Entries tagged with: Trail of Dead
photos by Tim Griffin, words by Andrew Sacher
Rat Fist / Pianos Become The Teeth / Single Mothers
The three 2015 BrooklynVegan SXSW day parties at Red 7 continued on Friday (3/20), once again bringing a handful of bands to the venue's two stages from noon to 6 PM. This one was co-presented with Invisible Oranges.
Unfortunately, Walter Schreifels' band Vanishing Life had to cancel at the last minute due to illness, so Creepoid were moved from the outside stage to the inside stage and the show got a slightly later start. But other than that (and some rain), day 2 went off without a hitch.
Philly's Creepoid, who since ran into some legal trouble, started the day on a psychedelic note, with hazy smoke machines filling the room and their bass and their swirly logo (emblazoned on their bass drum) lit up from inside the drum. It was the perfect setting for their rocking shoegaze. After them it was Kevin Devine & the Goddamn Band. The band's currently a power trio, and while Kevin's equally (or better) known for acoustic singer/songwriter stuff, they stuck mostly to their harder material which was a great fit for the day's bill. After them was The Velvet Teen, the shapeshifting rock band who are about to release their first full length in nine years on Topshelf. They played mostly stuff off that album, and the new songs sound good: like a mix of their indie rock early years and the artier tendencies they took on later on.
After Velvet Teen, the inside stage went officially into heavy mode with Canadian punks Single Mothers. They were in beast mode as usual and got a good amount of the crowd rowdy as well, with a handful of people up front shouting along. Then came their Canadian neighbors KEN mode who have a new bassist and a new album on the way that they previewed a handful of songs from. The new stuff has them sounding a little less metallic and a little more AmRep noise rock. It sounded great. They were followed by Power Trip, who recall a handful of early thrash and crossover bands but sound way too urgent to come off as retro. Like they tend to do, they had the whole room turned into a total madhouse. Wrapping up the inside stage was United Nations, one of Geoff Rickly's current bands. Their album makes a joke out of punk rock (while also being a killer punk album), and they did the same at their show, pairing their crushing set with stage banter that sarcastically poked fun at things like McDonald's' presence at SXSW. And for one song, Geoff broke out his old mask.
Meanwhile, the outside stage began around 12:30 with Rat Fist, a trio featuring members of No Age and Pissed Jeans who played a solid set indebted to garage and early punk. They were followed by Swedish post-punks Makthaverskan, who are currently on their first US tour and were one of the bands we were very excited to finally check out. They sounded great, and their singer's excitable stage presence was fun to watch too. Then came their Run for Cover labelmates Pity Sex, whose hard-hitting shoegaze sounded as good as ever. Up next was Pianos Become the Teeth (who share a rhythm section with United Nations), who played an intense set pulling almost entirely from their newest album, the post-hardcore band's first without screaming. Then the day ended with two veterans: first Mac McCaughan of Superchunk who previewed his upcoming debut solo album, and then shoegazers Swervedriver who just put out their first album since 1998 that (perhaps thanks to bands like Pity Sex and Creepoid) doesn't sound dated at all.
Thanks to our sponsors Dropkloud, Esurance (who let 30 people skip the line each day) and MailChimp for helping make the party possible. If you unlocked our party playlsts on your phone with the DropKloud app, you can go listen to them now. If you're still in Austin, you can still unlock them when at Red 7 with the app installed on your phone. Thanks also to Sailor Jerry for helping keep our artists relaxed.
Pictures from Thursday HERE. Saturday coming shortly. More from Friday below...
photo: Mew at Webster Hall in 2009 (more by Dominick Mastrangelo)
photo: Power Trip at BV-RBSS in 2014 (more by Ryan Muir)
The three FREE BrooklynVegan SXSW day parties at Red 7 in Austin begin TODAY (Thursday, 3/19). We're taking over both stages of the 6th & Red River venue from noon-6pm and doing it again Friday (3/20) and Saturday (3/21) too. You can RSVP for all three days. If you're in Austin, hope to see you there!
Over the course of the three days there's sets from Mew, The Pop Group, Swervedriver, Frank Turner, Ceremony, Iceage, Screaming Females, METZ, Speedy Ortiz, Power Trip, United Nations, Pianos Become the Teeth, Superchunk's Mac McCaughan, The Octopus Project, Broncho, Frog Eyes, Girlpool, Mitski, Chastity Belt, Alex G, Yumi Zouma, KEN mode, Kevin Devine, The Velvet Teen, Pity Sex, Makthaverskan and more.
Check out the flyers and set times for all three days, below...
