Entries tagged with: Thee Oh Sees
By Bill Pearis
I'm heading to the M for Montreal festival tomorrow which will keep me busy and entertained, but here's what I'll be missing this week while I'm there.
Like last night, Noel Gallagher's High Flying Birds are playing tonight (11/15) at the Beacon Theater and there are still (pricey) tickets available for the show. He'll then head to California for a few shows, and will be back in America in March (no NYC date yet). All Noel Gallagher's High Flying Birds tour dates are at the bottom of this post.
As someone who gave up on Oasis about two songs into Be Here Now, I was a bit surprised by how much I like Noel Gallagher's new album, which debuted at #1 on the UK album charts. While nothing strays very far from his wheelhouse, it sounds like he might have been saving up his best songs for himself. "Aka...What a Life!" is a dancefloor stomper that works surprisingly well, and the songs that revel in pomp and strings sound great loud. It's a good album. There are videos for "Aka...What a Life!" (featuring, um, Russell Brand) and "If I Had a Gun" at the bottom of this post and Spotify users can listen to the whole album.
Unlike Beady Eye, Noel has no problem playing Oasis songs (he did write them after all) so you're probably gonna get "Don't Look Back in Anger" and "Wonderwall" (and probably some deep cuts) along with the entirety of his new album. Actually, you can look at last night's setlist, and pictures too, HERE.
Los Campesinos! release their new album Hello Sadness today and are here for two shows: tomorrow (11/16) at Bowery Ballroom and then Thursday (11/17) at Music Hall of Williamsburg. All tour dates are at the bottom of this post.
Their first album made since (amicably) losing vocalist/keyboardist Aleksandra, Hello Sadness finds LC! "maturing" a bit: code for being less manic and shouty than previous albums. Which is fine, you can't do that forever, and it suits the tone of lyrics. (It's a massive breakup album.) There's a fair amount of wallowing going on, but you also get some terrific singles too, like "By Your Hand" which has a giant, stick-in-your-head chorus and is downloadable at the top of this post.
Chicago's Heavy Times and Brain Idea are here this week, playing Shea Stadium on 11/17 and Party Expo on 11/18. Both are worth checking out. Heavy Times just released Jacker on Hozac Records and you can check out "Future City" at the top of this post. As I said previously, it's one big snarl of an album and if you dig Obits and "I Wanna Live" era Ramones (or the HoZac label in general), this is right up your bowling alley.
Brain Idea, meanwhile, make the kind of jangly guitar pop that was inescapable on college radio in the '80s. (Flying Nun and the paisley underground scene come to mind.) An MP3 for "Oh I'm Free" from this year's Mexican Summer-released Cosmos Factory EP is at the top of this post.
Cover to new Total Control/Oh Sees split 12"
The band I'm most bummed about missing this week is Australia's Total Control, whose album Henge Beat is one of my favorites of the year. They're here for three shows: tomorrow night (11/16) at St Vitus, and then opening for tourmates Thee Oh Sees on Thursday (11/ 17) at 285 Kent and Friday (11/ 18) at Le Poisson Rouge. All Oh Sees/Total Control dates are at the bottom of this post.
I'm just gonna quote myself here:
Although their web presence is minimal and enigmatic, Total Control's lineage is not: Daniel Young is in Straightjacket Nation, and Mikey Young spends time in Eddy Current Suppression Ring and both are also in UV Race. (Fellow UV Racer Alistair Montfort, plus Zephyr Pavey and James Vinciguerra round out the live line-up.) After a string of 7"s the band released Henge Beat back in August, a real corker of a debut album. It divides its time between motorik synth workouts, jittery post-punk and more Eddy Current style stormers, with a nice layer of repetition repetition repetition coating the whole shebang.You can stream one of the album tracks at the bottom of this post. If you go to one of the shows, be sure to pick up the split Total Control/Oh Sees tour 12" too.
The Strange Boys
And finally, Austin's Strange Boys are here this weekend, playing Friday (11/18) at Mercury Lounge, Saturday (11/19) at Glasslands and then a free in-store at Generation Records on Sunday afternoon (11/20, 4PM).
The band's first album for Rough Trade, Live Music, came out last month and knocks a lot of the dust off the band's grubby, in-the-red twangy R&B but I don't think it's necessarily to their detriment. There is grub to spare, and if you like dive bar rock n' roll and can't get enough of things that sound vaguely like early-'70s Rolling Stones you'll probably dig. Check out an MP3 of "Me and You" at the top of this post. None of their records have really captured what they're like live, anyway, which is the best way to experience them for sure. So go check out a show this weekend.
That'll do it for this week. Some day-by-day picks follow for shows not mentioned above.
TUESDAY, NOVEMBER 15
Hopefully you got tickets to Youth Lagoon's sold out show at Mercury Lounge tonight. Or did you go last night?
