Entries tagged with: Title Fight
photos by James Richards IV, words by Zach Pollack
Jane's Addiction / GWAR fans / Title Fight
Riot Fest Chicago is currently underway at Chicago's beautiful Humboldt Park. It kicked off on Friday (9/12) and that first day was plagued by light to heavy rains that pretty much continued from doors until the headliners. But the weather didn't seem to slow down the bands or the audience much at all, and it was an opening day with something for everyone. On the heavier end, there was American thrash kings Slayer performing Reign In Blood in its entirety, resilient interplanetary scumdogs Gwar, and Mastodon; classic punks Stiff Little Fingers and ALL; alternative rock flag bearers Jane's Addiction; anthemic and melodic punks The Offspring (performing Smash), Gogol Bordello, The Hotelier, Pity Sex, and Title Fight; the excellent Pussy Riot -- Discussion Panel; and much more packed in there.
We began day 1 of Riot Fest Chicago by catching Boston-based melodic punks Somos at the Revolt Stage -- one of the festival's two smaller setups. The four-piece drew a decent crowd with their punchy output, including the especially catchy "Dead Wrong" and "Lives of Others" from their 2014 debut Temple of Plenty. Title Fight were up next, over at the larger Roots Stage. The Pennsylvania-based road dogs impressed with tunes from their debut LP, huge-sounding 2012 album Floral Green, and their many EPs. They got the crowd moving with the Hot Water Music-like "Secret Society," and kept the momentum up throughout their set, which closed with the thrashy "27." After the combination attack opening of "Numb, But I Still Feel It," "Shed," and "Like a Ritual," the band brought things down a bit with the great Floral Green shoegaze number "Head in the Ceiling Fan."
GWAR have a hell of a lot to be proud of, and not just the troves of blood-caked fans who were easy to spot throughout the park for the remainder of the day. The Oderus-less (RIP) outfit are indeed back in fine form, with a thrilling new stage show in Dave Brockie's honor. The interplanetary warriors delivered seven-songs (or acts) throughout their set, each coming from a different album. Bloody Pit of Horror's "Hail, Genocide!" was the absolute highlight, with blood baths both by way of a rotating circular saw and vocalist Blothar (aka Michael Bishop, formerly Beefcake the Mighty)'s chest. Yummy.
Taking things down a notch from GWAR were Worcester, MA's The Hotelier, who we caught next on the Revolt Stage. Christian Holden and his band gave 110% while delivering nearly all of their anthemic second album Home, Like Noplace Is There. The packed crowd braced along with Holden and co. for the multiple cathartic full-band crashes, as well as the din of the album's more subdued and vocal-only moments. After a few tunes, Holden seemed as if he couldn't help but to share that this was the largest crowd that had ever paid attention to the band at once. He also had his bass turned waaaay up, which cranked up the intensity for punchy numbers like "The Scope of All of This Rebuilding" and "In Framing."
We then headed over to the one-day Riot Fest Speaks stage to watch a bit of the Pussy Riot Discussion Panel go down. The Henry Rollins-moderated panel consisted of Pussy Riot/Zona Prava members Nadya Tolokonnikova and Masha Alekhina, with guests Greg Graffin (Bad Religion), Tim McIlrath (Rise Against), Marcelle Karp (writer/activist), and Michael A. Petryshyn (Riot Fest Founder - aka Riot Mike). As we approached, Rollins and Karp were in the middle of a back-and-forth about feminist journalism in relation to the now six-month-old Zona Prava. Karp spoke of writing provocative messages on her and friends' bare chests, and Rollins brought up the old flyers he made while in Black Flag (ie "cop with a boner handing a child a lollipop with Black Flag scrawled across the top of the page"). It was an insightful discussion. Hopefully they bring the Riot Fest Speaks stage back in years to come.
Mastodon was the next mark we hit, over at the Rebel Stage. Touring on this year's classic rock-ish Once More 'Round the Sun, the band delivered a few tunes from that album -- including the fun single "High Road" -- some from The Hunter, as well as a bunch of their older meatier tunes. We got "Aqua Dementia" and "Hearts Alive" off Leviathan, "Bladecatcher" and "Crystal Skull" from Blood Mountain, and Crack the Skye favorites "Divinations" and "Oblivion." They were as tight as ever.
We capped off the night by catching alternative rock giants Jane's Addiction, who were performing their 1988 debut studio effort Nothing's Shocking in its entirety. Pit against American thrash gods Slayer playing Reign In Blood at the other side of the park, Perry Farrell and co. went for a much flashier approach while delivering the attitude-packed hits like "Jane Says," "Mountain Song," and "Ocean Size." It was nice to finish off the night with a feel-good set of songs.
Day 2 pics and review are HERE. Day 3 HERE. Pictures of all the day 1 bands mentioned above, plus a few others like Clutch, NOFX (they performed Punk In Drublic) and Radkey, are in this post. They continue below...
