Entries tagged with: Tokyo Police Club
photos by Andrew St. Clair
The music is/was great, but part of the reason I trekked out to see Passion Pit, Tokyo Police Club, We Were Promised Jetpacks & Suckers on Governors Island on Wednesday night (June 30th), especially after having just seen 3/4 of the bill one night earlier in Prospect Park, was to check out Colonel's Row, the area where the show was actually being held.
Unlike "The Beach" where most of the Governors Island concerts are held, there was no sand - just lots of beautiful trees and grass and old buildings on either side. It was a lot like a college campus. The sound was great, the weather was great, and despite the approx-7000 capacity, it wasn't too crowded at all (though the lines for the ATMs were super long). The sides were lined with food vendors (mostly gross-looking food) and there were lots of bars set up all over. I wish they would do more shows there actually (Passion Pit is unfortunately the only one happening in the space this summer).
Colonel's Row, during Tokyo Police Club (via my phone)
Another reason I was really motivated to take the ferry was to see We Were Promised Jetpacks who didn't play Prospect Park the night before. The Scottish band did a great job warming up the crowd with their wailing vocals, wall of guitar sounds, and tension-building rock songs. Many in the young audience cheered along, though the excitement that the three openers experienced didn't come close to what I saw two nights in a row for Passion Pit who had thousands of people cheering, dancing and just generally going crazy to their falsetto-fronted dance songs.
I unfortunately had to leave Passion Pit early this time to catch Delta Spirit at Bowery Ballroom, but photographer Andrew St. Clair not only stayed for the whole show, he stuck around afterward for the backstage karaoke afterparty (the show was the final stop on TPC & PP's tour together). Andrew's pictures from the whole night, below...
Before the show started, the crowd in front of the bandshell sat and chatted leisurely to pass time, but when they saw Suckers walk on stage, they immediately jumped to their feet, cheering. In their cool shades and neon-colored clothing, Suckers had definitely embraced the outdoor park setting. "We're from Brooklyn. Celebrate!" shouted Suckers singer Quinn Walker early in the show. Drummer Brian Aiken thrashed around with such intensity that before long, his face was nearly the color of his fuchsia shirt. They only played seven songs, but the group harmonies, well-placed trumpet cameos, and over-the-top facial expressions from the drummer made for a pretty entertaining show, and the Brooklyn band's music proved to be a good introduction to the evening. Many of their songs had slower starts, but they definitely filled out by the time the choruses hit.
Tokyo Police Club's music was more immediate. Instead of building up their sound gradually, they seemed to put it out there up front, and their sound was a bit more raucous overall. Like Suckers, Tokyo Police Club really seemed to be enjoying the picturesque setting. It had been another hot day in Brooklyn, but it cooled off just enough to be pleasant for the show. "I hope you enjoyed the beautiful day in the park," said singer Dave Monks. "You guys should really check out these trees when you get a chance. The trees are killing it." And he was right. The trees lining the back side of the bandshell were waving gently in the wind as if swaying to the music.
Tokyo Police Club showcased a number of songs from their recent album, Champ. After their set had ended, the eager crowd tried a few different methods to get Passion Pit out on stage, but neither the chanting nor the slow clap did the trick. Shortly after 9:00, the tech guy gave a signal with his flashlight and yellow lights started flickering madly on stage as the band walked out. The production value definitely went up with each band's performance. For Passion Pit, each song seemed to have its own color scheme for lights: reds, oranges, purples, blues, and greens all made an appearance as the evening progressed. By the third song, a colorful banner (resembling the cover art of the Manners re-issue) fell against the backdrop to the delight of the audience.
For the most part, the sound throughout the evening was pretty good for an outdoor show. But the vocals did seem to be a little low in the mix - especially for Passion Pit. I'm not sure if it was just where I was standing or if there was a technical oversight, but there were times when I'd see Passion Pit singer Michael Angelakos open his mouth as if to sing but no sound came out. Of course, it didn't help that he had a tendency of holding the mic a bit too far away. (Were the officials trying to thwart the non-paying park goers from hearing the show outside of the official venue space?)
Regardless of the levels, the crowd seemed to be thoroughly enjoying themselves. Throughout the show, they sang along, clapped to the beat, jumped up and down, and danced. There was also more than one attempt at crowd surfing as the evening progressed and the excitement mounted. The band was clearly thrilled to be performing in front of such a large, enthusiastic audience. Angelakos paced and danced around the stage with glee and kept effusively thanking everyone in between songs, eventually saying, "People make fun of me for always thanking everybody, but we're just in awe of everything that's just happened in the past year. This show sold out in like ten minutes. We're from Boston, but this city made us. Thank you so much! This is the biggest show we've ever played."
