Entries tagged with: The Young
To quote SXSW:
SXSW is proud to announce an interview with Syrian artist and cult international legend Omar Souleyman on March 15th from 5-6pm in ACC room 16AB. Omar will speak with Daily Dot Editor Austin Powell about the issues surrounding the devastating conflict in his home country, the evolution of the Syrian music landscape, and what the future may hold for himself and artists like him.This show is one of three BrooklynVegan-presented nighttime events at SXSW this year, and is in addition to our day parties.
Later that evening Omar will be joined by the amazing Black Lips, Deer Tick and more in a special performance at a Red Cross benefit aptly named Our Heart Aches For Syria. The show takes place at Long Center For The Performing Arts beginning at 9pm on Friday 3/15 after the Flaming Lips Auditorium Shores show. Donations are $10 with all money going to the International Red Cross's Syrian Arab Red Crescent. Please join us for a spectacular evening for a great cause. THIS SHOW IS OPEN TO THE GENERAL PUBLIC
More details on the Omar events, full lineup and the flyer below...
As mentioned before, Chicago's Radar Eyes are playing Cake Shop on Saturday (11/10) and the whole bill is actually pretty interesting, with Timmy's Organism, The Young and Reptiles playing as well.
Timmy's Organism is Timmy Vulgar from Human Eye and Clone Defects and anyone familiar with those bands knows what to expect: down-n-dirty (and just a little glammy) rock n' roll. Where 2010's Rise of the Green Gorilla was more of a solo affair, the brand-new Raw Sewage Roq is a full band onslaught and you can stream it below via Spotify. In addition to the Cake Shop show, Timmy's Organism play tonight (11/9) at Bed-Stuy spot The Lone Wolf with Foster Care, Pampers, Spewing Gum and Degreaser. More info on that show is here. All dates are listed below.
Austin, Matador-signed band The Young (who now have Lucas Wedow on bass), meanwhile, are also on tour and will also play Sunday (11/11) at Cameo with Eraas and London band Dignan Porch. All tour dates are listed below. UPDATE: The Young just released a Belle & Sebastian cover which you can also now listen to below.
And rounding out The Cake Shop show is Reptiles from Australia who meanwhile play Don Pedro tonight (11/9) with Flying Teeth and Toxic Lipstick. Maybe you saw them at Union Pool on Tuesday? (They were supposed to play Lit on Halloween but you know how that went.) You can check out the sludgy riffs on their Ciao-a-Bunga! LP below.
Radar Eyes still have 11/11 as NYC TBA, no new info yet, but you can check out the rest of their tour dates in our previous post. Everyone else's and streams and stuff, below...
Chicago psych-garage rockers Radar Eyes launch a tour next week that will bring them to NYC for a show at Cake Shop on November 10 with The Young, Reptiles and Timmy's Organism. They'll be in town the day after (11/11) as well for a show at a venue TBD. In the meantime, the band are readying two new 7" singles that will be released this fall by HoZac and Addenda records, respectively.
Meanwhile, you can stream their self-titled debut from earlier this year below which is recommended for fans of '80s New Zealand, Spacemen 3 and other trippy, noisy sounds.
All Radar Eyes tour dates are listed below.
DOWNLOAD: Eraas - "Briar Path" (Remix) (MP3)
Eraas at Knitting Factory, 10/04/2012 (more by Amanda Hatfield)
Black-clad Brooklynites Eraas are out tour for a few dates with Bear in Heaven, beginning tonight (10/24) at Johnny Brenda's in Philadelphia and will also play with BiH at the previously-mentioned show at Music Hall of Williamsburg on December 5 (tickets). Before that, as mentioned, Eraas will play Cameo on November 11 with Dignan Porch (who just played CMJ) and The Young. Tickets to that show are on sale now.
In the midst of all this activity, Eraas have taken a stab at remixing their own track "Briar Path" which brings the drumming -- a major element of their live show -- to the forefront. The remix makes it's premiere right here and is downloadable above. If you want to do a little compare/contrast you can hear the original (and the rest of their album) below, along with a list of all upcoming tour dates.