Title Fight at Coachella 2014 (more by Dana (distortion) Yavin)
Title Fight recently announced that they've signed to ANTI- for their anticipated third full-length album, and though details are still forthcoming on that, they've now just announced a lengthy tour for this fall. They'll be supporting Circa Survive on a run that hits NYC on November 11 at Best Buy Theater. Tickets for that show will be on sale soon via Ticketmaster. Many of the dates are also with the great Pianos Become the Teeth (whose new album should also be coming soon), but unfortunately not the NYC stop. All dates are listed below.
Riot Fest Chicago 2014 is set to take place from September 12-14 throughout Humboldt Park. The 10th anniversary of the festival features Jane's Addiction, Slayer, The Offspring, Pussy Riot (Nadya Tolokonnikova & Masha Alekhina), Mastodon, The Murder City Devils, Failure, Title Fight, The National, The Flaming Lips, Wu-Tang Clan, Descendents, The Cure, Weezer, Social Distortion, Primus, Patti Smith, and many more across seven-stages. The fest has now shared daily lineups, which you can scope out at the bottom of this post. Three-day and two-day passes are still available, and single-day tickets are on sale now.
RFC 2014 daily lineups lie after the jump...
Title Fight at Coachella 2014 (more by Dana (distortion) Yavin)
Title Fight have launched a new Instagram account where they announced that they've signed to ANTI- and are currently in the studio working on a new album with producer Will Yip (who did their last LP, the new Braid, and a ton of other stuff). This now makes them labelmates with The Antlers, Simian Mobile Disco, and Dr. Dog.
This Is Hardcore kicks off today (7/24) and runs through Sunday (7/27). The lineup also includes Converge, Madball, Blacklisted, Bl'ast, CIV, Crowbar, Bold, and many more. Tickets are still available.
Watch the Instagram video announcing TF's signing, below...
by Andrew Sacher
United Nations (photo by Pablo Van Winkle)
The tracks keep coming the highly anticipated sophomore album from United Nations, The Next Four Years (due 7/15 via Temporary Residence Ltd). You've already heard "Serious Business" and "Meanwhile on Main St" and the band have now unleashed a third, "United Nations vs United Nations." When I saw UN play this song at 285 Kent last year, singer Geoff Rickly introduced it by saying that the other United Nations sued them over their name, and said he thinks it's really easy for people with money and power to push around people without money and power, so they did a little pushing back. Hence, "United Nations vs United Nations." Check it out below.
United Nations isn't the only thing Geoff Rickly has been up to lately though. The former Thursday frontman also recently re-launched his label, Collect Records. The label was already responsible for releasing the first Touche Amore album (with 6131) and the first United Nations album (with Eyeball), and currently has new 7" releases planned from Touche Amore, Title Fight, Saves the Day and more.
Collect also just released the a-side of the new single from No Devotion, aka the new band of Geoff Rickly (vocals) plus the members of Lostprophets (you may know that Lostprophets' singer is in jail for some unspeakable crimes). The single will be out July 22 but you can now stream "Stay," a track more akin to arena goth than United Nations' searing hardcore. Check it out below.
Stream the new UN and No Devotion songs, below...
Night Birds at Death by Audio in 2013 (more by Sarja Hasan)
NJ skate/surf punks Night Birds released the Maimed for the Masses 7" on Fat Wreck Chords in 2013 (ahead of their full length on Grave Mistake) and played the label's CMJ showcase that same year. Now they've officially announced that they've signed to Fat and will release their next full length on the label, which they're currently writing. Singer Brian Gorsegner says about the signing:
We are excited to announce we are in the early stages of a writing a new album for Fat Wreck Chords to be released some time in 2015. It was a soul crushing, stir crazy winter and we're really looking forward to getting that grossness out and onto a slab of wax for your listening pleasure. Prepare for what is bound to be next year's feel bad album of the year.Night Birds also have many tour dates coming up, including their previously discussed House of Vans show on 7/3 with Black Lips and a special guest. Just before that though, they'll play Howell, NJ's Shorestock at Gamechanger World on June 28 with Title Fight, Get Real, Full Speed Ahead, Stick Together, The Little Rascals, Blind Justice and Heavy Chains. Before Title Fight's set, the "Shore Style Tecmo Super Bowl Tournament" will take place at the event. Tickets for that are on sale now.
All Night Birds dates are listed, with a video, below...
Chicago has The Cure, Jane's Addiction, The National, Weezer, The Flaming Lips, Social Distortion, Slayer, Wu-Tang Clan, Descendents, Tegan & Sara, Metric, the reunited Samhain (!), Cheap Trick, Pussy Riot (Nadya Tolokonnikova & Masha Alekhina), Patti Smith, Taking Back Sunday, Mastodon, Afghan Whigs, Naked Raygun, Cock Sparrer, Superchunk, Lucero, Murder City Devils, Mudhoney, Failure, Hot Snakes, Thurston Moore, Get Up Kids, Kurt Vile, Wavves, ALL, Mineral, Title Fight, Samiam, Menzingers, Front Bottoms, Pianos Become the Teeth, Bouncing Souls, Buzzcocks, Gogol Bordello, Stiff Little Fingers and many more. Tickets are on sale now.