We're happy to announce that we're returning to Red 7 for three FREE BrooklynVegan SXSW day parties this year on the Thursday (3/19), Friday (3/20) and Saturday (3/21) of SXSW. RSVP in one spot for all three days.
We'll be taking over the 7th & Red River venue's two stages from noon-6pm each day, Thursday's lineup is HERE. Saturday's lineup will be announced soon, here's the Invisible Oranges co-presented Friday lineup!
FRIDAY, MARCH 20 @ Red 7 (FREE)Please RSVP for all three days.
12:30 Vanishing Life (featuring Walter Schreifels & mems of Trail of Dead)
01:15 Kevin Devine & the Goddamn Band
02:00 The Velvet Teen
02:45 Single Mothers
03:30 KEN Mode
04:15 Power Trip
05:15 United Nations (featuring Geoff Rickly)
12:45 Rat Fist (No Age/Pissed Jeans)
02:15 Pity Sex
03:10 Pianos Become the Teeth
04:05 Mac McCaughan (of Superchunk)
The Friday inside show begins with Walter Schreifels' (of Gorilla Biscuits, Quicksand, Rival Schools, etc) new band with two Trail of Dead members, Vanishing Life, followed by a full-band set by long-running singer/songwriter Kevin Devine (who's in the midst of a series of splits with Nada Surf's Matthew Caws, Perfect Pussy's Meredith Graves and more). Then comes The Velvet Teen, who just announced their first LP since 2006 on Topshelf Records. After that, the inside stage gets heavier, with snotty Canadian punks Single Mothers, sludgey post-hardcore band KEN mode, crossover thrashers Power Trip, and finally the screamo band of former Thursday singer Geoff Rickly, United Nations.
Outside, the day begins with Philly shoegazers Creepoid (who have a new LP coming), followed by Rat Fist, the new-ish punk band with No Age and Pissed Jeans members. Then it's Swedish post-punks Makthaverskan, their shoegazey Run for Cover labelmates Pity Sex, and atmospheric post-hardcore band Pianos Become the Teeth (who also have members in United Nations). The day wraps up with two veterans: Superchunk frontman Mac McCaughan (who has his debut solo LP on the way) and reunited shoegazers Swervedriver.
This year we're proud to be partnering with DropKloud, a new app that is launching just in time for SXSW. Recently acquired by TuneCore, DropKloud uses GPS technology to allow people to unlock exclusive music content in specific geo-targeted locations. You'll be able to try it out at our parties at Red 7 where we'll have special content from the artists playing our shows. Once you unlock it, you can listen later. Stay tuned for more details, but meanwhile get that app on your phone via Google Play or iTunes.
Thank you also to esurance who will provide expedited access to our shows to some people who are following @Esurance on twitter each day, and to MailChimp who powers the daily BrooklynVegan newsletter you'll get on if you RSVP for our shows.
Listen to some of the bands playing, below...
by Andrew Sacher
photo by Cecilia Alejandra
Earlier today we mentioned that post-hardcore veteran Walter Schreifels (Gorilla Biscuits, Youth of Today, Quicksand, Rival Schools, etc) would be playing the Iron Pier CMJ showcase (BV co-presents) with his new band The Dead Heavens, along with Self Defense Family and Dee Pockets. That's not the only new band Walter has though. He's also fronting Vanshing Life, for which he's joined by two Trail of Dead members, Jamie Miller and Autry Fulbright, and Rise Against's Zach Blair. Their debut 7", "People Running" b/w "Vanishing Life," is due out October 14 via Collect Records, the label Thursday/United Nations' Geoff Rickly runs with Texas is the Reason's Norman Brannon. Walter's produced a variety of sounds over the years, but so far Vanishing Life is sounding pretty in line with his '90s post-hardcore stuff. Hear it for yourself by streaming the a-side of the new single below.
The band are set to make their live debut on October 18 in New York with two in-stores that day: one at 2 PM at Generation Records in NYC and another at 6 PM at Looney Tunes Records in West Babylon. They'll be playing a brief set and doing a signing at each.
Song stream below...
Trail of Dead at Pitchfork Fest 2013 (more by Amanda Hatfield)
Austin indie rock vets ...And You Will Know Us by the Trail of Dead wrote on Facebook that they'll be announcing "some special shows" in select US cities this week, and though the full announcement hasn't come yet, we do know that they'll be playing their seminal album, Source Tags & Codes, in full in NYC on March 28 at Music Hall of Williamsburg and March 29 at Bowery Ballroom. Both shows will be opened by Midnight Masses. Tickets for those shows go on sale Friday (1/31) at noon.
