Entries tagged with: Webster Hall
photos by Dana (distortion) Yavin
Two nights after appearing on Letterman, the Heartless Bastards, celebrating their recently released Arrow, headlined their biggest NYC show to date at Webster Hall on Friday (2/24). Joining them was Devin and Hacienda. Pictures from the show and the Letterman video are in this post.
All tour dates, and the pictures and video, below...
photos by Amanda Hatfield
Zola Jesus was an extraterrestrial apparition who looked like she could start hovering Linda Blair-style at any moment. "Swords," the glitchy overture to Zola's latest album, Conatus, ushered the four-piece band onstage through fog and a wall of artificial blue starlight, Zola positioned front and center in a flowing white gown. She didn't stay put for long. Bolstered by synth, drums and electric violinist Christiana Key (whom audience members praised by name more than once throughout the night), Zola beautifully belted out "Avalanche," "Shivers" and most of the tracks from Conatus while floating, hopping and jazzercising across the smoky stage. After a hot hour Zola was already gone and back for the encore, stationed behind a double-decker Akai keyboard while Key's violin groaned along to the somber ballad "Skin." -[CMJ]Zola Jesus lead the charge on an all-star cast at Webster Hall on 2/18. Liturgy (who is now down to a duo and a MacBook Pro) and Talk Normal opened the show. Pictures adorn this post.
Zola Jesus plays Lincoln Hall in Chicago tonight and her full slate of tour dates (including Sasquatch) are below. The dates ALSO include an appearance at SXSW as part of the Sacred Bones Showcase on 3/14 at Elysium with Amen Dunes, Led Er Est, The Men, Psychic Ills, and Wymond Miles.
All dates, pictures from Webster Hall, and Zola Jesus's setlist, below...
by Bill Pearis
While the rest of the world was asking who the #$%@ Bonny Bear and Paul McCartney were, I was asking that same question of Of Monsters and Men who are playing here in April. They've already sold out their 4/5 show at Music Hall of Williamsburg and 4/6 show at Bowery Ballroom, though the Bowery show was moved to Webster Hall (tickets are still on sale, but maybe not for long). Actually, half their US tour is already sold out (all dates at the bottom of this post).
Then I remembered I had actually seen Of Monsters and Men -- who are from Iceland -- at last year's M for Montreal at teeny tiny club Casa Del Popo. Their name is a bit on the generic side which is why I think I couldn't place it. (You also see a lot of bands at festivals. It's a blur.) Anyway, here's what I wrote then:
The other Icelandic group, Of Monsters and Men, made more of an impression with their stirring folk rock that was augmented by horns and an especially fancy accordion. (It had LED switches on it.) While also similar to a lot of other sweeping ensembles (fill in your favorite here), the songs were memorable and I did wish their set had been a couple songs longer. So it goes with festivals.I don't think a folk band has snuck up like this since Mumford and Sons (or maybe The Head and the Heart).
They're already huge in Iceland (which is like being huge in Rhode Island, but still), where their debut album, My Head is an Animal, was released last year. Of Monsters and Men signed to Universal who rushed out the Into the Woods EP in America late December, which contains the KEXP hit "Little Talks". The band will be at SXSW too and are surely one of the "Bands to Watch" this year for some folks.
Click through for all Of Monsters and Men tour dates, plus some videos as well.
photos by Amanda Hatfield
Chicago band The Smith Westerns headlined the final date on their tour with Porcelain Raft and Bleached on Saturday 2/4 in Milwaukee, four days after the band hit Webster Hall on 1/31. Pictures from the NYC date are in this post.
Porcelain Raft blogged their way through the US tour and will head to Europe for a string of dates, presumably blogging on the way. Check out a recent video for "Unless You Speak From Your Heart" by the band below.
If you missed Bleached, make sure and check them out at Knitting Factory on Saturday (2/11) with their tour-mates Black Belles. Tickets are still available for the show which also features the recently-renamed Bleeding Rainbow and Habibi.
All tour dates, that video and more more pictures from Webster Hall are below...
Chairlift @ Bowery Ballroom (more by Amanda Hatfield)
When we first discussed the upcoming Chairlift and Nite Jewel tour, we mentioned that Nite Jewel plays Bowery Ballroom on April 24, two days after their last show with Chairlift and that Chairlift had no upcoming NYC show. But, as predicted, it's been announced that Chairlift will headline Webster Hall on May 8. Tickets go on sale Friday (2/3) at noon with an AmEx presale starting Wednesday (2/1) at noon. An on-sale date for the Nite Jewel show at Bowery Ballroom has still not been announced.