Denver also has The Cure, The National, Weezer, Social Distortion, The Flaming Lips, Slayer, Wu-Tang Clan, Taking Back Sunday, Lucero, Failure, Hot Snakes, ALL, Mineral, Menzingers, Pianos Become the Teeth, Bouncing Souls, Buzzcocks, Gogol Bordello, Stiff Little Fingers plus Primus, TV on the Radio, Glassjaw, Bob Mould, Violent Femmes and more. Tickets are on sale now.
Full Chicago and Denver lineups below...
Riot Fest is happening in Toronto, Chicago and Denver again this year, and the lineup for Toronto was just announced. It happens on September 6 & 7 and features The National, Flaming Lips, Social Distortion, Death Cab for Cutie, Death From Above 1979, Brand New, Paul Weller, Stars, Metric, The Head and the Heart, Tokyo Police Club, The New Pornographers, Taking Back Sunday, Afghan Whigs, Alkaline Trio, Glassjaw, Bob Mould, Thurston Moore, Buzzcocks, Clutch, Manchester Orchestra, Lucero, Title Fight and many more. Full initial lineup below. Tickets go on sale Saturday (5/10) at 10 AM.
As mentioned on BV Chicago, the Chicago fest happens from September 12-14 this year, and Denver from September 19-21. Stay tuned for those lineups.
Full initial Toronto lineup below...
Chain of Strength at Acheron in 2012 (more by Fred Pessaro)
Hardcore vets Chain of Strength, who were briefly around from 1988 to 1991, reunited in 2012 for Revolution 25 (pics) at Irving Plaza and a much smaller Brooklyn show at Acheron (pics). They've since played LA in 2013 and it turns out the reunion isn't over yet, as they'll be going on a short Northeast tour in June with Turnstile, Strife, Mindset and Praise which brings them back to Brooklyn's Acheron on June 15. Tickets for that show go on sale via Ticketfly on May 8. All dates are listed below.
The brief tour is leading up to their appearance at Canada's Amnesia Rockfest (6/20-21) with blink-182, Motley Crue, Weezer, Alice In Chains, Megadeth, Primus, Danzig with Doyle, Mastodon, Cock Sparrer, Black Flag, Fear, Dead Kennedys, Misfits, Joan Jett, Brand New, Taking Back Sunday, Meshuggah, Henry Rollins, Rocket from the Crypt, Judge, Strife, Glassjaw, Dying Fetus, Cannibal Corpse, Title Fight and many more. Tickets for that fest are on sale now.
Full Amnesia Rockfest lineup, with the list of Chain of Strength dates, a video of their 2012 Acheron show and the tour flyer, below...
Kevin Whittemore (right) w/ La Dispute at Acheron, 2010 (more by Samantha Marble)
La Dispute just wrapped up their tour in support of this year's excellent Rooms of the House in Cleveland last night (4/14). (We caught the tour in NYC a few days earlier at the sold-out Music Hall of Williamsburg.) It's now been confirmed by the band's publicist that those were the last shows for guitarist Kevin Whittemore, who has chosen to leave the band. Kevin co-founded La Dispute along with current vocalist Jordan Dreyer and current drummer Brad Vander Lugt back in 2004, and this is the band's first lineup change since before the release of their first album. UPDATE (4/18): Official statement released. Read it below.
In other "New Wave of Post-Hardcore" news, Title Fight played Coachella over the weekend, much to the confusion of some in the crowd who weren't ready for a mosh pit to break out. Check out our full set of pictures from Friday at Coachella for more from their set.
Watch La Dispute's video for "For Mayor In Splitsville" from the new LP, below...
photos by Dana (distortion) Yavin
astronaut / Kate Nash / Replacements / Haim / Girl Talk
At 68, Bryan Ferry is one of the oldest performers at this weekend's Coachella Valley Music & Arts Festival, and one of the most debonair. But the former Roxy Music singer and veteran solo artist was one of at least two artists who wore a tuxedo for their performance at the annual festival in Indio Friday night.We already posted Outkast and Dum Dum Girls. Here are the rest of the pictures from the first dusty day of the first weekend of Coachella 2014 (which is also streaming online). The photos continue, Replacements and Bryan Ferry included, below...
