Entries tagged with: Thomas Bartlett
photo: San Fermin @ 2015 Sweetlife Fest (more by Mimi Hong)
Chamber pop ensemble San Fermin are currently on the road with Alt-J but have just added a string of dates at the end of the year with Sam Amidon. The tour wraps up with three shows at NYC's Bowery Ballroom on December 17-19. Only the first of those NYC shows (12/17) is with Sam Amidon, unfortunately. Tickets for all three go on AmEx presale today (9/16) at noon, with the general on-sale startng Friday (9/18) at noon.
Sam Amidon has tour dates in addition to the ones with San Fermin, including a few shows in Ireland and some North American shows with Nels Cline. He's also playing the St. Ann's Warehouse Opening Celebration on October 18 with Aoife O'Donovan and Thomas Bartlett (aka Doveman). Tickets are on sale.
Aoife O'Donovan (of Crooked Still and Sometymes Why) is also playing shows as part of her trio with Sara Watkins and Sarah Jarosz, and she's opening much of Glen Hansard's tour (not the NYC dates though).
All Sam Amidon and San Fermin dates are listed below....
construction progress of Tobacco Warehouse (in 2013)
Brooklyn's long-running live performance group St. Ann's Warehouse, which "has commissioned, produced, and presented a unique and eclectic body of innovative theater and concert presentations that meet at the intersection of theater and rock and roll" for over three decades, has had various homes over the years, but it will now permanently be at the old Tobacco Warehouse in DUMBO. Brooklyn Paper describes the new location like this:
The new home of Saint Ann's Warehouse is under construction in the roof-less shell of the Tobacco Warehouse on Water Street in Dumbo and we got a sneak peek at the work that is underway. The $30-million construction job will place a shiny, steel-and-glass box within the confines of the old brick walls, leaving about an inch of space to preserve them. Honchos of the neighboring Brooklyn Bridge Park give the design rave reviews.The new St. Ann's Warehouse will officially open on October 6 with a ribbon cutting at 10 AM. There are other opening celebrations planed for after that, including Brooklyn Youth Chorus & Kronos Quartet on 10/17 (noon-6 PM, free); Aoife O'Donovan, Sam Amidon and Thomas Bartlett on 10/18 (5 PM start, tickets); and more. The new season kicks off fully in November with a run of Shakespeare's Henry IV and continues into 2016. Check out the full upcoming schedule for more.
"It's a great design," said David Lowin, vice president of real estate for the Brooklyn Bridge Park Corporation, which controls the property. "It enhances the street-scape, but remains respectful to the historic building."
The structure, which from above will look like a rectangular box lodged in a trapezoid cubby, will house a theater and a community space and leaves a triangular sliver of open space within the old walls that will contain a public garden.
The new building's roof will extend about seven feet above the worn facade, enclosing the theater and a community space, with the top portion of the wall made of glass bricks to allow in light.
From the inside, the new playhouse at the corner of New Dock Street will still look something like a place to store dry goods, the architect said.
It's only February, but Doveman (aka Thomas Bartlett) is already having a characteristically busy year. He's currently on tour as a backing musician for past collaborator Glen Hansard, along with his fellow Sufjan Stevens/The National/Justin Vernon collaborator Rob Moose and his fellow Rufus/Martha Wainwright collaborator Brad Albetta. That tour wraps up this weekend. All remaining dates and a video from Wednesday's (2/10) DC show, below.
Ahead of that tour, Glen Hansard joined Doveman for one of his Burgundy Stain Sessions in Dublin in December, his second session ever to take place outside of NYC. The next session will be back in NYC on May 14 at Le Poisson Rouge. Guests are still TBA, but tickets are on sale now.
In between the Glen Hansard tour and the LPR show, Doveman will be on an international tour with the mostly-Irish supergroup he's part of, The Gloaming. It begins in their home country, where fellow Irish musician Glen Hansard's band The Frames play their 25th anniversary shows this July. All Doveman and Glen Hansard-related dates are listed below.
Doveman also played on and helped mix the upcoming Sufjan Stevens album, Carrie & Lowell, which comes out March 31 via Asthmatic Kitty. Sufjan was just announced for the Justin Vernon and Aaron Dessner-curated Eaux Claires Music Festival happening in Wisconsin on July 17 & 18 with Bon Iver, The National, Spoon, The Tallest Man on Earth and more. Tickets are on sale now. Sufjan will also be in NYC three times on his upcoming tour, which ends two days before Doveman's show in Sufjan's hometown.
Sensitive 2000s indie kids are probably having a good day, because not only did Death Cab for Cutie announce a new album, but Sufjan Stevens did too. While it seems unlikely that the new Death Cab will actually sound like their aughts output, the press release says Sufjan's new album is a return to his folk roots. It's called Carrie & Lowell and will be out March 31 via Asthmatic Kitty. Casey Foubert, Laura Veirs, Nedelle Torrisi, Sean Carey, Ben Lester, and Doveman (aka Thomas Bartlett) all contributed to the album. That's the artwork above. Tracklist and trailer video below.
This transatlantic supergroup of Irish and American musicians - Iarla Ó Lionaird, Thomas Bartlett, Caoimhín Ó Raghallaigh, Martin Hayes and Dennis Cahill - whose album has been in the Irish top 10 since its release a month ago - close proceedings on Sunday with a remarkable set that sees the only standing ovation and the only encore of the weekend. Gaelic is the language and the tunes drip with the melancholy of the diaspora.The above review is of The Gloaming -- the Irish supergroup that features two American musicians, Dennis Cahill and Thomas Bartlett aka Doveman (The National, Antony and the Johnsons, etc) -- from their recent set at Ireland's Other Voices festival. They made their US debut at the 2012 globalFEST at NYC's Webster Hall, and they're set to return to NYC for another show on June 21 at Le Poisson Rouge. Tickets for that show are on sale now. Their only other date is a UK show in July.
