Entries tagged with: Thursday
Geoff Rickly has been running into some bad luck lately. Just days after the Thursday/United Nations/No Devotion frontman had to sever ties with his label's controversial financial backer (and said "this is going to end the career of the record label"), he was poisoned and robbed during No Devotion's European tour. The band posted the above Instagram and the caption reads:
Just a little note to say that I was poisoned & robbed (outside our @reeperbahn_festival venue on Friday) and spent the night in the hospital in Hamburg. I'm recovering and will be in Paris tonight. <3 Sorry to anyone that was at our show for the cancellation. The outpouring of love & support for @collectrecords @nodevotionband & @normanbrannon @shaundurkan is nothing short of remarkable.It isn't clear how he was poisoned, but AltPress points out, "Seasoned travelers say these types of crimes (poisoning someone's drink and then waiting for the effects to kick in order to rob them) targeting tourists are quite frequent." Best of luck to Geoff.
photo: Geoff Rickly w/ United Nations at Saint Vitus in 2014 (more by Greg Cristman)
Yesterday we mentioned how drug price-gouger Martin Shkreli, the current most hated man on the internet, was revealed to be the sole backer of Geoff Rickly's Collect Records, and how in lieu of Shkreli's actions, Rickly and several Collect bands acknowledged their future was questionable. Now, as Pitchfork points out, Rickly has released a statement announcing the label has severed ties with Martin Shkreli:
Today, Collect Records -- with the support and encouragement of all of our artists -- have agreed to fully sever our relationship with Martin Shkreli, effective immediately.Wax Idols already tweeted, "I'm staying with Collect bc I know they'll do the right thing & we'll get through this. Fuck Martin. I won't be defined by his actions." Nothing have yet to comment further, but they did reveal that their new record will be called Tired of Tomorrow.
When I decided to get into business with Martin, we took him on as a patron. He was completely silent and allowed us to do business as we pleased. His only ask was that we sign bands that we believed could make great art given the right environment and not to focus on a profit, no matter how dire the bottom line.
Never in a million years did any of us expect to wake up to the news of the scandal that he is now involved in. It blindsided and upset us on every level. As such, we know it is impossible for us to continue having any ties with him. For my part, I've always strived to make Collect a place that was so liberal, encouraging, and artist-friendly that no one would ever walk away from us willingly, though to do so at any time would be very easy. To that end, I hope that our bands continue to believe in our guidance and passion. Any of them that have had an incurable crisis of confidence will be allowed to leave with nothing but the kind of encouragement that we've built our label on.
For all the kind words of encouragement that I've received over the past two days, I'm forever grateful.
From all here at Collect Records, thank you.
UDPATE: A NY Times article came out today, revealing more info about Geoff's situation with Martin:
Mr. Rickly said he was aware of Mr. Shkreli's past business dealings, which included controversial investments and lawsuits from former employees, at the time of their partnership. "Of course I Googled him," Mr. Rickly said. "I had apprehensions and I talked to him about it. He has a cavalier attitude about things. At the time, one on one, it was soothing, but in public now it comes across as borderline sociopathic."The article also points out that the future of Collect may not be looking good:
"You take any capitalist money and you never know. It's a dirty system and usually people do something questionable things," Mr. Rickly added.
Mr. Rickly said he had hoped to use the money to fund struggling artists. "At the very worst, if Martin was a bad guy, then you're taking his terrible money and giving it to artists who never get any," he said. "I wanted to make something great out of it -- the stupid Robin Hood narrative that everybody knows."
Mr. Rickly said losing Mr. Shkreli's financial support might result in the label's closing. "This is going to end the career of the record label, no doubt," he said. "If I were a band on the label I would be having a serious crisis of faith right now. The amount of money I have in the bank doesn't cover my outstanding invoices. It's devastating."Lastly for now, Geoff has tweeted the following:
Because there are some conflicting things, I feel the need to say this plainly. I have always been an honest and caring person. Collect has been a labor of love from the beginning. The bands on my roster are the best, the brightest, the most forward thinking, rhe most diverse group of people. I'm so proud of all of them and they didn't deserve this. Tonight I'm running on nothing but faith. Faith that any missteps I make in the next few days will be forgiven by people that matter to me. Because I'm human and I hurt. Faith that tomorrow will be better and I'll use my 20 years of punk rock resourcefulness to fulfil every promise I've made. Faith that all of you that have sent their love to me today will help pull me up and teach me a better way to make this label work. And some bands will leave and I will love and support them and some will stay and I'll bleed for them like I do. And I'll make new mistakes. But I'll do it in the best, most honest, most caring way that I can. With my friends and family @SkeeterNYC and persevere.We're wishing for the best for Geoff, Norman, Shaun, and all the bands involved with Collect.
I love you friends. I love you kind strangers. I love you who have been outraged. We need to rage against things sometimes. Now is one. Mostly I love our brilliant bands and @normanbrannon and @shaundurkan leonora Liza and @BraceYourselfPR --- thank you brothers and sisters.
Good night from Germany. Xoxo
As you may know, BrooklynVegan is co-presenting a CMJ showcase at Baby's All Right with Collect. As it currently stands, the lineup is Geoff's band No Devotion, Nothing, Wax Idols, Creepoid, and Foxes In Fiction.
photo: Geoff Rickly w/ United Nations at Saint Vitus in 2014 (more by Greg Cristman)
By now you've probably seen the dude in the Brand New shirt causing outrage for raising the price of a drug (Daraprim) from approximately $13.50 a tablet to $750. The drug is often used by people with compromised immune systems due to AIDS, and treats life threatening parasitic infections. The person responsible is 32-year-old former hedge fund manager Martin Shkreli who is now the founder and chief executive of Turing Pharmaceuticals. We've heard rumors about a rich Thursday fan who invested in Thursday/United Nations/No Devotion frontman Geoff Rickly's Collect Records, and it was revealed last night that Martin, the most hated man on the Internet right now, is in fact that man.
We've been waiting to hear what Geoff had to say before posting anything. He didn't immediately give a statement or tweet about it (or email us), at least in part because he was flying to Munich to start a tour as this news was breaking. We were especially interested in the situation since it just so happens our official CMJ showcase this year is in partnership with Collect Records.