The other, a bit surprisingly considering his raucous musical legacy, was Paul Westerberg, 54, the perpetually tousled leader of The Replacments, who reunited last year after a 22-year hiatus to perform three shows (Coachella was the fourth). Yet, while Westerberg was quick to doff his tuxedo jacket, Ferry kept his on, although he undid his tie. Their sartorial style notwithstanding, Ferry and Westerberg have little in common, but both delivered winning performances that represented two very different -- and influential -- chapters in rock history. [UTSanDiego]
Blacklisted at Cake Shop in 2010 (more by Brian Reilly)
Boston hardcore traditionalists The Rival Mob, Philly boundary pushers Blacklisted, World War 4 (fronted by Mark Porter of NJHC band Floorpunch, plus other members of that band, The Rival Mob, and more), and Wilkes-Barre straightedge band Stick Together (whose lineup includes Ned Russin of Title Fight, plus members of War Hungry and Bad Seed) all played This Is Hardcore in Philly last year, and they'll soon team back up for what will be a very solid quadruple bill in NYC on June 7 at Le Poisson Rouge (co-presented by Hardcore Gig Volume and Noisey). Tickets for that show are on sale now.
Le Poisson Rouge still feels like a weird location for hardcore shows, but they do happen there. In fact, as previously discussed, two will happen there this month as part of the second annual New York's Alright (which Rival Mob played last year). This year's shows at LPR include Inmates, Anasazi, Omegas, Proxy, Warthog and Mercenary on 4/18 (tickets), and Infernoh, Crazy Spirit, Gas Rag, Wiccans, Stoic Violence, and Murderer on 4/19 (tickets). You can check out the lineups for other NY's Alright shows here.
Meanwhile, even sooner than that is Damaged City Fest in DC this weekend (4/11 & 4/12), which The Rival Mob also play, in addition to Infest, Los Crudos, Boston Strangler, Priests, Good Throb, Coke Bust and more.
And speaking of This Is Hardcore, the 2014 lineup for the Philly festival was recently announced, including Converge, Title Fight, Blacklisted, Bl'ast, Code Orange Kids, Nails, Full of Hell and many more. This year's fest happens from July 24-27 and tickets for that go on sale Saturday (4/12).
Converge also headline both nights of the inaugural Deathwish Fest which happens in Boston right before TIH (July 22 & 23), and also includes Blacklisted frontman George Hirsch's solo project Harm Wulf, plus Code Orange Kids, Modern Life Is War, Oathbreaker, Trap Them, Cult Leader, Self Defense Family, Doomriders and more. Tickets for that fest go on AmEx presale today (4/9) at noon with the general on-sale starting Friday (4/11) at noon.
Stream some Rival Mob, Blacklisted (and Harm Wulf), World War 4 and Stick Together below...
This Is Hardcore returns to Philly's Electric Factory from July 24-27 and as usual it's got a great lineup spanning generations of hardcore including Converge, Title Fight, Madball, Blacklisted, Bl'ast, Code Orange Kids, Nails, Noisem, Power Trip, Incendiary, Full of Hell, Crowbar, Coke Bust, Ringworm and many more. Tickets for the festival go on sale April 12 via the festival's website.
Full lineup, with a playlist of all bands playing and the announcement video, below...
photos by Amanda Hatfield, words by Andrew Sacher
Hop Along / Swearin' @ Saint Vitus - 2/24/14
Hop Along, Swearin' and Great Thunder took over Saint Vitus in NYC last night (2/24) as part of a free show presented by Shiner in conjunction with Transmission in Austin, and us at BrooklynVegan. It was a great show and the second time in three days that I saw the Crutchfield sisters sharing a stage in Brooklyn.
Great Thunder, the side project of Katie Crutchfield (who currently fronts Waxahatchee) and Keith Spencer (of Swearin' and the current drummer of Waxahatchee's live band), kicked off the night with Katie and Keith trading songs, switching between acoustic guitars, electric guitars, and keyboard. Especially since both members have such active bands, Great Thunder can come off like a "just for fun" kind of project, but the songs they played last night were too strong for that. Some rivaled the best moments of the members' main bands.
Great as they were, there's no denying when Keith took the stage again for the Swearin' set that followed, the energy in the packed room drastically increased. Swearin' have put in many solid NYC appearances over the last few years, but this had to be the best I've seen them. With their great new album, Surfing Strange, which is bigger, heavier, and more collaborative than their still-great debut, Swearin' have developed into a serious live force. The interplay between co-lead singers Allison Crutchfield and Kyle Gilbride is spot on, and it increasingly diversifies the set. They've got the passionate slow(er) burners ("Movie Star"), the rockers ("Unwanted Place"), and the in between ("Dust in the Gold Sack").
The show wrapped up with the great as always Hop Along. They're finally getting around to following up 2012's excellent Get Disowned, and they used the show to try out some new material, which was sounding pretty great. The new album is definitely one to look forward to. The crowd seemed into it too, but of course it was the older stuff that really got them going. New-ish single "Sister Cities" didn't feel new-ish anymore, as it's now a live staple and most of the crowd seemed familiar, and on closing song "Tibetan Pop Stars," from just about anywhere in the room you could hear the crowd shouting along over Frances Quinlan's own voice. Really fun night, and you can check out pictures of the whole thing in this post.
