Entries tagged with: Webster Hall
photos by Bao Nguyen
"One of the sickest shows I have ever been too,
James Blake blew the roof that bitch." - Lily Nunez
"My teeth are vibrating. At James Blake in Webster Hall" - Brennan Moore
"Seeing James Blake at Webster hall.
This is what soul and bass should sound like" - Static TV
James Blake played to a sold out crowd at Webster Hall last night (7/13). His set included all of the James Blake standouts as usual, but also some interesting additions. He played a live version of "CMYK" which he only recently began doing (video below). He ended his set with a cover of Digital Mystikz' "Anti-War Dub" and then returned for an encore to play "The Wilhelm Scream" and a new track, "Tell Me, Are You With Me" (video below).
More pictures, videos, and the setlist from the Webster Hall below...
photos by Jessica Amaya
Beady Eye @ Webster Hall
"...in the Fall of 2009 the Oasis brothers, Noel and Liam Gallagher, get into a heated argument, which may or may not have involved the destruction of one or more musical instruments, Noel quits the band, Liam and the other band members decide to carry on. Fast forward to the spring of 2011 when what essentially boils down to Oasis minus Noel Gallagher drop their debut album, Different Gear, Still Speeding, under the new moniker Beady Eye." [Live4Ever]Beady Eye, who are sort of Oasis without Noel, played their first public NYC show at Webster Hall on Thursday (6/23). I say "public" because one day earlier they also played a full set at the Ed Sullivan Theater as part of the "Live from Leterman" series which you can watch in its entirety below.
The Webster show was opened by New York locals The Dig and is pictured in this post. Beady Eye played their entire debut Different Gear, Still Speeding, including the iTunes bonus track "Man of Misery." They also covered the World of Twist song "Sons of the Stage" in the encore.
Full Webster setlist, more pictures from the show and the Letterman video, below...
photos by Ryan Barkan, words by Andrew Sacher
Being that I'm admittedly too young to have seen Paul Simon in his prime, I wasn't totally sure what to expect from his BV-presented Webster Hall show last night (6/6). After watching him deliver a 26 song set, which failed to show any signs of slowing down, I lost sight of all expectations I had and embraced the fact that Paul Simon was just straight up impressive. The set spanned his entire career from his days in Simon & Garfunkel through his recently released So Beautiful or So What, and also included a few covers. The songs off So Beautiful or So What resonated as strongly as his earlier material and blended right in. During the song "Rewrite" I even found myself debating over which of his albums the song was on, only to later realize it was in fact a new one. The entire set was so consistent that choosing any sort of standout is difficult, though if I had to say, When Paul and his band flowed seamlessly from Jimmy Cliff's "Vietnam" into Paul's own classic, "Mother and Child Reunion," I was pleasantly caught off guard.
The real treats, however, came during the encores. After a massive end to the initial set, Paul and band left the stage only for Paul to return with nothing more than an acoustic guitar. He provided some foreshadowing guitar which eventually built into an extremely intimate version of the Simon & Garfunkel staple "Sounds of Silence." Contrasted with a largely upbeat set, that small dose of melancholy left the audience still, silent, and possibly even more captivated. The impact that song holds almost 50 years later isn't matched by many, and Paul Simon's still-strong deliverance is matched by even less. Paul's band returned to the stage and the encore continued for three more songs including a rendition of the George Harrison-penned "Here Comes the Sun."
When the first encore finished and the stage crew scrambled to set up another mic stand, it was obvious that the band was returning for a second encore. But little did I know, the second mic was being set up for none other than David Byrne. The fellow worldbeat loving New Yorker sounds like the most appropriate guest on paper (except for maybe Art Garfunkel) and it was even more than that in real life. As mentioned, David, Paul, and band performed Talking Heads' "Road to Nowhere" and Graceland favorite "You Can Call Me Al." Byrne left the stage and Paul Simon and band played two more, appropriately including "Still Crazy After All These Years," before taking their final bows and exiting the stage after playing "Crazy Love, Vol. II".
Check out more pictures from the show below...
Paul & David @ Webster Hall -- photo by Ryan Barkan
An already excellent show was made epic when David Byrne surprised everyone by joining Paul Simon on stage at Webster Hall to perform two songs during the encore last night (6/6). First Simon and band backed David as he sang Talking Heads hit "Road to Nowhere". Then, like they did at BAM in 2008, David and Paul traded verses on Simon hit "You Can Call Me Al". A full review and set of pictures (more like the above) from the Monday night club show are coming soon. In the meantime check out some videos people posted to Youtube, below...
Lykke Li @ Webster Hall
"She looks like a normal non-idiotic Gaga. With better music." Or at least, that's what the consensus seems to be among Lykke Li fans on the music site Last.fm.
Lykke Li's rise to fame over the last few years has not been incidental. She's got an ear for catchy pop music, sexy dance moves, and just the right combination of Swedish genes. On stage, she seems to exude a cool confidence. And yet, in the song "Dance, Dance, Dance," she insists that she's actually quite shy. Of course, with her dramatic eye make-up, form fitting clothing, and sleek physique, she's gorgeous, but not in a way that incites resentment or makes her seem elitist or impossible to relate to. When she encourages you to dance, you want to respond accordingly, even though the room is far too crowded and you know you won't have the space to dance as gracefully as she does. Behold the draw of Lykke Li.
