Entries tagged with: Vivian Girls
Abe Vigoda @ The Smell in October (more by Rachel Carr)
If you happen to be in L.A. on Saturday, February 7th, "No Cancer: A benefit for our Friend's Mom" will be happening at a "secret" location (e-mail for info, below). Playing sets will be No Age, Vivian Girls, Abe Vigoda, Cowabunga Babes, Best Coast, Nodzzz, Darker My Love and others. A flyer and how to get info on the venue are below.
All tour dates are below...
DOWNLOAD: Saxon Shore - "This Place" (MP3)
Saxon Shore (photo by Geordy Peterson)
American post-rockers Saxon Shore hit back. It Doesn't Matter, the quintet's follow-up to 2005's The Exquisite Death of Saxon Shore is a welcome return to form for the band and their original leader Matthew Doty.Saxon Shore released their gorgeous Dave Fridmann-produced LP It Doesn't Really Matter last year. The song "This Place" from that album is available for download above. You can catch the band live (their only upcoming scheduled show) at the Knit on 2/5 as part of the Sounds Like Brooklyn Festival put on by BAM ("60+ shows. 15 venues. 2 weekends. Celebrating Brooklyn's best music and bands with shows throughout the borough.") American Dollar and The Abbasi Brothers open the NYC show. Tickets are on sale.
Having gone through a long period of upheaval - be it line-up changes and relocations - the band spent four solid years as a unit before plucking up the courage to hit the Tarbox Road Studios Cabin out in Cassadega, New York.
Apt then, that the unearthing of It Doesn't Matter follows a line of melodic delicacy that recent post-rock efforts appear to have departed. Album opener "Nothing Changes" rocks gently into the onslaught of feedback drenched guitars while 'Bar Clearing Good Times' maintains an unexpected steadiness that other same-vein bands like Explosions In The Sky often make the habit of breaking from. -[Altsounds]
Les Savy Fav @ BAM - 1/29/10 (photo by Steven P. Marsh)
'Sounds like Brooklyn' kicked off last night (1/29) at BAM (the only venue hosting shows during this first weekend of the fest) with Les Savy Fav and Vivian Girls...
"To my surprise, [Les Savy Fav] played very tight rhythms that zagged all over the place but were not sloppy. I was reminded of times I had seen Modest Mouse, Built To Spill or The Flaming Lips, with the music being loose and jangly, yet deliberate and well-crafted at the same time. The band itself held my interest quite well, as they played the straight men to the antics of Harrington, who, instead of being a distraction, complemented the instruments rather well, reminding me at times of Jello Biafra with his voice and dialogue with the audience. Yes, he was a crazy looking fat dude running all over the stage and into the crowd, but his angry-goofy-gibberish song rants, energy, enthusiasm and sheer earnestness overcame my pre-judgment. At the start of LSF's set, Harrington dropped into the crowd beckoning people to stand, and it ended up being the right thing to do. Despite the opera house setting with assigned seating, it quickly became apparent that it would take a lot more than that to contain the force that is Les Savy Fav." [Qbertplaya]The fest continues tonight (1/30) at the same venue with a show by Rain Machine and Anti-Pop Consortium. Tickets are still available. The Antlers and Ra Ra Riot play the opera house venue on February 5th.
The full Sounds Like Brooklyn schedule, along with a Les Savy Fav video from last night, below...
photos by Joseph Xu
Happy Holidays! I take on more than I can handle. That results in a lot of unposted content. In the name of catching up, while also taking it easy during this final week of the year, here's some of that lost material.
More pictures from the 2009 Pitchfork Music Festival, below...
by Andrew Frisicano
L.A. punk band Mika Miko announced in October that their set at Austin's Fun Fun Fun Fest (on November 8th) would be one of their last, but that they were in process of scheduling an official "last show" for their hometown at The Smell. They've booked three shows there for December 30th, December 31st and January 1st. The third, with Hello Astronaut Goodby Television, My Little Red Toe and OG Silver Daggers, is sold out, but you can still grab a ticket for the first show (openers TBA) and for the New Years Eve show, with Staring Problem, Ima Fucking Gymnist and DiGiTS. Mika Miko also previously mentioned a new 7" in the works through PPM.
Mika Miko's Jennifer Clavin guest drumming for Best Coast...
PPM will also be releasing a 7" by from female-fronted lo-fi duo Best Coast. Best Coast join Vivian Girls on a West Cost tour this February. That swings by the Smell on Feb. 6th. Vivian Girls are in UK from the second week of January right up to their performance at the BAM Sounds Like Brooklyn Fest, where they play at Howard Gilman Opera House with Les Savy Fav on January 29th. Tickets are on sale.
Flyers for the Mika Miko shows, a Best Coast clips and all tour dates are below...
by Bill Pearis
A pretty killer line-up at Mercury Lounge tonight (12/9). Headliners Violens just got back from a big European tour opening for White Lies, and this looks to be their last show of 2009. They've been rather pokey in getting out their debut LP, but it looks set to finally come out early next year. You can get a taste on their downloadable Winter Mix Tape which features a couple album tracks, some remixes, demos, a cover of Saint Etienne's "Avenue" (!) -- plus singer Jorge Elbrecht singing overtop Wire's "Outdoor Miner" and The Byrds' "I See You." (The latter, he sings My Bloody Valentine lyrics). If you've never heard Violens before, this is a pretty good place to start, giving you a sense of the disparate influences the band bring together.
Also playing Merc are Acrylics and Class Actress, both of whom are signed to Grizzly Bear Chris Taylor's Terrible Records. I've written about Acrylics a bunch of times are definitely one of my favorite new local bands. Their debut EP, All of the Fire, was produced by Taylor and came out a couple weeks ago and is at its best when Jason Klauber and Molly Shea sing together. The title track, which you can download at the top of this post, finds them at their Fleetwood Mac-iest, with that dreamy pedal steel and echo handclaps.
Class Actress, meanwhile, could be lumped in with the coldwave/darkwave scene depending on what song you hear first -- the synths on "Careful What You Say" are pretty icy -- but there's a strong heartbeat running through Elizabeth Harper's songs, and the EP (produced in part by Violens' Elbrecht) is pretty varied and quite lovely. I haven't seen her perform live yet, so I'm looking forward to tonight.