Updated dates below...
Guns n Roses @ the Varvatos store in 2010 (more by Nate "Igor" Smith)
Axl Rose's current version of Guns N' Roses are heading out on a short "up close and personal" tour this February, timed to coincide with fashion week (true story). The currently-six-show run kicks off with three NYC shows and also includes a NJ show. They'll play Roseland Ballroom on February 10, Terminal 5 on February 12, and Webster Hall on February 15, except they'll be calling Webster Hall The Ritz for that show, as that was the name of the venue when they filmed Live at the Ritz there in 1988. The tour also brings them to Atlantic City's House of Blues on February 24. Tickets for the NYC shows go on sale Wednesday (2/1) at noon and tickets for the Atlantic City show goes on sale Friday (2/3). All dates are listed below.
In related news, Guns N' Roses tribute band Appetite For Destruction plays BB King's on April 27. Tickets are on sale now.
All dates and the entire "Live at the Ritz" concert from 1988 (it's on YouTube), below...
The Vaccines @ Escape to NY 2011 (more by Dana (distortion) Yavin)
Speaking of even more bands that NME loves, The Vaccines, who are twitter friends with Howler, and part of the recently announced Coachella lineup, just announced a NYC show happening two days after their second Coachella set on April 23 at Webster Hall. Tickets are on sale. All dates are listed below.
In related news, The Vaccines were recently up against Anna Calvi, Magnetic Man, Selah Sue, and James Blake in the "Newcomer of the Year" category at the third annual "Festival Awards Europe" which took place in the Netherlands on 1/11/12. This is who won at that:
And the winners are:All Vaccines tour dates are listed below...
Best Major European Festival - Sziget Festival (Hungary)
Best Medium-Sized European Festival - Off Festival (Poland)
Best Small European Festival - Haldern Pop (Germany)
Best New European Festival - Extrema Outdoor (Belgium)
Best Indoor Festival - I Love Techno (Belgium)
Best European Festival Line-Up - Rock Werchter (Belgium)
YOUROPE Green 'N' Clean Festival Of The Year - Melt! (Germany)
Artist's Favourite European Festival - Southside / Hurricane (Germany)
Best Newcomer association with Eurosonic Noorderslag - James Blake
Best Headliner - Coldplay
Festival Anthem of the Year - Coldplay 'Viva La Vida'
Virtual Festivals Europe presents Promoter Of The Year - FKP Scorpio (Germany)
YOUROPE Lifetime Achievement Award - Michael Eavis, Glastonbury (UK)
by Bill Pearis
The La's in 1990
Liverpool legends The La's will play their first American show in 21 years on March 12 at Webster Hall. Tickets ($25) go on sale Thursday (12/22) at noon. The show is part of the first-ever NYC extension of Liverpool Sound City festival. More bands are playing, and the line-up should be announced early January.
With songs like "There She Goes," "Timeless Melody" and "Way Out," one could argue that '90s Britpop started with the La's 1990 eponymous debut, an album that frontman/songwriter/perfectionist Lee Mavers didn't even want released. It was finished by producer Steve Lillywhite and disowned by the band, despite near universal acclaim. It's the only album Mavers made as the La's though there are enough demos, different versions of the LP's songs with other producers, and live tracks floating around that they filled a box set.
I don't think the La's really toured America the first time around, just some summer festivals. (Though my memory may be fuzzy about that.) Mavers reformed the La's a few times over the last decade, most recently with original bassist John Power who has since left again to reunite his post-La's band, Cast, whose new album is out in February. It's unclear who the members will be in March.
The NYC edition of the Sound City is part industry conference and part music fest. From the initial press release:
The inaugural New York Sound City (NYSC) will take place on Monday 12th March 2012 as a one day and night music event.The live show will feature three UK bands (La's included) and three bands from the U.S. Again, details on that to be released next month.
Designed by Sound City (the team behind innovative boutique events in Dubai, Norway and their home city of Liverpool) NYSC will feature key public and media partners from both the UK and US.