As the five musicians shift gears effortlessly through The Sailor's Bonnet, picking up the pace, feet start stamping on and off the stage, the crowd begins to whoop and one can only marvel at the intuitive understanding between the five. But it's not just jigs and reels that make them remarkable: the opening Song 44, with Bartlett holding down his piano strings to mute them, and violins scraping ominously, has more in common with post-rock than with Christy Moore. It's a staggering display of both emotion and virtuosity. [The Guardian]
This past February, they released their self-titled debut album in the US via Brassland, and they're also planning on releasing a documentary film about the band, Moment to Moment. We've got a video clip of that documentary, which you can check out, along with a few tracks from the album and a live recording, below...
Back in 2010 we asked tUnE-YarDs, Fucked Up, Sam Amidon, Doveman, and Deer Tick to cover songs by Katrina & the Waves for a tribute CD in celebration of their hit song "Walking on Sunshine" (which Sam and FU both covered). We released those five tracks online, but the EP never got an official digital release until now! Find all five songs, along with a bonus one recorded by Dawn Landes, at iTunes, Amazon, Spotify AND RDIO.
Meanwhile, Sam Amidon just released an album on Nonesuch and is touring. Fucked Up play Governors Ball this weekend and House of Vans this summer. Doveman aka Thomas Bartlett just played with the National at Barclays Center and is producing a new record for Dawn Landes who is currently touring Europe but will be back to play Rockwood Music Hall on July 9. Tune-Yards recently played the Tibet House Benefit and played with Roomful of Teeth at Lincoln Center where Thomas Bartlett (Dovemen)'s band (one of the many) The Gloaming is playing outside in July. Deer Tick recently played two nights in Chicago and is on the lineup of a new Boston fest happening this fall.
I just got excited when I read today's announcement that:
Nonesuch Records releases Sam Amidon's label debut Bright Sunny South on May 14.Tickets are still available for the May 16th show which you could also say is yet another Doveman-related gig that we missed in our Doveman roundup yesterday.
Produced by Amidon with his childhood friend and longtime collaborator Thomas Bartlett (a.k.a. Doveman) and legendary English engineer Jerry Boys (Buena Vista Social Club, Vashti Bunyan, R.E.M.) and recorded in London, the record features a band made up of Bartlett and multi-instrumentalists Shahzad Ismaily and Chris Vatalaro. Jazz trumpeter Kenny Wheeler also makes a cameo. Amidon himself not only sings but also plays banjo, fiddle, acoustic guitar, and piano on the album.
To celebrate the release, Amidon will performon May 16 at New York City's Le Poisson Rouge with Bartlett, Ismaily, Vatalaro and special guests (to be announced). This is Amidon's first full-scale band performance in New York City since the release of his previous album I See The Sign in 2010, although he has recently performed in New York as part of Doveman's Burgundy Stain sessions, in duo with Bill Frisell, and in collaboration with Nico Muhly, Beth Orton, and others.
Amidon describes Bright Sunny South as a "a lonesome record" and a return to the more spare sound of his 2007 self-recorded debut, But This Chicken Proved Falsehearted: "There was an atmospheric quality to my last two records; those albums are like a garden of sounds," says Amidon, "but this one is more of a journey, a winding path. The band comes rushing in and then they disappear. It comes from more of a darker, internal space."
A longtime admirer of Boys' work, Amidon was particularly enamored of his recordings with Martin Carthy in the 1970s, as well as the Ali Farka Touré/Toumani Diabaté duet albums on World Circuit/Nonesuch: "Those are so beautiful. I listened to all of that. I loved the sense of documentation, the unadorned quality. Everything sounded so clear."
Sam's only other announced gig is part of Wilco's Solid Sound Festival this summer.
Liten to a track from Sam's new album, along with the full tracklist below...
Craig Finn in Austin in April (more by Tim Griffin)
As mentioned, Doveman (aka Thomas Bartlett) is doing his final Burgundy Stains Session of 2012 at Le Poisson Rouge on December 13. Since we last spoke, the guests for the show have been revealed: Sandra Bernhard, Yellowbirds, Hannah Cohen, The Perennials, Craig Finn (of The Hold Steady), and Joey Arias. Tickets for that show are still available.
Craig Finn, who recently told us his favorite albums of 2012, is an especially interesting addition to the show, as most collaborators usually have a known connection to Thomas, but this is the first time The Hold Steady and Doveman getting together. As mentioned, you can also catch The Hold Steady playing Wellmont Theatre on New Year's Eve with Lucero and comedian Kurt Braunohler. Tickets for that show are still available.
Joey Arias and Doveman are also teaming up later this month for an End of the World show at Joe's Pub (12/21) with special guests Narcissister, Cornelius Loy (theramin), and the Pixie Harlots, but unfortunately that show is sold out.
Hannah Cohen, who will guest at the LPR show, released her most recent album, Child Bride, this past April via Bella Union. The album featured production by Doveman and some appearances from Sam Amidon and Rob Moose as well. The video for the title track is below. Hannah and Doveman have also already began work on her next record, and she'll be performing some new songs at the show.