Geoff broke his silence late this afternoon via a brief interview with Noisey:
My head is still spinning, and though I want to believe that there is some reason that [Martin] would do this that is some remotely positive way, the only thing I can see is that it is totally and completely heartbreaking.Noisey also spoke to Dominic Palermo, frontman of Collect band Nothing, who told them "Nothing will never be a part of a label that involves Martin." He left a longer comment on Facebook, where he added "Like [Geoff] has helped me with my problems the past few months, I plan on helping him in anyway I can."
I can't see my future at all in the label. I have to see what the bands want first, and see if there is any meaning or any mission following all of this. More than anything, I want the bands to see that I hold art as the guiding force in my life. Ultimately I see this going in the same way it always does, where all the artists get blamed for everything and capitalism is never held accountable. I really think that if Collect is going to be scrutinized as being capitalism, but that is how music survives. I'm not making excuses for what has happened, but there is no corner of the music industry that doesn't live and breathe from subsidies from business. It's reductive and hypocritical to hold us and only us accountable though, we are all at fault in some greater way.
Hether Fortune, singer of Collect band Wax Idols, also posted a statement. An excerpt reads:
I personally 100% am NOT FUCKING OK with this guy and his business tactics. If any of you have learned anything about me through being a fan of the band, I hope that you would know by now that this kind of advantageous rich guy greed goes against everything that I stand for.She also points out: "I use the word "patron" rather than "investor" because as far as I know, Martin does NOT recoop a dime from Collect Records. He essentially donates money to the label."
I love Collect Records. Geoff Rickly is an incredible person who I've known and admired since I was 13 years old. I stand behind him and know that he would never willingly put himself OR me into a situation like this had he been aware of what was really going on. We are going to handle this.
Another Collect band, Sick Feeling, told The FADER: "One thing is clear; as long as he has a part in the label, we, Sick Feeling, cannot. Our experience with Geoff, Norm, and Shaun has been nothing but positive, however, we cannot continue to work with Collect as long as Martin Shkreli has any part in it."
Creepoid posted a a statement too:
...we were heartbroken to come to learn that this man was a major financial contributor to Collect Records. As you all know, we released an album with Collect this past summer. From the start we have only ever dealt with people we respected and trusted (Norman, Geoff, and Shaun) and have never met, seen or spoken to Martin Shkreli.Collect employee Norman Brannon (of Texas Is the Reason) has yet to comment, but did say "I haven't said anything because I was blindsided and because I am not interested in writing hot takes when everything is already on fire."
In the whirlwind that has followed, some details concerning the future of Collect remain very blurry (see attached link). We would like to make one thing clear - we would never knowingly work with Martin Shkreli, or anybody willing to walk across the backs of the sick and dying with a smile on their face for the sake of making a profit. As long as Shkreli is involved with Collect Records, directly or indirectly, we cannot be.
Well, whether it was because of Geoff or one of the bands or the entire Internet or Hillary Clinton, it looks like Shkreli has actually backed down. CNBC reports that he's given in and lowering the price as a reaction to the outrage:
Yes it is absolutely a reaction -- there were mistakes made with respect to helping people understand why we took this action, I think that it makes sense to lower the price in response to the anger that was felt by people.Shkreli, who over the past two days has been tweeting in his own defense while countless people were tweeting death wishes at him, has now made his account private (which means you can no longer see the picture of Pianos Become The Teeth he tweeted from the front row of one of the BrooklynVegan SXSW shows at Red 7 this year) (a fact we learned in the Bullett article) (and a show United Nations also played). No word yet on what price he plans on lowering it to.
It's very easy to see a large drug price increase and say 'Gosh those people must be gouging,' but when you find out the company is not making any money, what does that mean?
And I think in the society we live in today it is easy to want to villainize people, and obviously we are in an election cycle where this is very tough topic for people and very sensitive. And I understand the outrage.
As you may know, we're big fans and supporters of Geoff Rickly, his various bands, his label, and the bands his label has signed. We wish the best for him, Norman and Shaun, and hope they work this all out. As mentioned above, we announced earlier this month that we're co-presenting a CMJ showcase at Baby's All Right with No Devotion, Nothing, Wax Idols, Creepoid and Foxes In Fiction. From a purely musical point of view, we hope this show goes on, as we were really looking forward to the whole night. We'll keep you posted if anything changes with that though.
There will always be a segment of a popular punk band's fanbase maintaining their debut will never be topped, based on its "rawness" and "honesty." For Thursday, this cohort appears to be smaller than most. In fact, the overwhelming consensus is that Waiting is their least potent work, an opinion that's less uncomfortable to hold knowing that it is also Geoff Rickly's. But that's more a reflection on the overall strength of their catalog and how every Thursday record managed to be superlative in its own way: Full Collapse is the most influential; War All the Time the heaviest; A City by the Light Divided remains their most melodic, A Common Existence their most brutal; and No Devolución their most comprehensive. Waiting simply stands as Thursday's most promising and earnest album. [Pitchfork]The now-defunct Thursday reissued their 1999 debut, Waiting, for its 15th anniversary on frontman Geoff Rickly's Collect Records earlier this year. It comes with three bonus tracks, new artwork and liner notes, and more. They also made two new videos, including one with old footage of the band for "This Side of Brightness" and a lyric video for "Where the Circle Ends." You can watch both below.
Geoff is currently playing in two bands, United Nations and No Devotion, and he's still keeping his solo career going too. His next solo show is in Thursday's home state of NJ on May 29 at Maxwell's, which recently re-opened with new owners and is actually getting a few cool shows. This one is with Meghann Wright, Gatherer and Help Me | Help You. Tickets are on sale.
That show's a throwback to old Maxwell's, which booked Thursday on more than one occasion. Watch a video of them playing "Dying In New Brunswick" at the NJ venue, along with those new Waiting videos, below...
Flemington, NJ melodic hardcore band Purpose were a band ahead of their time. Big things may have happened for them if they hadn't broken up in 2001. Their last show was at Westwood Garage in June of that year, and they haven't played since. They weren't completely forgotten though. Their entire 27 song discograpy was released by Black Numbers in 2007. Punk News reviewed it at the time:
One of New Jersey's better kept secrets over the course of the `90s and into the tip of the early 2000s seemingly had, well, a purpose. That purpose -- conveying real, profound and inspired emotion -- comes across pretty well in this nicely done, career-spanning overview.Listen to Discography: 1994-2001 in full, courtesy of Spotify or Bandcamp, below. Pick it up for $6 at Bandcamp.