For their encore, Passion Pit played a delightful cover of the hit 1994 song "Dreams" by The Cranberries before closing with their own hit - "Sleepyhead." Though the crowd left behind a wasteland of bottles and cups, the tinkling of the aluminum Bud cans as they rolled over the cement surface made for an oddly melodic exit.
They do it again, at an even bigger venue with the same lineup (and the addition of We Were Promised Jetpacks) tonight (6/30) at Colonel's Row on Governors Island. More pictures from last night, some videos and Passion Pit's setlist, below...
DOWNLOAD: Tokyo Police Club - Wait Up (Boots Of Danger) (Dom Remix) (MP3)
Tokyo Police Club are in town as part of their tour with Passion Pit to play two sold out shows starting tonight, June 29th at the Prospect Park Bandshell. Wanna go? I have a pair of tickets to give away. Details below.
In fact, I also have a pair of tickets to give away to the show Wednesday at Governors Island. Details also below.
Last night, TPC appeared on Letterman (again). They played "Wait Up" which is the song Dom remixed. Download the Dom remix above. Check out the Letterman video (with contest details and other stuff) below...
photos by Andrew St. Clair
Tokyo Police Club, now on tour with Passion Pit and DOM (who played Brooklyn Bowl last night), played a sort of private show at the Studio @ Webster Hall in NYC last night (6/1). That was followed by a beer pong after-party with Mark Knight and others in attendance. Pictures from the whole night, and TPC's setlist, below...
Outside Lands 2009 (more by Chris Graham)
San Francisco's Outside Lands Festival 2010 takes place in Golden Gate Park from August 14th-15th. Headlining acts for the fest include Kings of Leon, Furthur featuring Phil Lesh and Bob Weir, The Strokes, My Morning Jacket, Phoenix, Social Distortion, Levon Helm and Al Green. Other acts include Nas & Damian "Jr. Gong" Marley, The Budos Band, Dawes, Gogol Bordello, Cat Power Janelle Monáe and Tokyo Police Club. The full lineup (which will be added to) is below.
Two-day passes go on sale Tuesday, June 2nd at 1pm EST. Single day tickets go on sale Sunday, June 6th.
A video trailer for this year's fest and the lineup is below...
Tokyo Police Club kick off their tour with Passion Pit in Baltimore on Wednesday (June 2nd). They'll be in Virginia on June 8th which is the day their new album Champ (cover art above) is released, and they won't be back in NYC until the end of the month when they open for Passion Pit in Prospect Park and on Governors Island. To remedy that situation a bit, they're playing their own headlining show at the Studio at Webster Hall tonight (June 1st) (flyer above). Members of the press and other friends were invited to the gig. And I have five pairs of tickets to giveaway too. Details on winning them, the band's new new video, all dates & stuff, below...
photos by Rachel Carr
"An aggregate 225,000 people bought tickets to see a [Coachella] roster headlined by Jay-Z, Muse and Gorillaz during the April 16-18 event at the Empire Polo Grounds in Indio.The 2010 edition of Coachella actually began excactly one week ago today, and we already posted full picture sets from: DAY ONE, DAY TWO and DAY THREE. Now here is one last group that contains unposted outtakes from all three...
The previous attendance record was set in 2007, when the headliners included a reunited Rage Against the Machine. Final figures are still being tallied, but AEG Live CEO Randy Phillips said the gross will exceed $20 million.
Phillips said the future looked bleak for AEG Live's nascent All Points West festival, which took place in 2008 and 2009 across the Hudson River from lower Manhattan at Liberty State Park in Jersey City, N.J.
"We're probably going to kill it," said Phillips. "As beautiful as (the site) is, it's very hard to get New Yorkers to cross that river. All Points West is an experiment that just didn't work." [Reuters]
photos by Rachel Carr, words by Daiana Feuer
"Wow. The Sahara is past capacity at Coachella for Die Antwoord. No midget. Waiting for the trainwreck but people dig it." - The Scenestar
"Seeing a shirtless Danny DeVito run across the stage while Faith No More played pretty much made my #coachella weekend." - stovn
Die Antwoord, Faith No More
Flopping phalluses are in this year according to Major Lazer and Die Antwoord. Each presented the intersection of beats, party-hyping, gross humor, and dancing in your underwear. Day 2 of the Coachella Music & Arts Festival had an overall far-out theme. Some with sexually explicit lunacy, others with psychedelic music. South Africa's Die Antwoord introduced zef-rap to the festival, South Africa's version of white trash hip hop-a bold, fearless expression of crazy stick a finger up your bum entertainment.