"Sound City has established itself as the coolest city centre festival and business conference in the UK. In the short space of 4 years we have delivered our bumper boutique events in Norway, Dubai, Texas and our home city of Liverpool. The UK businesses, individuals and artists we have showcased and assisted have gone onto generate over £12 million of real money for the UK music and digital economy. We do not mess about. For us to partner up with New York is the next logical step. Liverpool and New York have always shared a special relationship with each other. Two of the worlds biggest cities and both synonymous with art, music and pop culture. This is the first announcement in what is going to be an exciting time for the growth of our strong brand." David Pichilingi CEO Sound City
Click through for some classic La's videos and live performances.
photos by Amanda Hatfield
The Antlers recently got back from Europe and played their largest hometown show yet at the sold out Webster Hall on 12/10 with Canadian band Suuns. The majority of The Antlers' set was material from 2011's Burst Apart, which they played almost every song off of, but though it was given less attention at the show, a CMJ reviewer believes, "the Antlers' strongest album when performed live is Hospice, not Burst Apart." To quote Amanda, the Antlers "totally owned that room. Was amazing."
NYCTaper recorded the show and you can download a free zip file of the files at their website. More pictures, videos and setlist below...
photos by Dana (distortion) Yavin
The Black Keys played Webster Hall last night (12/6), a celebration of their new LP El Camino out NOW (as you may have noticed from the ads on this site today). Though the sponsored-by-Southern-Comfort show was small (compared to their next one at MSG anyway), their set was not, dipping deep into their back catalog, as you already know if you were not at Lana Del Rey and one of the few who got a ticket, or one of the many who watched it online....
The set list covered the whole of Auerbach and drummer Patrick Carney's journey through and out of their roots, going back all the way to "I'll Be Your Man" on their 2002 debut, The Big Come Up, and stopping off at "Your Touch" from 2006's Magic Potion. The history lessons highlighted how far the duo has come from the binary stomp and grind of their early records to the trailer-park T. Rex effect of "Everlasting Light" on 2010's Brothers and the crossed wires of glam-era David Bowie and the MC5's guitar chaos in El Camino's "Gold on the Ceiling." The inclusion of "Chop and Change," a garage-noir outtake from Brothers that ended up on the Twilight soundtrack, Eclipse, proved they have plenty of that adventure to go around.What did you think?
For this show, arguably a preview of the band's 2012 U.S. arena tour, the Black Keys flipped the script of their Brothers live act. Instead of opening and closing as a duo, Auerbach and Carney spent most of the night working with their expanded lineup - Wood and bassist Gus Seyffert - and slimming down to a duo for a mini-set in the middle. In either format, the Keys still rely on simple knockout dynamics: Auerbach's spidery guitar intro (a la Keith Richards in the Rolling Stones' "Stray Cat Blues") into the climbing grind of "Girl Is on My Mind" from 2004's Rubber Factory; the primary drive of Carney's kick drum in the crunch and surge of El Camino's "Dead and Gone." -[Rolling Stone]
If you missed them, make sure and catch The Black Keys at the slightly larger Madison Square Garden on March 12th as part of their US tour with Arctic Monkeys. Tickets are currently on AMEX presale and go on regular sale Friday.
More pictures from Webster Hall and the setlist below...
M83 @ Webster Hall - 11/22/2011 (via balirsmith)
M83 is in NYC to play what are probably two of the most in demand shows (that are on my radar) since Radiohead at Roseland. Tonight (11/23) it's at Music Hall of Williamsburg. Last night was Webster Hall. That show's setlist with more Instagrams from the night, below...
photos by Amanda Hatfield
Deer Tick @ Webster Hall
Deer Tick hit Webster Hall last night (11/20) with Guards and Thomas Hardy (of Dead Confederate). it was the last date on a larger tour that kicked off in October and hit Reggie's in Chicago along the way, and it was probably the largest headlining show on that tour (and definitely much bigger than Death By Audio). Here are some pictures from Webster Hall, though none of the destruction (aka broken instruments) that ended the two hour show (Deer Tick is always good for ending things in style).
Two days earlier, the same lineup hit Ithaca where someone wrote...