That video and a list of all Doveman dates are below.
photos by Toby Tenenbaum
Beth Orton @ Town Hall, 10/4/2012
Beth Orton played Town Hall last night supporting her just-released Sugaring Season , her first LP in six years. She started her set solo, switching between acoustic guitar and piano, but was joined after a few songs by opener Sam Amidon, as well as Thomas "Doveman" Bartlett and violinist Rob Moose who accompanyed her for the rest of the set. Orton's also quite the storyteller, entertaining the crowd between numbers -- with a thicker South London accent than you might expect given the delicate nature of her songs.
As mentioned, Sam Amidon opened the show and Doveman and Moose accompanied him as well on his set of Irish and traditional folk songs. Doveman, Sam and Beth will join forces again at Beacon Theater on October 30. Meanwhile you can catch Doveman next Friday (10/12) at LPR with, as previously mentioned, guests Owen Pallett and Dawn Landes, as well as the just-added Steve Salett.
More photos from last night's Town Hall show are below.
DOWNLOAD: Hannah Cohen - "The Crying Game" (Yuka Honda Remix) (MP3)
Owen Pallett backstage w/ Grizzly Bear in Canada (via Ed Droste Instagram)
As mentioned, Doveman (aka Thomas Bartlett) is doing his next Burgundy Stain Session show at NYC's Le Poisson Rouge on October 12. Those residencies always come with a slew of guests, and he's revealed that this next one will feature Owen Pallett and Dawn Landes, who according to Doveman's tweet, will be performing "from her kickass French record." The tweet also says, "More performers announced, or maybe secret, soon." Tickets for that show are still available.
Dawn Landes has a few other NYC shows in October before the LPR show with Doveman. On October 2, she'll be doing a musical/visual collaboration with Danica Novgorodoff at the Folding Chair Reading Series at 61 Local (61 Bergen St). And from October 5-9 she'll be singing at Lincoln Center in Two Hearts, the new ballet by Benjamin Millepied (who also did the choreography for Darren Aronofsky's Black Swan). The ballets also feature music by composer Nico Muhly. Tickets for all five dates are on sale now.
In related news, Hannah Cohen, whose album, Child Bride, was produced by Thomas Bartlett, just got the track, "The Crying Game," from that album remixed by Cibo Matto's Yuka Honda (who Bartlett has also worked with). You can download that remix above or stream it below. Yuka also recently produced fellow Doveman-collaborator Martha Wainwright's new album, Come Home To Mama. Martha has upcoming shows as well.
A list of all dates and that song stream below...
New York folk troubadour Sam Amidon has some upcoming shows, mostly this week and in NYC. Tonight (May 7), Sam plays that super expensive St. Ann's Warehouse gala that you may have noticed in "What's Going on Monday". Tuesday, 5/8, Sam plays for the common people back at Manhattan club Rockwood Music Hall where he'll be joined by fellow Doveman band member Shahzad Ismaily "and guests". Tickets are on sale for that show, and we have two pair you can win. Details below.
Doveman's Thomas Bartlett also happens to be the musical director of the St Ann's show where Sam will be part of the pit band in addition to performing solo and with Bill Frisell and Emmylou Harris. You may remember Sam played some shows with Bill back in March. Check out a couple videos from those shows, along with all (three) dates and contest details below...
The National at Beacon Theater in 2011 (more by Toby Tenenbaum)
Doveman's Burgundy Stain Sessions at Le Poisson Rouge continue TONIGHT (4/13) with Aaron Dessner and Bryan Devendorf of The National, Julia Stone (of Angus and Julia Stone), Trixie Whitley, and more. Tickets for tonight's show, and for the next three, are still available.
In related news, Doveman collaborator and occasional Burgundy Stain Session player Dawn Landes also has a NYC show TONIGHT (4/13) at Mercury Lounge with Cheyenne Marie Mize and Donora. Tickets for tonight's show are still available. That same lineup also plays Cameo on Saturday (4/14). All Dawn Landes dates are listed below.
Doveman @ Le Poisson Rouge in 2011 (more by Toby Tenenbaum)
In more Doveman-related news, collaborator Glen Hansard is NOT currently on tour with Eddie Vedder, seeing as Vedder had to postpone the tour due to injury. Glen does have a new video for the track "Philander" off his upcoming Doveman (Thomas Bartlett)-produced solo album, Rhythm and Repose, which is due out June 19 via ANTI-. Check out that video below.
Meanwhile, Glen Hansard's Swell Season bandmate Marketa Irglova, who also contributed to his new album,
will be WILL NOT BE the musical guest at the Happy Ending Music & Reading Series at Joe's Pub on May 2.... UPDATE: Marketa has cancelled and the guest is Clare and the Reasons instead. Tickets for that show are on sale now.
Speaking of members of The National, Aaron Dessner and both Devendorf brothers recently joined The Grateful Dead's Bob Weir for a cover of Cass McCombs' "Love Thine Enemy" during a Bridge Sessions webcast. Meanwhile, Bryce Dessner joined Sufjan Stevens and Nico Muhly to perform a collaborative composition titled "Venus" with horn and string accompaniment at MusicNOW Festival in Cincinnati, OH. Videos of both of these performances are below.