The Young at 285 Kent (more by Fred Pessaro // BBG)
The Young will tour the East Coast and Midwest following their appearance at Fun Fun Fun Fest 2012 in their hometown of Austin, TX. The trip includes two NYC shows: Nov 10 at Cake Shop and Nov 11 at Cameo. Details on both are on the way.
All tour dates are below alongside The Young's latest video, "Dance with The Ramblers," from their new LP, Dub Egg.
After teasing folks with a few names here and there -- like Run DMC most recently -- Austin's annual Fun Fun Fun Fest (Nov 2 - 4) has revealed it's full line-up, including Public Image Ltd, De La Soul, Superchunk, Santigold, Refused, X peforming Los Angeles, and lots, lots more. 3-day passes go on sale at 10AM CST.
Full FFF Fest lineup is below.
photos by Zach Pollack, words by Parker Langvardt
Thurston Moore/Shadowy Men.../Yamantaka//Sonic Titan at Sled Island, 6/22/2012
We started Friday (6/22) of Calgary's Sled Island Music & Arts festival at Broken City, where we caught the Toronto instrumental legends Shadowy Men On A Shadowy Planet, the secret headliners of an all ages Mammoth Recording Company show. Shadowy Men's first show in 18 years took place a couple nights before (6/20) at No. 1 Legion. Don Pyle played his hollowbody electric guitar with a twangy country edge, using the whammy bar heavily to provide the surf sound the band is known for. Bassist Dallas Good's bright tone had a slight distorted edge to it, helping to provide the sense of adrenaline in their performance, exemplified by "Having an Average Weekend" (aka the Kids in the Hall Theme, video below).
After a couple hours off, we saw Yamantaka//Sonic Titan at Grand Theatre Junction. The Montreal band's set was similar to their performance at Schubas in Chicago, where I saw them kick off their first North American tour, though it was much more polished. Near the end of the set the whole band broke into a hypnotic chant over rolling drums, with the occasional counter-chant from drummer Alaska. After "Hoshi Neko," they broke into the punishing and noisy "A Star Over Pureland". Yamantaka//Sonic Titan also played Saturday at the same venue after How To Dress Well."
Thurston Moore and his new band Chelsea Light Moving walked on stage, and Moore said, "We're the Cowboy Junkies," referencing the beloved, mega-selling Canadian folk-rockers. As a black and white video ran in the background, they began with the dissonant and crunchy "Pretty Bad" from Moore's 1995 album Psychic Hearts which ended, like a lot of Moore's work, with feedback and droning. Moore furiously vibrated his whammy bar and Samara Lubelski quickly bowed her violin. In the middle of "Ono Soul", Moore left his guitar feedback on his stage monitor to locate something as the rest of the band improvised noise. He casually wandered around the stage until he found a pair of sticks, which he used to scrape his strings before they fell back into the song. They then played their new song "Burroughs." One of the last songs I caught before heading to Feist was another new one, which I believe was called "Groove and Linda." Moore remarked that "all songs will be free this year until some record company makes product out of it, which may happen," and by "may happen," he means it will definitely happen courtesy of Matador Records. Videos of two songs are below.
I caught the last few songs of Calgary native Feist, who performed backed by female trio Mountain Man, as well as a drummer, keyboardist, and a guitarist/multi-instrumentalist. That said, most of the members were playing tambourine during the first song I heard. The show happened at Olympic Plaza, the outdoor main stage of Sled Island, which was a giant puddle after the rain that occurred earlier in the evening. Video from her set is below.
We headed back to Broken City for Dirty Ghosts, who also played at the venue earlier in the day before Shadowy Men On A Shadowy Planet. Guitarist and singer Allyson Baker played a lot of distorted off-beat chords over live bassist Erin McDermott's melodic lines, providing a positive feel to their punk sound. The Strange Boys closed the night with their country-tinged garage rock.
More photos from Day 3, plus a few videos, are below.