Not sold out and actually free is múm's Kría Brekkan who performs tonight at Church of the Advent Hope along with Julianna Barwick and Aaron Roche, with artwork by EyeBodega.
photos by BBG
Four stages and more. Fun Fun Fun Fest truly is non-stop fun of many varieties. BBG spent most of Friday at the Black Stage (the one Danzig headlined). His pictures, including Thee Oh Sees, Ty Segall, Murder City Devils, Russian Circles and the afterparty at Red 7, continue below...
by Bill Pearis
Some recent Total Control cover art
Australian synth-punks Total Control are currently on tour with Thee Oh Sees, where they'll be in Texas for the Fun Fun Fun Fest this weekend, and then touring the rest of the country, with two stops in NYC: November 17 at 285 Kent and November 18 at Le Poisson Rouge. (For ticket links, click the dates.) All Oh Sees/Total Control tour dates are at the bottom of this post.
Although their web presence is minimal and enigmatic, Total Control's lineage is not: Daniel Young is in Straightjacket Nation, and Mikey Young spends time in Eddy Current Suppression Ring and both are also in UV Race. (Fellow UV Racer Alistair Montfort, plus Zephyr Pavey and James Vinciguerra round out the live line-up.) After a string of 7"s the band released Henge Beat back in August, a real corker of a debut album. It divides its time between motorik synth workouts, jittery post-punk and more Eddy Current style stormers, with a nice layer of repetition repetition repetition coating the whole shebang. You can stream one of the album tracks at the bottom of this post.
Thee Oh Sees' Carrion Crawler / The Dream
Most recently, Total Control released a split 12" with their current tourmates Thee Oh Sees on John Dwyer's Castle Face label which is worth picking up too. It is probably no surprise to learn that there's another Oh Sees album on the way, Carrion Crawler / The Dream, due November 15 on In the Red. Recorded live to tape over a few days this past June, it's a return to the more familiar Oh Sees sound after the demented psych folk that was Castlemania which came out back in May. You can download the two tracks that make up the album title at the top of this post.
Don't forget, this current line-up of Thee Oh Sees features Lars Finberg of The Intelligence and recent, well-deserved recipient of The Stranger's Genius Award for Music. Not that you need any more reasons to go to either (or both) of these shows.
Oh Sees / Total Control tour dates and a Total Control audio stream are below.
Slayer at Izod Center (photos by Samantha Marble)
Slayer, Thee Oh Sees, Public Enemy, Girls, Danzig Legacy, (Danzig + Doyle von Frankenstein playing Misfits, Samhain & Danzig), Hot Snakes, Diplo, Major Lazer, Henry Rollins, Ted Leo & The Phramacists, Spank Rock, Murder City Devils, Hum, Lykke Li, Passion Pit, Four Tet, Rakim, The Damned, Austra, Purity Ring, and Flynt Flossy are just a few of the acts announced today as part of the Fun Fun Fun Fest 2011 lineup. Another amazing year! Check out the full lineup below and stay tuned for more announcements coming in August and September.
The new additions to the Austin, Texas festival, which takes place from 11/4 - 11/6, are in addition to the the previous "lineup leaks" that included Brian Posehn, Odd Future, Okkervil River, M83, X (performing "Los Angeles"), Reggie Watts, Flying Lotus, Tune-Yards, Ra Ra Riot, Kid Dynamite and others
2011 is the festival's sixth year, but first at its new home Auditorium Shores (no more Waterloo Park). Tickets are on sale now.
Fun Fun Fun 2011 flyer and almost-full lineup is below.
Treasure Island Music Festival is returning to San Francisco, CA on October 15 and 16. The lineup includes Cut Copy, Beach House, The Hold Steady, Flying Lotus, Death From Above 1979, YACHT, Shabazz Palaces, The Antlers, St. Vincent, and many others. 2-Day passes go on sale Wednesday (7/27) 10 AM and single day tickets on Friday (7/29) at 10 AM.
Speaking of St. Vincent, if you haven't already, check out her new track at StrangeMercy.com. The full album is out September 13th via 4AD. More info and tour dates HERE. Still no info on tickets for her Met show.
Full Treasure Island lineup below...
Thee Oh Sees @ Summerstage in 2010 (more by Dominick Mastrangelo)
Death By Audio lists tonight's show like this:
6.17 -$5- (doors are at 10pm for this show)Well, we may know at least one band on the bill. Thee Oh Sees play Brooklyn Bowl Saturday (6/18) but list "06-17 shhhhhhh...." on their website (thanks Maxim), so it's either them or there are two secret shows. Who do you think the other bands are?
Adventure, CO LA (Matt Papich of Ecstatic Sunshine), and Weekends were supposed to play Death by Audio Friday night, but that show was cancelled. Weekends will instead open for Dom at Brooklyn Bowl.
To add to the mystery, a "Surprise special guest" is also listed on the Saturday Thee Oh Sees Brooklyn Bowl show that Yellow Dogs, and Emil and Friends are also playing. Who's playing that one?
All Thee Oh Sees dates below...
Here is the initial lineup for Willamette Week's MusicfestNW, scheduled for Sept. 7-11, 2011 in Portland, Oregon, and it's pretty great. The multi-venue fest includes big outdoor performances by Band of Horses (Sunday, Sept. 11), Explosions in the Sky (Saturday, Sept. 10), and Iron & Wine (Friday, Sept. 9), in addition to shows with everyone from Archers of Loaf to Big Freedia to Butthole Surfers to Neurosis. Tickets go on sale Friday, June 3rd. Check out the full list below...
