Entries tagged with: Touche Amore
by Andrew Sacher
Title Fight at Europa in 2012 (more by Rebecca Reed)
"Emo is a style of rock music characterized by melodic musicianship and expressive, often confessional lyrics. It originated in the mid-1980s hardcore punk movement of Washington, D.C., where it was known as "emotional hardcore" or "emocore" and pioneered by bands such as Rites of Spring and Embrace." [Wikipedia]If you've been closely following along with the blogosphere lately, you've probably noticed talk, especially amongst the indie rock community, about an "emo revival." Some sites, like Stereogum and Buzzfeed, have directly written about the "revival," whereas others like Pitchfork -- a site which has previously derided even the most classic albums of the genre -- didn't explicitly call it a revival, but offered a valuable spotlight on the modern emo scene. NPR weighed in, asking, "Is Emo Back?," but still some, like Noisey, claim, "There's no emo revival, you just stopped paying attention." A writer at NYU Local agrees. Meanwhile, bloggers and local papers, like OC Weekly and Baltimore Sun, are running with this.
All of this attention is only doing the genre a service. As Chad Jewett points out on Half Cloth, "How did you find out about Diary, person born in 1988? Because you would have to have been preternaturally cool to have picked up on it in 1994 when it came out." In other words, maybe in 19 years someone will hear Is Survived By, and they'll thank their lucky stars for all these listicles and thinkpieces that pointed out that record and so many other great records. But does the increased attention for these bands (many of which have been around for years) in indie rock circles warrant calling it a revival? Maybe it's that people are realizing these "emo revival" bands have a lot more in common with indie rock bands than a lot of people thought.
For one reason or another (perhaps because kids who grew up on Drive-Thru Records comps are forming bands now), emo has been sneaking its way more and more into accepted indie rock. Nobody was screaming "emo revival" when Japandroids went from a well-liked indie rock band to one of the genre's most beloved with 2012's Celebration Rock, a record full of heart-wrenching lyrics, youthful spirit, and fast, catchy power chords -- all common descriptors of emo. (Not to mention it was released by Polyvinyl Records, home to such emo classics as Frame and Canvas, American Football, Look Now Look Again, and more.) Likewise, no one said it when Cloud Nothings' 2012 LP Attack On Memory got tons of love from indie rock critics upon its release and went on to appear in multiple year-end lists, including Pitchfork, Stereogum, Spin, and more. It's an indie record, but one with a heavy resemblance to early Sunny Day Real Estate and similarly emo lyrical themes ("I miss you 'cause I like damage / I need something I can hurt").
Japandroids at Bonnaroo 2013 (more by Dana (distortion) Yavin)
These records had all too much common with the great emo releases of that year, including Title Fight's Floral Green and Joyce Manor's Of All Things I Will Soon Grow Tired. Both of those albums embraced raw production, honest, innovative music, and were not geared towards a radio-pop fanbase, but yet were largely ignored in indie rock circles. It's essentially what indie rock is, and a far cry from what pop bands tagged as emo like Panic at the Disco, Hawthorne Heights, and Senses Fail were doing. Those pop-emo bands, and countless others, dominated rock radio, MTV, and a major part of the conversation on emo during the mid-2000s, scaring away many indie rock fans and critics from the genre all together. The two weren't always enemies. Emo kids and indie rock kids both hold equal claim to bands like Sunny Day Real Estate, Cursive, Bright Eyes, Death Cab for Cutie, Rilo Kiley, and others. Perhaps part of the split was because it was somehow cooler to look like this than like this.
Title Fight, who didn't appear on Pitchfork until the-year-of-the-revival despite notable album releases in 2011 & 2012, cited many of the same influences as modern indie rock bands for Floral Green, including Sebadoh, Hum, Nirvana, and Sonic Youth. And Joyce Manor did the same, namedropping Guided by Voices and Weezer's Pinkerton in interviews. It makes sense that fans who latched on to Japandroids/Cloud Nothings would gravitate towards Title Fight/Joyce Manor. So what makes them so different? Ian Cohen says in his 2013 Pitchfork review of the new Title Fight EP, "You're more likely to hear electro-pop or major-label bands such as Chvrches or Haim called "indie" more often than Title Fight. How is that? Is it because most of time, genre tags are used to described the perceived fanbase than the music itself?"