Deer Tick's set was not as much a performance as much as it was a time for both fans and players to come together and enjoy each other's company through their love for music. Deer Tick was not playing and singing for us; they were playing and singing with us. This could not be articulated as accurately as when McCauley led a sing-along on opening number "The Bump," wailing "I suggest you move/We're full-grown men/We act like kids." This youthful playfulness that the band set forth from the get-go marked what would become an evening of a shared joy between the band and the crowd. But as much as both the musicians and the fans seemed to be enjoying themselves, the band may have overstayed their welcome. Even with a set that clocked in at over two hours in length including Deer Tick's set, some solo tunes from McCauley, and new material with a freshly formed supergroup featuring McCauley and opening acts Thomas Hardy and the Guards, the boys of Deer Tick seemed to have enjoyed themselves a little too much....The dates were in celebration of Divine Providence, the Deer Tick's new LP out now on Partisan Records.
-[Cornell Daily Sun]
When the Webster Hall show was first announced, I'm pretty sure Virgin Forest were listed as opener. I'm not sure what happened there, but today another Virgin Forest show was announced and it's happening at Glasslands on 12/7 and Ian O'Neil of Deer Tick is opening. Tickets are on sale.
More pictures from Webster Hall and a video of the Deer Tick/Guards/Thomas Hardy supergroup (see above), below...
Cults at ATP NJ (more by Dana (distortion) Yavin)
NYC indie pop duo Cults are currently on tour in the UK, and after playing the ATP there in December, they will return to the US and headline Webster Hall on January 19. Tickets go on sale Friday (11/18) at noon with an AmEx presale starting Wednesday (11/16) at noon. Later that month they head to Australia.
Cults recently performed for Spinner's Interface sessions. The band were interviewed and they performed "Go Outside," "Abducted," "You Know What I Mean," and "The Curse." You can watch videos of the whole thing at Spinner.
All tour dates below...
photos by Tamara Porras, words by Klaus Kinski
Kurt Vile @ Webster Hall
Last Friday was a pretty important day on three fronts. First and foremost, it was Veteran's Day. I won't bother going into one of my usual tangents and pontificate on the importance of honoring America's servicemen and servicewomen past, present, and future and how they have the scariest fucking job on the planet. Nope. Not gonna do it. Instead, I will jump to the second "important" aspect of last Friday. I put important in quotes because the element I speak of is actually not very important at all. In fact, it's quite trivial and lame and I pity the infantile adult mind who actually expended any energy in reveling in the fact that last Friday was 11/11/11. "OMG ALL THE NUMBERS OF THE DATE ARE THE SAME TODAY EVEN THOUGH THE FIRST TWO NUMBERS OF THE YEAR ARE ACTUALLY 2 AND 0 droollllllll." Yawn.
More importantly, Friday November 11th was important on a third front; it was the day that I finally got to see the great Kurt Vile and the Violators at Webster Hall. I know what you're saying; "But Klaus, you idiot! Kurt's played NYC like A THOUSAND TIMES! Kill yourself already!" And you're right, he has. And I am. And I won't... You see, Kurt is one of those dudes I have literally been unable to see for one reason or another any time he's played NYC. And I don't mean "literally" in the completely non-literal sense people use that word nowadays; i.e. "That joke was so funny I literally shit my pants" or "Yo momma's so fat when she fell into the Grand Canyon she literally got stuck". I mean I have literally been unable to see him. Ever.
Apparently the show wasn't sold out but the place seemed totally packed. And I am pretty sure Webster Hall broke the world record for having the most fog and hair in one place at one time that night. Holy smoke ring for my halo, Batman. Upon entering, I was handed a free commemorative Kurt Vile 11/11/11 45 RPM record which I will never play because I don't have a record player, but which I thought was a super cool thing to give out. I entered the live room about 5 minutes before Kurt went on so I missed the openers. How were they? Kurt and the Violators were absolutely incredible. They played about 16 songs, including one encore, and the crowd was just eating it up.
In the early part of the show, highlights included "Jesus Fever," "Runner Ups," and "Ghost Town." Kurt kicked it up a notch around the halfway mark with a pounding rendition of "Freak Train," which kicked off a fantastic second-half. After solo performances of "Pepping Tomboy" and "My Best Friends," The Violators closed out the main set with two more Halo songs "Puppet to the Man" and "Society is My Friend." After a brief encore break, Vile came out with drummer Mike Zanghi for a beautiful performance of "Baby's Arms." The full band then closed out a great 90-minute set with two songs from the So Outta Reach EP, "Laughing Stock" and a cover of Springsteen's "Downbound Train." -[The Swollen Fox @ the Philly show]Kurt has a very monotone voice that doesn't divert very far from its point A, but when you add it to such massive, and plodding melodies the experience is intense. The room was super dark and, as I mentioned, very foggy, with very little in terms of stage design and lighting. It made for a very dark and profound experience. I have a very limited musical scope these days, but Kurt and his Violators really hit me in a way that very few bands do. It has all these elements of grunge, 70s rock, jamminess, hairiness, moodiness, and darkness and they're all blended together and served as one unbelievable and unique musical experience. Fuck yes I will try to see him literally every time he hits NYC.