Stay tuned for more dates.
UPDATE: All dates have been announced and are listed below.
Stream Source Tags & Codes in full below...
Ume at Double Door in Chicago last week (more by Jeff Ryan)
After playing Pitchfork Music Festival over the weekend, ...And You Will Know Us by the Trail of Dead brought their tour with Ume to the NYC-area for one of the last-ever shows at Hoboken venue Maxwell's last night (7/23). Some videos from last night's show are below. We also caught Trail of Dead and Ume's Pitchfork pre-show in Chicago. The above picture is from that show, and more pics can be found at BV Chicago.
The hair-swingin', guitar-thrashin' Ume are sticking around NYC, and they'll play their own smaller show on Thursday (7/25) at Pianos with The Vandelles and a "Special Guest." (UPDATE: The special guest at the Pianos show is Wampire.) Tickets for that show are on sale now.
possibly related news, Wampire open for Smith Westerns at Music Hall of Williamsburg tonight (7/24).
Trail of Dead Maxwell's videos below...
photos by Amanda Hatfield
Swans / Solange / fans
Soft spoken indie rockers Belle and Sebastian were a reprieve of sorts to festival goers who had spent the day seeing abrasive rock bands and the eardrum-shattering Swans set earlier in the afternoon (I forgot to bring earplugs...). A slight drizzle started around the band's fourth or fifth song but did not cut the show short like yesterday. Frontman Stuart Murdoch charmed audience members with his kind words, stating Chicago is much more relaxing than New York. Murdoch also engaged with audience members, inviting fans on stage, and even letting one fan draw on his face with mascara. Despite performing in a large festival setting during the headlining slot, the band managed to play one of the most intimate shows of the day. [BV Chicago]Pitchfork Music Festival 2013 continued on Saturday (7/20) with its second of three days. Day two featured a good deal of bands on the heavy/intense side including Swans, Savages, Metz, Pissed Jeans, and White Lung; some indie legends like Belle & Sebastian, Low, and The Breeders; and some representation from the electronic/R&B world too, including Solange, Rustie, Andy Stott, and Ryan Hemsworth. Of course there were even more artists rounding out the lineup, and pictures from the second day are in this post. Even more are on BV Chicago.
Trail of Dead at BV-SXSW 2011 (more by Chris Gersbeck)
This summer, Austin indie rock vets ...And You Will Know Us by the Trail of Dead will be heading out on a tour with Austin indie rock newcomers Ume surrounding Trail of Dead's appearance at Pitchfork Music Festival. That tour hits the NYC-area for a show on July 23 at Maxwell's. Tickets for that show go on sale today (5/24) at noon.
All dates are listed, along with the video for the title track of Trail of Dead's 2012 LP, Lost Songs, below...
Today is John Lennon's birthday, and so Yoko Ono is giving Lady Gaga an award, in Iceland. John would've been 72. Check out a gallery of the former Beatle's drawings (like the one above) over at the Huffington Post. Yahoo Canada takes a look at some of his letters.
Speaking of Lennons, Martha Wainwright's new album Come Home to Mama, which is also streaming at NPR, was recorded "mostly at" Sean Lennon's home studio in New York City. We're giving away tickets to see Martha at Le Poisson Rouge on Thursday (10/11) via our Facebook.
We are also giving away tickets to The Walkmen's 10/18 show at Terminal 5 with Dum Dum Girls; and Doveman: The Burgundy Stain Sessions featuring Owen Pallett, Dawn Landes, and Steve Salett at Le Poisson Rouge on 10/12.
Speaking of Doveman shows and Wainwrights, help support marriage equality later this month at the Beacon.
In other milestones, Rage Against the Machine's self-titled debut turns 20 this year. To commemorate, the band are reissuing it as a box set, with "never-before seen early concert footage and full 2010 Finsbury Park Victory Concert along with remastered debut album, original demos and treasure trove of videos and music." Yours for only $136.
Likewise, Rancid are celebrating their 20th anniversary by releasing their entire discography as a huge box of 7"s. Pre-orders began today.
To quote Merge Records, "You're Living All Over Me by Dinosaur Jr., the groundbreaking album from the masters of alt-guitar rock, turns 25 this fall. To celebrate, Merge Records is releasing Chocomel Daze, a rare live show (featuring the classic, original line-up of J, Lou, and Murph) recorded in 1987 at Dorrnroosje, Nijmegen, Netherlands. Limited edition on 150-gram vinyl for the first time, this release follows their recent I Bet on Sky." Listen to one of the tracks at the bottom of this post.