Missed them the first time around? Maybe the biggest surprise on the just-announced lineup of NateFest is that Purpose are reuniting! It's unclear who will be a member this time though, but stay tuned for updates.
Led by John Waverka (who went on to front The Break), with constant member Brian Fahey, the band had a rotating cast of characters during its lifespan. Other members included Mikey Allen, Chris Oliver, Cass McGrath, Ed McGrath, Shaun Weeden, Anthony Anastasio (who went on to play in Saves The Day), and Bill Henderson.
Purpose member Bill Henderson is/was also in The Procedure, x One Way x, Between The Wars, Helcaraxe, AND Thursday! Though Bill left Thursday in 2000, he was one of the five original members, and one of the three original members of Thursday from Hunterdon Central High School in Flemington -- where Purpose formed, and where Kid Dynamite's Jason Shevchuk also went to school. Jason later formed None More Black, who are also playing NateFest.
Listen to all of Purpose's songs below...
Geoff Rickly w/ United Nations at Saint Vitus on 8/2 (more by Greg Cristman)
Former Thursday frontman Geoff RIckly has been a busy guy this year, having already put out releases with two bands he's currently singing in, post-hardcore art project United Nations and the synth rock band No Devotion that he formed with the remaining members of Lostprophets (the ones who are not in jail for unspeakable crimes). United Nations recently wrapped up a tour (check out pics from NYC) and now No Devotion will be hitting the road as well.
No Devotion's tour includes multiple dates opening for Neon Trees, but they'll be headlining some smaller shows too, including one in NYC on October 28 at Glasslands. Tickets for the NYC show go on sale Friday (8/29) at 10 AM. No Devotion also just put out a video for "Eyeshadow" from their debut single, which you can watch with the full list of tour dates, below.
Another band that hailed from the same NJ scene as Thursday, and whose debut album was produced by Geoff, My Chemical Romance, has also splintered into various new projects. Frontman Gerard Way has gone solo and is playing shows this year including NYC/NJ on October 20 at Irving Plaza, October 22 at Starland Ballroom and October 23 at Webster Hall. Tickets are on sale here for Irving and Starland, and here for Webster. MCR guitarist Frank Iero is now playing as Frnkiero Andthe Cellabration, and they've got some shows as well including NJ on September 6 at Gamechanger with The Scandals, This Good Robot and more. Tickets for that show are on sale now.
All of Frank and Gerard's dates are listed, with the No Devotion video and dates, below...
by Andrew Sacher
United Nations (photo by Pablo Van Winkle)
The tracks keep coming the highly anticipated sophomore album from United Nations, The Next Four Years (due 7/15 via Temporary Residence Ltd). You've already heard "Serious Business" and "Meanwhile on Main St" and the band have now unleashed a third, "United Nations vs United Nations." When I saw UN play this song at 285 Kent last year, singer Geoff Rickly introduced it by saying that the other United Nations sued them over their name, and said he thinks it's really easy for people with money and power to push around people without money and power, so they did a little pushing back. Hence, "United Nations vs United Nations." Check it out below.
United Nations isn't the only thing Geoff Rickly has been up to lately though. The former Thursday frontman also recently re-launched his label, Collect Records. The label was already responsible for releasing the first Touche Amore album (with 6131) and the first United Nations album (with Eyeball), and currently has new 7" releases planned from Touche Amore, Title Fight, Saves the Day and more.
Collect also just released the a-side of the new single from No Devotion, aka the new band of Geoff Rickly (vocals) plus the members of Lostprophets (you may know that Lostprophets' singer is in jail for some unspeakable crimes). The single will be out July 22 but you can now stream "Stay," a track more akin to arena goth than United Nations' searing hardcore. Check it out below.
Stream the new UN and No Devotion songs, below...
United Nations at Saint Vitus in 2013 (more by Caroline Harrison)
United Nations, the "emo powerviolence" band of Thursday's Geoff Rickly which also includes/included members of Converge, Glassjaw and Pianos Become the Teeth, have signed with Temporary Residence Ltd. (Explosions in the Sky, Young Widows) who will release The Next Four Years, their first full length since their self-titled 2008 debut, on July 15. No music has been released from it yet, but you can watch a video of them playing one of its songs "United Nations Vs. United Nations" at Saint Vitus, below.
Meanwhile, catch UN at The Fest this year if you're going. Cover art above. Video and LP tracklist below...
by Andrew Sacher
Gainesville, FL multi-venue punk festival The Fest just announced even more bands, including Melvins, United Nations, Coliseum, Small Brown Bike/Casket Lottery-related Able Baker Fox (who haven't played in a while), Whores, Vacation, Plow United's Brian McGee and more. Full list of additions below.
The new additions join Descendents, Lifetime, Paint It Black, The Marked Men, Modern Life Is War, Mineral, Hot Water Music, Screaming Females, Touche Amore, Into It Over It, Circle Takes the Square and many, many more. Passes are still available.
Meanwhile, Melvins singer Buzz Osborne, or King Buzzo, recently released another song from his upcoming acoustic solo album, This Machine Kills Artists, which is due out on June 3 via Ipecac. Like previous single "Dark Brown Teeth," it's acoustic but it's not like Buzzo is going singer/songwriter on us or anything. It's pretty much a drum-less, distortion-less metal song. Check out the new track, titled "Instrument of God," below.
And in more related news, United Nations singer Geoff Rickly (who also used to sing a band called Thursday) recently wrote for The Talkhouse on how he paid $2,000 on StubHub to attend one of The xx's 40-person shows at the Park Avenue Armory in March. Here's how he described the show:
As the set progresses, the room changes. The night turns magic. The lights drop and "Fiction" starts playing. Now the beat is booming somewhere behind us. It's becoming increasingly clear that this small room is a facade and we're in a massive space. The walls turn into screens that are being projected on from outside. The ceiling starts rising above us, first one story, then two, then three. Liza grabs my hand as the soundtrack to her loneliness throbs in the air around us.Read the rest of his interesting (and pricey) story about how and why he ended up forking over two grand for the show, at The Talkhouse.
The walls blow off the room and lights come streaming through the air from great distances. The band is slinking through one number after the other. Music has never been sexier or more vivid. It felt like being inside the record sleeve. The sound roaring in the void around us, the lights echoing the artwork -- this is the closest I've ever been to the realization of a musical vision.