All Dawn Landes dates and National-related videos below...
photos by Tim Griffin
Glen Hansard @ Hotel Vegan (BV-SXSW 2012)
Over 20 years in the making, singer songwriter Glen Hansard will release his first ever solo album, Rhythm and Repose, on Anti- Records June 19. Best known for his work with The Frames, The Swell Season and in the feature film Once, for which he won an Academy Award, Rhythm and Repose is Hansard's debut solo album and first album of new material since his 2009 release Strict Joy with The Swell Season. The album will be available for presale at http://www.anti.com/storeGlen Hansard previewed some of those new songs at SXSW where one of the shows he played was the BrooklynVegan day party at 'Hotel Vegan' on Thursday, March 15th. Some pictures and videos from his 12:45pm set are in this post.
In recent months Hansard has been seen in the documentary The Swell Season which has toured the film festival circuit this year, contributed two songs to the blockbuster soundtrack, The Hunger Games, and been active in the promotion of Once, The Musical which successfully opened on Broadway on March 18 to rave reviews, including the New York Times who explains, "what was always wonderful about 'Once,' its songs and its staging, has been magnified." Hansard will support the new record on a U.S. tour.
Rhythm and Repose is a result of Hansard's last year and a half of living in New York City. The album was recorded by Patrick Dillett (David Byrne, Arto Lindsay, Laurie Anderson) and produced by Thomas Bartlett (Doveman, The National, Antony and the Johnsons). The record features the musical talents of Brad Albetta (Martha Wainwright) on bass, Ray Rizzo on drums, Nico Muhly and Rob Moose on strings (Bon Iver, Y Music), David Mansfield on slide guitar (Dylan's Rolling Thunder Tour), Javier Mas (Leonard Cohen touring band) and half of Bruce Springsteen's current horn section. Assisting on vocals are Cristin Milioti (Once, The Musical), Sam Amidon, Marketa Irglova and Aida Shahghasemi (Marketa Irglova touring band).
As the above blurb points out, the Once musical is running NOW in NYC, though Glen does not personally act or sing in it.
Glen, who meanwhile is hitting the road with Eddie Vedder, will headline four select shows in June including one on June 29 at Beacon Theater. Tickets for the NYC show went on presale today, and will become available to all as of 9am on Thursday (4/5).
All tour dates, the new solo album tracklist, and a Once musical video, below...
A thick cloak of darkness draped the stage of Radio City when Antony Hegarty began to sing. My eyes trained on his white floor-length robe, the only thing that shone through the fog and shadows.
With its piano melodies and strings arrangements, the Antony and the Johnsons discography is far from sonically lacking. But after hearing the opening measures of "Rapture," the aptly named first song of the evening, it quickly became clear that Hegarty's music was destined to be bigger. And tonight it got that chance, thanks to the addition of a talented sixty-member orchestra. Under the guidance of conductor Rob Moose, Hegarty's music unfurled and exploded into a host of symphonic crescendos. And soon, the darkness on stage subsided as one-by-one, the screens that blanketed the stage began to lift to reveal a dream-like installation of hanging 3D geometric shapes. A restrained laser show only added to the mystique, at times blanketing Antony in a twinkling world of colorful light.
It was that rare kind of performance that breaks your heart only to have the pieces lovingly reassembled, down to the tiniest, most tender bloody shard. Hegarty's lyrics may reveal inner turmoil, but filtered through his sprawling multi-octave voice and unflinching poise, the painful material becomes mesmerizing, life-affirming, and wildly triumphant.
Combining songs from all four Antony and the Johnsons albums and at least one EP, the set revealed the evolution of the band's music, as well as Heggarty's emotions. He even threw in a surprisingly moving rendition of Beyonce's "Crazy in Love" (slowed down and fleshed out to make it nearly unrecognizable). Hegarty powered through the majority of the set, playing some fourteen songs without speaking. But following the dramatic unveiling of the orchestra during "Her Eyes Are Underneath the Ground," Hegarty broke his spell of silence to introduce and sincerely thank everyone who helped make the MoMA-commissioned one-night event possible, including Thomas Bartlett (aka Doveman) on piano and Nico Muhly who - along with Maxim Moston and Rob Moose- arranged much of the music. "Well that's quite the bulk of the show," said Hegarty. "I'm so fucking glad. It was so ambitious, this production! It was really insane."
After the applause and laughter died down, Hegarty and his 60+ band mates signed off with two additional songs before the golden velvet curtain slowly made its descent, prompting the audience to collectively exhale before erupting into an elated standing ovation that resonated beautifully throughout the cavernous hall.
More pictures and the setlist from the 1/26 show, below...
Doveman at LPR in 2011 (more by Amanda Hatfield)
Doveman will continue his Burgundy Stain Sessions at Le Poisson Rouge into 2012 with LPR shows happening on April 13, July 13, October 5, and December 7. No guests have been announced for these shows yet, but as we saw last year, we can count on many interesting musicians to be making appearances at these shows. Tickets for all four dates are on sale now ($20 each or $60 for a four-show pass called "(Le) Billet Rouge")
Meanwhile catch Doveman aka Thomas Bartlet on 2/6 as part of MoMA's Modern Mondays, "a film discussion series at The Roy and Niuta Titus Theater 2."...
An Evening with Tom Kalin and DovemanMore info and other related MoMA events, like Dan Graham on 1/23, at MoMA's site.
February 6, 7:00 p.m.