Mark Eitzel is going on tour later this year.
Bummer All Tomorrow's Parties news: ATP Japan has gone from postponed to canceled.
AND more stuff below...
'Lost Songs' cover art
...And You Will Know Us By The Trail of Dead have announced Lost Songs, the band's new 12-track long-player due October 22 via Richter Scale/Superball Music. Contrary to what the name may imply, Lost Songs is all new material and features the track "Up To Infinity" which is streaming now at Pitchfork. Check out the rest of the tracklisting along with more info below, and look for the release on vinyl, CD, and "Limited Edition 2-CD Mediabook." That's the album art, which makes its world debut in this post, above.
Trail of Dead is currently gearing up to tour the world in support of Lost Songs, including the previously discussed US dates that see them hit Irving Plaza on 11/16 (tickets). Full tour schedule is below. The band is also offering VIP packages for tickets which include a 20-minute meet and greet with the whole band, an exclusive t-shirt, a set of buttons, a a 12" x 12" lithograph of album cover signed & numbered by the band and a cloth bag featuring artwork from the album.
In related news, Jason Reece has also kept busy with his other band Spiritual Wives. Reece & co recently shared a bill with Ringo Deathstarr in Austin, where Jason joined in on the Ringo Deathstarr set too.
Lost Songs release details are below alongside some favorite AYWKUBTTOD tracks.
Trail of Dead at BV-SXSW in 2011 (more by Chris Gersbeck)
...And You Will Know Us By The Trail Of Dead have some plans brewing for 2012. A recent Facebook post reads, "Come to think of it, it's been a while since we've debuted a new song...we should probably do that soon," and a slightly less recent one mentions an official tour announcement is coming soon. That announcement still hasn't come but many of the dates have popped up including a NYC show which happens on November 16 at Irving Plaza. Tickets for that show go on sale Friday (8/24) at 10 AM with a Live Nation/Music Geeks presale beginning Thursday (8/23) at 10 AM.
A list of all currently known dates and the video for "Summer Of All Dead Souls" from 2011's Tao of the Dead are below.
by Bill Pearis
DOWNLOAD: Ringo Deathstarr - Shadow (MP3)
Ringo Deathstarr at SXSW 2011
Austin shoegazers Ringo Deathstarr made one of my favorite albums of last year, Colour Trip, and are back with an all new EP titled Shadow which is out today on Sonic Unyon. We've got the MP3 premiere of the title track -- a groovy little number with shouty guest vocals from Trail of Dead's Jason Reece. You can also stream the track below.
Ringo Deathstarr are one of the many bands playing tomorrow at Hotel Vegan in Austin, so if you're down there for SXSW do stop by. They're on at 2:30PM on the BV Austin stage. It's free, no badges or wristbands or RSVPing necessary. Full Thursday line-up is here.
Ringo Deathstarr at SXSW 2011 (more by Bill Pearis)
" I call a lot of things shoegaze, but these three have the classic '90s sound -- including Kevin Shields' glide guitar style -- down pat. Some seriously catchy songwriting keeps it out of pastiche territory. They are good and loud on the Palm Door patio, my first of many Lone Star tallboys of the week in hand, and it's a great start to the fest." [Bill]Ringo Deathstarr, who just played Chaos in Tejas this past weekend (we didn't catch them though), will support Trail of Dead on a week-long run directly before heading out on a three week headlining tour at the end of June. The tour stops at Brooklyn's Shea Stadium on July 3 with Vandelles, Heaven, and Dead Leaf Echo.
Ringo Deathstarr released Colour Trip back in March. Check out a soundcloud stream of the entire album HERE, and the video for "So High" and more dates below...
Adventure (by Tim)
Braids (by Tim)
As discussed and/or pictured HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, HERE, and HERE, we threw a free, three stage party with M For Montreal at Swan Dive and Barbarella in Austin on Saturday, March 19, 2011.
Thanks to everyone who stopped by, to all the bands who played and to Ramesh for DJing. Sorry to Bass Drum of Death for not getting to play due to some confusion. Thanks to the cast of Workaholics for stopping by and for doing some hosting (catch their show on Comedy Central now!). Thanks also to Izzoz, Sensible Portions, Honest Tea, VegAustin, Raw Revolution, NadaMoo, Firefly Vodka, Line 6, Korg, Vox, Blackstar, Nudie Jeans, and ASCAP. Thanks to everyone else that helped and to anyone I forgot.