Before arriving at these culminating moments, the day progressed through a series of psychedelic and/or raunchy expressions. John Waters kicked things off with thoughts on crawling through pig poo, taking poppers, the pleasures of sploshing, and strange things he wants to do before he dies. Gossip's Beth Ditto hoped he was watching her blazing disco soul performance but was afraid to look backstage and see him smiling and waving at her. Gossip put on a set that inspired revelations on reality in the most self-empowering ways.
John Waters & Beth Ditto @ Coachella (this pics via Jermey Scott)
The day's best covers include Faith No More doing "Reunited" (they also covered Michael Jackson's "Ben"), Portugal, The Man's jamming Bowie's "Moonlight Daydream," and Girls' flawless "All I Have To Do Is Dream" by the Everly Brothers. The last was a most appropriate choice for the band with an Ariel Pink sensibility towards '50s ballads. MGMT brought the futuristic 1960s with songs from its new album. Many pointed out that the band didn't play "Kids", but that seems to miss the point that MGMT put on a pretty sophisticated, experimental live performance of the band's signature Indian headdress on Phil Spector Fraggle Rock sound.
The Raveonettes played as a duo and sans drum machine, adorably sharing a mic sometimes. The rest of the band remains trapped under lava in Iceland, figuratively speaking. Camera Obscura also shouted out bands stuck in the UK, dedicating "Let's Get Out Of This Country" to those who could not make it.
It seems almost every DJ this weekend has sampled Major Lazer's "Pon De Floor" except Flying Lotus, who took the stage all on his own (no Thom Yorke cameo included). After warming up the crowd with some first grade experimental hip hop, FlyLo brought out the big guns, sounds combined in layers and pitches that act like quaaludes on the light speed continuum. The Dirty Projectors girls evoked cool electronic birds and the Dezurik Sisters with their harmonizing powers. Beach House cooed the audience romantically as 50% of the band, Alex Scally, rubbed his slide up and down the frets.
Did that sound sexy? It's time to talk about sexy. The xx provided the mellow arousal Blonde Redhead and Portishead have given Coachella the last two years. People like The xx because they want sex that fits this soundtrack. They also want sex as excitingly goofy gross as Die Antwoord and to fall in love with a gal like Sia, all at the same time. Sia's beautiful voice closed the night in the Gobi tent, and though her accent rendered her side comments completely incomprehensible, everyone laughed and agreed with anything she said. On the other hand, as great and sexy as the Dead Weather sounded, I don't know if I want to bed someone who demands I treat her like my mother. Old Crow Medicine Show suggested letting a woman rule your mind leads to troubles during "Minglewood Blues." Instead, let her win your heart with country-fried dinner.
Faith No More's twelve-song set included a cameo by a semi-streaker who happened to be Coachella regular Danny Devito. You can see that happen in one of the videos below. Faith No More's whole setlist is down there too.
Porcupine Tree, Tokyo Police Club, Hot Chip, The Almighty Defenders, Les Claypool, Devo, and Muse were also on the bill Saturday. Our review, pictures and videos from Friday are HERE. Saturday continues below...
Passion Pit @ Terminal 5 on January 10th (more by Samantha Marble)
Passion Pit and Tokyo Police Club are already setup for a Tuesday, June 29th show at Prospect Park Bandshell. Tickets for that are gone. They'll follow up the show with a June 30th show at Colonels' Row @ Governors Island. Tickets go on sale Friday, March 19th at noon (presale info TBA).
Members of Passion Pit will be DJing down at SXSW this year. You can catch them Friday during the day at the BV/DailyMotion party at Club DeVille, and then Saturday during the day at a Pianos day party. Yes, the same Pianos they DJ'd at on New Years Eve.
Also on Governors' Island this summer: a 12-hour theatrical performance of Dostoyevsky's "The Demons," put on by Lincoln Center.
All Passion Pit tour dates are below...
After a hectic day of updating the constantly updating Bonnaroo lineup page, the entire thing has been announced. Gwar, Norah Jones, and the rest of the lineup below...