Hop Along return to NYC to open for Paint It Black at Brooklyn Night Bazaar on March 8 with Night Birds and Bad Canoes (fronted by Screaming Females' Marissa Paternoster). Free. Hop Along are also planning to tour with Title Fight and Waxahatchee on the west coast surrounding those two bands' appearances at Coachella. Tour flyer (with all dates) below.
More pictures and videos from Saint Vitus below...
by Andrew Sacher
Northeastern PA's Grey Zine have been putting out a handful of tracks over the past couple years, including multiple demos and a split with Miserable (aka former Whirr singer Kristina Esfandiari), which came out on Run For Cover. Grey Zine has now signed with The Native Sound (also home to Miserable), and are planning a self-produced EP for the spring and a Ned Russin (of Title Fight)-produced 7" for the summer.
Before we get those new releases though, The Native Sound is releasing Grey Zine's old demos as the compilation Destitution, which comes out today (2/25). You can grab a free download (available for one week) or purchase the limited edition cassette at The Native Sound's site, and stream the entire compilation in this post. Like the aforementioned Whirr, their pals Nothing, or Pity Sex, Grey Zine make the kind of droning shoegaze that feels more rooted in punk and metal than indie pop. It's heavy on the atmosphere, heavy on the distortion, and pretty good stuff. Check it out below...
Coachella Valley Music and Arts Festival 2014 - April 11-13, April 18-20
Read the full lineup below...
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
"Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace." [Wikipedia]If you've been closely following along with the blogosphere lately, you've probably noticed talk, especially amongst the indie rock community, about an "emo revival." Some sites, like Stereogum and Buzzfeed, have directly written about the "revival," whereas others like Pitchfork -- a site which has previously derided even the most classic albums of the genre -- didn't explicitly call it a revival, but offered a valuable spotlight on the modern emo scene. NPR weighed in, asking, "Is Emo Back?," but still some, like Noisey, claim, "There's no emo revival, you just stopped paying attention." A writer at NYU Local agrees. Meanwhile, bloggers and local papers, like OC Weekly and Baltimore Sun, are running with this.
All of this attention is only doing the genre a service. As Chad Jewett points out on Half Cloth, "How did you find out about Diary, person born in 1988? Because you would have to have been preternaturally cool to have picked up on it in 1994 when it came out." In other words, maybe in 19 years someone will hear Is Survived By, and they'll thank their lucky stars for all these listicles and thinkpieces that pointed out that record and so many other great records. But does the increased attention for these bands (many of which have been around for years) in indie rock circles warrant calling it a revival? Maybe it's that people are realizing these "emo revival" bands have a lot more in common with indie rock bands than a lot of people thought.
For one reason or another (perhaps because kids who grew up on Drive-Thru Records comps are forming bands now), emo has been sneaking its way more and more into accepted indie rock. Nobody was screaming "emo revival" when Japandroids went from a well-liked indie rock band to one of the genre's most beloved with 2012's Celebration Rock, a record full of heart-wrenching lyrics, youthful spirit, and fast, catchy power chords -- all common descriptors of emo. (Not to mention it was released by Polyvinyl Records, home to such emo classics as Frame and Canvas, American Football, Look Now Look Again, and more.) Likewise, no one said it when Cloud Nothings' 2012 LP Attack On Memory got tons of love from indie rock critics upon its release and went on to appear in multiple year-end lists, including Pitchfork, Stereogum, Spin, and more. It's an indie record, but one with a heavy resemblance to early Sunny Day Real Estate and similarly emo lyrical themes ("I miss you 'cause I like damage / I need something I can hurt").
Japandroids at Bonnaroo 2013 (more by Dana (distortion) Yavin)
These records had all too much common with the great emo releases of that year, including Title Fight's Floral Green and Joyce Manor's Of All Things I Will Soon Grow Tired. Both of those albums embraced raw production, honest, innovative music, and were not geared towards a radio-pop fanbase, but yet were largely ignored in indie rock circles. It's essentially what indie rock is, and a far cry from what pop bands tagged as emo like Panic at the Disco, Hawthorne Heights, and Senses Fail were doing. Those pop-emo bands, and countless others, dominated rock radio, MTV, and a major part of the conversation on emo during the mid-2000s, scaring away many indie rock fans and critics from the genre all together. The two weren't always enemies. Emo kids and indie rock kids both hold equal claim to bands like Sunny Day Real Estate, Cursive, Bright Eyes, Death Cab for Cutie, Rilo Kiley, and others. Perhaps part of the split was because it was somehow cooler to look like this than like this.
Title Fight, who didn't appear on Pitchfork until the-year-of-the-revival despite notable album releases in 2011 & 2012, cited many of the same influences as modern indie rock bands for Floral Green, including Sebadoh, Hum, Nirvana, and Sonic Youth. And Joyce Manor did the same, namedropping Guided by Voices and Weezer's Pinkerton in interviews. It makes sense that fans who latched on to Japandroids/Cloud Nothings would gravitate towards Title Fight/Joyce Manor. So what makes them so different? Ian Cohen says in his 2013 Pitchfork review of the new Title Fight EP, "You're more likely to hear electro-pop or major-label bands such as Chvrches or Haim called "indie" more often than Title Fight. How is that? Is it because most of time, genre tags are used to described the perceived fanbase than the music itself?"