Stream the new Buzzo song, with the full list of Fest additions, below...
photo by Greg Pallante
Get Involved, the new-ish NYC post-hardcore band that features members of Thursday, Glassjaw and others, put out their debut EP, Silk Cuts, earlier this month. It was produced by Ross Robinson (Glassjaw, At the Drive-In, Blood Brothers) who's proven he's got a bit of knack for this kind of thing. One of its tracks, "Let Your Guard Down," was just given video treatment, featuring blurred clips of the band performing in a room. That video makes its premiere in this post and can be watched below.
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
"Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace." [Wikipedia]If you've been closely following along with the blogosphere lately, you've probably noticed talk, especially amongst the indie rock community, about an "emo revival." Some sites, like Stereogum and Buzzfeed, have directly written about the "revival," whereas others like Pitchfork -- a site which has previously derided even the most classic albums of the genre -- didn't explicitly call it a revival, but offered a valuable spotlight on the modern emo scene. NPR weighed in, asking, "Is Emo Back?," but still some, like Noisey, claim, "There's no emo revival, you just stopped paying attention." A writer at NYU Local agrees. Meanwhile, bloggers and local papers, like OC Weekly and Baltimore Sun, are running with this.
All of this attention is only doing the genre a service. As Chad Jewett points out on Half Cloth, "How did you find out about Diary, person born in 1988? Because you would have to have been preternaturally cool to have picked up on it in 1994 when it came out." In other words, maybe in 19 years someone will hear Is Survived By, and they'll thank their lucky stars for all these listicles and thinkpieces that pointed out that record and so many other great records. But does the increased attention for these bands (many of which have been around for years) in indie rock circles warrant calling it a revival? Maybe it's that people are realizing these "emo revival" bands have a lot more in common with indie rock bands than a lot of people thought.
For one reason or another (perhaps because kids who grew up on Drive-Thru Records comps are forming bands now), emo has been sneaking its way more and more into accepted indie rock. Nobody was screaming "emo revival" when Japandroids went from a well-liked indie rock band to one of the genre's most beloved with 2012's Celebration Rock, a record full of heart-wrenching lyrics, youthful spirit, and fast, catchy power chords -- all common descriptors of emo. (Not to mention it was released by Polyvinyl Records, home to such emo classics as Frame and Canvas, American Football, Look Now Look Again, and more.) Likewise, no one said it when Cloud Nothings' 2012 LP Attack On Memory got tons of love from indie rock critics upon its release and went on to appear in multiple year-end lists, including Pitchfork, Stereogum, Spin, and more. It's an indie record, but one with a heavy resemblance to early Sunny Day Real Estate and similarly emo lyrical themes ("I miss you 'cause I like damage / I need something I can hurt").
Japandroids at Bonnaroo 2013 (more by Dana (distortion) Yavin)
These records had all too much common with the great emo releases of that year, including Title Fight's Floral Green and Joyce Manor's Of All Things I Will Soon Grow Tired. Both of those albums embraced raw production, honest, innovative music, and were not geared towards a radio-pop fanbase, but yet were largely ignored in indie rock circles. It's essentially what indie rock is, and a far cry from what pop bands tagged as emo like Panic at the Disco, Hawthorne Heights, and Senses Fail were doing. Those pop-emo bands, and countless others, dominated rock radio, MTV, and a major part of the conversation on emo during the mid-2000s, scaring away many indie rock fans and critics from the genre all together. The two weren't always enemies. Emo kids and indie rock kids both hold equal claim to bands like Sunny Day Real Estate, Cursive, Bright Eyes, Death Cab for Cutie, Rilo Kiley, and others. Perhaps part of the split was because it was somehow cooler to look like this than like this.
Title Fight, who didn't appear on Pitchfork until the-year-of-the-revival despite notable album releases in 2011 & 2012, cited many of the same influences as modern indie rock bands for Floral Green, including Sebadoh, Hum, Nirvana, and Sonic Youth. And Joyce Manor did the same, namedropping Guided by Voices and Weezer's Pinkerton in interviews. It makes sense that fans who latched on to Japandroids/Cloud Nothings would gravitate towards Title Fight/Joyce Manor. So what makes them so different? Ian Cohen says in his 2013 Pitchfork review of the new Title Fight EP, "You're more likely to hear electro-pop or major-label bands such as Chvrches or Haim called "indie" more often than Title Fight. How is that? Is it because most of time, genre tags are used to described the perceived fanbase than the music itself?"
The question Ian poses in that review seems to be a huge factor in the need some have to cite an "emo revival." If Japandroids and Cloud Nothings are your kind of indie rock, or punkier indie-approved bands like Titus Andronicus and Fucked Up, or classic bands like Dinosaur Jr, Built To Spill, Superchunk, and Archers of Loaf, chances are you're going to (or already do) find a lot to like in Title Fight, Joyce Manor, Pity Sex (essentially a shoegaze band), Cloakroom (sludgy slowcore), Placeholder (fuzz rock/'90s-style indie/etc), and many more. And as certain people, like Jaded Punk Dan Ozzi in his Noisey article pointed out, these bands didn't come out of nowhere. This comparatively underground scene of emo has been co-existing with the mall-emo scene for years, and perhaps it's getting called a "revival" because of the sudden interest for it from a fanbase who, for the most part, previously ignored anything associated with that three-letter word.
I do think, to some extent, that at one point the "emo revival" tag meant something. Now-defunct bands like Algernon Cadwallader (who have a new band, Dogs On Acid, in the works and whose guitarist Joe Reinhart is now a sometimes-member of Hop Along) and Snowing/Street Smart Cyclist (whose singer John Galm now fronts the excellent garage punk band Slow Warm Death) revived a very specific type of emo in the late 2000s -- the math rock-influenced kind done (perhaps most notably) in the mid-'90s by Cap'n Jazz. That sound, which some people bafflingly call "twinklecore," can be heard in late-2000s bands Castevet, Empire! Empire! (I Was A Lonely Estate), 1994!, and bands who rose more recently, including The World Is A Beautiful Place & I Am No Longer Afraid To Die, Dads, and Prawn. But that's only a small sect of the genre as a whole. I recently said that Brand New's 2006 LP The Devil and God Are Raging Inside Me is my favorite emo album since Diary, and Devil and God only came out two years before Algernon's first, 1994!'s first, and La Dispute's first. Thursday's final record, No Devolucion, came out in 2011 and in my opinion it's one of their best. The genre had a rough period as it entered the mainstream (but so did so many other genres) but it never vanished.