As mentioned previously, Yellow Fever are in town this weekend, ostensibly to play a record release party Saturday (12/12) night at Death By Audio for their debut LP on Vivian Girls Wild World records. Vivian Girls headline. Happy Birthday open. Yellow Fever's album is basically a compilation of everything they've released to date -- a couple CDR EPs and singles. They definitely work the "less is more" angle, with spare arrangements that play off Jennifer Moore's haunting vocals (not entirely unlike Cowboy Junkies' Margot Timmins). They're something special.
If you ask me, at this point in their popularity, Vivian Girls + Death By Audio = too much nutty behavior for me, so I'll probably catch Yellow Fever at Bruar Falls on Friday (12/11) where they play with Tyvek, Air Waves (a nice NYC match to Yellow Fever, download their song "Lightning" above) and Noveller (the musician, not the macroblogging service). Yellow Fever also play Silent Barn on Sunday (12/13).
For those looking for a quieter option on Friday (12/11), Brooklyn blog Chocolate Bobka has put together a unique show at the Lutheran Church of the Messiah in Greenpoint featuring the spooky folk of Vermont's Mountain Man, Real Estate bassist Alex Bleeker, and
Liam the Younger. It's not only acoustic, it's unamplified. The suggest brining blankets or yoga mats to sit on. More info on the exquisite flyer which is at the bottom of this post or available in a big version here.
Fiery Furnaces are playing this Friday (12/11) at Music Hall of Williamsburg and Saturday at Bowery Ballroom (Shilpa Ray opens both nights). While I don't like everything the Friedbergers do, it's always good to check back in with them as, chances are, it will sound completely different from the last thing. They've just released Take Me Round Again (out 12/15 on Thrill Jockey), which they're calling a covers record -- Matthew doing some of Eleanor's songs, and vise versa. The reworked versions of songs were also influenced by their "deaf descriptions" project on their website, where fans wrote reviews of FF's other 2009 release, I'm Going Away, before they actually heard the record. The AV Club NY has a nice interview with Matthew this week, where he talks about '70s television theme songs and what's next for Fiery Furnaces:
AVC: How do you see your music evolving from here?That's it for today. I'll talk about That Petrol Emotion, A Sunny Day in Glasgow and more in the second half of this column, coming tomorrow to this very blog! Meanwhile, click through for flyers, videos and tour dates...
MF: It's good to write music all the time, if that's what you want to do. When you're in a band, when you have something going, the hardest thing you have to do is to put everything into what's ongoing.. Especially these days you never know what you're supposed to do--if you should be more hectic, give away songs, or do a project with the voice from the Muppets. You have to have a record on Twitter. The band lends itself to do that sort of thing,
AVC: You mean gimmicky stuff?
MF: Yeah, we do a lot of gimmicky things, but it comes from us. We don't think that's so strange for us. But we've had people tell us, "Give a song away so you get people's e-mail addresses and you can send them an e-mail saying, 'Buy our box set for $90.'" All these [music] professionals, they don't know what they're doing. What can you do? You just have to do what you have energy to finish. Luckily you probably won't follow through on things you're not really into.
AVC: Does that mean we're not going to see you giving away an album on Twitter any time soon?
MF: Well, we are on Twitter, but someone did tell us, "If you're not on Twitter, you don't exist." That's the way the world is now. You could just be interested in writing in 140 characters, but it's also your obligation to be friendly too. We still have to figure out which way to go with that, so our Twitter posts aren't very interesting.
Les Savy Fav rides the ladder at Fun Fun Fun Fest (more)
"Launched in 2007, Sounds Like Brooklyn Music Festival (formerly known as Brooklyn Next) is BAM's annual showcase of the some of the most innovative music coming out of the borough. The program features concerts in the BAM Howard Gilman Opera House, BAMcafé, and partner venues around Brooklyn that highlight the breadth and depth of music produced by Brooklyn artists working in jazz, hip-hop, rock, electronic, brass band, and every other hybrid genre in between. As a vehicle for artist development, Sounds Like Brooklyn focuses on emerging and mid-career musicians working at the intersection of innovation and tradition."BAM's Sounds Like Brooklyn Festival will be happening this year January 29-30 and February 4-6 at BAM Howard Gilman Opera House, BAMcafé and other venues around town. Last year's lineup included Beirut, Clap Your Hands Say Yeah and Japanther. This year's shows include Les Savy Fav, Vivian Girls, Rain Machine, Anti-Pop Consortium, Ra Ra Riot and The Antlers. Tickets go on sale Monday, December 14th (or today, 12/9, for Friends of BAM). Full lineup and more info below...
Trend You Wish Would Go Away
- 90s revivalism (No Age, Japandroids, Cymbals Eat Guitars)
- Afropop indie (Dirty Projectors, Fool's Gold, Abe Vigoda)
- Animal Collective acolytes (Blind Man's Colour, Our Brother the Native, USF)
- Balearic (jj, John Talabot, Windsurf/Hatchback)
- Chillwave/glo-fi (Washed Out, Neon Indian, Nite Jewel)
- Dubstep and its offshoots (wonky, funky, bassline)
- Post-Lily Allen UK pop (La Roux, Little Boots, Florence and the Machine)
- Prim, buttoned-up indie (Grizzly Bear, Andrew Bird, St. Vincent)
- Shitgaze/lo-fi aesthetics (Times New Viking, Wavves, Vivian Girls)
Dan Friel @ Cake Shop NYE 2008 (more by Lori Baily)
Parts & Labor have a short string of shows coming up: one in Massachusetts on December 5th, one in Connecticut on December 6th, then a free show at Brooklyn Bowl on Tuesday, December 8th with The Tony Castles. Flyer for the latter and more details below.
Before that, P&L member Dan Friel plays a solo set at Union Pool on December 3rd. Also on the bill are Knyfe Hyts 81, Dinowalrus and Electric Tickle Machine.