The question Ian poses in that review seems to be a huge factor in the need some have to cite an "emo revival." If Japandroids and Cloud Nothings are your kind of indie rock, or punkier indie-approved bands like Titus Andronicus and Fucked Up, or classic bands like Dinosaur Jr, Built To Spill, Superchunk, and Archers of Loaf, chances are you're going to (or already do) find a lot to like in Title Fight, Joyce Manor, Pity Sex (essentially a shoegaze band), Cloakroom (sludgy slowcore), Placeholder (fuzz rock/'90s-style indie/etc), and many more. And as certain people, like Jaded Punk Dan Ozzi in his Noisey article pointed out, these bands didn't come out of nowhere. This comparatively underground scene of emo has been co-existing with the mall-emo scene for years, and perhaps it's getting called a "revival" because of the sudden interest for it from a fanbase who, for the most part, previously ignored anything associated with that three-letter word.
I do think, to some extent, that at one point the "emo revival" tag meant something. Now-defunct bands like Algernon Cadwallader (who have a new band, Dogs On Acid, in the works and whose guitarist Joe Reinhart is now a sometimes-member of Hop Along) and Snowing/Street Smart Cyclist (whose singer John Galm now fronts the excellent garage punk band Slow Warm Death) revived a very specific type of emo in the late 2000s -- the math rock-influenced kind done (perhaps most notably) in the mid-'90s by Cap'n Jazz. That sound, which some people bafflingly call "twinklecore," can be heard in late-2000s bands Castevet, Empire! Empire! (I Was A Lonely Estate), 1994!, and bands who rose more recently, including The World Is A Beautiful Place & I Am No Longer Afraid To Die, Dads, and Prawn. But that's only a small sect of the genre as a whole. I recently said that Brand New's 2006 LP The Devil and God Are Raging Inside Me is my favorite emo album since Diary, and Devil and God only came out two years before Algernon's first, 1994!'s first, and La Dispute's first. Thursday's final record, No Devolucion, came out in 2011 and in my opinion it's one of their best. The genre had a rough period as it entered the mainstream (but so did so many other genres) but it never vanished.
Touche Amore at Riot Fest 2013 (more by Kirstie Shanley)
Why is it all happening now though? Perhaps with "indie rock's tuneful death rattle" and "the decline of guitar rock" in effect, with artists like Haim, Chvrches, Icona Pop, The 1975, and Lorde currently dominating the indie rock discussion, there are still people yearning for raw, scrappy guitar rock with DIY ethics and an alternative mindset. And a lot of us are finding that those cravings are satisfied by this large, thriving group of "emo" bands. In his "indie rock death rattle" piece on Grantland, Steven Hyden welcomed indie turning pop as a natural progression, but did point out some may be seeking something less pleasant, which he finds in Touche Amore's latest LP, Is Survived By.
Touche's record, another getting extra attention now thanks to the "revival," is one of the finest releases of this year, and embodies so many of the key factors of "underground rock." Its aggression is raw and unpolished, but it's melodically and dynamically exploring new ground for rock music. Lyrically, the themes won't be unfamiliar to indie rockers, exploring existential uncertainties ("To swallow mortality is enough of a task / And leaving your mark is just too much to ask") that aren't too different from a band like Titus Andronicus ("Okay, I think by now we've established everything is inherently worthless / And there's nothing in the universe with any kind of objective purpose"). They also happen to be musically and communally connected to post-hardcore bands like Converge and Thursday who have influenced forward-thinking underground rock bands, just as Pavement and the Pixies have.
At The Drive-In at Coachella 2012 (more by Dana (distortion) Yavin)
It's not only newer bands though. Many now broken-up bands have been reuniting, and getting welcomed back very warmly. It's no surprise that the much-loved At the Drive-In caused excitement when they reunited, but in case there was any doubt how large that excitement would be in indie circles: They got huge spots on major indie rock festivals like Lollapalooza and Coachella, and the reunion also got notable coverage on many indie sites, including Pitchfork, who weren't too kind to their classic Relationship of Command LP upon its release but scored it significantly higher upon its April 2013 reissue.
The fact that the idea of "indie rock" is so vague and encompasses so many things, many of which are not "indie" or "rock," is a great thing, but there are still kids who can't settle for Chvrches when a past generation got Fugazi. And luckily those kids won't have to worry. In addition to many of the bands mentioned above, there's Speedy Ortiz, Waxahatchee, Swearin', A Great Big Pile of Leaves, Courtesy Drop, Little Big League, Frameworks, Calculator, Iron Chic, Big Eyes, Single Mothers, Sundials, Aye Nako, Worriers, Caravels, Pianos Become the Teeth and so many more that all satisfy a similar craving, whether or not you call them "emo," "indie," or a "revival."