A whole bunch more pictures from the whole day are below...
words & photos by Chris Gersbeck
!!! @ the BrooklynVegan/MFM Day Party Saturday
By the time Saturday rolled around in Austin, I was admittedly starting to tire of the massive crowd that had been occupying 6th Street since I arrived on Tuesday. That didn't stop me from hitting up as much live music as I could in that final day though. Thanks to an insane amount of free day parties, this was a relatively easy task, albeit an exhausting one.
To start things off, Jonny Corndawg (who has a Brooklyn Bowl residency coming up) was playing a Fiji Water-sponsored, artist-only brunch in the upstairs of Barbarella where the BrooklynVegan/M For Montreal Day party was happpening downstairs (with !!!, Trail of Dead & more). Though I've seen Corndawg several times before, it goes without saying that he's an entertaining performer/songwriter, and his intimate set was well received by the early morning brunch-eating fans.
After that I jetted downstairs to the outside Barbarella stage to catch one of the weirder performances I'd seen all week. Misteur Valaire, a five piece Canadian dance-punk outfit energetically jumped around stage, switching instruments on nearly every song, and often breaking out into choreographed dance sequences. To say it was odd is an understatement, but nonetheless I had a smile on my face the entire time. It was also a great way to embrace us for the crazy dance party that ensued when !!! (chk-chk-chk) took the stage next.
Nic Offer, easily the greatest short-shorts wearing frontman in indie rock, made no hesitation in getting the increasingly packed outdoor crowd dancing for !!!'s set. Though he did express his dismay of there being a couch on the dance floor (yes, for some reason there was a couch in the middle of the dance floor), Offer used it as a prop to jump into the middle of the crowd several times. And their tribute to the late Nate Dogg, a cover of "Get Up", was a great way to conclude their set.
Up next on the Barbarella outdoor stage was Austin's own Trail of Dead, who initially suffered from sound/equipment problems, but eventually got it together to play a pulverizing set to the still packed outdoor stage. Though short in length, it was in no way short on enthusiasm, and Trail of Dead blasted through their set as they flung themselves around on stage. Bassist Autry Fulbright III even broke a bass string towards the end of their ecstatic concluding song, a feat I've rarely seen accomplished.
After an ill-fated trip to the free Mess With Texas party where I hoped to catch the Dead Milkmen and Odd Future (the location was so dusty and packed it was unbearable), I was able to make it into the official Red Ryder SXSW showcase at the Central Presbyterian Church on 8th Street in time to witness a jaw dropping performance from Sharon Van Etten.
Sharon Van Etten @ the Red Ryder SXSW showcase
Van Etten was one of the more talked about performers of the entire SXSW festival, and I couldn't have been happier to catch her set after missing her at the BrooklynVegan showcase earlier in the week. The church made for absolutely breathtaking acoustics. Members of Wye Oak and TV on the Radio's Kyp Malone watched from the balcony. I cannot stress it enough, do not miss her upcoming show at the Music Hall of Williamsburg on April 16th.
Portland, Oregon super-sized group Typhoon followed Sharon Van Etten, and though that may have been the problem, it was also a reminder that often less is more. Not to say they didn't put on a heartfelt performance, or that the massive church setting wasn't perfect for their big, full sound, but their enthusiasm at times came off as a bit much. Though if you're a fan of the Polyphonic Spree or We're From Barcelona, Typhoon is likely right up your alley.
After catching them at the Bowery Ballroom the week prior, I was definitely excited to see the Rural Alberta Advantage again. They didn't disappoint. Stating that they played the same venue at SXSW in 2009, keyboardist Amy Cole expressed a slight feeling of déjà vu, but said they were happy to be performing in such a space for a second time. What was apparently a repeat of that '09 performance, the band returned for an encore of a stripped down performance of their song "Good Night" surrounded by the crowd, completely un-mic'd and unplugged. It was an entrancing and honest moment from the Canadian band, and a perfect way to end a long, long week of live music where I also caught sets by The Kills and Atlas Sound.
Pictures from everything mentioned above, below...
Reverb-drenched shoegaze, 70s-riffery and the slow-burn of Low converge on the latest True Widow, a Dallas band whose new LP As High As The Highest Heavens And From The Center To The Circumference Of The Earth, via Kemado. The record is currently up for preorder and features "NH" and "Skull Eyes", the former of which premieres in this post. Download both above, or stream them below.
True Widow will be at SXSW, logging time at the Kemado showcase at Valhalla on 3/17 (with new-look Zoroaster, Rwake, Christian Mistress, and many others), and at the Thrasher Deathmatch party at Scoot Inn on 3/19. In May they hit the road with Trail of Dead and Surfer Blood which brings them to NYC twice: Bowery Ballroom on 4/29 and Music Hall of Williamsburg on 5/13.