Touche Amore at Riot Fest 2013 (more by Kirstie Shanley)
Why is it all happening now though? Perhaps with "indie rock's tuneful death rattle" and "the decline of guitar rock" in effect, with artists like Haim, Chvrches, Icona Pop, The 1975, and Lorde currently dominating the indie rock discussion, there are still people yearning for raw, scrappy guitar rock with DIY ethics and an alternative mindset. And a lot of us are finding that those cravings are satisfied by this large, thriving group of "emo" bands. In his "indie rock death rattle" piece on Grantland, Steven Hyden welcomed indie turning pop as a natural progression, but did point out some may be seeking something less pleasant, which he finds in Touche Amore's latest LP, Is Survived By.
Touche's record, another getting extra attention now thanks to the "revival," is one of the finest releases of this year, and embodies so many of the key factors of "underground rock." Its aggression is raw and unpolished, but it's melodically and dynamically exploring new ground for rock music. Lyrically, the themes won't be unfamiliar to indie rockers, exploring existential uncertainties ("To swallow mortality is enough of a task / And leaving your mark is just too much to ask") that aren't too different from a band like Titus Andronicus ("Okay, I think by now we've established everything is inherently worthless / And there's nothing in the universe with any kind of objective purpose"). They also happen to be musically and communally connected to post-hardcore bands like Converge and Thursday who have influenced forward-thinking underground rock bands, just as Pavement and the Pixies have.
At The Drive-In at Coachella 2012 (more by Dana (distortion) Yavin)
It's not only newer bands though. Many now broken-up bands have been reuniting, and getting welcomed back very warmly. It's no surprise that the much-loved At the Drive-In caused excitement when they reunited, but in case there was any doubt how large that excitement would be in indie circles: They got huge spots on major indie rock festivals like Lollapalooza and Coachella, and the reunion also got notable coverage on many indie sites, including Pitchfork, who weren't too kind to their classic Relationship of Command LP upon its release but scored it significantly higher upon its April 2013 reissue.
The fact that the idea of "indie rock" is so vague and encompasses so many things, many of which are not "indie" or "rock," is a great thing, but there are still kids who can't settle for Chvrches when a past generation got Fugazi. And luckily those kids won't have to worry. In addition to many of the bands mentioned above, there's Speedy Ortiz, Waxahatchee, Swearin', A Great Big Pile of Leaves, Courtesy Drop, Little Big League, Frameworks, Calculator, Iron Chic, Big Eyes, Single Mothers, Sundials, Aye Nako, Worriers, Caravels, Pianos Become the Teeth and so many more that all satisfy a similar craving, whether or not you call them "emo," "indie," or a "revival."
by Andrew Sacher
The Scandals (photo via Greg Pallente)
One of the artists chosen to open for The Gaslight Anthem at their free Red Bull Sound Select show at Irving Plaza on July 27 is fellow NJ band The Scandals. It makes sense that they were selected for the show, considering they share not only a hometown, but also a knack for post-Bouncing Souls/Hot Water Music punk rawk and heartland melodies (though they don't do as much Boss worshipping as Gaslight). If you're going to that show (which is free but you have to request a ticket), it's worth showing up for them. Also on the bill is Loved Ones frontman Dave Hause (who just wrapped up a tour with Social Distortion and Cheap Time) and Frances & the Foundation.
The Scandals also play another NYC show even sooner than that opening for Get Involved at Saint Vitus on Thursday (7/11). Get Involved is sort of a post-hardcore supergroup, whose members include Tucker Rule (Thursday), Brian Deneeve (From Autumn To Ashes), Lars Weiss (Judge), Derrick Karg (Death in the Park), and Todd Weinstock (Glassjaw, Cubic Zirconia). They're planning on self-releasing an EP at some point this year, which is being produced by Ross Robinson, who was behind the boards for classic albums by Glassjaw, At the Drive-In, The Blood Brothers, and more. They make a similar style of post-hardcore to many of their past projects, but with a goth edge on the clean vocals. You can listen to two tracks on Kickstarter and watch the video for a third below.
That Saint Vitus show is also with Descender, Let Me Run, and Skeleton Dealer. Tickets for that show are on sale now. Get Involved also play a day later at the Court Tavern (7/12) in New Brunswick, and in September they open the first of two Taking Back Sunday shows (9/11-12) at NJ's recently reopened Starland Ballroom, where TBS will be performing Tell All Your Friends in full, like they did on tour last year. These are currently the band's only remaining TAYF dates (night 1 tix & night 2 tix).
In more related news, ex-Thursday frontman Geoff Rickly recently released his second solo mixtape, Darker Matter, which you can stream below or download (name your price) at bandcamp. He also has an upcoming Starland Ballroom (9/28) show, opening for fellow Jersey band Saves The Day (tickets) two days after STD play MHOW without Geoff (tickets). You can also see Geoff opening for Yellowcard at Irving Plaza (9/9 & 9/10)... if you're into that sort of thing (tickets).
All lists of dates and song streams below...
by Andrew Sacher
Geoff Rickly w/ Thursday at The Chance in 2010 (more by Meghan McInnis)
The early '00s emo scene gets a lot of hate, a good deal of which is arguably deserved, but as with many hated music trends, there's a few gems that stick out and over ten years after their prime remain wildly influential. It's no secret that I'm a supporter of Thursday and their frontman Geoff Rickly's recent solo work. Plus, when Taking Back Sunday played Tell All Your Friends on tour last year, I wrote about the album's lasting impact for kids who were at impressionable stages of their life when they first heard it.
Those bands were both on Victory Records at the same time (and both expressed issues with the label), shared a producer, and have toured together before. So it might not be a surprising announcement, but it's a pretty welcome one that Geoff Rickly and John Nolan (who was a big reason Tell All Your Friends was so great, and left TBS after that record to front the relatively underrated Straylight Run) are going on a solo tour together this May. The tour kicks off in Brooklyn at the small, mostly-metal venue Saint Vitus on May 10, and for two frontmen who both had solid runs in bands on MTV, that's a pretty cool place to see them. Tickets are not on sale yet for the Brooklyn show but you can check Ticketfly for updates.