Title Fight at Fun Fun Fun Fest 2013 (more by Tim Griffin)
Kingston, PA punks Title Fight put out their rippin' new Spring Songs EP last week (11/12), and their friend Susy Cereijo just made a video for it using footage from their recent European tour. Check it out below...
photos by Tim Griffin
Slayer/Glass Candy/Polyphonic Spree/Slayer surfer @ FFF Fest 2013
Closing Fun Fun Fun Fest, Slayer treated Austin to greatest hits and then some: "Raining Blood," "South of Heaven," "Dead Skin Mask," "Seasons in the Abyss," etc. They also dug out the aforementioned "Die by the Sword," a high point off their 1983 debut LP, Show No Mercy.The eighth Fun Fun Fun Fest happened last weekend (11/8 - 11/10) at Austin's Auditorium Shores, hosting three days of music and fun (fun fun), with such acts as MIA, Deerhunter, Slayer, Television, Thee Oh Sees, Kurt Vile, Cut Copy. Johnny Marr, The Walkmen, Jurassic 5, Killer Mike and loads more. Many of them played again as part of the FFF Nites shows, including shows presented by BrooklynVegan and Invisible Oranges.
After fooling no one with a false ending of "South of Heaven," the third backdrop of the night unfurled at the back of the stage: a parody of the Heineken logo reading "Hanneman" and bearing his life dates. The top read "Angel of Death." Reign in Blood's terrifying opening track - and closing number on Auditorium Shores - now serves as an epitaph for Slayer's fallen co-founder. - [Austin Chronicle]
We were there in the thick of it and, as mentioned above, you can check out pics from Day 1 HERE and HERE, pics from Day 2 pics HERE and HERE; and pics from Day 3 are HERE and HERE. See you again in 2014 Austin.
Title Fight at Holy Mountain (via @britneyirl)
Austin's Fun Fun Fun Fest starts today (11/8) and runs through Sunday (11/10), but those down in Austin got an early start to the fun fun fun last night (11/7) with the FFF Nites late shows. Last night's Nite shows included one with Kurt Vile, that we posted pictures of at BV Austin, and a BrooklynVegan-presented show at Holy Mountain with Title Fight and Code Orange Kids, plus local openers Boyfrndz and Pushmen. Hopefully everyone who waited in line got in. That's a shot of Title Fight from last night's intimate show above above, and there's one of Code Orange Kids below. Kurt, Title Fight and Code Orange Kids all play the fest proper today, as do Quicksand, Flag, Thee Oh Sees, Big Freedia, RJD2, Snoop Dog (!?), Cut Copy, The Walkmen, Patton Oswalt, and many more.
The festival and the night shows continues through Sunday with sets from Television, Slayer, Descendents, Dismemberment Plan, Body Count, Jurassic 5, MIA, MGMT, Cloud Nothings, White Lung, and more. You can still grab tickets, and if you're going, don't forget to check the schedule.
Title Fight don't have any touring plans following FFF Fest, but they did just announce that they'll do their 10-year anniversary show (their first show was opening for Blacklisted on October 17, 2003) on November 30 in Northeast PA. Lineup and more details TBA. Flyer below.
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
Fun Fun Fun Fest (minus Death Grips) is about to return to Austin, November 8-10 to be exact, and if you'll be down there for it, be sure to keep the fun fun fun going at night with the official FFF Nites shows. The shows are all free with a FFF Fest badge, and highlights include Kurt Vile at Mohawk, OBN IIIs/Blind Shake at Red 7, Subhumans/White Lung at Mohawk, Mac DeMarco/Quasi at North Door, Chelsea Light Moving/Lemuria/Merchandise/The Young at Red 7, Pelican/True Widow/Coliseum at Red 7, Del the Funky Homosapien/Flatbush Zombies at The Belmont, The Men at North Door, Cro-Mags/Ceremony at Holy Mountain, Retox/Narrows/Regents/Coliseum at Holy Mountain, Defeater at Holy Mountain, and Bonobo (DJ) at The Parish. Check out the full schedule here.
As we just mentioned, our metal blog Invisible Oranges is presenting one on Saturday (11/9) of the fest at Hotel Vegas with Black Tusk, Inter Arma, Yakuza, and Eagle Claw. That show doubles as the Austin stop on the Black Tusk/Inter Arma tour, which hits NYC on October 30 at Saint Vitus with Descender and No Way (tickets).
BrooklynVegan is also presenting a FFF Nites show on the Thursday (11/7) night before the festival begins, at Holy Mountain. The show kicks off with two local Austin bands: the metallic Pushmen (10:15 PM) and the proggy Boyfrndz (11 PM), and they'll be followed by post-hardcore noisemakers Code Orange Kids (midnight), and finally the emotionally-charged, boundary-pushing punk band Title Fight (1 AM).