For this evening, musician Thomas Bartlett (Doveman) (American, b. 1981) and filmmaker Tom Kalin (American, b. 1962) will discuss their collaboration, which began with a series of short films inspired by Doveman's 2009 album The Conformist and continues with an ongoing project that explores the intersection of recorded and live music, digital composition, and projected film. The pair draw inspiration from themes of broken romance, the truth of small gestures, and transcendentalism in addressing such contemporary issues as displacement and urban isolation. Kalin, a prominent figure in the New Queer Cinema movement, is well known as both a feature filmmaker (Swoon  and Savage Grace ) and as an experimental filmmaker (Third Known Nest, 1991-99). He was a founding member of the AIDS activist collective Gran Fury, known for its provocative public art projects. Doveman is a band founded by the 30-year-old Bartlett, who studied piano with Maria Curcio in London before moving to New York City to attend Columbia University. His ongoing live performances, known as The Burgundy Stain Sessions, occur monthly at Manhattan's Le Poisson Rouge. Organized by Barbara London, Associate Curator, Department of Media and Performance Art.
The Gloaming features indie-pop favorite Thomas Bartlett (a.k.a. Doveman), fiddlers Martin Hayes and Caoimhín Ó Raghallaigh, guitarist Dennis Cahill and singer Iarla Ó Lionaird, whose vocals electrified the collection of pieces by fellow Irishman Donnacha Dennehy which became one of NPR Music's favorite albums of 2011. Bartlett's moody musings at the piano provided a dark undercurrent to Celtic reels and jigs.In related news, Doveman's hard-to-find version of the Footloose soundtrack can now be streamed for free on Spotify.
All future Doveman dates (that we know about right now) are listed below...
photos by Toby Tenenbaum
The guest-filled six-night run of National shows came to an end on Saturday night (12/17), complete with an opening set by Bristol, England-based group This is the Kit who the National discovered on their recent tour of Europe. Maybe you watched the whole show livestreaming online.
Most of the guests on Saturday were the same as Friday, though no Trey. Saturday guests were Thomas Bartlett, Nico Muhly, Richard Reed Parry, Rob Moose, Nadia Sirota, Conrad Doucette and yMusic. Ben Lanz, who also played Thursday and Friday, was on trombone again after leaving the band earlier this year to join Beirut full time.
photos by David Andrako
National week at Beacon Theater continued on Friday night, 12/16, for the fifth night in a row. Shara Worden's project My Brightest Diamond opened the show and she later joined The National on stage as did Thomas Bartlett aka Doveman, Richard Reed Parry of the Arcade Fire, Conrad Doucette, Rob Moose, Nadia Sirota and string quartet yMusic... and Phish's Trey Anastasio who members of the National are working with right now. As Jambands.com points out:
"The Phish guitarist emerged partway through the group's set for "Blood Buzz Ohio," "Squalor Victoria" and "Murder Me Rachel." While onstage, the members of The National described the guitarist as "a hero of ours." Anastasio reemerged alongside Arcade Fire multi-instrumentalist Richard Reed Parry the evening's opening act My Brightest Diamond to play guitar on "Terrible Love." All of the night's guests then joined the members of The National for an acoustic sing-along based around "Vanderlyle Crybaby Geeks." National frontman Matt Berninger was particularly chatty throughout the show, jokingly describing Parry as a member of Kings of Leon and declaring "that's the sound of faces melting" after Anastasio's performance."You can watch a video with Trey in it below.
words by Christopher Paragraph, photos by Veronica Luis
Thomas Bartlett's "Burgundy Stain Sessions" has carved out its own unique place in the NYC music scene, bringing tasteful, acclaimed songwriters together with some of the most skilled players in the city. The songwriters in the Burgundy spotlight have ranged from Beth Orton to St. Vincent to Rufus Wainwright to Glen Hansard. This night, however (last night, December 1st), seemed to be a new direction for Bartlett's ensemble, hosting Loudon Wainwright. Loudon rarely collaborates with other musicians and mostly performs solo, so the show was anticipated with cautious excitement and curiosity.
The night started out with the band quietly taking the stage, slowly melding into the opening song with a bit of a wink: Bartlett's "Drinking," which was navigated well by the group. Hannah Cohen joined as a guest vocalist on Bartlett's next song "Boy + Angel," foreshadowing her forthcoming set. Bartlett has mastered the art of making a wandering piano sound precise, and avoids musical clichés without abandoning them. He can wear many different hats on stage equally well, whether taking the reigns as lead singer or smattering notes carefully behind another.
The first guest of the night was Oren Bloedow. Bloedow is the instrumental half of Elysian Fields, but this performance focused on his abilities as a songwriter. He revealed a keen sense of well-crafted pop, in the Joe Jackson / Elvis Costello vein. But his lyrics showed a more complex sensibility, giving equal attention to the meaning and syntax of the phrasing and the actual phonetic sounds of the words themselves. This poetic nature of his songs proved to be the way in which they succeed and separate themselves from the pack. The band (which will be detailed later) provided a well-suited backdrop, displaying Bartlett's skill as the artistic equivalent of a live music A&R man.
Next up was Hannah Cohen, who just finished her debut record (with Bartlett). She played a few smooth, dreamy numbers from the forthcoming album before changing pace with a samba-ish cover of 10cc's "I'm Not In Love." Cohen shows a gift for carefully placing melodies rather than pouring out her soul. The songs are tastefully restrained, even when showing off a vocal run, ghostly and delicate. She seems a perfect candidate to work with Bartlett. Cohen sounded at her best when the arrangement was stripped down, allowing the songs to loosen and bend. It will be interesting to see where she goes as an artist in 2012 and how her debut record sounds. A video preview both morose and sexy can be seen HERE.