All dates are listed, along with the tour flyer and song streams of Geoff and John's solo material, below...
by Fred Pessaro // BBG
United Nations at Union Pool, Feb 2010 (more by Paul Birman)
United Nations, the shrouded supercrew containing vocalist Geoff Rickly at the helm, are playing shows in middle January, including one at Saint Vitus on January 18 with support from Brooklyn crews Primitive Weapons, Descender, and Black Clouds. Tickets are on sale. Look for the rest of UN to be comprised of Ben Koller (Converge), Lukas Previn (Thursday, Regents), and Jim Carroll (The Hope Conspiracy).
In related news, The Hope Conspiracy have stepped out of hiding to announce work on new material. No details on said material or when/where it will emerge yet.
More United Nations tour dates and some streams are below.
Formed from bits of Frodus, Sleepytime Trio, Thursday, Acid Tiger and more, the voltron-like hardcore beast that is Regents have welcomed their new LP Antietam After Party via Lovitt Records. We're premiering a stream of the entire album which you can listen to below. Order your copy at Lovitt.
As you may remember, Regents have previously blessed NYC, SXSW (on a bridge!) and recently Fun Fun Fun Fest in live form. No shows on the horizon right now (they just played a record release show in DC this past Saturday [11/17]) but hopefully that will change soon.
by Andrew Sacher
DOWNLOAD: Geoff Rickly - Mixtape 1 (ZIP)
Geoff Rickly w/ Thursday at The Chance in 2010 (more by Meghan McInnis)
Geoff Rickly, former frontman of the now defunct post-hardcore band Thursday, released his first collection of solo recordings, Mixtape 1, for free on his website. He recorded the entire thing in his apartment while Hurricane Sandy was hitting and while he asks for no money for the recordings, he says, "if you feel like you want to pay for this music, please make a donation to the Red Cross." Geoff's been volunteering himself to help out with Sandy relief and just played a benefit at Knitting Factory with Will Sheff, Jean Grae, and many others. Regarding the release of the mixtape, Geoff writes:
The Mixtape format is meant to be a casual way to try out some new things. There are some brand new songs, along with a cover and a rewrite of one of my oldest favorites. The majority of it was recorded in my apartment in the middle of Hurricane Sandy and the song New Sympathies, in particular, reminds me of those heavy winds and deep waters.The bedroom-recorded quality and the fact that it was recorded during a devastating storm which wreaked havoc on his home state makes the songs especially haunting. And songwriting-wise, it picks up on the high note that Thursday left off on. I personally thought their last album, 2011's No Devolución, was their strongest in years and one of their best overall, so solo material from Geoff Rickly comes as nothing but a pleasant surprise. You can download the mixtape at the top of this post.
There are no strings attached, no hidden marketing games. This doesn't reflect my belief that music should be free or any desire to revolutionize an industry. I just want to do this myself, for now. No art-by-committee, no selling music. Just me & my friends at home, making songs(bedroom songs, songs not too polished up). I'll keep making more of these and giving them to you when I finish. Maybe someday I'll make a proper record and sell it. Maybe not.
In October, we mentioned that Geoff planned to go on a house tour with Terrible Things (Fred Mascherino). Details for that tour have been revealed and it appears that Geoff won't be at the NYC date, but will instead open for Anthony Green in NYC when their tour together hits Irving Plaza on December 5. Tickets for that show are on sale now. That tour also hits Freehold, NJ on December 8 at Encore (tickets). All dates on that tour are listed below. As for the house shows, Geoff is still on board for the one in Wallingford, CT (tickets) and a few others, all of which are listed below.
In related news, Geoff Rickly's United Nations bandmate Daryl Palumbo (who also fronts Glassjaw and Head Automatica) has a new project with Richard Penzone of Men, Women & Children called Color Film, who will release their debut LP, Living Arrangements, at some point in 2013. They played a set in NYC during CMJ at the Irving Plaza show with GZA, Killer Mike, Sweet Valley, Haleek Maul and Bear Hands. The Music Ninja was there and writes, "So, what does Color Film sound like? Maybe a tad more (new wave-y) melodic than Glassjaw. That is to say: intense, ear-shattering, screech/yelp rock." You can stream the track "Bad Saint" form their upcoming debut below.
That song stream and a list of all dates, below...
Regents LP art by Brian Montouri
Regents is the amalgamation of members of Sleepytime Trio, Frodus, Acid Tiger and Thursday in to a singular, spazzy post-hardcore beast. After releasing a 7" last year, Regents did their share of touring, hitting Acheron and eventually shooting down to SXSW to play a memorable BrooklynVegan/Chaos in Tejas event on Lamar Pedestrian Bridge. Live shows are their forte, but only because they haven't had much recorded material to use as a basis for comparison.
Until now. Regents are welcoming their new LP, Antietam After Party, via Lovitt Records on November 20. Featuring the insane cover art of Brian Montouri (above, part of a bat-shit-crazy-gatefold), the quartet again returns to the spazz on their new effort, as the track "Night Soil" can clearly attest. Stream it below for the first time, and if ya dig then scoot on over to Lovitt for some pre-order action.
Vocalist/guitarist Drew Ringo commented on his thoughts on "Night Soil":
Lyrically the song focuses on the power, furtiveness and patience of addiction. The song also takes a personal tact, commenting on the unexpected impacts of recovery on ego and emotion. As for the song title, while traveling in China I learned of the practice of using human excrement as farm fertilizer, termed night soil. It's a dangerous practice because of the potential to spread disease. I couldn't help but note the similarities - disease feeding on disease, human's poisoning themselves, shit and desperation.And here I thought it was just about ripping guitar and being a wildman. #knowingishalfthebattle
Song stream and Southwest tour dates for Regents, which include Fun Fun Fun Fest, are listed below.
Bouncing Souls at Bamboozle 2012 (more by Dana (distortion) Yavin)
Jersey punks Bouncing Souls, who released their new album, Comet, over the summer, have already played New York and New Jersey a bunch this year, but there are still more chances to catch them in the area. The band have just announced their sixth annual Home For the Holidays shows which will go down from December 26 to 29 at The Stone Pony in Asbury Park, NJ. Openers will be announced on October 25 and tickets will go on sale the next day (10/26). All dates are listed below.
As mentioned, 'Souls frontman Greg Attonito is also playing an Asbury Park show with his wife Shanti Wintergate as the children's music duo Play Date on October 20 at Asbury Lanes.
In other NYC area punk news, Crime In Stereo, who called it quits back in 2010, have announced via facebook that "two years was long enough" and they plan to return to recording and releasing new music. They also announced that they'll play one show in 2012 and it happens in NYC on November 24 at Gramercy Theatre with I Am the Avalanche. Tickets for that show go on sale Friday (10/5) at noon.