Passion Pit @ Terminal 5 on January 10th (more by Samantha Marble)
On the heels of their three-night Terminal 5 run (Jan. 8-10), Passion Pit have announced that they'll be playing one of this year's Celebrate Brooklyn 'benefits' at Prospect Park Bandshell on Tuesday, June 29th. The night also includes "very special guest" Tokyo Police Club. Tickets go on sale Saturday, January 30th at noon. More tour dates to be announced?
Both bands are also on the lineup for this year's Coachella, which is happening April 16th-18th. Passion Pit's other tour plans (Australia, Japan, the UK and, in March/April North America) are outlined HERE.
Tokyo Police Club are working on a new album to be released in 2010 on mom+pop Records. They've been blogging about their progress on the album, titled (they say) Masterworks In The Key Of Mastery, Feat. Baron von Fantastic and the Even More Simon Express. The band writes "Hopefully we'll be finished everything in the middle of February, and then we'll start mixing."
Videos of Passion Pit interviewed and at T5 are below...
Wow...Public Image Ltd, The Specials, Grizzly Bear, Passion Pit, Echo and the Bunnymen, Grace Jones, Fever Ray, Devo, Hot Chip, Phoenix, Orbital, Spoon, Sly and the Family Stone, Charlotte Gainsbourg, Sunny Day Real Estate, Yo La Tengo, Mew, Camera Obscura, Gil Scott-Heron, The xx, John Waters, Dillinger Escape Plan, Deer Tick, Gary Numan... Full Coachella 2010 lineup below....
Local Natives @ BV loft - CMJ 2009 (more by Chris La Putt)
Frenchkiss Records is celebrating its 10th year in existence. Started by Les Savy Fav's Syd Butler in 1999 as a way for his band to release their second album, the label has grown to include over 25 bands with over 40 releases. Most recently they've found success with The Dodos, The Antlers, and of course, Passion Pit who are definitely now pretty "huge". Though still on Frenchkiss, Passion Pit are also shared with Columbia Records (home of Mew, MGMT, The Ting Tings, Bob Dylan, Neil Diamond, and... Slayer).
And it continues. Frenchkiss announced this week that they signed not one, but two CMJ 2009 buzz bands - both with fine new albums and impressive live shows to match. The NYC label will release California band Local Natives' Gorilla Manor (already out in Europe) on February 26, 2010. They also just signed NYC's Freelance Whales, though like with Passion Pit, that deal is shared with someone else - Mom+Pop Records to be exact, aka. the label that also just snagged Tokyo Police Club (who share a manager with Passion Pit).
The Antlers headline Bowery Ballroom on December 15th. Get tickets before they sell out. Uninhabitable Mansions and Sharon Van Etten (who is sure to sing with the headliners too) open the show. Their only other scheduled show at the moment is March 3rd at Union Chapel in London.
Local Natives are still on tour with Fool's Gold and Edward Sharpe. They visited NYC in November which wasn't long after CMJ when the band played two BV parties - one at Pianos and the one in a loft. Updated dates below.
Tim Harrington, when not belting out rock songs and climbing over the crowd on a ladder in his underwear as the frontman of Les Savy Fav, makes a "line of patterned products" called Deadly Squire. This Sunday (TODAY), December 6th, Deadly Squire is having a huge sale at Bird in Williamsburg (Brooklyn). Flyer below.
Slayer is going on tour with Megadeth and Testament in January. A "Raining Blood" video with all the other stuff below...
The face of Arms...
Arms (Todd Goldstein, guitar player of the defunct Harlem Shakes) will be playing a NYC CD release show at Pianos on Thursday, November 12th for his full-length debut, Kids Aflame, which is out now on Gigantic Music. Two songs from the record are posted above, with a video and info below. Goldstein debuted his three-piece band that fills out his bedroom-recorded album at CMJ this year.
Strange Glue: Have you been to CMJ before and what are your thoughts about playing such a vibrant festival?Tickets for the Pianos show are on sale.
Todd: I've played several CMJs, now - although I have to say i've never been to a CMJ show other than my own. I never have time.
SG: Is it just you performing the Arms set or are you joined by any other talented musicians?
Todd: It'll be me, a drummer, and a bassist/singer. The harmonies alone are worth the price of admission.