Before the anticipated Wainwright set, Justin Vivian Bond was invited up to perform an odd epic heartbreak ballad that challenged concepts from self-identity to deism. This seems to be a trend in how Bond builds a song, as the night's encore echoed the same conceptual structure, a "patriotic" story song that implied thoughts on sex, politics, and natural selection.
Wainwright took the stage, laughing at the fact that he was "back on Bleeker Street." (Wainwright started out here in 1968.) His set began in a rather unexpected manner, a duet with Bartlett on Frank Loesser's "More I Cannot Wish You," from Guys & Dolls. From there, however, Wainwright launched into a few of his old classics, backed seamlessly by the house band (a phrase which seems to instantly undermine their talent). First was "White Winos," a devastating song about alcoholism and his relationship with his mother, which transitioned nicely into "Dreaming," based on a quote of his mother's, "I'd rather be dreaming than living." Wainwright is the quintessential songwriter whose music is morbid under the microscope yet cheerful under a casual glance. The songs are masked in bright melodies and performed with nonchalance, but closer inspection will almost always present the listener with a sharp dissection of the human psyche. Wainwright then played "Motel Blues," (a personal favorite) and a roaring rendition of "Muse Blues" which was most "rocking" moment of the night.
The final encore brought everyone up on stage (including returning guest Norah Jones) to collaborate on an interestingly wobbly re-working of Neil Young's "Only Love Can Break Your Heart," in keeping with the dreamy, melancholic theme of the night.
The band provided a thoughtful, dynamic backdrop for Wainwright (and all the evening's performers). Rob Moose's guitar was particularly great, at times supplying a bed of precise fingerpicking, other times creating a subtle dissonant distortion, reminiscent of his recent work with the Grammy-nominated Bon Iver. The rest of the band (Doug Wieselman on clarinet, Ray Rizzo on drums, Brad Albetta on bass) were just about all one could ever ask for in a backing band. They are well versed and experienced with the careful tactics of songwriter-accompaniment.
Bartlett revealed that this would be the last Burgundy Stain Session of 2011 but that they will be back in action early next year. They have created something that supports the musical community and promotes collaboration and songwriting. Here's hoping they continue to grow in 2012.
Catch Thomas, Doug and Loudon together again at Town Hall on December 15th.
by Christopher Paragraph
Martha Wainwright @ City Winery - 11/21/2011 (photo by IreneSenra)
Nath-Ann Carrera started the night off with a handful of songs that inhabited a unique place between standard country western ballads and bizarre gay-themed narratives. It was clear from his opening monologue that this was a performer who was about more than just the music (he stepped out, barefoot, in a short white gown and brown headdress.) Carrera performed songs by Hank Williams and Townes Van Zandt, but was at his best when spinning original yarns that were as sharp and strange as his on-stage persona. (One involved a lesbian kidnapping Frank Sinatra, skinning him alive on a meat hook, and using it to make handbags to sell to hippie boutiques.)
Martha Wainwright, who was playing her 2nd November City Winery show, came out in a short dress of her own - perhaps inspired by Nath-Ann, and perhaps unaware of how close the front row was to the stage. She joked with the gentlemen in the front about how they were getting a special show thanks to her "genetic leg kick." (Martha, like her father Loudon, tends to jerk her left leg up while playing...) Wainwright performed songs from her two studio albums as well as a handful of new songs slated for her upcoming yet-to-be-completed record. Wainwright has come a long way since her original role as the perennial family back-up singer. Her two records have received critical acclaim worldwide, and she has created a second career for herself interpreting the music of Edith Piaf. It seems Piaf's music is where Wainwright has found her true inspiration as a singer, as her songs are filled with the same emphatic, dynamic emotion. Wainwright's ability as a vocalist shined as she showed a control over her voice that held the crowd entranced. Her banter between songs also showed off a brash sense of humor and comfort, providing comic relief between some pretty intense moments. The height of which was her performance of her late mother's classic "Talk To Me Of Mendocino," which walked the line between devastating emotion and soaring melody.
The second half of the set, which also included a guest appearance by Justin Vivian Bond for one song, employed the work of Thomas Bartlett (a.k.a. Doveman) on piano, who proved to be the perfect accompanist, aptly complementing Wainwright's musical tendencies with subtle, effective flair. Wainwright has developed a unique musical identity in her now-trademark style of shaking a melody out like loosening a cramp, singing over conventional yet somehow unexpected suspensions, and writing lyrics that are both personal and enigmatic. She is far more talented than her recognition might indicate (at least in the US). She possesses both precision and soul, and the ability and awareness to tastefully present it on stage. At the end of the night the crowd demanded Wainwright's return, which she granted, performing "Tell My Sister," another classic song of her mother's, and closing the night with a new original number that left the audience even more curious about what Wainwright has in store for her next record.
On December 15, the Wainwright/McGarrigle posse will join forces with Lou Reed, Laurie Anderson, and many more to present "A Not So Silent Christmas" at Town Hall. All proceeds will benefit the Kate McGarrigle Sarcoma Research Fund. Flyer below.
Wainwright fanatics who can't wait that long can also see Loudon perform at Bartlett's "Burgundy Stain Sessions" on December 1 at Le Poisson Rouge.
Justin Bond & Thomas Bartlett (more by Dominick Mastrangelo)
Allen's show, entitled "A Southern Night", is part of "the Joe's Pub New York Voices series" and happens again three times this week. All three are still on sale (11/21, 11/22 & 11/23). The singer, pianist, songwriter, arranger and producer "will feature songs from the album as well as songs that relate to the Toussaint Family." His full list of dates is below.