Thee Oh Sees @ Tip Top in 2010 (more by Rebecca Smeyne)
"Thee Oh Sees perch comfortably atop a vibrant Bay Area garage-rock scene. It's a spot they've earned for a number of reasons: seniority (the band has been bashing since 2005, and head Oh See John Dwyer fronted primal pounders the Coachwhips before that); an inhuman prolific streak (being an Oh Sees completist is like being a member of a fabulous record-of-the-month club); and the simple fact that the band is one of the best live acts on the West Coast, East Coast or anywhere in between, delivering a blur of hip-shaking, revved-up mayhem every time it's onstage." [Washington Post]Like Ty Segall, fellow California bruise cruisers Thee Oh Sees, who are appearing at the return of Bruise Cruise in 2012 have added a NYC show to their 2011 summer tour. They play Brooklyn Bowl on June 18 as part of the Northside Festival. Tickets for the "Tell All Your Friends" showcase are on sale now, or you can try to use a Northside badge to get in.
And speaking of bands playing the Bruise Cruise, don't forget that Quintron and Miss Pussycat have cancelled their current tour (5/28 @ 285 Kent included).
All Thee Oh Sees tour dates below...
Bruise Cruise (more photos by Gabi Porter)
The Soft Pack, who will in fact be the surprise guest at both of the upcoming free Vice shows (that the band curated) in Costa Mesa and San Diego, are among those just announced on the lineup of Bruise Cruise II. The drunken "3 day tropical rock n roll vacation" opportunity will return in 2012 and is even already on sale!
BRUISE CRUISE FESTIVAL ANNOUNCES ITS SECOND YEAR!Read all about the first Bruise Cruise HERE. A video promo and the flyer for the 2012 edition, with more Quintron tour dates, below...
FEBRUARY 10-13, 2012
TICKETS ON SALE NOW!
THREE DAY TROPICAL ROCK 'N' ROLL CRUISE VACATION
SAILING FROM MIAMI TO THE BAHAMAS AND BACK
FEATURING KING KHAN & THE SHRINES, THE SOFT PACK, THE DIRTBOMBS, THEE OH SEES, QUINTRON & MISS PUSSYCAT, NEIL HAMBURGER AND DJ MR. JONATHAN TOUBIN WITH MORE ACTS TO BE ANNOUNCED SOON
After a successful first year, Bruise Cruise Festival is back for round two. This year's lineup will feature an even crazier spectacle of today's best rock 'n' roll talent, including King Khan & The Shrines, The Soft Pack, The Dirtbombs, and America's funnyman Neil Hamburger. Coming back for another blast of sun-soaked fun will be Bruise Cruise favorites Thee Oh Sees, Quintron and Miss Pussycat, and New York's infamous soul DJ, Mr. Jonathan Toubin.
by Andrew Frisicano
DOWNLOAD: Thee Oh Sees - I Need Seed (MP3)
Thee Oh Sees on Bruise Cruise (more by Gabi Porter)
Along with word about their newest album, Castlemania (June 14, In the Red), Bay area rockers Thee Oh Sees dropped some recent news about the future of the band: an additional member, multi-instrumentalist/singer Lars Finberg of the Intelligence (who was playing with Wounded Lion at SXSW), will be making the group a five-piece in the near future. In addition to that, there's another full-length set for the fall.
Castlemania (cover art below) taps into the band's freaky, folkier side, as you can hear above with its opener "I Need Seed," so here's hoping the fall record picks up where 2009's Help and 2010's Warm Slime left off: jittery, high-wattage songs built for live, late-night consumption.
And in addition to those, the band already released a record this year - a double-LP at that. Their Singles Collection Vol. 1 & 2 came out quietly at the end of March on Dwyer's Castleface Imprint. I don't know much about it, but the clips currently up at Aquarius Records hint at a pretty rich batch of tunes. The tracklist for that - with all of the band's current tour dates (no NYC at the moment) - is below...
words & photos by Andrew Frisicano
Twin Shadow @ Fader Fort
A crowded backyard tent filled with cigarette smoke, free open-faced tacos (pork, chicken, brisket or veggie), a man carting a dolly of Lone Star cases through the crowd, and a pair of middle-aged guys picking a fight with each other on a Wednesday afternoon. "Doesn't he know I'm a ticking time bomb?" the offended guy says, a bit like he's not joking. JEFF the Brotherhood is playing too, which is more or less the occasion for all of this, my first show of SXSW 2011. The JEFF brothers aren't really the focus though, since they'll be playing a dozen other times this week, and most of the people are concentrating on the tacos, their conversations or their inability to get away from the door of the totally (did I say?) packed room.
In spite of that, the band is tearing through songs from Heavy Days and their new LP We Are the Champions, and between songs tossing out free vinyl singles into the crowd: "Those are going to slice someone's neck open," says Jake before slinging a few more across the room. They go into "Bummer," a ballady, Dino Jr.-style headbanger, that's one of the standout new tunes.