Also at the gig will be an acoustic set by Dave Monks, frontman of Tokyo Police Club. Monks will be playing some songs off Tokyo Police Club's forthcoming, second record, due in early 2010 on mom+pop.
mom+pop was formed in 2008 by Cliff Burnstein, Peter Mensch and Michael Goldstone. Burnstein and Mensch are the owners of Qprime, one of music's most respected management firms, with a roster featuring the likes of Metallica, Red Hot Chili Peppers, Snow Patrol, Muse, Silversun Pickups, and The Mars Volta, among others. Goldstone is a veteran A&R exec whose most recent tenure at Sire saw him sign Regina Spektor and Tegan and Sara. In August 2008, he inked Joshua Radin as the first artist on the mom+pop label. Radin's album, Simple Times, released 21 days later on September 9, has since sold over 100,000 units and 400, 000 tracks. Other mom+pop artists include An Horse, signed to the label by Sara Quin of Tegan and Sara. mom+pop is a fully staffed label distributed independently by RED.Radical Dads, another group that shares members (Robbie and Chris are in Uninhabitable Mansions, and Robbie, again, plays with Clap Your Hands Say Yeah), are also playing, with Sherlock's Daughter (who have a residency at the club) opening.
Dave Monks recently posted a cover he did of Harlem Shakes' "Strictly Game," as well as a new TPC song. Those and more Arms below...
mud, Tool & Ice T
During his Friday night set at the All Points West festival in Jersey City, Jay-Z took a moment to salute trail-blazing gangsta-rapper Ice-T, who, Jay-Z said, was "in the house." And Saturday afternoon, Ice-T took the stage to perform as a backing rapper during Kool Keith's second-stage performance.Though it didn't rain on Saturday (8/1), it was still super muddy. There were dry spots, but you literally could not walk from one place to another without going through some mud. Other highlights of the second day of All Points West included comedy by Tim & Eric in the tent (aka the third stage), back-to-back sets by St. Vincent and Neko Case on the 2nd stage, and the Arctic Monkeys and Gogol Bordello on the main stage. But nothing topped the end of the day. Now fully dark out and perfect weather, My Bloody Valentine, with the Statue of Liberty to their right and the Manhattan skyline straight ahead of them, delivered the power. The hour they played was, for me, the perfect festival experience.
"Sometimes it's just cool to stand on the side of the stage and be a hype man," said Ice-T.
He did, though, perform parts of his own raps, "Hardcore" and "God Forgive Me," a cappella.
With his confident, casually commanding flow, he made a strong impression in his few brief moments in the spotlight.
In addition to Jay-Z and Kool Keith, hip-hop acts like Q-Tip, the Knux and the Cool Kids have performed at All Points West. Hip-hop, though, will not figure prominently in the third and final day of the festival, Sunday. [NJ.com]
My Bloody Valentine
It helped that My Bloody Valentine, as they are known for being, were LOUD. Maybe they didn't seem as loud as they did inside a club, but they were loud enough that even those in the bleachers were putting on their earplugs if they had them. After their set I ran all the way back to the dance tent (pretty much the farthest distance you would have to ever go at this festival) to catch Crystal Castles. The tent was packed with the largest concentration of youth I'd seen in Liberty State Park up until that point. Everyone was dancing and cheering. Before CC were finished I ran back to the main stage to watch Tool.
During My Bloody Valentine I thought, "well, there are plenty of people here, but I guess they could fit a lot more". Ends up, all of those people that could fit, they showed up for Tool! Did they all just get there? Were they hiding in other areas? Either way, it totally hit me by surprise when I got back to the stage. I was also surprised, but happy, that Tool hadn't gone on yet. They don't play a super long set, so maybe they delayed to make the show go until curfew.
Once they did start, the amount of fist pumping (much bro fist pumping included) going on almost matched the amount of people in the park. I wouldn't consider myself a Tool fan, but there was no denying the awesomeness of their show.
"On a bill loaded with indie rock, Tool seemed initially distinguished by their popularity. They were the only band on Saturday's bill to have a platinum record, and the only performers to have won Grammys, and the only ones with enough starpower to sell out arenas on their own. And yet despite their high profile, Tool hardly behave like a mainstream band. Saturday's set was an exercise in atmosphere -- a dark, riveting performance that minimized the members of band while foregrounding their stranger sensibilities.I took the light rail to the park, but then the ferry home. Props to APW for making the ferry experience a much, much better one this year (no line at all, huge boats, very quick trip home, and I didn't even leave until Tool was finished).