Another Parts & Labor affiliate, their former guitar player Sarah Lipstate (she left the band in July to focus on her solo project after being a member for only 14 months), who plays as Noveller, will perform at Bruar Falls on December 11th with Yellow Fever and Air Waves (who are also playing December 5th with Talk Normal, US Girls and Total Slackers at Secret Project Robot).
That's also another show for Austin's Yellow Fever, who are already lined up to play a December 12th show at Death By Audio with Vivian Girls. Yellow Fever's self-titled LP is available now through Wild World, a label run by Vivian Girls, and the show is a release party for that record. Happy Birthday is also on the bill. Yellow Fever also lists a TBA NYC show on December 13th.
Happy Birthday member Ruth Garbus plays a show with her sister Merrill Garbus at The Stone in December too.
As of now, it's the last scheduled Vivian Girls show for '09 before they tour the UK in January.
All tour dates and a poster for the Parts & Labor BK Bowl show are below...
words by Andrew Frisicano, photos by Jake Forney
Apart from a few deviations, Fucked Up succeeded in performing their 2008 album The Chemistry of Common Life in full and in sequence at the Brooklyn Masonic Temple on Thursday, November 5th. The program even found room for the record's hazy instrumentals "Golden Seal" and "Looking for God," both of which featured guest keyboardist Andrew W.K. On the latter, one of the last songs of the night, W.K. was noodley and playful, tacking pointy chords to the song's building progression.
Vivian Girls were another of the night's guests. They added eerie siren-like back ups to "Crooked Head" and "No Epiphany," as they do (with Frankie Rose who was playing her own show across town) on the recorded version.
Another album guest, Katie Stelmanis, who stole the show with her band's unique opening set, dueted with Pink Eyes on the apocalyptic slow-builder "Royal Swan." Her operatic voice tangled with the burly singer's cryptic proclamations. Andrew W.K. was there too, and led the way with an introductory piano figure, cued with a huge wink by guitarist Ben Cook. The epic took minutes to unfold, and it was one of the night's rarer moments.
The pacing of the album did need some energy injected at times - that came in the form of "Crusades," which the band inserted after "Black Albino Bones" (dedicated to "anyone who collects records"). "Peaceable Kingdom," a ChemCom bonus track almost never performed live, was uneventful, until Pink Eyes decided to join the night's many stagedivers (many annoying and wasted) by falling into the crowd and writhing on the ground for a while.
For the encore, the band treated the crowd to "David Comes to Life" and a full-guest version of "Louie Louie." There was no "Party Hard" as requested many times, and that was for the best. Titus Andronicus hinted at that song by jamming on its opening riff while setting up. They played tightly-packed opening set, which had one brief lull. "I thought it was okay after one string broke, but now I'm down to four..." said singer/guitarist Patrick Stickles before grabbing a seafoam green guitar backstage. "I hope the very nice lady in the first band doesn't mind."
That would be the guitarist for Katie Stelmanis, who joined the singer and a percussionist (also on marimba) to perform gothy pop with a booming, crisp sound. On stage, Stlemanis projected a world of drama with the subtlest gesture. The following act, The Girls at Dawn, did off the cuff, girl-group-inspired punk. Their front-woman (girl) was covered in fake blood.
Pink Eyes stuck around until the last fan got his 7-inch signed and a shirtless hug. More pictures from the show below...
by Bill Pearis
Austin's understated, lovely Yellow Fever launched a short West Coast / South West tour last night in San Diego, and are also set -- any day now -- to release their debut album on Wild World Records, the label run by Vivian Girls. The album appears to be a compilation of Yellow Fever's three EPs to date. For those who haven't been following along, it'll be a nice one-stop way to play catch-up. Hopefully we'll get a new record sometime soon -- it's been at least a year since we've gotten fresh music from them. Yellow Fever will also be playing Death By Audio on December 12 with Vivian Girls, which probably means they'll be doing a few more NYC dates around then as well. Stay tuned.
Until now, Wild World has just released Vivian Girls singles ("Surf's Up" and "Wild Eye") but will release a posthumous LP of Cassie Ramone's other, now-defunct band, Bossy, as well as the debut single from Babies, which is Cassie and Justin from Bossy, plus Kevin from Woods. The Yellow Fever and Bossy LPs will be out mid-November, the Babies single "coming soon."
Vivian Girls are busy this weekend, beginning tonight (11/5), where they'll back up (with help from Andrew WK) Fucked Up at Brooklyn Masonic Temple. And then they play Market Hotel Friday night with Grass Widow, The Bitters and Stupid Party.
All dates for Yellow Fever and Vivian Girls are below....
by Bill Pearis
DOWNLOAD: Grass Widow - To Where (MP3)
DOWNLOAD: Frankie Rose - Thee Only One (MP3)
DOWNLOAD: The Mary Onettes - Puzzles (MP3)
DOWNLOAD: The Mary Onettes - Dare (MP3)
DOWNLOAD: Carsick Cars - You Can Listen You Can Talk (MP3)
DOWNLOAD: Carsick Cars - Zhong Nan Hai (MP3)
DOWNLOAD: PK-14 - Behind All Ruptures (MP3)
DOWNLOAD: Xiao He - MTV (MP3)
DOWNLOAD: The Answering Machine - Another City, Another Sorry (MP3)
Frankie & the Outs - debut show @ The Woods on Halloween
I'm barely recovered from post-CMJ cold and we've got a week that is so packed with good shows it feels like another festival is in town.
Mercury Prize nominees The Invisible are playing their first U.S. shows this week, starting with a free one tonight at Brooklyn Bowl. Their lauded debut album doesn't fit into one easy category, which befits a band on Matthew Herbert's label. It's all fairly warm and soulful, but with forays into funk, sparse ballads, electro and Krautrock. There's a lot going on and I'll be curious to see how a three-piece can pull it off live. The Invisible also play Santos tomorrow (11/5) opening for Dragonette, and then on Friday at Pianos (11/6) where they'll be on the same bill as Freelance Whales.