The Young / Census at 285 Kent 6/29/2012
Austin's The Young were in town last week for three NYC shows the last of which was at 285 Kent on Friday (6/29), where they were joined by Census, the punk-Americana of Nude Beach (who also played the night before at Tommy's), and country-inflected rock of Zach Cale & The Rain Band.
Having seen both The Young and Nude Beach before, the band that left the most impression was Census. Though the band features a member of Cults, Census has nothing to do with them sonically. 90s are clearly a hallmark for this NYC band, who lean heavier on shoe-gaze in their Smashing Pumpkins-style power pop. Excellent live show too, and though their output is extremely limited, you can download their EP at Bandcamp now and stream it below.
Perhaps the most important discovery of the evening... 285 Kent now has A/C! Despite the standing temperature/humidity outside, the space was a cool 74 degrees having just installed a major unit the size of a pair of refrigerators in the space. Its an infinite improvement for the space and a beyond pleasant surprise for such a notoriously hot space.
More pictures from Friday's show are below.
Milk Music at Death By Audio last year (more by BBG)
Milk Music's previously discussed NYC date at 285 Kent and appearance at Pitchfork has expanded considerably into a tour that will include the Northwest, Midwest and into the East Coast. Full tour itinerary is below.
Milk Music recently released "Violence Now," a track previously available on a small run of flexi discs that came with the NUTS! Fanzine. Check that out below. The band's EP, the late 2010 favorite Beyond Living, was recently released to iTunes for the first time (vinyl only before that) as well. Milk Music also recently made their Primavera performance available for download via WFMU.
Milk Music played this year's Great Escape festival in Brighton, West Sussex, UK in May 2012. The 2103 edition goes down May 16-18, 2013, and like this year will probably have 300+ artists at over 30 venues . Early bird tickets are on sale. No 2013 lineup yet though.
Nude Beach, who play with Milk Music at their 285 Kent show on 7/23, will meanwhile play both tonight (6/28) with White Lung at Tommy's Tavern and Friday (6/29) with The Young at 285 Kent. The show is the third of three shows for The Young in the NYC area (they play Maxwell's tonight, 6/28).
Milk Music tour dates and a stream of "Violence Now" is below.
The Young at Bar 96 for the BV official SXSW showcase (more by Tim Griffin)
The Young will kick-off a round of dates in late May with a few shows in their native Texas including Chaos in Tejas. They leave the Lone Star state on a North American tour later in June. The dates include the NYC-area in triplicate, kicking off with Mercury Lounge on 6/27 (with Purling Hiss), continuing to Maxwell's on 6/28 (with Purling Hiss) and ending at 285 Kent on 6/29. Tickets for Maxwells are on sale, while tickets for Mercury Lounge go on sale at noon on 5/2 and regular sale on Friday.
The shows are two of three in the area for Purling Hiss, who will also be on hand to support Blues Control at 285 Kent on 6/23 before heading out to snag dates with The Young. That June 23rd show will also feature appearances from Tonstartssbandht, Jordan Redaelli of Coconuts and DJ appearances from Brian Turner of WFMU and Paul Major of Endless Boogie. $10 gets you into this all-ages 8PM show. Purling Hiss is also heading out on the road with Wilco starting next week (but won't play with them in Prospect Park).
All Purling Hiss and The Young dates are below, along with a stream of The Young's recent 7", "Don't Hustle For Love" & "Why Feel Spooky?". Look for their forthcoming LP Dub Egg next week and preorder your copy at Matador.