The question Ian poses in that review seems to be a huge factor in the need some have to cite an "emo revival." If Japandroids and Cloud Nothings are your kind of indie rock, or punkier indie-approved bands like Titus Andronicus and Fucked Up, or classic bands like Dinosaur Jr, Built To Spill, Superchunk, and Archers of Loaf, chances are you're going to (or already do) find a lot to like in Title Fight, Joyce Manor, Pity Sex (essentially a shoegaze band), Cloakroom (sludgy slowcore), Placeholder (fuzz rock/'90s-style indie/etc), and many more. And as certain people, like Jaded Punk Dan Ozzi in his Noisey article pointed out, these bands didn't come out of nowhere. This comparatively underground scene of emo has been co-existing with the mall-emo scene for years, and perhaps it's getting called a "revival" because of the sudden interest for it from a fanbase who, for the most part, previously ignored anything associated with that three-letter word.
I do think, to some extent, that at one point the "emo revival" tag meant something. Now-defunct bands like Algernon Cadwallader (who have a new band, Dogs On Acid, in the works and whose guitarist Joe Reinhart is now a sometimes-member of Hop Along) and Snowing/Street Smart Cyclist (whose singer John Galm now fronts the excellent garage punk band Slow Warm Death) revived a very specific type of emo in the late 2000s -- the math rock-influenced kind done (perhaps most notably) in the mid-'90s by Cap'n Jazz. That sound, which some people bafflingly call "twinklecore," can be heard in late-2000s bands Castevet, Empire! Empire! (I Was A Lonely Estate), 1994!, and bands who rose more recently, including The World Is A Beautiful Place & I Am No Longer Afraid To Die, Dads, and Prawn. But that's only a small sect of the genre as a whole. I recently said that Brand New's 2006 LP The Devil and God Are Raging Inside Me is my favorite emo album since Diary, and Devil and God only came out two years before Algernon's first, 1994!'s first, and La Dispute's first. Thursday's final record, No Devolucion, came out in 2011 and in my opinion it's one of their best. The genre had a rough period as it entered the mainstream (but so did so many other genres) but it never vanished.
Touche Amore at Riot Fest 2013 (more by Kirstie Shanley)
Why is it all happening now though? Perhaps with "indie rock's tuneful death rattle" and "the decline of guitar rock" in effect, with artists like Haim, Chvrches, Icona Pop, The 1975, and Lorde currently dominating the indie rock discussion, there are still people yearning for raw, scrappy guitar rock with DIY ethics and an alternative mindset. And a lot of us are finding that those cravings are satisfied by this large, thriving group of "emo" bands. In his "indie rock death rattle" piece on Grantland, Steven Hyden welcomed indie turning pop as a natural progression, but did point out some may be seeking something less pleasant, which he finds in Touche Amore's latest LP, Is Survived By.
Touche's record, another getting extra attention now thanks to the "revival," is one of the finest releases of this year, and embodies so many of the key factors of "underground rock." Its aggression is raw and unpolished, but it's melodically and dynamically exploring new ground for rock music. Lyrically, the themes won't be unfamiliar to indie rockers, exploring existential uncertainties ("To swallow mortality is enough of a task / And leaving your mark is just too much to ask") that aren't too different from a band like Titus Andronicus ("Okay, I think by now we've established everything is inherently worthless / And there's nothing in the universe with any kind of objective purpose"). They also happen to be musically and communally connected to post-hardcore bands like Converge and Thursday who have influenced forward-thinking underground rock bands, just as Pavement and the Pixies have.
At The Drive-In at Coachella 2012 (more by Dana (distortion) Yavin)
It's not only newer bands though. Many now broken-up bands have been reuniting, and getting welcomed back very warmly. It's no surprise that the much-loved At the Drive-In caused excitement when they reunited, but in case there was any doubt how large that excitement would be in indie circles: They got huge spots on major indie rock festivals like Lollapalooza and Coachella, and the reunion also got notable coverage on many indie sites, including Pitchfork, who weren't too kind to their classic Relationship of Command LP upon its release but scored it significantly higher upon its April 2013 reissue.
The fact that the idea of "indie rock" is so vague and encompasses so many things, many of which are not "indie" or "rock," is a great thing, but there are still kids who can't settle for Chvrches when a past generation got Fugazi. And luckily those kids won't have to worry. In addition to many of the bands mentioned above, there's Speedy Ortiz, Waxahatchee, Swearin', A Great Big Pile of Leaves, Courtesy Drop, Little Big League, Frameworks, Calculator, Iron Chic, Big Eyes, Single Mothers, Sundials, Aye Nako, Worriers, Caravels, Pianos Become the Teeth and so many more that all satisfy a similar craving, whether or not you call them "emo," "indie," or a "revival."