Performance artist, comedian and singer Justin Bond is also playing more shows, and all with Thomas Bartlett on piano. Tickets are still available for November 27 and December 04.
Thomas Bartlett, aka Doveman, also has his own show coming up, another Burgundy Stain Session. No guests are announced yet but tickets for the December 1st show are on sale. (UPDATE: Loudon Wainwright & Hannah Cohen have been added to the December 1st show)
P.S. Happy 10th anniversary Brassland Records (who are giving away a song a day all this month including ones by Doveman)
Glen Hansard, Sharon Van Etten, a Dessner
Other Voices, an annual musical festival held in Dingle, Ireland, may not be nearly as old as the town's pubs, but it has already become a rich, meaningful tradition since its inception in 2002. Though typically held in a tiny church, Other Voices jumped across the Atlantic and landed in Le Poisson Rouge for a couple of nights this week with the help of Thomas Bartlett (aka Doveman), Glen Hansard, and others--and it's all for a good cause! (All proceeds of the shows go to benefit Fighting Words, a writing center for children and youth in Dingle.)
"We don't know where we're going, we don't know where we'll be when we get there, and when we get back we probably won't know where we've been, so join us on this journey this evening," said Irish actor/writer Gabriel Byrne effectively introducing the event's pleasantly discursive nature. What unfolded over the course of the next three-and-a-half hours was a hearty round of poetry, prose, and music, much in the spirit of Doveman's monthly series, the Burgundy Stain Sessions.
Artist after artist shuffled onto the stage. Highlights included Glen Hansard's beautiful stories and songs, a newer piece by Thomas Bartlett (appropriately about the rain), a song or two from the talented folk singer Sam Amidon, a beautiful brand new piece written just yesterday by Bryce and Aaron Dessner that was inspired by the streets of Dingle, a couple of traditional songs by renowned Irish fiddler Martin Hayes, Joseph O'Connor's reading of an ode that creatively highlighted many of New York's music legends, and a surprise performance by Sharon Van Etten (and her sister Heather). The guests just kept coming. Bell X1 (who played a Smiths cover), Martha Wainwright, Jape, The Lost Brothers, Justin Vivian Bond, Nico Muhly; and from the Irish literary scene: Philip King, Roddy Doyle, Colum McCann, and Paul Muldoon. An unrecognizably shaggy Damien Rice even made a surprise appearance to play a couple of beautiful, completely unplugged and unaccompanied songs on his acoustic guitar.
The camaraderie in the air was thick. Though each artist had a chance to be in the spotlight, its loose structure allowed for one-of-a-kind impromptu collaborations. After a week of running around to catch ridiculously brief sets, often with compromised sound, it was a nice change to remain still and embrace a long, calming set as talent after talent humbly took to the stage. If you go tonight, just make sure to wear comfy shoes or arrive early to snag one of the few seats.
More pictures from the night below...
Lisa Hannigan @ Rockwood Music Hall
Though penciled into the calendar at Le Poisson Rouge well in advance, Doveman's monthly salons (aka Burgundy Stain Sessions) are typically characterized by spontaneity and surprises. The cast of musicians is constantly shifting as new people are introduced and former collaborators quietly fall off the roster. Traditionally, little about the shows is scripted - at least until the latest session.
For perhaps the first time since the shows began in January, a set list lay on the floor of the stage on June 24th. Of course that doesn't mean it was strictly followed.
Thomas Bartlett (or Doveman) kicked off the show solo with a Randy Newman cover ("Real Emotional Girl"), but it wasn't long before special guest Lisa Hannigan joined in on vocals and guitar. Having collaborated with each other early last year, Hannigan and Bartlett complimented each other nicely. Hannigan may have entered into public consciousness through her part in Damien Rice's 2002 album, O, but she's clearly got enough talent and charm to do more than just the occasional backing vocals, as she demonstrated in her debut solo release in 2008.
As Hannigan's segment wound to a close, other guests started popping up to contribute everything from brand new songs to classic covers (like John Denver's "Take Me Home, Country Roads"). Hannah Cohen (who is apparently working on an album with Bartlett), Dawn Landes, Mike Doughty (who was Bartlett's first tour-mate), Glen Hansard (named the "MVP" by Bartlett), Justin Bond, and backing band Ray Rizzo, Rob Moose, and Josh Kaufmann all made appearances before the evening was up.
As for next month's show, who knows who Bartlett will pull out of his hat. Tickets are on sale for July 29th, September 23rd and October 28th. No guests are announced on any of them yet.
The Doveman show was one of a few in NYC that week for Lisa Hannigan who also played two sold out shows at Rockwood Music Hall where she performed with a full band including John Smith who also opened with a short set of his own music. Lisa's set consisted of a number of new songs from "Passenger", as well as songs from her first album "Sea Sew". They finished with a cover of Depeche Mode's "Personal Jesus". Pictures from the first Rockwood show are in this post and they continue below...
by Rachel Kowal
Rufus Wainwright & Doveman @ LPR (photo by Nicole Gitau)
After missing the last two Burgundy Stain Sessions, I was glad to be back for the fifth installment of Doveman's salon-style shows at Le Poisson Rouge. Between the rotating cast of musicians and the experimental, anything-goes attitude, you never quite know what you'll get over the course of the evening.
Though multiple artists are on the bill, the layout is rather unconventional. Instead of a series of individual performances, all of the artists collaborate and contribute to one long set. It's not seamless, but that's kind of the point. "My goal is for things to be kind of gloriously sloppy here," the host, Thomas Bartlett admitted at one point.