photos by Amanda Hatfield
"Fun times at @brooklynvegan show last night. Shout out to @titus_ndronicus 4 saving the day. Best thin lizzy cover since Ted Leo." - Caged Animals
"Shouts out to Caged Animals from Hawthorne, NJ #973" - Titus Andronicus
Titus Andronicus @ Bar 96
One night after our Daniel Johnston show at the Belmont, and after a full day of bands on three stages at "Hotel Vegan", we hosted our 2nd official showcase of SXSW 2012, on Wednesday night (March 14). The venue was Bar 96 on Austin's Rainey St., and the lineup loooked like this:
8pm: Caged AnimalsNJ/Brooklyn's Caged Animals were great and had a decent crowd for being a relatively unknown band playing as doors opened to the six hour, mostly-badges-only show. Bill Pearis, who got to Austin right before this gig, wrote:
10pm: The Young
11pm: Screaming Females
12am: Andrew W.K. (full band)
1am: Titus Andronicus
"You can sit for the first two songs, but then lets get up and dance" said Vincent Cacchione of Caged Animals who opened the set. He played affable host, running into the crowd and dancing (and hugging people). Nice mellow start to my week.2:54, who had just come from being in NYC, followed, and clearly the recently signed to Fat Possum band has some serious buzz behind them because the room, which was actually an outdoor, astro-turfed backyard under a tent, filled up nicely for them. Many in the crowd could be heard talking in English accents. 2:54 call London home. Bill wrote:
After that it was 2:54 who have gotten exponentially better than when I saw them at Pianos last year, a much more confident band. I am a sucker for their dark, moody, shoegazy sound. Good set, though it was cut short a song by equipment problems.2:54's 2011 Pianos show was, completely coinedentally, also with Caged Animals which I forgot until I looked up the link as I was writing this post.
Then Bill left to go catch some other bands, and Austin's Matador-signed The Young, who also played Hotel Vegan the next day, took the stage. Bill was definitely not alone in leaving after 2:54's set, though many were hanging around in the various nooks and crannies of this spacious venue that includes good food, and tables wrapped around an entire house-turned-into-a-bar, adjacent to the backyard stage area.
Screaming Females @ Bar 96
That said, by the end of Screaming Females, the stage area was at capacity. The NJ 3-piece band led by pint-sized powerhouse Marissa Paternoster on guitar and vocals had the place rocking out and going nuts. The talent those three posess is truly mind-blowing, especially with a few Lone Stars in your system. I am positive that every single person at Bar 96 Wednesday night, if they weren't already, left a Screaming Females fan.
Andrew W.W. @ Bar 96
"He opened with "It's Time To Party," because it was time to party. He closed things out with a song that was also about partying. In the middle he urged us to party, and Cherie Lily, acting as the Fergie of the ensemble, handed out fist bumps. Sh*t, how do you even review an Andrew W.K. set? "He came out and was Andrew W.K. He continued to be Andrew W.K. until he left."" [UpRoxx]Mosh pits, fist pumps, and stage diving ensued for the 30+ minutes of Andrew's set. I could see Titus Andronicus frontman Patrick Stickles watching from the crowd, and I felt bad that he needed to follow that act, not to mention Screaming Females. It was only after the show that I noticed he was thinking the same thing, and I think he said something similar from stage, including a bit about feeling that way every night on tour with the Scremales (at this point I was completely wiped out from going for so long with almost no sleep and knowing I needed ot do it again the next morning).
Luckily for Titus, not only was there still a big crowd for their post-AWK, 1am set, they opened with a rousing cover of "The Boys are Back in Town" that got people going again. It was an awesome night.
Here are some pictures and a video of the mayhem during AWK. More below...
the flyer (with most of the bands playing on it)
BrooklynVegan is proud to team up with M for Montreal again for a FREE Day Party in Austin on Thursday, March 15th from noon-7pm at Hotel Vegan (one of BrooklynVegan's FOUR DAYS in the venue located at 1500 E. 6th St.).
I'll let this full three-stage lineup speak for itself...