The NYC show fell the day befre Philly and three days before the release of Kurt's new So Outta Reach EP.
Support at Webster Hall came from from Widowspeak and The Young who also played Maxwell's with the Sonics the next day. Pictures from Webster Hall adorn this post.
If you missed Widowspeak (like Klaus did!), make sure to catch them at the BrooklynVegan Holiday Party on 12/17 at Bowery Ballroom with Twin Sister and Ava Luna. Tickets are on sale, and for a paltry $8! (stay tuned for more details).
More pictures from Webster Hall and Kurt Vile's setlist, below...
words & photos by Keith Marlowe
Scratch Acid @ Webster Hall
In lieu of a review of Monday night's Scratch Acid show at Webster Hall, their first NYC show in many, many years, writer/photographer Keith Marlowe presents this open letter to the band's frontman:
Dear David Yow,
I love you. I've always loved you. I've never felt about other singers the way I feel about you. You gave me "HEAD" with the Jesus Lizard, and I want to return the favor. I want to marry you and have your babies. We both hit the sauce hard, so they would probably be all crazy and hideous, with foreheads so huge we could attach windshield wipers. If we ever got bored with our deformed skull babies, we could give them to some shitty no-talent shock-rock band like Slipknot to use as stage props. Or NAMBLA. I don't care, really. Do you think any of the dudes in NAMBLA have fetal-alcohol-syndrome fetishes? Let's find out together.
I wouldn't expect you to be monogamous, because I figure you treat lovers like you do bands. You've been in long-term relationships with Scratch Acid, the Jesus Lizard, Qui, and had one night-stands with the Melvins, Helmet, Shellac and Cop Shoot Cop, among others. I've caught you numerous times when you've flung your body violently into the audience, so you can trust me to catch you during tough emotional times too. I'll always be there for you, no matter what kind of project you're involved with, even that western you acted in starring the Insane Clown Posse.
It's not just about your music either. I'm very physically attracted to you. I've seen your dick a bunch of times over the years, and I think it's super hot. You make great art too, and if the money ever ran out we could live off all the free booze and cheese at your openings, like the one you just had at the Fuse Gallery right here in NYC.
I love you David, and I hope that someday, you'll love me back. Because that would be the "Greatest Gift" of all.
Noveller, who has opened for Jesus Lizard in the past, was added as a last minute opener to the NYC show. More pictures and the setlist, below...
Twinkling blue lights covered the backdrop of the stage like stars when I arrived at Webster Hall last night (11/3), but as if to mirror the sparse simplicity of opener Cate Le Bon's brief solo set, everything faded to black when the Welch singer-songwriter appeared carrying a single electric guitar. Themes of heartbreak shaped Le Bon's songs, injecting a note of sadness into her deep, rolling voice. Though much of her older material is in Welch, Le Bon sung in her native tongue just once last night - to cover the Gruff Rhys song "Pwdin Wy 2."
Though Le Bon later lent backing vox to St. Vincent, the contrast between the performances of the two female artists was stark. The lights and effects were minimal for Cate Le Bon, but for the main act, columns of rainbow-colored light shone through the thick, machine-generated fog. A master performer, Annie Clark easily matched the intensity of the light show with her explosive guitar solos and urgent lyrics, often introducing slight deviations not found in the recorded versions of her songs to keep things interesting. Though covered in shadows for the majority of the evening, her backing band of 3-4 was solid.
Clark drew heavily from her most recent album, the excellent Strange Mercy, omitting just one song ("Hysterical Strength"), but she also peppered her set list with a handful of older songs, like "Marrow" and the buoyant "Actor Out of Work."
Apart from her sheer talent - Clark's voice was flawless, what made her performance so compelling was her ability to channel both her sweet and kick-ass sides. One minute, she was charming the audience with stories of chatting up eccentric bar tenders and sneaking into cemeteries to chase deer, and the next she was crowd surfing while playing the guitar. I couldn't help but chuckle a bit at the appropriateness of the title of her chosen cover, The Pop Group song, "She Is Beyond Good and Evil." At one point, a debate broke out in the audience:
"Shred it Annie!" someone yelled.