Surfer Blood are also playing SXSW, including the free BrooklynVegan party Wednesday at Emo's, and Trail of Dead will be in Austin too. You can catch them at our free Saturday party at Swan Dive/Barbarella.
All True Widow tour dates, a video, and those song streams are below.
If you've been following along, you know that this is finally the NINTH and FINAL BrooklynVegan SXSW 2011 show announcement! This one happens on Saturday, March 19th in Austin, at both Swan Dive and Barbarella (they connect). It runs from noon-6pm and is 100% free. We are doing it with our friends from M For Montreal and it looks like this:
STAGE 1 (SWAN DIVE)I'm ready to fall over.
12:00 PM New Moods
01:00 PM Oh Land
2:00 PM Austra
3:00 PM Little Scream
4:00 PM Owen Pallett
5:00 PM Braids
STAGE 2 (Barbarella main stage)
12:00 PM Baths
1:00 PM Misteur Valaire
2:00 PM !!!
3:00 PM Trail of Dead
4:00 PM Mount Kimbie
5:00 PM Daedelus
HOSTED BY: the cast of Workaholics
DJs: Ramesh (of Voxtrot) & 70's Bush
STAGE 3 (Barbarella small stage)
12:00 PM Bass Drum of Death
12:45 PM Adventure
1:30 PM Versus
2:30 PM Malajube
3:15 PM Suuns
4:00 PM Weekend
5:00 PM PS I Love You
And this party will also have:
- FREE vegan Izzoz breakfast tacos while supplies last!
- lots of FREE snacks courtesy of Sensible Portions!
- a lot of FREE Honest Tea!
- FREE Raw Revolution bars to eat.
- FREE vegan ice cream from NadaMoo
- FREE Firefly Vodka cocktails all day (while supplies last.)
- more FREE DRINKS TBA.
- Our official microphone sponsor Line 6.
- and our backline sponsors Korg, Vox & Blackstar.
- our sponsor Nudie Jeans.
- and to ASCAP for sponsoring too.
To celebrate the BrooklynVegan + M for Montreal party, Nudie Jeans is also giving away 5 pairs of jeans (one pair for each day leading up to the party). For your chance to win, friend Nudie Jeans on facebook and send an email titled BROOKLYN VEGAN to email@example.com. For those at the party, we'll also be raffling off more Nudie Jeans you can win while you're there.
We're also happy to announce that, for the second year in a row, we'll be partnering with our friends at VegAustin to host a vegan bake sale for charity at the party. All proceeds will be donated to Compassion Over Killing.
Check out the flyer and stuff below...
photos by Samantha Marble, words by BBG
The walls of Littlefield were adorned with Conrad Keely's intricate pen/ink tributes to sci-fi, as his band ...And You Will Know Us By The Trail Of Dead celebrated the release of their new LP Tao Of The Dead with Takka Takka on Tuesday (2/8). Trail of Dead stripped down to a four piece for the show, sans keyboards, and though the band hadn't gotten their "sea legs" (per Jason Reece), they ripped through faves like "Richter Scale Madness", "Caterwaul", "Fake Fake Eyes", "A Perfect Teenhood", new tracks like "Pure Radio Cosplay" and "Ebb Away" before closing with "Relative Ways" as an encore. Takka Takka's set consisted of mostly new material that they were trying out for the Littlefield crowd. Their new album is due spring 2011.
Trail of Dead will be back around when they tour with Surfer Blood in May.
More pictures and the setlist (which leaves out "Relative Ways", the encore) from the Brooklyn show, are below...
DOWNLOAD: And You Will Know Us By The Trail of Dead - "Weight of the Sun" (MP3)
Conrad works on TOD art
Tao of The Dead is due on February 8th, and as previously discussed ...And You Will Know Us By the Trail of Dead will celebrate with a Record Release show at Littlefield on 2/8, one of THREE NYC dates set for the band in the coming months (the other two are part of their tour with Surfer Blood). Tickets for Littlefield are still available but we also have a pair of tickets you can win. Details are at the bottom of this post.
Also at the bottom of this post is the premiere of a clip from a new documentary by Justin Zimmerman about the art of TOD frontman Conrad Keeley whose art will also be on display at the Littlefield show, and graces the cover of Tao of The Dead.
This post also contains two of Tao of The Dead's twelve tracks - "Summer of All Dead Souls" and "Weight of the Sun" are both streaming below, and you can download one of them for keeps up above.