Visually, the show was stunning. Tool perform to a series of bleak films mostly created by the artist Adam Jones, and beamed out giant-size across Liberty State Park they seemed more imposing and unnerving than ever. Opening with the sinister, twisting "Jambi," the group slowly worked its way through a set that spanned its small catalog. Part of what makes Tool concerts such visceral experiences is the band's peerless sense of control and release. Songs start with icicle drip guitars and rolling, tribal percussion, steadily building to perfectly timed explosions of sound. When paired with Jones' frightening films, it became more like a theater experience than a concert. At times it was remarkably easy to forget there was a band onstage at all." [Rolling Stone]
Pictures from APW day one HERE. More from day two below...
Crystal Castles DJ the official All Points West afterparty on Friday. They play All Points West on Saturday. Tokyo Police Club also play All Points West on Saturday, and they DJ the APW afterparty happening that night (sponsored by Toyota, free with RSVP). Flyer below...
Following last year's inaugural event, festival producers began work immediately on resolving concerns expressed by fans in attendance. They have worked closely with their partners at NJ Transit to improve light-rail service and capacity. As an added value for 2009, festival goers who choose to travel to the site utilizing the Hudson-Bergen Light Rail line can ride for free throughout the weekend with their ALL POINTS WEST festival ticket. Additionally, based on the popularity of the ferry as a mode of transportation from lower Manhattan to Liberty State Park, the frequency and size of the ferryboats will increase at a reduced price for festival attendees.... The producers have also worked with their partners at Liberty State Park to improve the fan experience in the beer gardens. This year's areas will be larger, have shorter lines, and feature shade tents, views of the stages and food concessions...The second annual ALL POINTS WEST MUSIC & ARTS FESTIVAL returns to Liberty State Park in Jersey City, New Jersey Friday, July 31, Saturday, August 1 and Sunday, August 2. Like last year, bands will play on three stages, except "the Queen of the Valley stage has been changed to a Coachella-like tent creating an environment that will showcase comedy, DJs, electronic acts and bands."
More details on the items above will be posted at the apwfestival.com. The entire lineup (it's good!) and ticket info, below...
photos by Natasha Ryan
"One of the highlights was the score of new tracks like "Breakneck Speed" and "Favorite Color". The most memorable moment was without a doubt the encore as the band stepped back onstage calling the Born Ruffians back out to play a new song, "Spark" which they recently wrote together. The track is really interesting with the merger of TPC's Dave Monks unique vocal sound pairing up with Born Ruffians singer Luke LaLonde. They closed it out in style inviting the Harlem Shakes out onto the already crowded stage for a classic rendition of the Clash's "Train In Vain"." [Chewy Donuts & Evil Bunnies]Tokyo Police Club headlined Webster Hall on Wednesday night (2/25). Harlem Shakes opened and are currently on the road with the Canadian band. Tickets go on sale today at noon for an upcoming Harlem Shakes show at Music Hall of Williamsburg. Born Ruffians also opened the Webster Hall show. Watch a UK commercial featuring the Canadian band's music HERE. Watch videos from the NYC show (Clash cover and new songs included), and see more pictures, below...
DOWNLOAD: Harlem Shakes - Strictly Game (MP3)
photos by Jonny Leather
Now officially a fan of the Harlem Shakes since listening to the new record, it was great to see them live back on Valentine's Day at Southpaw right after the rockin' set by Shilpa Ray (who is also a HS fan..)...
My pals the Harlem Shakes are gonna take the stage and they haven't played live in New York in two years! I'm so wired to see them again! I recently heard a track off their new record and so surprised with how much their sound evolved from their first EP. Though both styles are great, I have so much admiration for artists who constantly take risks and disregard formulas on how to be an artist. Shakes, if you're reading this your new sound is crazy awesome and I can't wait to see you guys live! It's been too long. [Shilpa Ray]Overall a great, crowded, fun, and late night. As Shilpa pointed out, it was the first show Harlem Shakes had played in NYC in a while. The size of the crowd (it was very sold out), and the amount of cheering and dancing made me realize how many people were waiting for their return - and the new record isn't even out until March 24th (they apologized at one point for playing songs people may not have known).
Tonight at Webster Hall (2/25) they are the opener. Ends up they go on at 8pm, followed by Born Ruffians at 9, and then Tokyo Police Club at 10. Then they are opener again on the previously announced March 14th Bell XI show at Highline Ballroom. Then it's headliner again... Tickets go on sale Friday at noon for a March 26th show at Music Hall of Williamsburg. The last one is in honor of their album that comes out two days before that.