"She doesn't shred!"
"Yes she does!" a third person quickly countered.
"What is this, a live Twitter feed?" Clark joked.
I do believe this debate was resolved several times over.
Clark wrapped her show with a two-song encore of older songs, ending on "Your Lips Are Red," the only song from her debut album that made the cut. Annie also stage dove during the song, continuing to play on the crowd, but then back on stage in time to sing "your skin's so fair it's not fair."
Despite the annoying strobes that started to take over as the night progressed, St. Vincent's show will undoubtedly make it into my top ten list this year.
St Vincent's tour comes to an end in Boston tonight, but you can catch Cate Le Bon again Monday at the Rock Shop.
More pictures and the setlist from Webster Hall, below...
We Were Promised Jetpacks at BV-CMJ (more by BBG)
Scotland's We Were Promised Jetpacks spent their Mischief Night (10/30) at Webster Hall in NYC. We invited the band's frontman Adam Thompson into a studio earlier that day to record a session for BrooklynVegan (stay tuned). He told us it was maybe the largest headlining show of their career so far. It was definitely their largest in NYC, and much larger than the show they played for us at Knitting Factory during CMJ. How was it?
Opening at Webster were Royal Bangs and Bear Hands who are still on tour with the Jetpacks. They're making their way towards Austin for Fun Fun Fun Fest where WWPJP will play the fest while BH and RB will link up with Dom & Pujol for a FFF Nites set on 11/6.
Bear Hands return to NYC and headline Music Hall of Williamsburg on 12/16 with guest Fort Lean. Tickets go on AMEX presale at noon on Wed (11/2) and regular sale on Friday. Fort Lean will ALSO be at Le Poisson Rouge on 11/26 as part of the 2nd Annual Voidwell Homecoming Dance with Gordon Voidwell and his band, Emil and Friends, Emily Warren & The Betters and a DJ set from Aaron Pfenning (tickets).
All dates and WWPJ's new video for "Human Error", from their new LP In The Pit Of The Stomach, below...
photos by Chris La Putt
Happy Mischief Night!. Two garage rockin' opening bands and many fans braved the ugly weather in NYC last night (10/29) to get ugly with the Black Lips at the Halloween-themed "Hell at the Hall" extravaganza. Here are some pictures from the night. They continue below...
photos by Kurt Christensen
Dawes headlined a sold out show at Webster Hall last night (10/27). Both Blitzen Trapper & Smoke Fairies opened the show which was part of a tour that lasts through mid November. Pictures from the NYC show are in this post, Halloween decorations included.
Dawes will return to the area by themselves to play three shows in December. First up is the annual WFUV Holiday Cheer show at Beacon Theater on December 5th with the massive lineup of Dawes, Mavis Staples and The Head And The Heart. That should sell out quick when tickets go on general sale Friday (10/28) at noon. Dawes will spend the next two days at the more intimate Maxwell's in Hoboken. Tickets are on sale now for December 6th and December 7th. Dawes play New Year's Eve in Minneapolis.
More pictures from Webster Hall below...
Twin Shadow @ Webster Hall (by Vincent Cornelli)
Accompanied by fellow genre-straddler Twin Shadow, O'Regan (of Diamond Rings) went out with a synthy bang at his 2nd to last show on the 'Clean Cuts' tour. He covered every inch available to him, dancing--and even rapping- on all four corners of the stage.Pictures from Webster Hall adorn this post, and pictures from the Chicago stop on this tour are viewable here.
...he paired his 80's infused dance moves with impressively baritone vocals to provide the audience with the best possible idea of what it is to be Diamond Rings.
"Diamonds are multi-faceted and precious, but also the hardest rocks out there," O'Regan said. "I can cut you if you're not careful."
This contrasting quality seems to be representative of his musical identity as a whole. From his deep voice against catchy synth-beats to his colorful makeup against his pale skin, O'Regan's music is full of clean collisions.
...Diamond Rings' eccentric style has been compared to that of David Bowie and even Lady Gaga. At the show, he was dressed in a graphic t-shirt, a white leather jacket, a chain necklace, and a pale face of makeup. O'Regan said that he uses fashion as a way to express himself and connect with the world.