Trail of Dead at Mohawk (more by BBG)
Who says you have to wait until April or May? Tickets for NYC dates of the previously discussed ...And You Will Know Us By the Trail of Dead/Surfer Blood tour at Bowery Ballroom on 4/29 (here) and Music Hall of Williamsburg on 5/13 (here) are still available, but the band has added another much smaller and much sooner show.
Tickets are on sale for a Baeblemusic & Superball Music-presented Trail of Dead show at Littlefield on February 8, where the band will play in celebration of their new LP Tao of The Dead, as well as showcase some of Conrad Keeley's art ("Not only will Keely be displaying original art from the new album, he'll also be debuting two large scale paintings.").
Updated tour dates and some videos below...
Trail of Dead at APW 2009 (more by Chris La Putt & Tim Griffin)
...And You Will Know Us By the Trail of Dead will team up with Surfer Blood for a North American tour in late April/early May. That tour will hit NYC twice: April 29th @ Bowery Ballroom (tickets on sale soon) and May 13th @ Brooklyn Bowl (ditto).
Trail of Dead recently posted "Summer of Dead Souls" from their forthcoming LP Tao Of The Dead at Spin Magazine, and are prepping to release said LP via their own Richter Scale Records on February 8th. In that same piece, Conrad Keeley said:
The LP is split into two parts, Part I and II, each recorded in a different tuning (Part I is in D, while II is in F). Part I is divided into 11 tracks or chapters, which play together play one long song, while Part II is an epic, 16-minute-long track with six movements, that's produced by Coady. This format is an homage to frontman Conrad Keely's childhood influences.Full tracklisting and album art, and all tour dates, below...
"It's the way I listened to albums when I was a kid, seeing as some of my favorite records were Pink Floyd's Dark Side of the Moon, Yes' Relayer and Close to the Edge, and Rush's Hemispheres," the 38-year-old rocker says. "I always liked listening to records that were just a continuous piece, like an orchestra or a symphony."
Midnight Masses with Conrad and Jason of Trail of Dead
If it's February 2010 and a Wednesday, then odds are even that Midnight Masses are at Union Pool. The band began a weekly residency at the venue on February 3rd which continues this week (on Feb 10) with Mon Khmer and Light Asylum. Feb 17th includes Living Days (+TBA). Finally, they go out with a bang on Feb 24th, as the band will be joined by "the original lineup" of And You Will Know Us By The Trail of Dead (Conrad & Jason playing as a duo?).
Midnight Masses recently dropped "Red Ribbon Song (For Those Who've Gone)" for a name-your-price download. All proceeds will benefit the National AIDS Fund and the Gay & Lesbian Alliance Against Defamation (GLAAD).
All Midnight Masses dates, and a whole bunch of videos, below...
As the Jewish faithful begin the Rosh Hashanah holy days or Jewish New Year Friday at sunset, they will be saying special prayers and lighting special candles.
Beginning Saturday or Sunday, depending on the congregation, the sounding of the shofar - a trumpet made from a ram's horn - will begin. The ritual is symbolic of what the High Holy Days are about: a call for introspection, forgiveness and changing one's course in life, said Rabbi Charles A. Klein of the Merrick Jewish Centre.
It "asks us to wake up, to take a serious look at our lives," he said, "and not just to sleep away our lives." [Newsday]
Usher in the Jewish year 5770 this weekend with Trail of Dead and the Secret Machines. The two bands are on tour together and will play post-sundown shows tonight (9/18) at Webster Hall with Midnight Masses, and Saturday (9/19) at Music Hall of Williamsburg with Freshkills and Sleigh Bells. Neither is sold out at the moment.
Saturday night there is an afterparty at Beauty Bar in Brooklyn.
Actual Roch Hashanah event listed in This Week In Indie.
Future of the Left @ Siren Fest (more by Chris La Putt)
"The only bad part about the [Future of the Left] set [in San Francisco] was how quickly it was over; each opening act played for roughly 40 minutes and it seemed like that FOTL played for maybe five or ten more. There was easily enough time for another song or two (I would have liked to hear "The Lord Hates a Coward" or "I Am Civil Service"), but the last song ended in the bassist jumping off the stage, giving his bass to someone in the crowd, and doing push-ups while feedback kept coming through the guitar amp, the drum set was taken apart on stage while still being played and the whole thing was a myriad of confusion and awesomeness." [PunkNews]Get ready for more push-ups and feedback when Future Of The Left return to NYC for a show at Music Hall of Williamsburg on Friday, October 30th. Tickets go on sale Friday, August 28th at noon.