Touche Amore / United Nations @ 285 Kent - 10/9/13
Geoff Rickly took a break during United Nations' ripping set at 285 Kent last night (10/9) to dedicate a song to Touché Amoré, the band they were opening for. He said it's amazing and inspiring that in 2013 a hardcore band plays with as much heart as they do, and he's right. Watching the sea of people fight their way to the front of the oversold scrum just to scream a single lyric within earshot of TA frontman Jeremy Bolm was a life-affirming experience in itself, to say nothing of how life-affirming it was for everyone in the crowd to be seeing this band in the flesh.
Touché Amoré doesn't traffic in trends. Despite being lumped in with a "New Wave of Emo" that's reared its head this year on the blogosphere, the Los Angeles five-piece is purely itself, not just some bullet-point on a list. Their brand of hardcore is simultaneously shimmering and abrasive, and Bolm's self-obsessed, wounded lyrics and vocals help set them apart from the bands they're ostensibly sharing a movement with. They are emo in the sense that they emote, but they have a lot more in common with Converge or Moss Icon than, say, The World Is A Beautiful Place & I Am No Longer Afraid To Die. (Not throwing shade; TWIABP is a very good band as well.)
Their gorgeous cacophony comes off live exactly how you'd expect. At 285 Kent, they played basically every fan favorite, which is to say, they played basically every song they've ever written. The energy level in the crowd barely wavered from set opener "Just Exist" from this year's Is Survived By to closer "Honest Sleep" and unplanned encore song "Face Ghost." Bolm's vocals were mixed high - the only way to mix a Touché Amoré show - but he was matched in volume and intensity by a chorus of fans on nearly every line. Of course, the vocals wouldn't be nearly as effective if they weren't anchored by the incredible guitar tones of Clayton Stevens and Nick Steinhardt, sturdy bass lines from Tyler Kirby and some surprisingly off-kilter drum work by the tireless Elliot Babin. Despite Bolm being the center of attention, it's impossible to forget that you're watching a band up there.
Still, lyrics won the day, and I imagine most people in attendance will remember the show for how loudly the crowd was able to sing along. It was a little strange to see the words that Bolm wrote proudly, selfishly for and about himself being screamed by hundreds of people who felt they were written for them. It's amazing that 285 Kent wasn't sucked into a vortex of self, but somehow, amid all the shouted, narcissistic neuroses, a sense of community was forged. That's the gift Touché Amoré gives: laying bare their insecurities so we can indulge our egos. Hardcore is weird, but man, hardcore is awesome.
The show, which we at BrooklynVegan presented, was a headlining stop for Touché in the midst of their tour with AFI which hits NYC tonight (10/10) for a sold-out show at Webster Hall. Like we said above, last night's show was opened by Geoff Rickly's band United Nations, in addition to Topshelf-signed screamo band The Saddest Landscape. Pictures of all three bands are int his post.
Speaking of Geoff Rickly, he just teamed up with a few members of Made Out of Babies to form the new band, Strangelight (also featuring members of Goes Cube and Red Sparowes), who released their debut EP, 9 Days, this week via Sacrament Music. You can stream the EP in full (via Noisey) along with more pictures from the 285 Kent show, below.
photos by Cory Dewald
The Replacements / Pixies
For a band that thrived on an anything-goes approach to performing, the Riot Fest show ran with relative precision, with barely a pause between songs. Despite tossing the clock, [Paul] Westerberg and the boys finished precisely at 10:30 p.m. Everything on the set list was at least 23 years old. But the 25-song, 75-minute performance brimmed with energy and heart. Nostalgia it was, but there was nothing formulaic or phoned-in about it.Chicago's Riot Fest (the second of three Riot Fests happening this year) wrapped up this past Sunday (9/15) with sets from The Replacements, Pixies, Rocket From the Crypt, Bob Mould, Mission of Burma, Quicksand, Touche Amore, Peelander-Z, Brand New, Best Coast and more. One set of pictures from that day is in this post, and a second set with more bands
Looking like thrift-shop dandies with their splashy mismatched clothes and spiky hair, Westerberg and Stinson cracked jokes, blew a few lyrics, and laughed like they were just banging out tunes in their garage. They stayed loose but kept the pace brisk, with plenty of help from Freese's dynamic drumming and the bow-tied Minehan's concise lead guitar.