In more NYC/NJ area punk news, Geoff Rickly of Thursday and Zena Rd (aka Garrett Klahn of Texas is the Reason) are teaming up (not the first time this year Geoff has teamed with a member of TITR) for a tour of people's houses in the Northeast (that's been big lately too). The tour is with The Black Numbers and Fred Mascherino and you can head to The Black Numbers' website for more details and to request hosting a show in your house. Once all the dates and cities are figured out, the tour announcement and ticket info will be revealed.
As mentioned, Texas is the Reason play two NYC shows this month.
A list of all Bouncing Souls dates and a stream of the opening track on Comet are below.
by Andrew Sacher
Screaming Females in studio (more by Kirstie Shanley)
Screaming Females recently finished recording their fifth LP, which is set for an April 2012 release. They recorded the album at Electrical Audio in Chicago with Steve Albini. The picture above is taken from the recording sessions, which you can see more of at BV Chicago. Listen to a stream of Screaming Females playing one of their new songs live on WFMU below.
Screaming Females opened for fellow New Brunswick band Thursday at Thursday's last New Jersey show at Starland Ballroom on Monday (12/26). It was definitely the heaviest Screaming Females show I've ever seen, and if this any sign of the direction they're taking on the new album, then I'm all ears. They opened their set completely in the dark with the chugging intro of "Sheep" off 2010's Castle Talk, before bursting out into a number of songs filled with even more shredding and screaming from Marissa Paternoster than usual, while throwing in some Sonic Youth-y noise breakdowns.
All dates and stream below...
Thank YouThrice have no additional dates to report, but Thursday play their next show Wednesday at Irving Plaza (11/23) with Maylene & The Sons of Disaster before before continuing on tour with MewithoutYou and Screaming Females. Tickets for Irving Plaza are still available. All remaining tour dates are below.
"look thrice, Imma Let you finish, but..."
Yup. Yesterday thrice, today Thursday. Crazy coincidence for two bands that have led such parallel and intersecting lives. We would've spaced our announcement out and given the dust a chance to settle but we are about to play a bunch of shows and we didn't want anyone to miss the chance to see us one more time, so here it goes...
If you're reading this long version of our statement, you've probably had some interaction with Thursday. We've been a band for thirteen years. We've played an uncountable number of shows, ranging from living rooms to stadiums. We've talked to every Zine, blog, Daily, Weekly, Monthly periodical... We've talked to every College, Commercial and Public Radio Station and sometimes we just hung out on the street talking to strangers. Maybe we met you. Maybe we worked together somewhere. Maybe you saw us or heard us with friends. Whatever the case may be, we owe you thanks. You've allowed us to be a band for thirteen years, to travel the world, to make records, to meet all of the people we've grown to love. And to open for our idols, work with our heroes, employ our friends (the best crew around) and see our dreams made real.
This year, Thursday has had so much to celebrate: our new record, No Devolución, came out ten years, to the week, after the record that was to become our touchstone: Full Collapse. To have one record still being celebrated a decade after it's release and another to be met with such critical acclaim was really more than we ever could've imagined. We just wanted to play basement shows in New Brunswick. It's funny... That sounds like a well-worn line now but it's absolutely the truth.
Well, if you've been touched by our music or our dedication or our embarrassingly out-of-fashion sincerity, then this is for you, friend: thank you for letting us make No Devolución. We hope you've heard it. We say "beg, borrow or steal... music is an idea... ideas are free" but we encourage you to support our fantastically sweet and hardworking label, Epitaph, by buying it if you can afford to.
Despite the fantastic year that the band has enjoyed, creatively, things haven't been as easy for us on a personal level. Without diving into detail, it's fair to say that this year has been an endless series of personal difficulties. We haven't had any falling out and are all still close. I'm sure that we will continue to create, in some capacity, together. We've talked about turning Thursday into something else: a non-profit, a band that only records sporadically, a collection of other projects... Underneath it all, the personal circumstances involved make it impossible to continue Thursday in the spirit that has made it special. So, we stop. For now, at least.
We hope to see many of you at these last shows. They'll be a lot of fun. We promise.
Lots of love,
Geoff & Tom & Tucker & Steve & Andrew & Tim & Lukas
Tickets go on sale Saturday at 10am for the two Jane's Addiction shows at Irving Plaza. They're no Swedish House Mafia, but tickets should sell out for those shows quick. Stay tuned for the BV Facebook for a few more ticket giveaways soon.
Thursday is playing Irving Plaza on November 23. Tickets go on sale today/Friday at 10am.
A bunch of comedy tickets are on sale too (like Louis CK).
Record Store Day 2011 is Saturday (4/16)! Shops will be flooded with limited/rare releases from tons of notables (watch a video below of some of the stuff), and they will hopefully make lots of money. Some area stores will also host free live events...
We also have a very special in-store performance on Saturday from NYC's own Regina Spektor ...The first 100 customers who buy her new RSD 7" Four from Far at Other Music on Record Store Day will get one ticket to see a private solo performance Regina is giving right next door to OM at 2 p.m. on Saturday. That's the only way to see the show, so come on down early, get in line and buy her new RSD 7" record.Regina will also be screening her concert film Live In London later that night at the Film Society of Lincoln Center. Anyone who can't get in to the live show, will get $3 off admission with an Other Music Record Store Day receipt (show it at the box office).
OM will also have "a ton of cool gifts and prizes, records, CDs and swag, including a backpack and a gift certificate for a pair of sneakers from our friends at Onitsuka Tiger for the first five customers who spend $250 or more". Other Music opens at 11am.
As previously discussed, Obits, The Jay Vons, I Hate Our Freedom, and Spa Castles will team up on Saturday, but Generation Records have also added DJ Sets from Yo La Tengo (all three members), Tom Scharpling (WFMU's Best Show), Eric Davidson (New Bomb Turks), Bill Dolan (American Standard), Mike Longo (Hoboken Heartthrob). Doors are at 11AM, bands start at 1PM... full set times and flyer are below.
Eula will appear at Permanent Records "throughout the day" before playing Bruar Falls later that night with Shark?, Ghost Bunny, Pow Wow & DJ Ron Like Hell as part of their Maurice Narcisse record release party.