The band's last NYC show was at Siren Fest on July 18th, where they shared a bill with Japandroids. Japandroids are coming back soon too - they play September 24th at the Mercury Lounge with Mt. St. Helen's Vietnam Band. Tickets are still available.
And for CMJ, which is quickly coming up, Japandroids will play an October 22nd Death+Taxes Party at Glasslands, and a Polyvinyl Records CMJ show on October 23rd at the Bell House (and more dates TBA). Joining them at the latter will be Headlights, the currently-on-tour Cale Parks and James Husband. Tickets are on sale now.
FotL will be touring the US and Canada this October with Trail of Dead (who didn't get to play their Pool Party show due to lightning, but did get to play a set at All Points Wet). Trail of Dead's next NYC shows are September 18th and 19th at Webster Hall and Music Hall of Williamsburg with Secret Machines.
All tour dates below...
mud, Tool & Ice T
During his Friday night set at the All Points West festival in Jersey City, Jay-Z took a moment to salute trail-blazing gangsta-rapper Ice-T, who, Jay-Z said, was "in the house." And Saturday afternoon, Ice-T took the stage to perform as a backing rapper during Kool Keith's second-stage performance.Though it didn't rain on Saturday (8/1), it was still super muddy. There were dry spots, but you literally could not walk from one place to another without going through some mud. Other highlights of the second day of All Points West included comedy by Tim & Eric in the tent (aka the third stage), back-to-back sets by St. Vincent and Neko Case on the 2nd stage, and the Arctic Monkeys and Gogol Bordello on the main stage. But nothing topped the end of the day. Now fully dark out and perfect weather, My Bloody Valentine, with the Statue of Liberty to their right and the Manhattan skyline straight ahead of them, delivered the power. The hour they played was, for me, the perfect festival experience.
"Sometimes it's just cool to stand on the side of the stage and be a hype man," said Ice-T.
He did, though, perform parts of his own raps, "Hardcore" and "God Forgive Me," a cappella.
With his confident, casually commanding flow, he made a strong impression in his few brief moments in the spotlight.
In addition to Jay-Z and Kool Keith, hip-hop acts like Q-Tip, the Knux and the Cool Kids have performed at All Points West. Hip-hop, though, will not figure prominently in the third and final day of the festival, Sunday. [NJ.com]
My Bloody Valentine
It helped that My Bloody Valentine, as they are known for being, were LOUD. Maybe they didn't seem as loud as they did inside a club, but they were loud enough that even those in the bleachers were putting on their earplugs if they had them. After their set I ran all the way back to the dance tent (pretty much the farthest distance you would have to ever go at this festival) to catch Crystal Castles. The tent was packed with the largest concentration of youth I'd seen in Liberty State Park up until that point. Everyone was dancing and cheering. Before CC were finished I ran back to the main stage to watch Tool.
During My Bloody Valentine I thought, "well, there are plenty of people here, but I guess they could fit a lot more". Ends up, all of those people that could fit, they showed up for Tool! Did they all just get there? Were they hiding in other areas? Either way, it totally hit me by surprise when I got back to the stage. I was also surprised, but happy, that Tool hadn't gone on yet. They don't play a super long set, so maybe they delayed to make the show go until curfew.
Once they did start, the amount of fist pumping (much bro fist pumping included) going on almost matched the amount of people in the park. I wouldn't consider myself a Tool fan, but there was no denying the awesomeness of their show.
"On a bill loaded with indie rock, Tool seemed initially distinguished by their popularity. They were the only band on Saturday's bill to have a platinum record, and the only performers to have won Grammys, and the only ones with enough starpower to sell out arenas on their own. And yet despite their high profile, Tool hardly behave like a mainstream band. Saturday's set was an exercise in atmosphere -- a dark, riveting performance that minimized the members of band while foregrounding their stranger sensibilities.I took the light rail to the park, but then the ferry home. Props to APW for making the ferry experience a much, much better one this year (no line at all, huge boats, very quick trip home, and I didn't even leave until Tool was finished).
Visually, the show was stunning. Tool perform to a series of bleak films mostly created by the artist Adam Jones, and beamed out giant-size across Liberty State Park they seemed more imposing and unnerving than ever. Opening with the sinister, twisting "Jambi," the group slowly worked its way through a set that spanned its small catalog. Part of what makes Tool concerts such visceral experiences is the band's peerless sense of control and release. Songs start with icicle drip guitars and rolling, tribal percussion, steadily building to perfectly timed explosions of sound. When paired with Jones' frightening films, it became more like a theater experience than a concert. At times it was remarkably easy to forget there was a band onstage at all." [Rolling Stone]
Pictures from APW day one HERE. More from day two below...