Westerberg's voice sounded appropriately rough and gritty on the opening "Takin' a Ride," the first song on the first Replacements album, "Sorry Ma, Forgot to Take out the Trash" (1981), and the sneering "Tommy Gets His Tonsils Out." But he also found the tenderness in a song ("Androgynous") that rhymes "kewpie dolls" with "urine stalls." [Chicago Tribune]
by Andrew Sacher
As discussed, Touche Amore's third full length, Is Survived By comes out next week (9/24) via Deathwish Inc. The breakneck rhythms and impassioned screams of their last two records are still fully intact, but on Is Survived By, the band expand their sound, adding underlying post rock atmospheres, a fuller, more dynamically diverse sound, and longer (but not dragging) songs. It's their most ambitious and best record yet, and a strong argument that honest, emotional punk isn't going anywhere. The band are currently streaming the album in full ahead of its release, and you can listen over at Pitchfork.
Touche Amore's tour with AFI hits NYC for a sold-out show at Webster Hall on October 10, and a day earlier, they headline a sold-out BV-presented show at 285 Kent (10/19) with Geoff Rickly's United Nations and The Saddest Landscape.
Two songs from the record and TA's list of tour dates below...
by Andrew Sacher
Upstate, NY hardcore band Drug Church is the new-ish project of Self Defense Family/End Of a Year frontman Patrick Kindlon, who released their debut full length, Paul Walker, earlier this summer via No Sleep. The album followed a 2012 EP on the same label, and a 7" from this past June that came out via Secret Voice, the Deathwish imprint run by Touche Amore frontman Jeremy Bolm. Drug Church doesn't stray too far from the straightahead hardcore/punk of Kindlon's other project, but they're both good, so who's complaining? Stream Paul Walker and a track from their 7" below.
This fall, Drug Church will be heading out on a tour with NJ emo duo Dads (whose Pretty Good EP is out now on 6131). That tour comes to NYC for a TBA Brooklyn show on October 17, which is during CMJ. All dates are listed, along with the tour flyer, below.
Meanwhile, after that tour, Self Defense Family will head out on a European tour with Touche Amore and Touche drummer Elliot Babin's melodic punk solo project Dad Punchers, who recently released his These Times Weren't Made For You 7" via Secret Voice (stream it in full below).
UPDATE: Since we last spoke, a Self Defense Family NYC show has also been announced, happening on September 29 at Saint Vitus with Deep Pockets and a special guest. Tickets for that show are on sale now.
Touche Amore also have US dates, including a run with AFI that hits NYC on October 10 at Webster Hall (sold out) and a BV-presented headlining show at 285 Kent (10/9) a day earlier with Geoff Rickly's band United Nations and The Saddest Landscape (also sold out). Updated tour dates are listed below.
In other Secret Voice news, the label also recently released a solo cassette by Single Mothers frontman Andrew Thomson, titled Honesty Is A Confidence Problem. It's got a real Craig-Finn-meets-acoustic-emo vibe, it's really good, and it can be streamed below. Single Mothers will be in NYC when their tour with A Wilhelm Scream hits The Studio at Webster Hall on November 15 with Lugosi and The Reveling. Tickets for that show are still available.
All lists of dates, and all streams, below...
by Andrew Sacher
Touche Amore at House of Vans in 2011 (more by Fred Pessaro // BBG)
As discussed, LA's Touche Amore are heading out on a tour supporting AFI this year, which hits NYC on October 10 at Webster Hall. That show has long sold out, but we at BrooklynVegan are thrilled to announce that they'll headline a BV-presented show in Brooklyn at 285 Kent (10/9) a day earlier. Support at the show comes from Touche collaborator Geoff Rickly's (of Thursday) screamo supergroup United Nations, and another likeminded group The Saddest Landscape. $12 Tickets for the all ages show are on sale now.
Touche Amore are set to release their anticipated third album, Is Survived By, on September 24 via Deathwish, and it's their strongest and most complete work in an already very-solid discography. You've heard the opening track, "Just Exist" and a live version of "DNA," and they've now released another track from the album, "Harbor." Give it a listen over at Rolling Stone.