As discussed, Fat Beats & Waxpoetics will open a pop-store in DUMBO that will host a ton of hip hop/funky notables including The Stepkids, The Phenomenal Handclap Band, Neek The Exotic & Large Professor, CSC Funk Band and many more. The pop-up store opens at noon.
East Village Radio will broadcast live from Academy Records in the East Village (12th between 1st & A) from 4 - 6PM.
Kim's Music & Video will host Angel Olsen (5pm) and Bow Ribbons (6pm) for RSD, with the store opening at 9AM.
Though it isn't exactly a record store or a free show, Fontana's will host a "RSD Afterparty" from 3PM to 7PM with Lady Lamb The Beekeeper, The Kickdrums, Midnight Spin, and The Pass. The show costs $10.
Cake Shop used to be a record store and it will be again on Record Store Day. As Bill said, "Eternal Summers also play Cake Shop on Saturday (4/16) which is the venue's Record Store Day extravaganza, featuring a slew of great -- mostly local -- bands. The downstairs will be a record mart during the day (noon - 6PM). Bands during the evening include the previously-mentioned McDonalds, Natural Child, Widowspeak, Overlord, Hands & Knees, Night Collectors and Twitchers." The flyer is reposted below.
Looney Tunes in West Babylon is sure to actually be looney, as the store will host free shows by Thursday, Kevin Devine, The Pretty Reckless, Alex Skolnick, Grace Read, Tiger Riot, and Hotel of The Laughing Tree starting at 2PM. More details on how to get into see each band (each has a different entry condition) head to the Looney Tunes site.
Vintage Vinyl in NJ has... John Leguizamo. (whatever works)
J&R Music World will host Lez Zeppelin "and others to be announced" on Record Store Day. Doors open at 10AM.
Elsehwere you have Dom playing in Newbury Comics right before TV on the Radio do a signing, My Morning Jacket at CD Central in Lexington, Off! at Fingerprints in Long Beach, tons of bands at Grimey's, The Growlers and special guest at Origami Vinyl, and much more. There will be a Record Store Day tent at Coachella for those braving the sun at the sold out fest this weekend. Check the Record Store Day site for many more listings (though note their list is far from complete).
What did we miss?
BrooklynVegan is also a proud Record Store Day partner this year. Look for our metal-centric ad in a free Decibel mini-mag that will be available at various record stores on Saturday. The cover looks like this:
If you can't get the mag, you can also download the free sampler that comes with it online And though heavy music isn't strongly represented this year live, we are happy to remedy that in recorded format by giving away a massive prize pack of vinyl to one (seriously) lucky reader. It includes:
- Trap Them's Darker Handcraft on vinyl
- a Kvelertak t-shirt
- Red Fang - limited edition Wires 7" vinyl
- A prize pack of Goes Cube 7" vinyl featuring
every song on Of Tides & Drifts"Property" (sorry, the label informed us that they instead only have "Property" for this contest)
- Obscura - Omnivarium LP on vinyl (clear, not available to the public, 100 copies pressed)
Rival Schools have announced their new LP, Pedals, due on March 8th via Photo Finish/Atlantic. The release will be celebrated that day at Santos Party House as part of a short stint of tour dates for the band. Ticket info is forthcoming. Dates are below.
Pedals is currently up for pre-order at the band's site in various different incarnations (Rival Schools shoes? wow). The band also has a new video from the LP, for "Shot After Shot", which you can watch below.
Meanwhile, Sammy Siegler's old band Glassjaw were the secret guest headliner at Knitting Factory on Sunday (12/12) for the Sons Modern Holiday Party which also featured Unearthly Trance and Ultrageist. Much like they did last year at Maxwell's, Glassjaw's appearance was unannounced as they have a second upcoming show in the near future, January 1st at the sold-out Best Buy Theater. Pictures from the Brooklyn show are in this post.
Glassjaw/Thursday/Acid Tiger member side-project United Nations doesn't have any dates coming up, but both Acid Tiger and Thursday have some.
I Hate Our Freedom is another now-active Thursday side-project. Or to be more specific, they are Joseph Grillo (GARRISON, GOD FIRES MAN) Justin Scurti (MILHOUSE), Scott Winegard (TEXAS IS THE REASON, HOUSE & PARISH) and Tucker Rule (THURSDAY). I Hate Our Freedom plays Maxwell's on Thursday, 12/16 with Something About Death Or Dying who are "a new hardcore band featuring The Gaslight Anthem guitarist Alex Rosamilia."
Tucker Rule has also been playing drums in Murphy's Law lately. Maybe you'll see him behind the kit when Murphy's Law plays Trash Bar on New Years Eve with THE KRAYS, YUPPICIDE, SETBACK, CAUGHT IN A TRAP, and RUNNY.
Rival Schools' last NYC show was opening for Gaslight Anthem at Radio City Music Hall. A set of pictures from their set at that show is in this post too.
More Glassjaw pictures from Knitting Factory (sorry, none of Unearthly Trance or Ultrageist) and all Rival Schools tour dates, pictures and videos, below.
Indecision at Knitting Factory (more by Meghan McInnis)
The previously announced Unbroken show taking place at Santos Party House in April will also host a pair of other notable bands. Indecision and Jesuit have been announced as the support! Still no word on the forthcoming Jesuit discography due on Magic Bullet Records, but we'll keep you informed. FYI, Jesuit featured Nate Newton of Converge/Doomriders.
Unbroken, not to be confused by the new book by Seabiscuit author Laura Hillenbrand, will also play Chaos in Tejas in the first week in June, reportedely their last ever show, alongside notables like Autopsy, Doom, D-Clone, Isterismo, Miasmal, Xibalba and many esteemed others.
In somewhat related news, Deathwish band Acid Tiger (featuring Converge/United Nations drummer Ben Koller, and guitarist Lukas Previn (United Nations, Thursday, The A.K.A.s) are opening for Thursday at Starland Ballroom on 12/30 (Thursday also play Terminal 5 on February 17th).
Deathwish-signed band 108 plays Cake Shop on January 8th.
photos by Meghan McInnis
Converge at The Chance in Poughkeepsie
The eagle (that became vulture) has landed. Converge is in NYC, ready to play the now sold-out show at Santos TONIGHT (5/6) alongside Touche Amore, Lewd Acts, and Black Breath. Over the weekend Converge played The Chance in Poughkeepsie (on 5/2) with Thursday (who is not on the NYC bill). Pictures from that show (though Meghan missed the openers) below...