Entries tagged with: Usa Out Of Vietman
photos by Greg Cristman; words by Bill Pearis
"I heard New York got a little snow last last night...you fucking pussies!" Jace Lacek, leader of The Besnard Lakes, was joking with the Rough Trade crowd about the inch or so accumulation on the ground Saturday (1/24). "It was, like, negative 31 centigrade when we left Montreal, that's about where Celsius and Fahrenheit meet." I reason to leave freezing Montreal is as good an excuse to tour as any. The band don't have a new album -- though they said they're working on it now for an end-of-2015 release -- but seemed energized on Saturday, maybe the best I've ever seen them.
Few bands do this sort of widescreen rock so well, with so little pretense or cheese. Their 2010 album was titled The Besnard Lakes are the Roaring Night which is a fitting descriptor. "Like the Ocean, Like the Innocent," which opens that album, remains the best example of what it is they do so well: giant waves of guitar, soaring leads and vocals, all crashing over you. This was a new lineup of the band, with longtime guitarist Richard White retiring from touring and The High Dials' Robbie MacArthur in his place, plus new keyboardist Sheenah Ko augmenting Lacek, bassist singer Olga Goreas and drummer Kevin Laing. They genuinely sounded fantastic, with a simple but effective LED lite-brite-type light show. They don't really need much.
Opening on this tour is fellow Montreal band USA out of Vietnam whose frontman Son Of Fogman has toured as a member of Besnard Lakes in the past. The band mix post-rock, metal, shoegaze and other styles reductively called "loud" with string sections and other grand elements. Their debut, Crashing Diseases and Incurable Airplanes, came out last summer and you can stream it below. They made for a good lead-in on Saturday night.
More pictures from the whole show, and Besnard Lakes' setlist, below...
by Bill Pearis
PyPy at Club Lambi, 11/16/2012
Freedom...horrible freedom! One thing M for Montreal, part festival part industry conference, was previously known for was its tightly-controlled schedule. There was one show a night with two stages and attendees saw all the bands, no overlap. And while this was still the case for the first two nights of the 2012 edition, Friday and Saturday saw the launch of the M Fest which had shows at about ten different venues each night. So for the first time in the five years I've attended this fest I had to make up my own mind about what to see.
Cousins at Club Lambi, 11/16/2012
I was going to start the night at Sala Rossa with D'Eon but when I got to the club the schedule had been pushed an hour due to Sun Airway canceling their appearance later in the line-up. So, I headed down Saint Laurent to Club Lambi, a place that felt more like a nightclub than a rock venue, complete with "mandatory coatcheck." First band was Halifax, NS duo Cousins who make garage-y pop with an emphasis on the latter. A little rough around the edges but enthusiastic and they've got some good songs. You can stream their album, The Palm at the End of the Mind, below.
Yardlets at Club Lambi, 11/16/2012
Next up were Yardlets which features vocalists/guitarists Sam Goldberg (who spent time in Broken Social Scene) and Montreal scene vet Jeff Edwards. Backlit with strips of blinding light, Yardlets tore out of the gate and never looked back, playing balls-to-the-wall rock n' roll that could be the soundtrack for a trucker's pill-fueled 72nd hour of being awake. ("Ace of Spades" being played on warped vinyl is a good reference point.) DFA 1979's Sebastian Grangier plays drums on the record (em>Middle Ages is streamable below) but not live, but his replacement seemed just as pummeling. The aural equivalent to a shot of tequila and just what I needed to jump-start the night.
PyPy at Club Lambi, 11/16/2012
Though, honestly, if Yardlets hadn't played, certainly PyPy would've had the same effect. The band formed when Duchess Says and Red Mass shared rehearsal space and some of each decided to jam, the band features both wild-eyed redhead Annie-Claude and Red Mass' Choyce on vocals/guitar, neither of whom shy from the spotlight. No surprise Annie-Claude dominated the proceedings but here she's in relatively restrained mode, meaning she's still going crazy but not totally in-your-face. She even played guitar on one song. Musically, PyPy (yes, pronounced peepee) are almost '60s style acid rock, a lot of soloing and riffs, not so much memorable tunes. But a blast to watch.
USA Out of Vietnam at L'Esco, 11/16/2012
From here we cabbed it over to L'Esco for some heavier sounds via MTL hardcore act Dig it Up and the more mathy USA Out of Vietnam and bearded frontman Jonathan Cummins (formerly of Doughboys and Bionic) greeted the crowd thusly: "Hi we're Grimes. We've changed our sound a little and we hope you like our new direction." Their music is not my thing, but I like their attitude.
Pat Jordache, somewhere in Montreal, 11/16/2012
From here we headed to an afterparty at some DIY space I don't know the name of to catch a very late night (3:30 AM) set from Pat Jordache who played almost exclusively new material. While the PA wasn't doing the band a whole lot of favors, you could still get a feel for Pat's new musical direction, rhythm-heavy post-punk with watery bass and saxaphone that tipped its had toward Eno-era Talking Heads (or The Higsons or Pigbag). I was struggling to keep my eyes open at that point but the new material is very promising (and I liked 2011's Future Songs too). While the album won't be out till next year, Pat just dropped "steps (DAMAGED GOODS)" as an appepitizer and it is very tasty indeed. You can stream it below.
Yan Wagner at Cafe Campus, 11/16/2012
Next up that night... sleep. But earlier I did check out some bands at Cafe Campus during the day, the highlight of which was Parisian electronic artist Yan Wagner (who also played CMJ this year). While his mike-and-samplers setup didn't make for the most exciting live show, his style of electropop falls squarely between Depeche Mode and OMD which pretty much guarantees I'll like. And I did.
After that we were treated to a "headphone concert" by Kid Koala at Le SAT which was a very fun, relaxing way to ease into the evening and you can read about here. You can also read accounts of M for Montreal Day 1 here and Day 2 here. Streams are below.
by Bill Pearis
The seventh annual M for Montreal festival happens next week (November 14 - 17) in its namesake Canadian city. Previous years, M4M has featured mainly Montreal (and other parts of Canada) artists, being showcased to a group of "international delgates" (talent buyers, journalists, music supervisors, tour agenents and other industry types) in a tightly controlled set of shows, this year's fest expands its scope with nearly 100 performer at 16 venues, giving it more of an actual festival feel than an industry conference that has music showcases the public could by tickets to.
The line-up is much more global this year as well, with musicians from France, Iceland and, for the first time, the United States playing alongside bands from all over Canada. Artists playing the 2012 edition include Death Grips, Of Monsters and Men, Mac DeMarco, Suuns, Mykki Blanco, Sun Airway, A Place To Bury Strangers, Cadence Weapon, Memoryhouse, Yamantaka // Sonic Titan, Bleeding Rainbow and Blue Hawaii. Full list of performers is below and daily schedule is here and advance tickets to shows and panel discussions are available.
If you want a taste of Montreal this week in NYC, beyond the snow we're currently experiencing, Montreal rapper Cadence Weapon plays Glasslands on Friday (11/9) with Fat Tony. Tickets are still available. Cadence Weapon tour dates are listed below.