Title Fight contributed the previously-unreleased song "Another One" to the new Will Yip compilation (stream it below), and they've also got a new EP, Spring Songs (which was recorded completely analog), coming out right after FFF (11/12) via Revelation Records.
Code Orange Kids have been touring maniacs lately, having just played NYC at The Studio at Webster Hall last night (10/24) with Power Trip, Counterparts, Terror, and more; and are set to return for a sold-out show at Saint Vitus (12/18) with Every Time I Die.
Stream that Title Fight song below...
by Andrew Sacher
Jason Shevchuck w/ Kid Dynamite at House of Vans (more by David Andrako)
Producer Will Yip has become a go-to guy in the punk scene, sitting behind the boards for Title Fight, Balance & Composure, Pity Sex, Sainthood Reps, Citizen and many others, and on October 8, he'll release a compilation titled Off The Board: A Studio 4 Family Compilation (pre-order) with previously unreleased songs from those artists and a number of others he's worked with. Proceeds from the album will go towards funding his partnership at Studio 4.
One of the songs on the compilation, which makes its premiere in this post, is "That Thing That Separates Em," the first new song in years by None More Black, the band fronted by Jason Shevchuk of the once-again defunct Kid Dynamite. Check it out, in all its scrappy punk glory, along with the comp's album art and tracklist, below.
by Andrew Sacher
Title FIght at House of Vans in June (more by Maclyn Bean)
Kingston, PA punks Title Fight have announced they'll release the followup to 2012's Floral Green with a new EP, Spring Songs, on November 12. And in pretty interesting news, the EP is coming out on Revelation Records, the post-hardcore oriented label which celebrated its 25th anniversary last year as is responsible for putting out albums by Youth of Today, Quicksand, Judge, Into Another, Chain of Strength, and more. The first single from the EP, "Be A Toy," is sung by guitarist Jamie Rhoden, who sang some of the more toned-down tracks on Floral Green like "Head in the Ceiling Fan," and this one's in that realm as well. Check it out below (via SPIN).
Title Fight have a tour coming up with Balance and Composure (who we just caught opening for Glassjaw), Portland, ME hardcore kids Cruel Hand, and Bethlehem, PA emo band Slingshot Dakota. No NYC show on that tour, but all dates, including shows in Connecticut, Philly, and Long Island, are listed below.
Fun Fun Fun Fest 2012 (more by Keith Marlowe)
As discussed, Fun Fun Fun Fest is returning to Austin's Auditorium Shores from November 8-10, and now the full lineup was finally announced. It includes Television, Slayer (again!), Quicksand, Descendents, The Dismemberment Plan, Body Count, Jurassic 5, MIA, MGMT, Death Grips, Kurt Vile, Cloud Nothings, Snoop Dogg/Lion, The Locust, Subhumans (performing Cradle to the Grave), The Men, Title Fight, White Lung, Retox, Chromatics, XXYYXX, Mykki Blanco, Cut Copy, Washed Out, Merchandise, Lemuria, and many more.
Tickets for the festival go on sale today (7/10) at 10 AM CST.
Full lineup and flyer below...
photos by Maclyn Bean, words by Andrew Sacher
Fucked Up / Title Fight
This summer's free House of Vans concert series kicked off last night with a stacked triple billing of Fucked Up, Title Fight, and Hop Along. Despite a bit of rain over the outdoor drink/food area (which was actually kinda nice considering how hot it was inside), it was a great start to this year's HoV season. The line was pretty long even an hour before doors, but getting inside went pretty smoothly and the lines for the free beer weren't much trouble either. All the bands were great too.
Hop Along kicked things off around 7:45, and though they were the calmest band on the bill, they were no less intense to watch. Frances Quinlan is seriously such a powerhouse singer, wailing away with no interest in taming her voice, which she wouldn't need to do anyway. Frances opened the show with one song solo, and then was joined by her band for the rest of the set, which was pretty similar to their recent Bowery Ballroom show. It included a bunch of Get Disowned standouts and their recently released single, "Sister Cities."
Next up was Title Fight, who had the biggest and wildest crowd of the night, and they wasted no time making that happen. With little to no introduction the band tore right into their first song with Ned Russin swinging his bass and jumping around on stage while screaming into his mic. The crowd was packed with devoted fans yelling every word and starting all kinds of raucous pits throughout the show. The set was heavy on last year's excellent Floral Green album, but included a couple early cuts for the longtime fans (who, as you may have guessed, went totally apeshit for them).
Finally, Fucked Up closed out the night, and though the place had cleared out a bit after Title Fight, Fucked Up were excellent as always and had themselves a fairly wild crowd too. Damien was characteristically funny on stage (he debuted his 4 year old son's new song, whose lyrics consisted only of "I love the word 'penis'" repeatedly), and of course, he spent about 80% of the show in the crowd. They played a couple new ones, in addition to their usual trek through the David Comes to Life material and some other live staples like "I Hate Summer" and "Son The Father."