Trash Talk @ BV/Feed the Beat Day Party (photo by Samantha Marble)
Ty Segall's entertaining and totally worthwhile band is up next, but the BrookylnVegan day show at Emo's is also currently happening, the highlight of which has to be the simulatneous staging of Cali punks Trash Talk (who went on before Kylesa) and Mister Heavenly (who went on before Surfer Blood). Mister Heavenly are a supergroup of-sorts you've heard about. On the inside, Trash Talk frontman Lee Spielman towers over everyone with the body of a scarecrow and a scary-as-hell perma-scowl; he smashes his forehead with the microphone a few times to draw blood. "Stick around for Surfer Blood," he says, before crawling into the crowd and standing on what I can only hope were someone's shoulders. People start edging toward the door. On the outside stage, Mr. Heavenly performs an appropriately lovely set, its two frontmen trading verses in their own styles.
After that, the Fader Fort brought Twin Shadow on stage, the bedroom-pop project of George Lewis Jr. that's become a wildly good live band. For an outdoor venue, the system sounded impressively balanced and clear - which would turn out to be a rarity at the festival. That was 'specially good for Yelawolf, whose songs sounded vital in a way that your iPod just can't do. With no crew to speak of, his solo athletics put in an early bid for best-of.
Yelawolf @ Fader Fort
Later that night at Stubb's, Yuck and James Blake played what would be the first of several for both. Both did well on the big stage, a portent of things to come, vibing out in their respective styles: fuzz rock and chilled-out pop. Check out both of their sets for yourself at NPR- Blake and Yuck.
The recently reunited Death from Above 1979 have posted rehearsal footage of "Little Girl" from their LP You're a Woman I'm a Machine. While that's fascinating enough, what's more fascinating is the way that video ends... an all black screen that reads "3/19/2011 1:00AM", a date and time that happens to fall right during SXSW. One question is whether they really mean 3/19 at 1am (Friday night) or actually mean 3/20 at 1am (Saturday night)? They probably mean Saturday night, especially since I doubt they're advertising the MSTRKRFT SXSW show that happens Friday night at the same time. Is DFA1979 cooking up a comeback show for Austin? No concrete answers.
Assuming it is Saturday night at SXSW, and that it is a show, then it's unfortunately at the same time that their old label Vice is having their annual late night party which this year will feature an awesome lineup of Odd Future, OFF!, and Thee Oh Sees. That is, unless it's happening at the Vice party, though nobody I asked at Vice seemed to know anything about it. Vice's party starts at 12 midnight and RSVP is currently open.
Vice's Official showcase goes down two days earlier (3/17) at Club Deville with Davila 666, OFF!, Black Lips, and a special guest headliner who I'm willing to bet is the Raveonettes (who will be in Texas and are signed to Vice). Vice is also involved in the noisey.com show featuring exclusive performances from Bun B and Ariel Pink that goes down in Austin one night later.
All DFA1979 dates, a Vice flyer and the mysterious video, below...
photos by Patrice Jackson
"Over the weekend, I see many other compelling images: Black Lips bassist Jared Swilley launching his instrument into the sea while shooting a music video. Surfer Blood singer John Paul Pitts hunting for a hot blackjack table. Former MTV News anchor John Norris, on assignment for noisevox, interviewing pool-bound members of Vivian Girls while a Fellini-esque cast of hipster paparazzi snap away on SLRs. And finally, in Nassau, four of the cruise's acts--Black Lips, Vivian Girls, The Strange Boys, and Turbo Fruits--playing to a crowd of Bruisers and fratboys and bachelorette partiers at the least punk rock establishment in any port of call in the entire Atlantic Ocean: Señor Frog's.You already saw our FIRST TWO sets of pictures from Bruise Cruise, courtesy of Gabi Porter. Now here is a third, courtesy of Patrice, and they continue below...
"I think a lot of people on this cruise hate us. I think they think we're gay," Swilley tells me on Sunday. "I was drunk last night walking through the hallway, I only had my underwear on, and some guy was like, 'Get back in your room, faggot!'" He points across the pool. "Some guy who looked like that guy, with the backward visor." [Washington City Paper]
words & photos by Gabi Porter
If you're just joining us, start with PART ONE before continuing on....
Saturday morning we all woke up in the Bahamas, hit the buffet and the pool before the next show, fueling up for a day on the beach and a night at Senor Frogs. Situated on deck chairs with coconuts in hand, two pro-surfers were up-and-at-em bright and early. Alek Parker and Dylan Graves were there to judge Jonathan Toubin's late-night Soul Clap party, along with John Norris, Ben Blackwell from the Dirtbombs and others. Parker and Graves set the tone and brought the party - and their bathrobes - to the Lido Deck.
The Vivian Girls held court poolside and Kickball Katy (aka Katy Goodman aka La Sera who plays NYC shows with Tennis this week) won the hearts and lots of hugs from all the kids on board. In their set on Saturday at Senor Frogs they sounded more confident and melodious than I'd ever seen them before, finally growing into their echo chamber garage sound, or maybe it was the fruity "yard long" drinks their biggest fan (seriously, he had a different Vivian Girls t-shirt for every day of the cruise) bought for each of them before the show. Watch out for a cameo from them in the forthcoming Black Lips video.