Bartlett (aka Doveman), kicked off the evening with a soft, melodic song on the piano, but it wasn't long before he was joined by a trumpeter and clarinetist who deftly made their way through the crowd and onto the stage, playing all the way. After a few Doveman songs, The GOASTT, aka Sean Lennon and Charlotte Kemp Muhl (of Ghost of a Saber Tooth Tiger) jumped up from their perch on the side of the stage. Easily one of my favorite parts of the evening, the GOASTT portion ranged widely in emotion and style. One minute it was French spoken word (Lennon) peppered with onomatopoeia interjections (Muhl) and the next featured smooth accordion-rich melodies.
After a few more from Doveman, there was a one-song interlude to "give the band a break" and Barlett welcomed his friend Nathan to the stage to deliver his wildly entertaining "lesbian separatist murder ballad" about the Manson family. Though it sounds odd, it's really the frenetic pacing that keeps things interesting and keep me returning month after month.
As promised, Rufus Wainwright joined in after the break, to wild applause from the audience. Fresh from their Kate McGarrigle tribute at Town Hall, Bartlett and Wainwright (McGarrigle's son) played a few touching covers in addition to one from Wainwright's own discography, "April Fools."
At some point, Muhl and Lennon returned for the grand finale, which, after much buildup and back story turned out to be a cover of "Across the Universe" (with Lennon on backing vox). Apparently, it was the first time Wainwright and Lennon played the song since their collaboration nearly a decade ago for the post-9/11 peace show organized by Yoko Ono. Of course after the Beatles cover, which sent chills down my spine, the encore (the Neil Young cover song "Only Love Can Break Your Heart") was just icing on the cake.
I can only wonder what next month's show will bring.
No guests have been announced, but tickets are on sale for the June 24th show at LPR. Doveman also plays a free show in Prospect Park with Junip and the Books five days earlier. Rufus has some stuff coming up too.
photos by Vincent Cornelli
Doveman played another guest-filled show at Le Poisson Rouge in NYC on Saturday night. The backing band was comprised of Brad Albetta (bass), Ben Perowsky (drums), Rob Moose (guitar, violin), and Doug Wieselman (clarinet, bass clarinet). Thomas Bartlett was joined by guests Martha wainwright, Justin Bond, Hannah Cohen (whose record Thomas is producing), Jennifer Charles of Elysian fields, Norah Jones (as advertised), Sara Quin (of Tegan and Sara), Nico Muhly, and Frames/Swell Season singer Glen Hansard. Pictures from the party are in this post.
No guests have been announced for Doveman's next shows yet, but this pats show's lineup has been the norm (read about past shows HERE and HERE), so get your tickets in advance if you want to go on May 26th or June 24th.
Meanwhile, Thomas/Doveman and Doug Wieselman will be two of the special guests at Jesse Harris's final residency show at the same venue this Tuesday night (4/26), as will the recently-added Kaki King. Tickets are still on sale.
You can also catch Martha on May 12 and 13 at the two shows honoring her late mother at Town Hall.
More pictures from Saturday's LPR show, below....
When you hear the word 'ecstatic,' chances are classical music isn't exactly the first thing that comes to mind. Even Thomas Bartlett (aka Doveman), one of last night's featured musicians, admitted that his music was "kind of quiet" and snoozy." But a cursory glance at Nadia Sirota's frenzied delivery on the viola, and the classicaly-bent Ecstatic Music Festival's choice adjective doesn't seem like such a misnomer.
The evening was arranged in three parts, one for each of the featured musicians. Of course, the performances were also highly collaborative and often called for all five performers (including violinist Rob Moose and cellist Clarice Jensen) to be on stage. "We're all friends and drinking companions," Bartlett revealed.
As evidenced by the the recent stringof Burgundy Stain Sessions at Le Poisson Rouge, Bartlett is no stranger to performing with a wide range of talented musicians, but after nearly a month of touring solo in Australia, he averred that extra musicians were a welcome addition. "I think I'm hallucinating the quartet," joked the jet-lagged pianist early into the show. Bartlett and company played a selection of Doveman's melodious songs, including a brand new one about lost love that he wrote during his recent trip abroad.
Following Bartlett's portion, Nadia Sirota moved to the center of the stage, her viola tucked safely under her arm. With its measured, gentle introduction, her first piece, 'Drums and Viola' provided a smooth transition from Bartlett's music into her more frenetic contributions. But with each passing movement of the song, the tension rose. To keep up with the heightened pace, Sirota inhaled sharply every few beats, which made her performance even more physical and impassioned. Like Thomas Bartlett, Sirota was also thrilled to present a new piece - Missy Mazzoli's 'Tooth and Nail'.
The final leg of the show featured Owen Pallett's sprightly selections. Though he is best known for his elaborate violin-looping skills, Pallett (who used to be known as Final Fantasy) started on the keyboard, accompanied by Bartlett and the slightly truncated strings section. After a few songs however, he picked up the violin so as not to betray his fans or the event poster. The majority of Palett's songs came from his last album, Heartland, but he also played an older song or two, including "He Poos Clouds."
Besides one odd technical difficulty when the music halted temporarily during the "difficult" song ("Lewis Takes Off His Shirt"), the acoustics were excellent, thanks largely to the carefully-engineered wood paneling in Merkin Concert Hall.
After each musician had the chance to show off a selection of songs from his or her repertoire, the group united on stage once more to conclude the evening with Neil Young's "Only Love Can Break Your Heart."