The Mary Onettes, here from Sweden, play their first NYC show this year, tonight (11/4) at Union Hall where they'll play with Blacklist. As I said before, like a lot of the bands on Labrador, The Mary Onettes love the '80s and wear those influences on their black-clad sleeves. But their second album, Islands, wears them a little more subtly, though they are still writing reach-for-the-stars chorus -- now with strings. I like them a lot. They also play Friday (11/6) at Studio @ Webster Hall and then Sunday (11/8) at Mercury Lounge.
San Francisco's awesome Grass Widow are also in town this weekend for a string of dates, starting tomorrow (11/5) at The Woodser with Frankie & the Outs, Air Waves and Hot Box. (There was to be a second show tomorrow, late at Monster Island, but that has been cancelled.) There are more than a few all-girl trios out there playing vaguely C-86 style indie (including fellow San Franciscans Brilliant Colors), but Grass Widow write better songs than most, and I really like both 12" EPs they've released this year.
The Woodser show was to be notable as the live debut of Frankie & the Outs, but then they went and played Halloween night at similarly named Willliamsburg bar The Woods (picture above). Frankie's debut single, "Thee Only One," is out now and is worth picking up -- though I think more for the dreamy b-side "Hollow Life" than the A-side (good as it is, and downloadable above) which is a little more of what you'd expect from someone who spent time in Vivian Girls and Crystal Stilts. Frankie's got a way with harmonies, and the less that gets in the way of them, the better. There were a couple of songs The Outs did Saturday which were similarly laid back, and the best songs of the night.
Grass Widow also play Market Hotel on Friday night (11/6) along with Vivian Girls, The Bitters and Stupid Party. If you haven't heard The Bitters, the Toronto duo feature Ben Cook of Fucked Up (who play Thursday at Masonic Temple) and Aerin Fogel. They've got a single and an EP on Captured Tracks, the latter of which I dig (haven't heard the single yet). While definitely on the "low" end of the "fi" scale, Bitters are different from anything else on Captured Tracks with an early-'60s rock n' roll vibe (or early '80s West Coast punk), and Ben and Aerin's harmonies front-and-center.|
Grass Widow also play Saturday (11/7) afternoon at the Brooklyn Museum with Crystal Stilts and the Beets, a show which finally today was officially announced by the museum...
"Inspired by Gail's idea, and because we love Brooklyn photographers, on First Saturday we are inviting local photographers to come and shoot the bands that are playing and post their photos to the Brooklyn Museum's flickr group. Afterwards, Bob Gruen, a rock photography legend who is featured in the exhibition and has shot the likes of Bob Dylan, John Lennon, and The Clash, will look at the photos and blog about his favorites here!" [Brooklyn Museum]Grass Window then play again at Market Hotel that night, for a show with Small Black, Pictureplane, Girls at Dawn and Cale Parks (formerly of Aloha). They're also going to play somewhere on Sunday (11/8)... venue TBA. Go see them if you can.
There's also the China Underground Invasion tour this weekend, with three of Beijing's best indie rock bands: Carsick Cars, PK-14 and Xiao He. In particular, I'm excited about Carsick Cars who I've actually heard of prior to this tour thanks to a friend who is living in Beijing and occasionally sends me music. They're definitely of the Sonic Youth/Dinosaur Jr school of noise n' drone. I only just got their new album, You Can Listen, You Can Talk, but have been listening to their 2008 debut a lot, and am told that its "Zhong Nan Hai" is like the Beijing indie anthem. The tour hits PowerHouse Arena tomorrow (11/5), Glasslands on Friday (11/6) and Santos on Saturday (11/7).
Tonight (11/4) is also the second week of The Answering Machine's three-week residency at Coco 66. The band has also added three more NYC dates while they're here: Nov. 9 at Pianos, Nov. 11 at Bruar Falls and Nov. 12 at Cake Shop.
And finally, Saturday night (11/7) French pop band Tahiti 80 play Mercury Lounge (tickets). When it comes to Franco-pop, Phoenix get the lion's share of the attention, but Tahiti 80 have been at it almost as long (if not just as long) and have made four danceable, hook-filled albums. The most recent of which, Activity Center, came out last year in France but is just now getting an American release. The band have retreated a bit from the full-on disco that was 2005's Fosbury, and gone back to the '60s sunshine of 2002's Wallpaper for the Soul which definitely suits them better. I haven't seen them play in ages, but they were always a good live band. Opening is Brookville, the other band from Ivy's Andy Chase -- who also produced Tahiti 80's first two albums.
Videos, tour dates and flyers are after the jump...
"RT @EducatingEric: It needs to be Thursday already so I can see Fucked Up with @AndrewWK on keyboards and @Viviangirls" -AndrewWK
Fucked Up & friend @ 'Pool Party' in July (more by Bao Nguyen)
Fucked Up are playing the entirety of their 2008 record Chemistry of Common Life at Brooklyn Masonic Temple on Thursday, November 5th. The 52-minute-and-20-second work will feature additional accompaniment by guests that include Andrew W.K., Vivian Girls and opener Katie Stelmanis. Also opening the show will be Titus Andronicus (who've been busy lately) and Brooklyn's The Girls at Dawn. Tickets are still on sale.
We also have a pair of tickets to give away, along with a copy of Chemistry of Common Life on LP and a Titus Andronicus limited Live in London 12" LP. Details are below.
On January 26th, Matador will be releasing a compilation of rare Fucked Up singles and b-sides called Couple Tracks. The comprehensive breakdown of the double-CD/double-LP is posted below.
Katie Stelmanis, a fellow Torontonian who's collaborated with Fucked Up before, just opened for Tegan and Sara at both of their Town Hall shows (Oct. 30th & 31st). At the gigs, she filled out the one-woman-show with a drummer and guitarist backing her up. A clip of her playing "Believe Me" at the first Town Hall show is below.
After the Brooklyn show, Fucked Up will be playing Fun Fun Fun Fest in Austin on November 7th.
Contest details, show flyer and Couple Tracks info and tracklist are all below...