New Orleans based Quintron and Miss Pussycat closed out the Bruise Cruise with their psychedelic organ fest. Miss Pussycat brought along her absolutely delightful puppet show for that morning's "Pancakes and Puppets" breakfast. I didn't see enough of The Strange Boys - if they'd played just one more set I suspect they might have been my faves, but at least that means I have something to look forward to the next time they play New York. They were on the bill at Senor Frogs and I loved their jangly guitars, open sound and the tight and twisted vocals from Ryan Sambol. And ditto for Miami youngsters The Jacuzzi Boys who were loved by many, including John Dwyer from Thee Oh Sees. After all the bands had finished playing at Senor Frogs on Saturday, Dwyer grabbed his beer and said he was off to tell The Jacuzzi Boys "they were the best thing [he'd] seen at this thing."
Ty Segall's one short set on Saturday before Thee Oh Sees wasn't enough - Ty Segall opened the festival on board the ship that day and played a restrained and somewhat shy set behind his curtain of hair. Someone commented that if they work on their stage presence one day they might grow up to be like Thee Oh Sees.
Everyone was curious how the Bruisers (aka the people there for the bands) would get along with the "normal' cruisers (who were also on the same ship) (Bruisers were given wristbands so the cruise staff knew they were allowed in the shows), and I'd like to think that we brought a little something-something to people's normal, regular vacation. Poolside at a photo shoot with Turbo Fruits (see above) one very nice lady asked me, completely unperturbed about the quadruple cannonball photo-op that splashed everyone, "Is that one of the bands on the Bruise Cruise?" I told her it was Turbo Fruits. "Oh, I've never heard of them," she said a little sadly, then she looked at the bright side, "But at least now I can tell people I saw them!"
You already saw one set of pictures. The rest of the pictures from the Bruise Cruise continue below...
words & photos by Gabi Porter
You are all going to hate us. I fully expect the comments section to light up like the Christmas tree at Rockefeller Center with all kinds of vitriolic bile and hummus inflected hatred, but you know what, we won't care because we had fun. Four hundred garage rock fans gathered from all over the world in Miami last Friday and boarded the Carnival Imagination cruise ship bound for the Bahamas, and had a giant party on the high seas full of fruity, candy-colored drinks, unlimited belly-busting buffets, hot tubs and music. Dazed hipsters and music fans wandered the Lido Deck in their jorts and tattoos, clutching their Hermann Hesse novels looking for a little shade poolside, while family vacationers stared and asked, "What's going on?" The [sold out] Bruise Cruise is what happened, and it was like summer camp for alcoholic indie rock fans, all who became friends by the end of the weekend.
Although they only played one blistering set at Senor Frogs on Saturday night in the Bahamas - if you don't count the pre-party in Miami on Thursday night, and we're choosing not to remember that horrible horrible place with the $8 beers - The Black Lips were like all the other bands' cooler older brothers. They stirred up their signature good-time chaos, drank more than everyone, partied harder, and managed to keep the peace all at the same time. Jared Swilley said he was looking forward to a weekend with no internet, no email, no computer, "I have our new album on my laptop, if I brought it with me I'd get drunk and start burning copies for everyone." Instead he tried to go down the waterslide in his underpants, where he was thwarted by a diminutive attendant who wouldn't let him on in his skivvies, despite pleas of, "This *is* my bathing suit! I'm European!" [In Beach Fossils fashion] he later threw his bass off the back of the ship during a clandestine music video shoot. Cole Alexander looked like he won big at the casino. And Ian St Pe jumped on a table with his guitar at the final dinner and was chased out of the formal dining room, only to return disguised in a baseball cap. Joe Bradley was scheduled to play piano at 2am on Sunday at the Mirage Piano Bar - "I'm really looking forward to that! I never get to play piano for people." - he showed up with pomaded hair and a tux and played a very dapper set, Maker's Mark in hand.
If The Black Lips were like older brothers, then Thee Oh Sees were the cooler older cousins who used to be troublemakers, but have settled down with nothing to prove because they've already proven themselves. John Dwyer and company may not have brought bathing suits, lounging poolside in jeans with beers in hand, but they were "mowing them down, cutting that spring grass!" as one "Bruiser" pointed out as they melted everyone's sun-addled minds on our final day at sea. Their first set early on Friday afternoon was just a warm-up. On Sunday early-evening, fueled by an open bar, they played the second to last set of the festival to a full gilded chrome ballroom. It might have been the best set we saw all weekend (admittedly I also heard someone say that about pretty much every set this weekend, but you know what, everything was pretty damn good). Drummer Mike Shoun said he was just trying to hit really really hard, and indeed he did, nearly coming off his drum stool more than once.
Surfer Blood and their buddies (and festival co-organizers) Turbo Fruits teamed up for a Sunday brunch set in the - wait for it - Shangri La Lounge. Clutching danishes and mimosas some said Turbo Fruits, with lead singer Jonas Stein losing his voice, was the best set of the weekend (see above). I spent the cruise with Surfer Blood's janglier live version of the vaguely tropical "Take it Easy" on replay in my head, arguably the cruise's theme song. JP from Surfer Blood chatted with me after their sparsely attended first set on board on Saturday afternoon, as everyone jumped ship and rented scooters to hit the island (this may be the last time Surfer Blood play to a room of 30 people).