The Saddest Landscape's most recent release is the Exit Wounded EP, which came out via Topshelf earlier this year. Stream that, along with streams from the other two bands, and the updated list of Touche Amore tour dates, below...
Touche Amore and fans at House of Vans in 2011 (more by Fred Pessaro // BBG)
LA post-hardcore band Touche Amore are set to release their new album, Is Survived By, on September 24 via Deathwish, and earlier this month, they played the album in its entirety at a show in their home state. High quality video just surfaced of the band playing "DNA," which you can watch below. The band last released the studio version of another album track, "Just Exist."
Touche Amore will be in NYC when their tour with AFI hits Webster Hall on 10/10 (sold out).
Iggy and the Stooges at SXSW 2013 (more by Greg Cristman)
The Toronto one happens from August 24-25 in Fort York and features sets from The Replacements, Iggy and the Stooges, The Weakerthans, Rocket from the Crypt, Dinosaur Jr., Best Coast, The Flatliners, and Single Mothers (who all play day 2). Tickets for that day are on sale now. Flyer below.
The Denver one happens from September 21 to 22 at May Farms and features sets from The Replacements, Iggy and the Stooges, AFI, Brand New, Rocket From the Crypt, Guided by Voices, The Dismemberment Plan, Superchunk, Against Me!, Best Coast, Minus the Bear, Chuck Ragan, Bosnian Rainbows, This Will Destroy You, Touche Amore, Single Mothers and more on day 1; and blink-182, Rancid, Public Enemy, Matt & Kim, FLAG, Bad Religion, Yo La Tengo, Naked Raygun, Stars, Peelander-Z, Off With Their Heads, and more on day 2. Tickets (2-day passes and single day tickets) are on sale now. Full day-by-day lineup below.
by Andrew Sacher
Touche Amore at Santos in 2011 (more by Rebecca Reed)
As discussed, Touche Amore are returning this year with their third full length album, Is Survived By (due out 9/24 via Deathwish), and they've just finally revealed the first taste of the album: its opening track, "Just Exist." Teaming up with producer Brad Wood (Sunny Day Real Estate, mewithoutYou), the band have taken on a more polished sound than the raw hardcore of their previous two LPs. And from the atmospheric sounds of this first song, it's likely they'll find themselves with some comparisons to their Deathwish labelmates Deafheaven, rather than some of the bands they've previously been grouped with like La Dispute or Title Fight. That kind of boundary crossing is what's keeping this band forward-thinking and interesting with each new album, and this is one of their best songs yet. Check out the new track below.
Touche will be in NYC when their tour with AFI hits Webster Hall on 10/10 (sold out).
by Andrew Sacher
Touche Amore at House of Vans in 2011 (more by Fred Pessaro // BBG)
Earlier this year, LA melodic hardcore band Touche Amore announced they were working on a new album with Brad Wood (Sunny Day Real Estate), and it's since been announced that the album is called Is Survived By, and will be out on September 24 via Deathwish. The album artwork, tracklist, and a trailer video are below.
Now (following the news that Metric is touring with Paramore), Touche Amore announced that they'll be touring as a support act for AFI.
All dates on the tour have not been revealed yet, but we do know that they'll play NYC on October 10 at Webster Hall with Coming. (No comment on what AFI is like now, but if you're going to the show for Touche Amore, don't lie, you know you're sticking around to hear "Girls Not Grey.") Tickets for Webster Hall go on sale Saturday (7/27) at 10 AM with AmEx/Ticketmaster presales starting Thursday (7/25) at 10 AM.
All tour dates are listed, along with the Touche Amore LP info, below...
by Andrew Sacher
KIngston, PA punks Title Fight, whose 2012 emotionally charged post-hardcore record, Floral Green, was one of the best of its kind that year, just returned home from a European tour with Whirr and they've now got some upcoming US shows scheduled for the summer. A full tour announcement hasn't come yet, but they were recently announced for LA's FYF Fest. They've got East Coast shows happening sooner than that though, including the PA stop (6/14) on the Merchandise, Milk Music, and Destruction Unit tour (tickets) and a NYC show aboard a Rocks Off Cruise on June 16. That show is being presented by Shirts for a Cure and tickets for it are on sale now.
As mentioned, on Record Store Day, Title Fight released a split 7" with Touche Amore where the two bands covered each other, and you can now pick up that 7" on grey or pink vinyl at the Deathwish E-Store. The purchase comes with an instant MP3 download of the release. You can also stream a sample of each song below.