Some more pictures from Southpaw, and all tour dates, below...
DOWNLOAD: Harlem Shakes - Strictly Game (MP3)
"Technicolor Health was made after and during some tough times (involving serious sickness) for the [Harlem Shakes]. The record captures the weary, hopeful, and sometimes triumphal vibe of that period in their lives. Above all, the album is about surviving abject shittiness. But it's also about what new-wave bands and new-wave revival bands call, "modern life," as lived by five thoughtful men in their early and mid-twenties during a weird, sometimes miserable, mostly thrilling historical moment. Harlem Shakes have been obsessed by pop music their whole lives, and after all the reiterations, they still have great faith in its power to make you and them feel a little better about things, and to say something vital, and God willing, maybe even enduring."Technicolor Health is a really good album. Gigantic Music doesn't release it until March 24th, but you can (legally) download one of the tracks from the album above. It's the same song they're currently streaming at their MySpace.
On February 24th Harlem Shakes leave on tour with Tokyo Police Club. February 25th, one day later, is the NYC show at Webster Hall that Born Ruffians are also playing. Tickets are still on sale. You don't have to wait that long to see HS though. They're also playing this Saturday night, February 14th, Valentine's Day, at Southpaw with Shilpa Ray and Phil and the Osophers. It's a late show. You can go to dinner and be done with Valentine's Day before doors even open at 10PM. The early show in the same venue is the one Jennifer O'Connor is playing with Mascott. And like tonight's Motel Motel / Holly Miranda show at the same venue, it's part of the Sounds Like Brooklyn festival (as is the Clap Your Hands Say Yeah / Chairlift show tonight at BAM).
Harlem Shakes are also playing a few shows with Bell XI in March. Tickets are on sale for a March 14th show at Highline Ballroom. All dates below...
Tickets are on Am Ex presale (@ noon) for the Webster Hall show Tokyo Police Club are playing. If you don't have an Am Ex, they also go on Artist Arena presale at 3PM. Regular Ticketmaster sale begins Friday.
Tickets are back on sale for tonight/Wednesday's Vampire Weekend show at Terminal 5.
Martin Sexton is playing two shows at Town Hall in February too, and tickets are also now on presale (PASSWORD = BUYTIXNOW ?).
OK Go are playing MHOW on March 8th. Tickets are on Am Ex presale (@ noon).
Tickets go on sale Friday for Amanda Palmer's New Years Eve show.
The above design can be had on a t-shirt.
TPC @ MSG (more by Chris La Putt)
Having just completed an extensive North American tour supporting Weezer and currently staring down a Dec. 12-23 tour of their native Canada, the four young men of Tokyo Police Club continue to laugh in the face of road fatigue: The band has announced one more run of U.S. dates beginning February 24, 2009 in Providence RI.The NYC show is February 25th at Webster Hall (the venue they were supposed to play before they cancelled to go on tour with Weezer). Born Ruffians are opening. Stay tuned for ticket info. All dates and openers below...
In other news, Tokyo Police Club will make its return to the small screen next week, following up a recent DESPERATE HOUSEWIVES cameo with a Dec. 10 late night (or early Dec. 11 for those who feel the need to be technical) performance on the LATE LATE SHOW WITH CRAIG FERGUSON.
Following the completion of the dates below, Tokyo Police Club plans to begin work on the follow up to its acclaimed debut full length Elephant Shell, which was released April 22 of this year on Saddle Creek.
This weekly post was really just meant to be an (arguably) interesting news roundup of where (mostly BV-covered) music and musicians are showing up besides in our stereos/computers/headphones/players/etc. Like all news, it might be positive, negative or neither depending on your point of view. Whether or not an artist is "selling out" by licensing their song to a particular product advertisement and/or TV show is always going to be a valid issue/argument/debate, but I removed "It's Not Selling Out Anymore" from the post title because, lighthearted or not, I think it was making this post into something it's not. Most importantly, I didn't want the title to be misconstrued as an official BrooklynVegan position on anything. There will always be (arguably) cringe-worthy examples of licensing (see Of Montreal + Outback Steakhouse) and licensing-related broken (fan's) hearts (see The Moldy Peaches + Atlantis resorts), but a lot of licensing news (as you can see below), is (arguably) pretty neutral. Are there any Modest Mouse fans offended that a Modest Mouse song appears in a snowboarding video game? I doubt it. Does it bother anyone that Stars of the Lid gave a song to the Environmental Defense Fund? Probably only people that are anti-polar bear... That's all I wanted to say.... I won't write intros to these posts after this week (please try to keep the conspiracy theories to a minimum!), so without further ado... it's "This Week in Music Licensing"...
by Ryan Barkan
Battles @ Irving Plaza (more by Bao Nguyen)
42 Below likes to do things because they can, like make Vodka and wear white suits. The New Zealand spirit maker just launched a campaign and website around the brand's mantra, "Because We Can" - living by your own rules and following your dreams. Pretty deep. The web-based campaign consists of five short films and a user-generated video contest.