Eyehategod on a boat Saturday night (more by Chloe Rice)
tonight in NYC
* Aziz Ansari @ Whiplash
* La Roux, Body Language @ Highline Ballroom
* Precious Metal w/ Empyreon, Gwynbleidd, Hung @ Lit Lounge
* Dum Dum Girls, Reading Rainbow, Girls At Dawn @ Bruar Falls
* Railcars, Surf City, Heavy Winged, Antn Hrkwk @ Market Hotel
* Har Mar Superstar, Bang Bang Eche @ Music Hall of Williamsburg
* Far, Last Days Of Empire, The Campbell Apartment @ Mercury Lounge
* Eyehategod, Unearthly Trance, Tombs, Howl, Strong Intention @ Europa
* Vic Chesnutt Band, Clare & the Reasons, Liz Durrett @ Bowery Ballroom
* Parts and Labor, Surfer Blood, Small Black, The Sundelles @ Death By Audio
Surfer Blood was all over CMJ but if you missed them, they play tonight with Parts and Labor, Small Black and The Sundelles at Death By Audio. Small Black also had a lot of CMJ buzz and were chosen by Pitchfork to play the Saturday night show at Market Hlte.
Har Mar Superstar's Dark Touches is out now - he plays two nights in NYC starting with a show at Music Hall of Williamsburg with Bang Bang Eche. Tomorrow is the much smaller Mercury Lounge.
Vic Chesnutt has an all-star band on tour with him that includes Guy Picciotto of Fugazi and members of Thee Silver Mt. Zion/Godspeed You! Black Emperor and Witchies. They play tonight at Bowery Ballroom and tomorrow at MHOW with Clare And The Reasons and Liz Durrett opening.
Far plays tonight (this time without Thursday) at Mercury Lounge with Last Days Of Empire and The Campbell Apartment. Last night it was at Bowery Ballroom.
Eyehategod go from a boat to Europa for a show with Unearthly Trance, Tombs, Howl and Strong Intention.
The Yankees made it to the World Series, which starts Wednesday, last night.
Florence and the Machine, who played a set at a Fader party at the Ace Hotel on Saturday, play some kind of private show at Soho House tonight. They're at Bowery tomorrow.
Vivian Girls were in Puerto Rico during CMJ. A video of them playing acoustic on the island last Saturday is below. As for NYC, they play on Halloween at 171 Lombardy, sing backup for Fucked Up on Nov. 5, and perform with Grass Widow at Market Hotel on Nov. 6th.
by Bill Pearis
As I just mentioned, the November 7th Frankie Rose and The Outs show at the Woodser will be with San Francisco's Grass Widow who will be in town for a week's worth of shows. Frankie was in a band with most of them, called Shitstorm, who basically became Grass Widow after Frankie moved to NYC.
Grass Widow have put out two records this year -- an LP on Make a Mess records which came out over the summer, and a new EP on Captured Tracks. They're both worth picking up, especially for fans of Brilliant Colors, Vivian Girls (with whom they'll play at Market Hotel on Nov. 6) and Liechtenstein. There's also a free afternoon show at Brooklyn Museum on Nov. 7 with Crystal Stilts and The Beets.
The November 7th date coincides with the museum's Who Shot Rock: Photographers of Rock and Roll exhibition which opens at the end of October.
All upcoming Grass Widow and Crystal Stilts dates, and a video, below...
by Bill Pearis
Frankie Rose is mainly known as a drummer, having played in Vivian Girls, Crystal Stilts, and Dum Dum Girls, but she's also a songwriter (she wrote VG's "Where Do You Run To?") and will be releasing her debut single, "Thee Only One," on Slumberland Records on October 27. She's also got a new band, Frankie and the Outs, who will make their live debut November 7th at The Woodser which will be the first show in a longtime for that South Williamsburg spot. Grass Widow is also on that bill.
With the new band, Frankie is sadly no longer drumming for Crystal Stilts. The split was amicable, guitarist JB plays guitar on her single. I'm told Crystal Stilts have a new drummer already, and the new Stilts lineup will even share a bill with Frankie and the Outs at two east coast Slumberland 20th Anniversary parties -- November 13th at the Black Cat and November 14 at the Bell House. (More on those further down the post.)
The Outs are a five piece, all girls, with whom Frankie will move from the drum kit to guitar (and vocals). The single's A-side is a two-and-a-half minute wall-of-sound pop that is what you might expect from someone who spent time in Vivian Girls and Crystal Stilts. (It could be the sister of CS's "Love is a Wave.") The B-side, "Hollow Life," is more unexpected -- organ-driven, harmony-laden, dreamy and drum-free, owing a lot to Spacemen 3.
Neither the A-side or the B-side of Frankie Rose's single has made it onto her MySpace page, but you can listen to her demo of "Where Do You Run To," a track the Vivian Girls only played once live. However, Frankie says it will be part of the The Outs live repertoire.
Frankie will be behind the drum kit, though, for the Dum Dum Girls upcoming CMJ shows. This will be an all-girl line-up, apparently, unlike DDG's live debut at the Woodsist/Captured Tracks Festival this summer that included Crocodiles' Brandon Welchez on guitar and Captured Tracks major domo Mike Sniper on bass. But that's only for these shows.
As mentioned above, Frankie and the Outs will play the two Slumberland Records 20th Anniversary shows at the Bell House and Black Cat. The full line-up for both shows is : Crystal Stilts, Brown Recluse, Pants Yell!, Frankie and the Outs; plus some reunions of classic Slumberland bands The Ropers, Nord Express, and Lorelei. It will be the first Ropers and Nord Express shows in ten years. Additionally, the Bell House show features a "special guest headliner." And as D.C. was the original home of the label, I wouldn't be surprised if some different special guests played that one too.
I think that is enough for one post. Tour dates and some videos below...
DOWNLOAD: Katie Stelmanis - In My Favour (MP3)
@ the Titus Andronicus show @ Monster Island (more by Leia Jospe)
Along with a link for $18 tickets, which go on sale Friday, September 11th at 10am, there's some new insight into the lineup of Fucked Up's November 5th Chemistry of Common Life show at Brooklyn Masonic Temple. The show will feature "Andrew W.K. (Keyboards) / Vivian Girls (Backup Vocals) With Guests: Titus Andronicus / Katie Stelmanis." Sounds good!