Touche Amore, who also play FYF Fest, are working on a new album which is due out this fall via Deathwish. They recently began work on it with producer Brad Wood (Sunny Day Real Estate). Check out a trailer video of the band in studio below.
All Title FIght dates are listed, along with a full stream of Floral Green and all other streams/videos, below...
LA Fest FYF Fest is celebrating 10 years this year, and will take over Los Angeles State Historic Park on August 24 & 25. Check out the massive lineup in the poster above, and in alphabetical order below...
by Bill Pearis and Andrew Sacher
Ex Cops DJing at Other Music, RSD 2012 (more)
We're about a week out from Record Store Day 2013. When it began in 2008, RSD was a celebration of brick-and-mortar stores in the face of digital downloads, offering up exclusive releases to get people out to stores. It's blown up considerably since then, with hundreds of RSD-only releases. (Many of which fall into the hands of folks who turn it around on Ebay that same day, but what can you do?) While it is a mob scene these days, there is no doubt it helps what record stores there are left -- though not enough, as Record Store Day will be the last day for Williamsburg's Sound Fix. Participating stores around the country are listed here.
There are always some pretty cool exclusives too, items that may have never seen the light of day without RSD. With that in mind we've gone through the list of North American RSD exclusives to highlight a few things to keep an eye out. This isn't comprehensive, just stuff we wanna get. What records are you trying to get this year?
The Replacements back in the day
The Replacements, who haven't recorded material since 2006, will be reuniting this year to record an EP of covers, Rolling Stone reports. ...Well sort of. The reunion includes two of the three surviving longtime members (guitarist Bob Stinson passed in 1995), frontman Paul Westerberg and bassist Tommy Stinson. According to Westerberg, drummer Chris Mars, "didn't want any part" of the reunion. "I was not surprised, but I was a little disappointed," he added.
The EP is being pressed as a limited 250 copies on 10-inch vinyl, and features covers of Dunlap's "Busted Up," "Everything's Coming Up Roses" from the Broadway musical Gypsy, Gordon Lightfoot's 1965 song "I'm Not Sayin'" and "Lost Highway" by Hank Williams. It's being auctioned online and the proceeds will benefit onetime Replacements guitarist Slim Dunlap, who suffered from a stroke earlier this year, and who also inspired the reunion. "You guys get together," Dunlap said to Westerberg, "Go play a song."
This news comes just after Paul Westerberg released his first new solo song in two years. If you haven't heard that yet, you can listen to it below.
The Replacements documentary, Color Me Obsessed, is also getting a DVD release this November.
And speaking of Replacements and covers, have you checked out Touche Amore's cover of "Unsatisfied"? If not, you can stream that below as well.
sign at Death by Audio via @andrewstclair
Following 285 Kent's lead, as of October 1, 2012, five-year-old Williamsburg DIY spot Death by Audio is now a NO SMOKING venue. Our clothes thank you.
Speaking of, Great Design says S. 2nd & Kent is "Where Sound is Born." No show at DbA tonight, btw.
You can also make money off the new Death Grips album.
Speaking of BitTorrent and Death Grips, the rap-noise crew are the most downloaded artist on BitTorrent for the first half of 2012, with over 34 million downloads, beating Counting Crows, DJ Shadow, and Pretty Lights.
Happy Birthday to Talib Kweli (37), Gwen Stefani (43), Tommy Lee (50) and Lindsey Buckingham (61).
We premiered a new Riverboat Gamblers video on BV Austin.
You can stream the new Converge record in full.
Touche Amore do a great cover of The Replacements' "Unsatisfied" for their new split with The Casket Lottery (out now on No Sleep Records). Meanwhile, The Casket Lottery offer their take on Beach House's "Myth." Stream the entire release (both bands offer an original song as well) at the No Sleep Bandcamp.
Legendary black metal crew Von, widely considered to be the first US black metal band, have released a new song (!) in "Jesus Stain" from their upcoming Satanic Blood due on Oct 31. Stream that track below courtesy of Decibel Magazine.
Meanwhile you can catch Silver Apples at Public Assembly.
Then you can catch Silver Apples at 92YTribeca.
Help save the Historic Slave Theater in Bed-Stuy.
More stuff below...
Jozef Van Wissem and Noveller are playing Le Poisson Rouge on September 10. Tickets for that show are on sale now.