Each of the five short films have a few things in common - men in all white suits, left-of-center creative, art installations, cool music, and no relation whatsoever to Vodka. Carpet Cupcake uses Battles' 2007 jam "Atlas". Two different Boards Of Canada songs are used in Beach Dolls and Car Wrap. Domino artist Four Tet provides the sonic background to Mountain Rainbow, a spot where the white suit men create a huge arch of colored plastic chairs on top of a snowy mountain. South African electronic artist Felix Laband is used in Crate UFO.
Do you have a "because I can attitude"? Do you also like to make your own videos? Do you want to win some money for doing those things ($4200)? If so, you can head to the campaign's website to find out more about the contest.
Other Notable Licensing News:
Tokyo Police Club think it is "really cool and really awesome" that they made a cameo on Sunday night's (11/16) episode of Desperate Housewives. They entered a "battle of the bands" contest, performed "In A Cave", and had two of their song titles ("Shoulders And Arms" and "Cut Cut Paste") featured on the club walls as faux band posters. Even more, two band members have lines in the dialogue. Stereogum has the video. In semi-related news, TPC's Graham Wright just released a solo EP online as a free and/or pay download.
On the tube, Gossip Girl featured three tracks from the new Kings Of Leon album, Only By The Night; One Tree Hill for the second week in a row used a song by Margot & the Nuclear So-So's and also had a song by Earlimart; 90210 went with Kanye West, and Stereolab; CSI Miami used both Jenny Lewis and Bloc Party; NUMB3RS had Cold War Kids; Privileged used CSS; Grey's Anatomy had The Coral Sea. All this week Letterman is featuring cover bands.
Nissan'snew Canadian commercial "Morning Light" goes singer-songwriter with Alexi Murdoch's "Breathe". Nice song but I think they could have found a similar style track with a better lyrical match. Watch the video here.
Toshiba's UK agency breaks the broadcast mold a bit with a commercial featuring Matrix-esque cinematography while using the Crystal Castles song "Air War". Watch the video below.
Stars Of The Lid hit NYC's (le) Poisson Rouge on Friday 11/21; I wonder if they will play the serenely spatial "A Meaningful Moment Through A Meaningless Process", a song used by the Environmental Defense Fund to help fight global warming. The web commercial was released at the end of August. The powerful Polar Bear spot can be seen below.
What do 2008 Mercury Prize winning band Elbow and Electronic Arts have to do with each other? Elbow's song "Grounds For Divorce" is the soundtrack to the commercial announcing EA's new first person shooter, Left 4 Dead; the game hits shelves this upcoming week. Video is below.
Ubisoft Montreal just released Shaun White Snowboarding in North America. The game's soundtrack is a good mix of classic (Bob Dylan, Heart, Blue Öyster Cult, Living Colour, Run DMC, Harry Nilsson) and modern (Modest Mouse, MGMT, The Ting Tings, Black Rebel Motorcycle Club) bands. Check out the full soundtrack at Wikipedia. Bob Dylan plays NYC this Friday night (11/21).
Interesting downloadable content (DLC) was made available this week via Xbox Live and Playstation Network for both Guitar Hero World Tour and Rock Band 2: GH got both a Jimi Hendrix and Smashing Pumpkins three song pack and RB2 fans can now play the entire Foo Fighters album The Colour and the Shape.
DOWNLOAD: Tokyo Police Club - Juno (Ra Ra Riot / Andrew Maury remix) (MP3)
DOWNLOAD: Tokyo Police Club on AOL's Interface (MP3)
Tokyo Police Club opened for Weezer at Madison Square Garden in NYC on Wednesday (9/24). One day later they headlined their own show at the much, much smaller Maxwell's across the river in Hoboken. The NJ show was a night off from the Weezer tour that continues through October. More pictures from both shows below...