You can also catch Titus Andronicus on October 15th at Knitting Factory in Brooklyn. It's the last date of their current tour with So So Glos. Vivian Girls are on tour at the moment too, with the Beets. They play their next NYC show right after they get back, which will also be their first of two shows at a Masonic temple in one week.... it's on Halloween at the Ridgewood Masonic Temple with Crystal Stilts (followed by the F'd Up Masonic show listed above).
Katie Stelmanis's amazing video for "Believe Me" and a recent interview are posted below...
photos by Leia Jospe
"Hey everyone! We just started the first leg of our crazy nine week tour (which ends in NYC on Halloween). These next few weeks we will be joined by our brothers, the Beets, on what we've named the Nightmare of Sound tour. [Tuesday] night was our kickoff show in Brooklyn at Death by Audio.According to the latest set of Vivian Girls tour dates, their Halloween show has been combined with the Crystal Stilts Halloween show for one big Halloween show.
Cassie made new shirts for this tour. We have our Moped Girls 7"s, WFMU LPs, The World's Lousy comps, tote bags, pins, and soon (Sept. 8th) our new album, Everything Goes Wrong, on vinyl and CD. We played with Real Estate, Best Fwends, and the Beets." [Vivian Girls blog posting]
More pictures and some videos from Tuesday night's show at Death By Audio, a Beets/Vivian Girls tour video, and all tour dates, below...
Vivian Girls @ Whitney in July (more by Anna Scialli)
NIN @ Webster Hall the other day (more by Bao Nguyen)
tonight in NYC
* Amanda Blank @ Urban Outfitters
* Nine Inch Nails, The Horrors @ Terminal 5
* Heaven & Hell, Coheed & Cambria @ Theater at MSG
* Highline Piano Series: Phil Vassar @ Highline Ballroom
* My Teenage Stride, Surfer Blood, I'm Turning Into @ Silent Barn
* Vivian Girls, The Beets, Real Estate, Best Fwends @ Death By Audio
* Andy Friedman & The Golden Winners, Welcome Wagon, The Honeycutters @ The Bell House
Britney Spears is ALSO playing MSG tonight. amazing.
Queen Latifah's show tonight at the Nokia Theatre has been canceled.
You can also see Real Estate this Thursday at Insound's 10 Year anniversary party at the Brooklyn Bowl with Cymbals Eat Guitars, These Are Powers and The Drums.
The show tonight is your last chance to see Best Fwends on their current NYC run. They played with Das Racist at the Studio at Webster Hall, and at "Above the Auto Parts Store" on Saturday. A video from the latter show and a clip of the guys from 2007 are below.
Andy Friedman & The Golden Winners, Sufjan Stevens-produced band Welcome Wagon and The Honeycutters play The Bell House tonight. Welcome Wagon and Andy Friedman teamed up previously at a gig last December (at which Sufjan appeared) and one in January (where he did not).
Highline Piano Series contiunes with a performance by Phil Vassar.
"As I type this post, I can still feel the dry crunchy residue of canned whipped cream in my hair. Oh well, its a small price to pay. Best Fwends at Emo's, the show was bonkers." [The Peen Scene]Dates below...
DOWNLOAD: Vivian Girls - When I'm Gone (MP3)
photos by Joseph Xu, words by Andrew Frisicano
7:07 p.m.: The Vivian Girls put out one of my favorite albums of 2008, and their brief but hard-hitting set [at the Pitchfork Festival] doesn't disappoint. Big, melodic bass lines provide a foundation for innocent harmony vocals, a mix of tart and sweet that proves irresistible. Only disappointment, they didn't play "Where Do You Run To." [Chicago Tribune]That's a review of the Vivian Girls' July 19th set at Pitchfork Festival. The group will be kicking off their (relatively) short North American tour on August 25th with a show at Death By Audio. The Beets, who join them on most of their tour, open that gig. The trip leads up to the release of their sophomore album, Everything Goes Wrong, which comes out September 8th on In the Red. A track from that is above.
After a set of September/October tour dates in Japan & Australia, Vivian Girls are also tentatively scheduled to play a Halloween show that will "tentatively" (how Todd P lists it) happen at the Ridgewood Temple (1054 Bushwick Ave). Todd also lists two other shows that same night: Mount Eerie at the Market Hotel with Malkuth and Liturgy, and a show with Wooden Shjips, Religious Knives, and Crystal Stilts (who feature ex-Vivian Girl Frankie Rose on drums) at a venue TBA.
Meanwhile over in South Brooklyn, the Bell House will host a late show with Junior Boys and an early show with the King Khan & BBQ Show and Dum Dum Girls (who feature ex-Vivian Girl and current Crystal Stilt Frankie Rose on drums) (maybe not again though), on a Halloween that is shaping up to be a big night for NYC concerts this year (many that should not be competing).
Mroe pictures and interviews of the Vivian Girls at the Pitchfork Festival, with all tour dates, are below...
words & photos by Anna Scialli
Jazz Hand Job & These Are Powers
Fans trekked through the rain and packed the cafeteria of the Whitney Museum of American Art on Friday (7/31) to catch Vivian Girls and These Are Powers play a (very) early set. It was the fourth of four (or fifth if you count the Feelies show) shows that were put on in conjunction with the Dan Graham retrospective at the museum.
By 7pm, the crowd was eager to hear These Are Powers, hailing from as close as Brooklyn and as far as Chicago. While the cafeteria of the Whitney clearly wasn't built with rock-show acoustics in mind, Anna Barie belted out song after song without concern for the unconventional venue. Pat Noecker, on bass and vocals, and Bill Salas on electroacoustic drums and vocals accompanied, pumping out catchy tunes encouraging the crowd of hipsters, youngsters, and other Whitney patrons to bob in place. Alongside the band was Providence dance troupe Jazz Hand Job, a team of sparkly interpretive dancers, with choreographed numbers for a few songs. Throughout the set, they weaved through the crowd dancing to the electronic beats.