I asked what the band thought when they were asked to participate in the Bruise Cruise, "We thought it was a cool idea, and we thought it was either going to be really cool or a complete and total disaster. But if you think about it that's kind of like how ATP started in the UK. I mean they took over a holiday park or something. It was a little bit cheesy, a little bit family oriented and they turned it into, you know, like a total party. And they've been doing it forever." When we asked how they felt about their sparsely attended set on Saturday he said, "If I had to pick between seeing a young band we kind of like, or going out to explore the Bahamas, I'd be pretty torn. We're playing again tomorrow anyway."
More about "tomorrow" (and the rest of the cruise) coming soon. Pictures from the pre-party and the first day, continue below...
Ty Segall at BV Day Party during SXSW (more by Chris Gersbeck)
Ty Segall's Favorite Albums of 2010 (via)Ty Segall's Melted may have been robbed of spots on big end-of-year lists like Pitchfork, Rolling Stone and Spin, but that won't stop the West Coast-ers from hitting the road in the new year for a burgeoning North American victory lap. Starting in California and hitting the Bruise Cruise along the way, Ty will be back in NYC to play Mercury Lounge on 3/8. Tickets go on sale Thursday at noon. From there Ty heads to Austin for SXSW and then keeps going. Full tour dates are below.
1 White Fence - S/T
2 Moonhearts - S/T
3 Royal Baths - Litanies
4 Thee Oh Sees - Warm Slime
5 The Whines - Hell To Play
DOWNLOAD: Surfer Blood - Take it Easy (Red Wax Session) (MP3)
Surfer Blood recording the above track (more by Diana Wong)
"On October 21st, 2010, Insound & Maker's Mark hosted an artist lounge & recording session at Stratosphere Sound in New York City, the likes of which has never been done before. Grammy winning engineer Geoff Sanoff (Nada Surf, Secret Machines, A Camp) took on the insane task of recording eight of indie music's most talked about new bands in eight hours, and the results are nothing but stellar." [Insound]You'll be able to pick up those recorded tracks at Insound on 11/9, but first get a sneak preview of one of the three Surfer Blood tracks they're releasing, as a free download above,
And speaking of Surfer Blood, they've been added to Bruise Cruise...
Bruise Cruise is a rock 'n' roll music festival aboard the Carnival Imagination, sailing from Miami to Nassau, Bahamas and back February 25-28, 2011. Tickets are on sale now for this exclusive and all-inclusive Caribbean getaway.Bruise Cruise trailers and flyer (with full lineup), with the full Insound Red Wax Sessions Tracklisting, below...
Bruise Cruise is pleased to announce West Palm Beach's SURFER BLOOD on the festival line-up. Their "floating vibes" are a welcome addition to the Bruise Cruise party barge as it sails from Miami to the Bahamas over the course of 3 days filled with sun, rock'n'roll and relaxation. SURFER BLOOD recently completed a US tour with The Drums and are preparing for an upcoming European tour with Interpol.
Just a reminder that Bruise Cruise is also excited to announce the launch of Bruise Cruise Records. BCR will be releasing a series of limited edition vinyl. Each performing artist will be featured on one side of a 7" vinyl release over the next few months. The first record will be distributed in the first week of November featuring un-released songs from Ty Segall and Thee Oh Sees. The 7"s will feature artwork by Rob Corradetti [www.radrox.com].
Every Bruiser will receive at least one complimentary record. As the sailing date nears, Bruise Cruise will be gifting the entire box set through a variety of contests that will be announced on our site.
In the midst of attendees' three days at sea, Bruisers will have the pleasure of soaking up the sun experiencing 24 hours in the Bahamas. Bruise Cruise will be announcing a series of events that will occur in Nassau, including the big island party concert at Señor Frog's, which will feature select Bruise Cruise artists and conclude with New York Night Train's Soul Clap and Dance-Off.
"Welcome," Stephen Malkmus greeted the crowd at Summerstage. "So, these are the real shows. The first shows. The others were just warm-ups."
The two-hour, 27-song set Pavement played did nothing to dispute that statement. It's true what everybody's said about this reunion tour. They were never this good, never this fun during their original '90s incarnation. At least the three times I saw them. The last time -- Irving Plaza, 1999 -- the band were clearly sick of each other and only percussionist Bob Nastanovich, ever the cheerleader, seemed to be carrying the torch.
Not so tonight though, at the first of four consecutive Pavement shows at Summerstage (aka Central Park's Rumsey Playfield). Malkmus, Nastanovich, Scott Kannberg, Mark Ibold and Steve West seemed to be genuinely having a blast. After "Range Life," Malkmus quipped, "That was a really good version of that one, and I've heard them all."
Opening with "Shady Lane," the set ran through most all the hits, with a few surprises like "Infinite Spark" and "Perfect Depth" -- the latter wasn't on the setlist. (They also swapped out the setlist's "Spizzle Trunk" for "Heaven is a Truck.") "Summer Babe," "Here" and "Spit on a Stranger" (we got nothing from Terror Twilight) were the only songs notably absent but we got "Shoot the Singer" (one of my favorites), plus "Debris Slide" and "Conduit for Sale" both of which featured Nastanovich on the mic, pacing the stage and working the crowd like one of the Beastie Boys.
