarlo are offering their new album for $1.00. Video below...
Back in April we posted an interview with Jonah Matranga who is putting out a new Far album, and playing Mercury Lounge solo on May 21st (tickets). Since then he added a NJ show at Maxwell's. That happens to be TONIGHT (5/19). Tickets are still available.
Poison the Well is co-headlining every date on a "10 For $10 summer tour" - ten bands for $10. Bands will vary at each stop.
Freddy Cricien of Madball said, "This 10 for 10 tour concept is way overdue in my opinion. I'm glad and thankful, that the people involved, stepped up to actually make something like this happen! Our genre (Hardcore) in the states, is in a "strange" place right now. There is somewhat of a lack of appreciation for this "sub-culture". A lot of people want to say they know certain bands, or are affiliated with this underground scene,etc,etc... Because it gives them some credibility, it sounds cool! Well, this is everyone's chance to re-introduce themselves, and actually get involved with a very unique and authentic genre/movement. It's also a chance for all of us, the bands, to show our stuff as well!"Tickets are now on pre-sale for the tour that stops at Starland Ballroom (NJ) and Terminal 5 (NYC). NYC (tickets on sale Friday) gets Madball, Poison the Well, Terror, Vision, War of Ages, The Ghost Inside, Death Before Dishonor, Trapped Under Ice, Crime in Stereo, and This is Hell. NJ (tickets on sale Friday) has VOD (Vision and Vision of Disorder on the same bill) instead of Madball.
Tickets also recently went on sale for H2O, Sick of it All, Agnostic Front, and many other shows. All 10 for $10 dates below...
The Hold Steady @ Terminal 5 11/6/08 (more by Chris La Putt)
All four of the Hold Steady's scheduled NYC shows, June 8th - 11th, have sold out, though the group's second Music Hall of Williamsburg show (Thursday, June 11th) is part of the Northside Festival, which still has badges available.
Openers for those shows are Right on Dynamite (6/8 @ Bowery Ballroom), Mischief Brew (6/9 @ Bowery Ballroom), Gost Trio (6/10 @ MHOW) and Hype of the States (6/11 @ MHOW).
The Hold Steady's other upcoming dates include them playing as openers themselves for the Counting Crows (in the UK in May) and the Dave Matthews Band (in the US in June).
The band also just announced some new headlining dates including a Friday, July 24th show at the Starland Ballroom in Sayreville, NJ. Tickets go on sale Friday, May 15th at noon.
The Sayreville show is then one day before the Hold Steady play a show further south at the 2009 XPoNential Music Festival. The three days fest runs from July 24-26 at Wiggins Park at the Camden Waterfront. Yeasayer, Peter Bjorn and John, Aimee Mann, and many more artists are on the bill.
Complete fest lineup, and all Hold Steady tour dates below...
The Twilight Sad @ MHOW last night (more by Ryan Muir)
tonight in NYC
* Tribeca Film Festival
* Bowerbirds, Bell @ Monkey Town (early & late)
* The Dead w/ Branford Marasalis @ IZOD Center
* Youth Group, The Picture, Major Leagues @ Pianos
* Mogwai, The Twilight Sad @ Music Hall of Williamsburg
* Alkaline Trio, Saves The Day, Single File @ Highline Ballroom
* Throbbing Gristle, Alan Vega, Emeralds @ Brooklyn Masonic Temple
Papercuts' new video for the track "Future Primitive", below...
Julie Doiron played Cake Shop the other night. Video below...
Somebody put Andy Milonakis, Fucked Up, and The Hold Steady in a blender and transported the output to a high school party in Austin, TX. Video below..
The Hold Steady @ McCarren Pool (more Kyle Dean Reinford)
"We're excited to announce that the Hold Steady's show on Thursday, June 11, at the Music Hall of Williamsburg, has been added to the official Northside Festival lineup. So if you were taken off guard when the shows sold out in minutes flat, we've got your back. All you need to do is pick up a badge ($45, on sale now) and make sure you get to the venue on the early side." - Northside Festival
The other Northside shows happening at the same venue, are listed HERE.
the Hold Steady @ the Mohawk during SXSW (Angelina M)
I didn't catch the Hold Steady show at Irving Plaza in NYC last night (3/30), but I was at the one pictured above which took place Friday night, March 20th, at the Mohawk in Austin for SXSW. The packed show was in a relatively small venue. And as you can kind of see a piece of in the picture, everyone was having a good time during the energized performance. One review says...