As Vivian Girls took the "stage", the cafeteria was filled to capacity- crowds spilling out to the back patio or watching from between the shelves of art books. The three women dove into their set, with Cassie Ramone on guitar and lead vocals, Ali Koehler on drums, and Kickball Katy on bass. The crowd watched and listened closely as the trio mixed interesting melodies with well considered discordant reverb to make a sound all their own. While the Vivian Girls are fun and energetic live; it's no surprise that an art-rock band like them would play at a free Whitney show. Still, I couldn't help but wish I was hearing them in a venue with better acoustics. Luckily they'll be playing Death By Audio on August 25th in Brooklyn for everyone who missed them or wants to catch them again- at a more traditional venue.
More pictures from the show below...
by Bill Pearis
DOWNLOAD: Yellow Fever - Culver City (MP3)
DOWNLOAD: Yellow Fever - Joe Brown (MP3)
DOWNLOAD: Fergus & Geronimo - Harder Than It's Ever Been (MP3)
DOWNLOAD: Magic Kids - Hey Boy (MP3)
DOWNLOAD: Coconut Coolouts - Party Jail (MP3)
DOWNLOAD: Seaport Music Festival Sampler (Zip)
YellowFever @ Death By Audio - July 22, 2009 (by Bryan Bruchman)
There are a lot of out-of-town bands I'm looking forward to seeing this weekend, and luckily they're all playing more than once, and many are sharing the same bill.
First is Austin duo Yellow Fever who I have caught a few times in the last year and they are really something special I think. I wrote this the first time I saw them: "Their sound couldn't be more spare -- usually just drums, the simplest guitar (often just single notes, not chords), and Jennifer Moore's understated, kinda haunting voice. It's that space in between the instrumentation that makes them so special. It's a little bit like Young Marble Giants if Beth Orton was the singer instead of Alison Statton." My only complaint would be they are slow on releasing records, but I look forward to hearing new stuff from them while they're here. They played last night at Death by Audio, where Vivian Girls said this via Twitter: "Yellow Fever were amazing tonight! Don't miss their other NYC shows this week." So, yeah, don't miss 'em -- you've got four more chances, including tonight at Cake Shop. All dates HERE.
Fergus & Geronimo
While we're in the Lone Star state, let's talk about another duo, Fergus & Geronimo, who are from Denton, TX and are playing two NYC shows this weekend. Andrew Savage and Jason Kelly are also in such Denton bands as Wax Museums and Teenage Cool Kids respectively, bonded over a love of '60s pop, Motown and psych-rock (a Texas specialty). Those influences come through loud and clear in their music, most of which is, at this point, only available on their MySpace, which was enough to get interest from Tic Tac Totally, Transparent, and Woodsist all of whom will be putting out their records. The Woodsist 7", "Harder Than It's Ever Been," is out now and you can download the A-side at the top of this post. It's a 1:47 pop gem, one of the best of its kind since Box Elders' "Hole in My Head." This is super-catchy stuff, and I'm really looking forward to seeing them this weekend.
Fergus & Geronimo, who are a five-piece when they play live, are at 92 Y Tribeca on Friday (7/24) with Crystal Stilts, Portland's Little Claw and Memphis' Magic Kids who I'll get back to in a second. They also play Saturday (7/25) at Market Hotel, also with Magic Kids, as well as YellowFever and the ever-present (and very good) Beets (who have a tour coming up with the Vivian Girls). Tickets are still on sale for Friday's show.
Now onto Magic Kids. They're from Memphis and I first heard of them from a MySpace bulletin from Girls who played a show with them and enthusiastically raved about them. There's not a lot of bio info out there, but there seem to be a lot of them, and they clearly love '60s pop: Beach Boys, The Association, Tommy James & the Shondells, etc. The band have a record coming out sometime on Goner (home to Ty Segall and Box Elders and others) and you can download their single "Hey Boy" at the top of this post. They play Cake Shop tonight (7/23), that 92 Y Tribeca show tomorrow (7/24) and Market Hotel on Saturday night (7/25).
Personal and the Pizzas
Also this weekend we've got a couple West Coast bands, both of whom love a good slice, neither of whom seem to mind a little extra cheese, and they play together at Silent Barn on Friday and Cake Shop on Saturday.
Looking like greasers and sounding like New York 1975, Personal & the Pizzas originally hailed from New Jersey but now seem to call San Francisco their home. I'm not sure that there's a whole lot you need to say about these guys, you see their name you hear one song and you kind of know whether you're gonna like it or not. Maybe not for a whole album, but tracks like "I Don't Wanna Be No Personal Pizza" or "Brass Knuckles" would add flavor to any mix, and you just know they'll be fun live. Pizza Slayer interviewed them:
PS: Do you have pizza at all your shows? How does it enhance the experience?Meanwhile, Coconut Coolouts are from Seattle and feature not one but two stand-up drummers which would be enough to get me to the show. That and their songs are a lot of fun, sort of bouncy party garage rock and I'm pretty sure they have more songs about Pizza than P&Ps do. For a little more on them, I defer to my blog source for Seattle, The Finest Kiss:
P&P: Everybody loves the pie!! We probably order it like half and half..we're usually pretty broke so it's kinda hard to shell out like 70 or 80 bucks just for the love of it, but we'll do it. We don't care. Everyone loves Pizza and Pop. One time we was all dressed up in haWaiian shirts and coconut tits and all, and then we ordered some a them hawaaiian pizzas and then that delivery chic delivered the pies to us while we was playin with them shirts on and and she didn't know what the hell was goin on.
The Coconut Coolouts remind me of the Nuggets box set, where there are so many great bands with seminal songs on those cd's that I had never heard, it's hard to believe that the bands weren't bigger than their regional popularity. The Coconut Coolouts will likely be on on a Nuggets comp sometime in the year 2040 and people will be wondering why they had never heard of these guys with classics like Spinaround, Coconut Weekend, Party Jail and Stickup. Apparently they sometimes dress in banana costumes for gigs, no bananas were on stage but they were throwing out lifesavers saying they were acid.Personal & the Pizza and Coconut Coolouts have a split tour "Pizza Army" 7" that you'll wanna pick up at the merch table. Both NYC shows and a bunch of their other tour dates are with Tyvek.