Tickets are still available for John Talabot (DJ) and Jamie xx's LPR show on Saturday (8/4). Tickets are also still available for John Talabot's live show at the same venue, which happens on September 27.
Langhorne Slim plays Brooklyn Bowl on October 25. Tickets for that show are on sale now.
The Circa Survive tour which Touche Amore is supporting on, has been expanded and now includes a second NYC area show, which happens on October 27 at Starland Ballroom in Sayreville, NJ. Tickets for that show went on sale today at noon.
Missy Higgins, one day before she opens for Gotye in Camden, three days after she opens for him at Radio City, and one day after Gotye plays Williamsburg Park (which she does not open), plays her own NYC show at The Bell House on September 28 with Butterfly Boucher. Tickets for that show are on sale now.
As mentioned, Sonny & the Sunsets are touring with Magic Trick and hitting NYC for three area shows this month. We're giving away a pair of tickets for the Maxwell's show (8/15). Details on how to enter are below.
Sonny & the Sunsets contest details are below.
Touche Amore at House of Vans, August 2011 (more by BBG)
Los Angeles' Touche Amore have just announced a U.S. tour that will hit NYC at Terminal 5 on September 14th. The T5 show, like the rest of the tour, will be supporting Circa Survive with opening acts Balance and Composure and O'Brother along for the ride as well. Tickets for the show go on AMEX presale on Wednesday (6/27) at noon and regular sale on Friday (6/29).
Touche Amore will embark on a European tour in the weeks leading up to the U.S., tagging festivals including Reading/Leeds, Pukkelpop, and more. A month prior, they'll join H20 (who play House of Vans soon), Black Breath (who play Acheron next week), Rival Mob, Ceremony (who played Northside), and many more as part of Sound & Fury which happens in Santa Barbara, CA on July 20-22. Tickets for the latter are still available, and you can check out the lineup for the fest along with a listing of all tour dates AND a new Touche Amore stream from the BBC below.
The 2012 edition of MusicFestNW takes place in September 5 - 9 at 18 venues in Portland, OR and will feature performances from over 150 bands, including Passion Pit, Hot Snakes, Girl Talk, Danny Brown, Beirut Silversun Pickups, Dinosaur Jr. and Sebadoh, many more.
In addition to those previously announced artists, MFNW has just added The Hives, Flying Lotus, Wild Nothing, DIIV, Quasi, Moon Duo, My Goodness, DZ Deathrays, and Strand Of Oaks to the already impressive line-up. Wristbands, available various levels and packages, and tickets to individual shows are on sale now. Check out the complete MFNW lineup below.
by Andrew Sacher
LA band Joyce Manor, who we just mentioned are playing Generation Records on Record Store Day, released their sophomore LP, Of All Things I Will Soon Grow Tired, this week (4/17) via Asian Man Records and kicked off a tour with folk punk outfit Andrew Jackson Jihad and Treasure Fleet the same day. That tour comes to NYC on Friday (4/20) at Knitting Factory for two shows. The early show is already sold out but tickets for the late show are still available, and the Saturday RSD show is free. After that tour ends, Joyce Manor will do a quick west coast run with Touche Amore before playing Chaos in Tejas. All dates are listed below.
Like we saw Cloud Nothings do earlier this year, Joyce Manor are blurring the lines between '90s emo and indie rock on both this year's Of All Things I Will Soon Grow Tired and their 2011 self titled debut. The band approaches Jawbreaker-like emo with an Archers of Loaf styled lo-fi delivery and production. Only two songs on the 9-song album break the two-minute mark (the whole thing is just above 13 minutes) eschewing the time-wasting embellishments that have come to accompany "emo" as the word grew more and more dreadful. Instead, we're given quick blasts of catchy, stripped down, no-frills punk, or dare I say, pop punk. Stream the new album in full at Spinner and stream the track, "Violent Inside," below. The album artwork and tracklist are also below.
photos by Rebecca Reed, words by BBG
Full of Hell at the remodeled Acheron
During the renovation at Acheron (iPhone pic courtesy of the venue)
One of the first shows in a newly-renovated Acheron went down on Wednesday, April 4th when Full of Hell teamed with Code Orange Kids, Birds in Row and Real Cops to play the space. Here are some pictures.
The show is part of a string of dates for Full of Hell/Code Orange Kids, who both played SXSW, and who share the stage with Birds in Row before the band heads out for dates with Converge (including Music Hall of Williamsburg next week) and with Touche Amore, Defeater, and Code Orange Kids (including the Loft in New Brunswick on 4/20).