Stage 1 (Hotel Vegas Outside)That's all Austin bands on the BV Austin stage. It's going to a very great day
12:00 Of Monsters & Men
12:45 Glen Hansard (of Swell Season & the Frames)
1:30 We Are Serenades (formerly Serenades, mem. Shout Out Louds)
3:00 Korallreven (mem. of the Radio Dept)
4:30 The Drums
5:15 The Wedding Present
6:15 This Will Destroy You
Stage 2 (Hotel Vegas Inside)
12:00 Half Moon Run
1:30 Cold Specks
2:15 Cymbals Eat Guitars
3:00 The Velvet Teen
3:45 Yellow Ostrich
4:30 The Jealous Sound
Stage 3 (Volstead) (BV Austin stage)
12:15 Love Inks
2:30 Ringo Deathstarr
3:15 Silent Diane
4:00 The Young
In addition to the completely free lineup of 24 bands playing on THREE stages, we will also have complimentary drinks courtesy of HobNob Wines, the official wine parter of our entire week of FREE PARTIES at Hotel Vegan (check out HobNob's Facebook page for free music downloads), and a hosted bar courtesy of Sailor Jerry
Special thanks to all of our partners and sponsors for making this party possible - including Vox, Blackstar and Korg, our official backline partners, as well as ASCAP, HobNob Wines, NadaMoo!, Sailor Jerry and M for Montreal! And special thanks to GBH Design for making our awesome flyer!
This is the first full day at Hotel Vegan announced. 2/3 of the Wednesday lineup is HERE. Friday and Saturday coming shortly.
DOWNLOAD: The Young - "Livin' Free" (MP3)
Screaming Females at Generation Records (more by Andrew St. Clair)
This March, Screaming Females, Titus Andronicus, and Diarrhea Planet are heading out on the 'Screaming on Planet Titus' tour which kicks off at The Stone Pony on March 4 in Asbury Park, NJ and ends with a Houston show on 3/12 before Screaming Females and Titus play SXSW. Tickets for the Asbury Park show are on sale now. All dates are listed below.
That Asbury Park show is the closest that the tour comes to NYC, but Screaming Females will play two more area shows in April as part of a longer, headlining tour. Those shows include Maxwell's on April 5 in Hoboken, NJ and The Bell House on April 6 in Brooklyn with Aye Nako, and Swearin'. Tickets for the Maxwell's show and the Bell House show are on sale now. Screaming Females also have a new video for "It All Means Nothing," the single off their great upcoming album, Ugly (due out April 3 via Don Giovanni). Check that video out below.
You can also catch Titus Andronicus frontman Patrick Stickles in NYC TONIGHT (2/29) at Shea Stadium with Alex Drewchin and Clapperclaw. The show is billed as "An Evening with Patrick Stickles: Songs, Stories & Spiels - An Affirmation of Manic Depression in all its Transcendent Glory."
Titus also have a new single out, and currently the only place to hear it is on Tom Scharpling's WFMU show at the 2:37:00 mark.
Both Screaming Females and Titus Andronicus will be playing the official BrooklynVegan SXSW showcase which happens on March 14 at Bar 96 in Austin. Our official showcase also includes Caged Animals, 2:54, The Young, and one more artist TBA (due to a cancellation).
Both 2:54 and The Young have (relatively) new MP3s. Stream those both below, and grab The Young's above.
Speaking of Diarrhea Planet, they've also got an upcoming NYC show in March at the Aputumpu Music Festival at Le Poisson Rouge on March 25 with Japanther, Cerebral Ballzy, Ghost Mice, Osekre and the Lucky Bastards, Liquor Store, and Eula. Tickets for that show are on sale now.
All dates, video, streams, and the flier for tonight's show below...
photos by Tamara Porras, words by Klaus Kinski
Kurt Vile @ Webster Hall
Last Friday was a pretty important day on three fronts. First and foremost, it was Veteran's Day. I won't bother going into one of my usual tangents and pontificate on the importance of honoring America's servicemen and servicewomen past, present, and future and how they have the scariest fucking job on the planet. Nope. Not gonna do it. Instead, I will jump to the second "important" aspect of last Friday. I put important in quotes because the element I speak of is actually not very important at all. In fact, it's quite trivial and lame and I pity the infantile adult mind who actually expended any energy in reveling in the fact that last Friday was 11/11/11. "OMG ALL THE NUMBERS OF THE DATE ARE THE SAME TODAY EVEN THOUGH THE FIRST TWO NUMBERS OF THE YEAR ARE ACTUALLY 2 AND 0 droollllllll." Yawn.