A few more shows of interest this weekend. Black Moth Super Rainbow make their second Seaport Music series appearance on Friday (their first was in 2007 opening for Fugiya & Miyagi), this time headlining. Their latest album, Eating Us, was produced by Dave Fridman (Flaming Lips, MGMT among other things) and is pretty good. Opening will be low fi electro goths Blank Dogs whose new album, Under and Under, on In the Red Records I like a lot. They are also a band that benefits from good sound, something the Seaport has brought to every show this year. (Here We Go Magic in particular sounded stellar.) Also playing is one-man experimental band Dan Friel. Between the three acts there's gonna be a lot of temperamental old synthesizers, patch bays and homemade equipment on the Seaport stage -- let's hope it doesn't rain. I should also mention that Seaport Music has a "digital mixtape" you can download via Insound that features 15 of the acts playing this year, including all three of this week's acts (plus Superchunk, Casiokids and more). Download link is at the top of this post.
And don't forget Sissy Wish has added another show while in NY -- she plays Union Hall on Saturday night. She's better than her name.
Tour dates and video after the jump...
photos by Tim Griffin, words by Andrew Frisicano
The Woodsist/Captured Tracks Festival's Day One (7/3) was moved inside the Market Hotel. Thankfully, the weather held out for its second, 4th of July lineup, which went off as planned in the grassy, rock-filled lot of 979 Broadway Backyard.
I arrived just as Real Estate was going on, and the New Jersey band nearly stole the show with dreamy rock that seemed to be made for a sunny afternoon. The Beets held down their set with a casualness befitting a park lodge show (kind of what the fest was on a slightly bigger scale). The guys gave new meaning to the word "ramshackle" as things seemed to be toppling over continually onstage.
German Measles played a set before I got there. Bill caught them and said they "aren't actually that bad... But they're also not very good. And that kind of seems to be the point. Shambolic is an understatement, like 'why rehearse when we can just play shows?"
The Great Excape did a set of Jersey-style pop-punk that included their own theme song, several politically-themed tunes (a nice touch) and a cover of "Summertime Blues." Ganglians brought one of the day's only keyboards, and burst with a flurry of reverb and overdrive.
Brilliant Colors started out with straight-ahead noise punk, with a bit of a melody void left by their super-reverbed vocals (maybe a theme of the night) and washed-out guitar. When the bass stepped up its riffs a few songs in, the band immediately sounded twice as catchy. The Fresh and Onlys took that bass-forward momentum and went with it. Their bassist pounded the notes in between and then some. As a result, the group had one of the most complete sounds of the night (with a tambourine and three-part harmonies rounding it out). They dedicated their last song to the member of Tyvek in the hospital (the reason for that band's cancellation). Hopefully their situation turns out better.
Dum Dum Girls had to be one of the night's cleanest sounding groups. The band relied heavily on singer Dee Dee's vocals, which harmonized with drummer Frankie Rose on their songs' many hooks.
The atmospheric rock of Woods definitely got jammier as it progressed. As Bill Pearis pointed out, the group's fourth member, who sat on the floor twiddling effects and singing into a microphone strapped to his face, was a bit strange considering the rest of the guys were dressed proper enough for church. Whatever you have to do to make it sound good I suppose.
Kurt Vile & the Violators roared into the night as the sun finally went down. Vile and Vivian Girls (who, as one commenter pointed out, "played with a great intensity") more than warmed up the crowd for Thee Oh Sees, who capped the night (for some) with an unstoppable set. Frontman John Dwyer was literally foaming at the mouth as a streak of white drool smeared across his face for part of the set. Thee Oh Sees' strange, repetition-laced anthems are amazing for shaking and rattling, as the crowd proved. The band even got talked into playing an encore before sending everyone into the night.
The rest of the pictures from Day Two, with a bunch of videos, below...
photos by Tim Griffin, words by Andrew Frisicano
Vivian Girls played ourdoors on the second day of the Woodsist/Capture Tracks Festival on July 4th. They mixed old and new tracks, with a sound that put guitar and bass centerstage. Vocals lurked just below, and came through strong enough to carry the melody all the way across the field. At one point, the band invited two crowdmembers up on stage to play tambourines as fireworks somewhere in Brooklyn (and some inside the gates...) shot off behind. Pictures from their set are in this post. Kurt Vile played the same day. His pictures are HERE. Pictures from Day One of the fest are HERE. The rest of the Day Two pics are coming soon.
Earlier in the day, The Beets casually played through their time, which included a brief cover of the Beatles' "I Should Have Known Better" (though no "La Bamba" despite requests). Their bass player sat out a considerable part of the set while switching his amp, but the remaining two Beets kept on, singing in sligtly off-center unison harmony. Intermittently, guitarist Juan Wauters would jump several feel in air to jolt the reverb on his amp into action. Where Vivian Girls sounded full and fleshed out, the Beets gave off a very one-on-one, basement show vibe. Pictures from their set are coming later.
Those two bands (Vivian Girls + The Beets) have a North America tour together set for August and September. Its kick off show will happen Tuesday, August 25th at Death By Audio in Brooklyn.
Before then, The Beets are playing the final Oxford Collapse show on July 18th. Vivian Girls play the Whitney Museum (as part of that space's Dan Graham exhibit/summer series) on Friday, July 31st with These Are Powers.
Vivian Girls' second disc, Everything Goes Wrong, is scheduled to come out September 8th on In the Red.
"Last time, the album was really rushed," says guitarist Cassie Ramone. "We were just go, go, go, go. And now we're taking our time with every step of the process, making sure we're really happy with everything before we move on."All tour dates with album art, track list, and Woodsist Fest pics, below...
With this band, though "taking our time" means they're taking six days to record the entire thing instead of the three days they used for their first album. Ramone says, "We recorded 15 songs, but if we put them all on the album, that'll be an hour's worth of music, so we're going to have to cut some of them out. Our last album was like 22 minutes, so we figure if this album is longer than 44 minutes that'll just be insane. It would be twice as long."
"We're aiming for around 35 minutes," adds bassist Kickball Katy. So you'll probably still be able to plow through the whole Vivian Girls album on your morning commute.