All tour dates and more pictures from Acheron, below...
photos by Stephanie Crumley, words by BBG
American Nightmare in MA
American Nightmare (aka Give Up The Ghost) reunited for two shows: Club Lido in Revere, MA on December 29th and one in Los Angeles on 12/31. The shows, their first in close to eight years, featured the lineup of Wesley Eisold (of Cold Cave), Timothy Cossar, Joshua Holden, Brian Masek, and Alex Garcia-Rivera, and featured notable support with the East Coast getting appearances from All Pigs Must Die, Colin of Arabia, and Salvation while the West Coast got Trash Talk, Touche Amore, and Weekend. Pictures, videos and the partial setlist from the MA show are in this post.
Jacob Bannon recently interviewed Wes & Tim for the Deathwish podcast, discussing the details behind the reunion. Stream that in full on the Deathwish player or download a copy via iTunes. Deathwish recently reissued We're Down Til We're Underground and Background Music on vinyl. Order yours at their eStore.
photos by Rebecca Reed
Touche Amore @ Santos Party House
Touche Amore played Santos on 12/1 as part of a round of dates with Seahaven and Pianos Become Teeth. The band, whose record Parting The Sea Between Brightness and Me is topping many year-end lists, is coming to the end of a year of hard touring both in front and behond of the record release. Remaining tour dates and more pictures from Santos below...
photos by BBG
Four stages and more. Fun Fun Fun Fest truly is non-stop fun of many varieties. BBG spent most of Friday at the Black Stage (the one Danzig headlined). His pictures, including Thee Oh Sees, Ty Segall, Murder City Devils, Russian Circles and the afterparty at Red 7, continue below...
Touche Amore at House of Vans (more by BBG)
Touche Amore must love the road. The passionate California screamo/post-hardcore quintet have logged tour after tour in the past few years (including a 2010 appearance at a BV-SXSW event) and it is definitely paying off. Before supporting Converge at House of Vans, Touche Amore was bringing their electric live show on tour with Title Fight at Santos/ChaosinTejas/KrazyFest, playing SXSW, and supporting the incredible Envy on tour, and all in the past year.
Now those odometer clicks will pay off on the band's forthcoming US headlining tour with Pianos Become Teeth & Seahaven. Touche Amore has played the support role in the last three outings at NYC's Santos Party House, but will be in the top slot on December 1st. Ticketing info is forthcoming. All dates are listed below
Touche Amore are touring off of Parting The Sea Between Brightness and Me, the band's latest release out now via Deathwish. Pick a copy via the label, or at the merch table on tour including at Fun Fun Fun Fest 2011.
All tour dates a coule of videos below...
words & photos by BBG
Changes in alcohol policy at House of Vans last night (8/24) kept the free suds (and liquor) barricaded and out of the show area, but it doesn't really matter when you have a band like Converge on stage; people tend to migrate their way. The highly influential live juggernaut headlined the seasonal (?) venue with help from California screamo-ers Touche Amore and NYC black metal giants Krallice. The sound is never ideal at the concrete and steel venue, but it kind of doesnt matter.
"Guys, we haven't even started yet!" Converge guitarist Kurt Ballou snickered moments after taking the stage, reacting to the moshing masses before a single note was played. The Massachusetts band then tore through material from their landmark Jane Doe, as well as faves from No Heroes, Axe to Fall, and even their recent split with Dropdead (out now on Deathwish).
Converge got the kids moving, but if there was a band that could prime them for the madness, it is Touche Amore. The band's heartfelt lyrics and post-hardcore spazz is highly energetic live and when vocalist Jeremy Bolm jumped into the photo pit to sing along with the audience, you could see the crowd get even more insane; the crowd surfing and climbing bodies increased tenfold.
Krallice opened the show at the XL venue, a stark contrast to recent experiences in intimate rooms like Union Pool (like they will play on 9/17), The Studio at Webster Hall, and many smaller rooms across the city. The four-piece adapted their pummeling live show appropriately despite any previously-mentioned sound issues.
Last night was the last of the six FYF-presented shows at House of Vans, capping off an excellent summer that ranged from the classic (Superchunk, Cro-Mags) to the cheeky (in the case of Big Freedia, literally). Free shows like these are exactly what makes summer in NYC great.
More pictures and video from the show, and Converge's setlist, below...