More importantly, Friday November 11th was important on a third front; it was the day that I finally got to see the great Kurt Vile and the Violators at Webster Hall. I know what you're saying; "But Klaus, you idiot! Kurt's played NYC like A THOUSAND TIMES! Kill yourself already!" And you're right, he has. And I am. And I won't... You see, Kurt is one of those dudes I have literally been unable to see for one reason or another any time he's played NYC. And I don't mean "literally" in the completely non-literal sense people use that word nowadays; i.e. "That joke was so funny I literally shit my pants" or "Yo momma's so fat when she fell into the Grand Canyon she literally got stuck". I mean I have literally been unable to see him. Ever.
Apparently the show wasn't sold out but the place seemed totally packed. And I am pretty sure Webster Hall broke the world record for having the most fog and hair in one place at one time that night. Holy smoke ring for my halo, Batman. Upon entering, I was handed a free commemorative Kurt Vile 11/11/11 45 RPM record which I will never play because I don't have a record player, but which I thought was a super cool thing to give out. I entered the live room about 5 minutes before Kurt went on so I missed the openers. How were they? Kurt and the Violators were absolutely incredible. They played about 16 songs, including one encore, and the crowd was just eating it up.
In the early part of the show, highlights included "Jesus Fever," "Runner Ups," and "Ghost Town." Kurt kicked it up a notch around the halfway mark with a pounding rendition of "Freak Train," which kicked off a fantastic second-half. After solo performances of "Pepping Tomboy" and "My Best Friends," The Violators closed out the main set with two more Halo songs "Puppet to the Man" and "Society is My Friend." After a brief encore break, Vile came out with drummer Mike Zanghi for a beautiful performance of "Baby's Arms." The full band then closed out a great 90-minute set with two songs from the So Outta Reach EP, "Laughing Stock" and a cover of Springsteen's "Downbound Train." -[The Swollen Fox @ the Philly show]Kurt has a very monotone voice that doesn't divert very far from its point A, but when you add it to such massive, and plodding melodies the experience is intense. The room was super dark and, as I mentioned, very foggy, with very little in terms of stage design and lighting. It made for a very dark and profound experience. I have a very limited musical scope these days, but Kurt and his Violators really hit me in a way that very few bands do. It has all these elements of grunge, 70s rock, jamminess, hairiness, moodiness, and darkness and they're all blended together and served as one unbelievable and unique musical experience. Fuck yes I will try to see him literally every time he hits NYC.
The NYC show fell the day befre Philly and three days before the release of Kurt's new So Outta Reach EP.
Support at Webster Hall came from from Widowspeak and The Young who also played Maxwell's with the Sonics the next day. Pictures from Webster Hall adorn this post.
If you missed Widowspeak (like Klaus did!), make sure to catch them at the BrooklynVegan Holiday Party on 12/17 at Bowery Ballroom with Twin Sister and Ava Luna. Tickets are on sale, and for a paltry $8! (stay tuned for more details).
More pictures from Webster Hall and Kurt Vile's setlist, below...
photos by Dominick Mastrangelo
The Sonics @ Maxwell's
"When I heard that The Sonics, already in the New York City area this weekend to play Norton Records' 25th anniversary festival at Bell House, added an afternoon show at Maxwell's, I decided to buy a ticket. After all, I'd missed their previous East Coast appearance at the Cavestomp festival in Brooklyn several years earlier and since they're not playing here in Philadelphia, this seemed like a no-brainer.The Sonics headlined the final night of the Norton Records part at the Bell House (that started on Thursday) late last night (11/13). Here are the pictures from their Saturday afternoon show at Maxwell's, with the now-signed-to-Matador The Young. They continue below...
Thankfully, this performance more than justified the $30 ticket price. The Sonics were in excellent form with keyboardist/lead vocalist Gerry Roslie (unfortunately obscured by the monitor on the right-hand side of the stage, so it was difficult to see him from where I was standing) trading off vocals with bassist Freddie Dennis (who sounded like a rawer John Fogerty!) and guitarist Larry Papyra firing off riffs with saxophonist Rob Lind in fine form as well. Roslie, in particular, was a revelation, since at almost 70 he still has the golden throat, a white, suburban Little Richard-like howl!