You get the feeling that Nastanovich, who comes up with the setlists every night, is probably Pavement's #1 Fan. When he wasn't playing tambourine, keyboards, or the drums, he had the crowd cracking up with a stream of non sequiturs ("Did I ever tell you about the time Sun Ra fixed my car in Lexington, Virginia?"). A giant smile was on his face the entire time.
Mine too. For me at least, tonight's show transcended nostalgia. Ten years is a while to be away, but not too long. The guys somewhat shockingly all still look pretty much the same -- yet are playing better than ever. It's enough time to mellow egos, iron out differences and, you know, get better as musicians.. And make us to realize how much we missed them.
If you've been on the fence about trying to get tickets -- there were no shortage of people selling tickets outside the venue -- you should just go. One of the best times I've had at a show this year.
Thee Oh Sees
Openers Thee Oh Sees aren't really suited to such a big stage but made the most of it by packing into a ten foot square of the stage and treating it like it was Death by Audio. They sounded great for their ripping 30-minute set. "I could tell you a million stories about listening to Pavement," frontman John Dwyer said. "But you've all got 'em. They did save me one time on acid, so thanks for that."
There was lots of good between-song banter. Some highlights:
"Thanks for not losing your tickets over the last year." -- Kannberg
"I hear tickets weren't so hard to get this week, anyway. Face value...that's what we like to hear. Less than that...that's not good." -- Malkmus
"That song always reminds me of fondue." -- Nastanovich on "In the Mouth a Desert."
"'Grounded' is my Dad's favorite song. Couldn't you have picked one of mine?" -- Kannberg, who's dad was in the audience.
"I didn't realize they had such good weed on the Upper East Side" -- Nastanovich
"That was the Superchunk version of 'Gold Soundz.' In a good way, obviously." - Malkmus
"The real truth is 'Babtist Blacktick' is too fast for this age group." -- Nastanovich
Pictures continue, with the full setlist, below...
words by Andrew Frisicano, photos by Chris Juarez & Rachel Carr
Local Natives & the crowd @ FYF Fest Saturday
Yesterday was FYF Fest. We know all the problems... The lines... And are addressing them now. In no way are we sleeping on these problems. The bands were amazing and the turn out was unreal. I'm speechless. -Sean Carlson & FYF FestThat's how the FYF Fest organizers started their post-fest email, which also outlined new, cheaper pricing to the three "fan fest" shows it hosted on Sunday in LA. For all the organizational problems on Saturday, FYF still managed to put on a highly enjoyable day of bands, around 37 total across three stages (plus a comedy tent), at LA State Historic Park.
The day's short sets kept you wanting more from nearly every act, many of whom played for a half hour or 35 minutes (which expanded in 5 minute increments up to an hour for the headliners). That made for tough decisions between overlapping sets. Ted Leo and band blew through their 45 minutes, and Titus Andronicus could've continued for another 35 at least with the momentum from their Monitor songs. Those two, along with Screaming Females, were part of what Ted Leo termed the "New Jersey Takeover" - three punk bands with Garden State roots who all played great sets at the fest.
Los Angeles represented with a number of notable hometown acts. Growlers, in grey facepaint, brought an earthy, ramshackle sound and lots of friends. Best Coast, Abe Vigoda, Local Natives and Ariel Pink also repped their hometown - the latter two with mezmerizing late afternoon sets.
Other acts brought some nice surprises. A chorus of kids, costumed as zombie versions of dead historical figures, backed Dead Man's Bones' Ryan Gosling and Zach Shields. The Blow introduced some of her new songs written for an unnamed celebrity (and played recognizable earlier songs too, including one "written with Sting...when [she] was 7"). And Big Freedia, the fest's only act with any trace of hip-hop, shocked the crowd with a short pre-headerliner dose of "Azz Everywhere."
There was plenty of garage rock (Thee Oh Sees brought the man responsible for their cover art, William Keihn, to play tambourine), punk and metal. A reunited Sleep, in New York this week, grinded away, as !!! had people shaking their ass on the sister stage. On the fest's third stage, hardcore band 7 Seconds reminisced about their first time in LA almost 30 years ago and lead a spirited circle pit. Add to those bands, breezy folk from AA Bondy, the jams of Warpaint and Delorean to name a few.
If FYF's organizers are a bit defensive above, it may be with good reason: the few critical organizational errors were fairly memorable. A long line at will call (an hour would be a short estimate) kept many waiting in the 90 degree sun while the first bands of the day (Magic Kids, Let's Wrestle and The Goat) could be heard starting in the distance. Water inside was also an issue, with limited access to free drinking water and bottled water at $4 (which, according to Noah Lennox, ran out).
By the end of the night, the two final acts - The Rapture and Panda Bear - set up on competing stages. Panda Bear aka Noah Lennox interspersed his dreamy lullabies with patches of noise and dissonance while videos and images that could be described only as "trippy" played behind him; I think your response to the set depended largely on your state of mind after the long day: exhausted or ready for a patience-testing string of songs and sounds. He and The Rapture provided, alternately, a place to dance or doze.