"The Hold Steady: Renowned for its prowess in concert, Craig Finn and company are still touring behind last year's superb Stay Positive. Shortly after midnight, Finn strolled onto the tiny stage at the Mohawk, waved to the fans overhead and those in front, picked up his guitar and let fly. For the next 60 minutes and change, the Hold Steady affirmed its standing as one of America's greatest living rock bands, a no-fuss yet deeply poetic group that simply speaks from the heart." [Star-Telegram]And speaking of small venues, the band, who has already co-headlined the very big Terminal 5 (with a band who has 5 shows coming up at the much, much smaller Mercury Lounge), will return to the medium-sized Bowery Ballroom on June 8th, and then play a 2nd NYC show at the same-sized Music Hall of Williamsburg two days later. Tickets ($20) for both shows will be on Am Ex presale Wednesday at noon, and then regular sale on Friday.
And about last night...
The Hold Steady has become an unstoppable rock machine, with a catalog deep enough for the band to peel off song after powerful song in concert without getting to them all.The band's new live/documentary CD/DVD, A Positive Rage, is out April 7th. All tour dates below...
That about sums up the Hold Steady's performance Monday night at the Fillmore NY at Irving Plaza, on the second night of an extensive spring/summer tour. Playing to a packed house, the band drew from all four of its albums, with a particular emphasis on last year's "Stay Positive" and the group's first record, 2004's "Almost Killed Me."
Whatever the song, singer Craig Finn did his moppet dance while he sang, waving his arms around and gesticulating wildly while Tad Kubler cranked out huge, joyous guitar riffs like they were some kind of gritty rock 'n' roll astringent, good for a soul-scouring deep-cleanse.
And they were: the crowd sang along throughout, clapping out a staccato rhythm on some songs and pumping their fists on others, all to Finn's evident delight. [listen, damnit]
The name Rothbury confuses me. I immediately think it's a European festival, but in fact, the jam-band heavy music festival that premiered in 2008 takes place in Rothbury, Michigan. This year's lineup was just announced...
The Dead (their ONLY summer appearance!), Bob Dylan, The String Cheese Incident, Willie Nelson & Family, and The Black Crowes will top the bill of over 60 diverse and stellar artists at the second annual ROTHBURY Festival at the Double JJ Ranch in Michigan on July 2-3-4-5, 2009.Full lineup below...
Also on the bill are Damian "Jr. Gong" Marley & Nas, STS9 (2 shows: full band/Live PA Set), G. Love & Special Sauce, Gov't Mule, Broken Social Scene, Cold War Kids, Matisyahu, Guster, Les Claypool, Chromeo, Girl Talk, The Hold Steady, Ani DiFranco and many others.
by Andrew Frisicano
(Tinmariwen photo by Thomas Dorn)
The six members of Tinariwen...are Tuaregs, a nomadic people spread across the Sahara who staged fierce, unsuccessful rebellions during the 1990's in Mali and Niger.Tinariwen are planning an April US tour that includes a Friday, April 24th show at NYC's Le Poisson Rouge (tix on sale) as well as a stop at this year's Coachella fest on April 18th. All dates below.
Tinariwen was formed by exiled Tuaregs in a refugee camp in Libya. A Tuareg rebel leader from Mali bought the band its first electric guitars and amplifiers and used its songs for propaganda during the rebellion. A decade of uneasy peace later, Tinariwen sings stark, hypnotic songs about the harshness of desert life and a still-smoldering rage.
With electric guitars replacing more traditional lutes, the songs can suggest the kind of bleak one-chord blues that John Lee Hooker played - music with African origins that has been reworked again in Africa. Every so often, Tinariwen's choppy guitar chords create a kind of North African funk....Yet the power of Tinariwen's music comes not from its modern elements but from its ageless ones: from the Arabic and North African turns of the melodies, from the way terse lines add up to propulsion and profundity, from the austere power of the drone. Although the lyrics are often melancholy, there's no self-pity, just a spartan determination. Most of the singing was done by the group's five men, but in "Aymana," men intoned an overlapping drone note while the voice of a female singer, Mina Walet Oumar, rose above them, sharp and incantatory.
Tinariwen's music seems inseparable from its origins. With the drones and circular patterns, songs can extend like sweeping desert landscapes. And like a nomad traversing those sands, Tinariwen's music carries only essentials and needs nothing more.-[NYTimes, on Tinariwen's 2004 Joe's Pub show]
Last year, Tinariwen re-released its 2007 album Aman Iman (translated: Water Is Life) on vinyl on the UK's Independiente label (streaming here). In 2008, Craig Finn and Tab Kubler of The Hold Steady referenced Tinariwen in a Times' "Playlist" article. Kubler said, "Their approach to the electric guitar is radically different from anything else I've ever thought of before. It sometimes makes me feel like I'm not exposing myself to things that might make me become a better player or enjoy music on a different level." (The Hold Steady have some dates of their own coming up too.)