"People listen with their eyes," he stated. "It's naïve to imagine that image isn't a big part of being a musician in the modern world." -[BU Quad]
If you missed Webster Hall, then hopefully you live in either the Dominican Republic, Nova Scotia, or Asheville, NC. Twin Shadow has dates in all three in the coming weeks, with the latter going down at Moog Fest 2011. Tickets are still available.
More pictures from Webster Hall are below...
photos by Anna Webber
Clap Your Hands Say Yeah @ Bowery Ballroom
Clap Your Hands Say Yeah, who we just mentioned will play a live performance for KEXP at Ace Hotel during CMJ, also have some other upcoming dates coming up. The band will play Fun Fun Fun Fest in Austin and then play a few Australian dates before returning to the US for a few shows in November/December which includes Webster Hall on December 7 (three days before the just-announced Antlers show at the same venue). Tickets for the NYC show go on sale Friday (10/7) at noon with an AmEx presale starting Wednesday (10/5) at noon.
Considering CYHSY's last NYC show was at Bowery Ballroom and it sold out pretty quickly, Webster Hall seems to make sense this time around. Speaking of that Bowery show, which was one day before that Philly show at Union Transfer, here are some pics from it.
Check out their video for "Maniac" off the recently released Hysterical, their performance of "Same Mistake" from the same album on Fallon, more Bowery pics and all dates below...
The Antlers @ ACL 2011 (more by Tim Griffin)
Tickets will be available at the door to tonight's Explosions in the Sky/Antlers show at Wellmont Theater in NJ (10/3). The Antlers play an opening set at 8pm. From there they stay on the road for a couple more days before coming home. They head to Mexico and California later this month, and then it's off to Europe in November. By December 10th they're back home because that's the date they'll headline their own NYC show at Webster Hall! Ticket info TBA shortly. All tour dates below...
Thirty minutes before the opening act, Webster Hall was already getting crowded - good news for Alessi's Ark, the opening act. Much like Laura Marling, Alessi Laurent-Marke combines acoustic guitar-based folk songs with a good deal of charm, but what Marling's discography lacks - levity - Laurent-Marke makes up for. Instead of singing about ghosts, going mad, and lost hope, Laurent-Marke tends to stick to lighter topics (like kite flying) and a more delicate, gentle sound.
Many musicians lose their accents when they sing. Lauren-Marke is not one of them. Accompanying her rich voice is a relatively pronounced British accent (she hails from West London) that makes her vocals all the more alluring - especially when she shares the mic with her friend Marcus, who also accompanied her on the guitar throughout the performance.
Though the crowd was certainly attentive during the opening act, the energy in the room seemed to triple as soon as Laura Marling walked on stage. Shrieks, whistles, and high-pitched giggles replaced demure clapping and extended into the first notes of the opening song ("Rambling Man"). But the crowd became fantastically silent as soon as Marling began to sing.
Blending intimacy with power, she often begins her songs with soft finger plucked melodies before calling on her five-piece backing band to contribute thunderous instrumental interludes on banjo, mandolin, upright bass, drums, keys, cello, and guitar.
Marling performed a smattering of songs from her three albums, including older crowd favorites like "Alas I Cannot Swim" and "Ghosts," which she played back-to-back toward the beginning of the set. Midway into the evening, her bandmates took a break, leaving her alone on the stage to play stripped down versions of a handful of songs, including a brand new, as of yet, untitled song.
In typical fashion, Marling apologized for her inability to grasp the art of stage banter and proceeded to charm the crowd with her asides, random facts, and general awkwardness.
There was no encore, well not technically. "We don't consider ourselves rock 'n roll enough to do an encore," said Marling. "So we have a way of getting around it [...] so if you did want an encore, than this is the last song, and if you didn't, than this is the second to last song." The real reason they don't do encores? The crowd would never let them leave. Somehow, though no one appeared to be dancing, the floor of the venue began to shake in time to Marling's last song, "All My Rage," as if the room itself had undergone a conversion and could no longer contain its excitement. Despite Marling's disclaimer, no one budged after she walked off stage, no doubt hoping she would have a change of heart. No such luck.
Last night's show marked the last stop in Marling and Laurent-Marke's tour that also passed through Chicago.
Earlier in the day Laura awarded some fans who bought her album with a very special afternoon event that involved her playing songs for two people at a time in an extremely intimate setting.
More pictures from Webster Hall and both setlists below...