Unsane also played a rare runion set at the festival where Off! shared a bill with Lower Dens. School of Seven Bells, Davila 666, Cults and Ceremony were there too.
Read what Noah thought about his own set, HERE. More pictures from the entire day, below...
The Greenhornes 2007
After detours in The Raconteurs and The Dead Weather among other projects, The Greenhornes are back at it and will release their first LP of new material in eight years via Jack White's Third Man imprint. The record, entitled Four Stars, will be proceeded by select east coast dates that will include Mercury Lounge on 9/3 (free with RSVP) and Maxwell's on 9/4 with The Black Hollies (tickets) leading up to their appearance at ATP NY on 9/5 ("full" lineup).
A month later (on 10/2), The Greenhornes are confirmed for Scion Garage Fest 2010 in Lawrence, Kansas alongside a plethora of killer notables including The Oblivians (who recently played Knit), The Gories (who just played Bowery and toured with Oblivians), The Raveonettes (who are playing Bumbershoot), King Khan & The Shrines (who are playing Santos and Bell House), Best Coast (who just played the Seaport and like weed), Tyvek, Thee Oh Sees, Hunx & His Punx, and a ton of others.
Some videos and the full Scion lineup & flyer is below...
Times New Viking @ Public Assembly in 2009 (more by Ryan Muir)
Pavement's NYC shows (tickets)
Sun Sep 19, 2010 @ Williamsburg Waterfront w/ Jenny and Johnny
Tue Sep 21, 2010 @ Rumsey Playfield w/ Thee Oh Sees
Wed Sep 22, 2010 @ Rumsey Playfield w/ Times New Viking
Thu Sep 23, 2010 @ Rumsey Playfield w/ TBA
Fri Sep 24, 2010 @ Rumsey Playfield w/ TBA
Times New Viking hit the opening for classic bands lottery. They open dates on the Guided by Voices tour too.
Thee Oh Sees, who were just in NYC for four shows, will play Santos Party House that same, September 21st, night.
Jenny (Lewis) and Johnny also play one other night with Pavement and a show at Maxwell's as part of their tour.
At least two dates on Pavement's upcoming tour are with Sonic Youth (Matador 21 & Hollywood Bowl). All Pavement dates, with openers, below..
words by Andrew Frisicano, photos by Marcus Lauer
Thee Oh Sees
Thee Oh Sees' third of four shows while in town was the first edition of Jelly's biweekly Saturday series at the Rock Yard, a new space in a gravel-floored, barbed-wire-surrounded lot. Whatever was there before, it's been cleaned up nicely with walls of Jelly-branded graffiti, vendors selling beer ($4), Jell-O shots, frozen boozy lemonade and hot dogs, and the McCarren relic inflatable slip 'n slide.
Thee Oh Sees played a jammier set than at their Seaport show the night before. One constant was Help's "Enemy Destruct," one of their catchiest tunes, caught on video below. Brigid's light-blue student-model Wurlitzer seemed to konk out during soundcheck, so she stuck to vocals and sleigh bells, while frontman John Dwyer found new destinations for his endless supply of saliva.
Thee Oh Sees will be back in NYC for a September 21st show at Santos. Tickets are on sale.
The next free Rock Yard show is July 31st with the Skeletons Big Band, Family Band and Priestbird. Skeletons (not big band) play Death By Audio on Wednesday with Peter Evans/Tim Dahl/Mike Pride trio and "Sam Mickens & Darius Jones play the Dead Science."
All Skeletons tour dates and video of the Big Band in action at Roulette, with more Rock Yard pictues and a video, below...
photos by Rebecca Smeyne
After Thee Oh sees played a Vice party (Thursday), South Steet Seaport Friday, and Rock Yard on Saturday, they completed their NYC stay with a hot and sweaty performance at the 'Bikini Bash' at Bed Stuy's Tip Top (432 Franklin Ave).
The party, were people were literally encouraged to wear bikinis (those in bathing suits paid $5 less) was produced by new party promotion company ABRACADBRA (of which photographer Rebecca Smeyne is a partner in). Golden Triangle (who also played the Seaport on Friday) and Frankie and the Outs (who have performed in bikinis before) were also on the Saturday night bill.
More of Rebecca's pictures from the show, below...
photos by Andrew St. Clair
Jelly's new Saturday series of free summer shows kicked off Saturday afternoon at their new outdoor space they've called Rock Yard. Originally a bit lacking in the exciting lineup department, the show suddenly became much more tempting when they announced the addition of Thee Oh Sees after the Seaport show (which by the way meant that last year Thee Oh Sees played Siren and this year they were coincidentally competing with it). And there was slip 'n slide.....
photos by Chris La Putt
Golden Triangle @ South Street Seaport
Thee Oh Sees, Golden Triangle and So Cow played the free show at South Street Seaport Friday evening, and every band on the bill also has a NYC show tonight (7/17). Golden Triangle play along with Thee Oh Sees (who also play the Rock Yard today) at the Bed Stuy Bikini Bash, and So Cow plays Death By Audio. Both flyers re-posted, along with more pictures from South Street Seaport below...