As for the setlist, the hour-long show featured basically all the classics from their '60s albums Here are the Sonics (the crown jewel in their catalog and one of the best '60s garage-rock albums ever), the terrific follow-up Boom and even a few from the much-maligned but still pretty good_Introducing the Sonics_. In other words, we got "Dirty Robber," "Boss Hoss," "Have Love Will Travel," "Cinderella," "Don't Be Afraid of the Dark," "Louie Louie," "Keep A-Knockin'" and of course their best-known songs "Psycho," "Strychnine" and penultimate, pre-"encore" (the band never left the stage) classic "The Witch", their still-incredible first single from 1965..." [Matthew Berlyant @ The Big Takeover]
by BBG, Bill Pearis & friends
Austin reverb-drenched, garage punk four-piece The Young are in town this weekend and have managed to get themselves opening slots on some notable bills: Tonight (11/11) they open for Kurt Vile and Widowspeak at Webster Hall (tickets still on sale); then tomorrow afternoon (11/12, 3PM) they play with Pacific Northwest punk legends The Sonics at Maxwells (sold out); and then again Saturday night they're at Union Pool with Endless Boogie AND Call of The Wild (ex-Awesome Color). They also play Philadelphia on Sunday (10/13). All dates are at the bottom of this post.
The band has a single and an album on Mexican Summer under their belt and have recently signed with Matador Records. You can check out a couple MP3s above from their Mexican Summer output which have more than a whiff of sneery, late '70s power pop/new wave/punk to them. Their Matador debut is due out early 2012.
All tour dates, the tour flyer, a live video and another song too, below...
photos by Tim Griffin & BBG, words by BBG
An uber-late Thursday night with Tragedy and Origin of M ruined me for Friday day shows (and daylight, for that matter), but I was not going to miss one of my favorite two-pieces, Iron Lung at Emo's outdoors on the 2nd day of Chaos in Tejas 2011 (June 3rd). The band was third on the bill that hot and sticky night. They played after Hatred Surge and Cider, and were followed by an amazing lineup of fast/brutal featuring Innumerable Forms, Extortion, Citizens Arrest, and the piece de resistance, a headlining set from none other than Autopsy. The show was a stark contrast to what was happeing on the inside state: Lower Dens, Milk Music, The Young, and Unholy Two. Allo Darlin' were supposed to play too, but they cancelled (their NYC shows seem to still be happenning though).
My "day" started with a mix of witty banter and powerviolence brutality from Iron Lung, the first of what would be several pits of the evening. The duo are bulldozer-strength despite their numbers, and incited stage dives & pits despite the early hour. After a set from the dependably great Innumerable Forms (though we need some new mat'l gentlemen!), which featured Justin of Mind Eraser backed by Mammoth Grinder, Extortion took the stage to play a fastball of a set to a highly responsive (and stagedive-y) crowd. The band's clean tone fast-core was great, and the band delivered a more powerful set than at Maryland Deathfest... possibly due to the lack of barrier?
Citizens Arrest followed Extortion. It was the NYC hardcore greats' last set in the foreseeable future, and the fans at Chaos in Tejas were definitely more receptive than the MDF bunch (also, barrier?). The show resembled the band's showing at Knitting Factory in December with plenty of stage dives, dancing, and general mayhem. Many of the dancing few were from band's themselves, so it was awesome to see members of great bands going apeshit just like the rest of us. Awesome set.
Autopsy headlined the evening, sitting comfortably in the middle ground between wide-eyed maniac and perfectly executed death metal veterans. The band played material from their latest Macabre Eternal, as well as earlier material during their hour+ set. From the moment that the band's intro music came on, the crowd was pressed up against each other in the front rows, with the audience swaying from side to side and front to back in the humidity. It was hot, but not hot enough for me to take my eyes off of Autopsy. Awesome set.
During Autopsy I poked my head into the Emo's indoor room where a sparsely populated crowd were enjoying Lower Dens (catch them on tour with Cass McCombs). I enjoyed the air-conditioning.