"We're lucky we're seeing her play here. She won't play anywhere this small again," a concert-goer said to his companion. One thing's for sure: She's certainly a tough act to precede.
But despite the fact that few people at Wednesday night's show at Webster Hall (the second of two sold out shows at the venue) seemed to even know there was an opener on the bill (let alone the identity of said opener), the audience seemed highly receptive to the Toronto one-woman outfit Grimes - even when she (Claire Boucher) momentarily flubbed the intro to her first song.
With her catchy keyboard-driven melodies and thumping bass lines, Grimes at times reminds me of a female Baths - but with an otherworldly twist due to Boucher's distinctive high-pitched, childlike voice and indecipherable lyrics.
Boucher's performance was certainly not as polished as that of Li (She coughed right into the microphone at one point), but her experimental leanings nicely contrasted Lykke Li's more straightforward pop sensibility.
With the exception of some dramatic lighting, the stage set-up was fairly minimal for Grimes, but for Lykke Li, the venue piled on the drama. Following a long intermission between sets, the room suddenly went dark and the smoke machines on stage kicked into overdrive.
As music played in the background, Li's backing back assumed their positions, and the tension escalated. Finally, Li herself appeared to rapturous applause. As if the setting on stage wasn't dramatic enough, Li looked like a widow in mourning in her black veil and oversized cloak. Bursts of blinding white light, thick clouds of smoke, and well-placed fans made it seem as if a tempest had broken out on stage. Long black curtains billowed in the manmade gusts and effectively enveloped Li until she brushed them aside with a graceful flourish.
Of course, it wasn't long before the veil fell and revealed Li's beauty mark, well-defined cheekbones, and unblinking gaze; and the cloak fell open. Li powered through her hour-long set, playing songs both from her most recent release and a few old favorites, including "I'm Good, I'm Gone" and "Little Bit." At the encouragement of the audience, she extended her encore and closed with "Unrequited Love."
Lykke Li's lyrics may not be particularly groundbreaking, but she performed with the poise of an experienced pop star and a level of intensity typically reserved for an encore. Perhaps she said it best herself: "Words can never make up for what you do."
Lykke Li's next NYC show is in fact in a bigger venue, Central Park Summerstage on August 1st. Tickets are still available. In the meantime, Lykke continues on her current North American tour which runs through the end of May with Grimes.
More pictures pictures from the Wednesday night show at Webster Hall, and the setlist, below...
words & photos by Dominick Mastrangelo
That so many of the characters in Greg Dulli's songs are met by misfortune (often self-inflicted) and find themselves in questionable circumstances, it was fitting that he and his Twilight Singers rolled into New York City on a Friday the 13th. Though anyone expecting something to go wrong during their feverish 21-song set were left disappointed.
"It's my birthday... three days later," Dulli joked at one point, but the entire 90-minute set seemed like a party. Nobody was having more fun than Dulli, who with this year's Dynamite Steps has released as many records as a Twilight Singer/solo artist as he did fronting the Afghan Whigs.
Early on, before a punishing version of "Bonnie Brae" (made popular by its inclusion in the television show "Rescue Me"), he accepted flowers from a fan in the front row, stepped to the mic and said, "You sure know how to make a man feel like Neil Diamond."
His voice was expectedly and delightfully off-key and his band sounded great, especially drummer Greg Wieczorek, "the best drummer I've ever seen," said Dulli during his band introductions. Erik Kang of openers Margot & the Nuclear So and So's (more on them in a second) came out to play pedal steel and violin later in the set.
As thunderstorms, porn theaters and other ominous images appeared on the screen behind them, set highlights included "Teenage Wristband", the cover of Martin Topley-Bird's "Too Tough To Die" and "On the Corner", "The Beginning of the End" and "Get Lucky" all from Dynamite Steps.
"Ladies and gentleman, The Killer," Dulli proclaimed, as a photo of that song's protagonist, Jerry Lee Lewis, and 13-year-old wife (and first cousin once removed) Myra Gale Brown loomed on the screen. It was the first song of a three-song encore and "The Killer" grooved and wailed better than anything else they played that night. Dulli closed with a ramped up version of "Esta Noche" ("This is the motherfucking finish line") that ended in a refrain of Carl Carlton's "Everlasting Love."
Margot and the Nukes' opening slot for the Twilight Singers made a lot of sense considering that bandleader Richard Edwards' songs traffic in a milder, Dulli-esque world of bruised and mis-handled relationships, but armed with Rachel's review of a show from last fall, I approached their set with trepidation. Then something happened when I got to the venue - I didn't care about any of that stuff. Bands shed and add members all the time and you either stick with them or you don't and I was just excited to see a band that I've adored since The Dust of Retreat. Sure, like a lot of people I'm nostalgic for the old version of Margot and (having seen them four times previous) missed seeing some familiar faces who were germane to a pretty great live show. But the version that recorded last year's Buzzard needed to be taken for the band it is now.
Ultimately, where the earlier Margot was more a chamber pop collective - this retooled lineup is a solid, straightforward rock band. "If you want to stay/Shut up. If you want to go/Get lost," Edwards snarled on Margot's set opener, the excellent "Claws Off" And then later in the song, "get lost" becomes "get fucked." But there are some lovely melodies in the earlier material, which was showcased on the stripped down version of "Broadripple Is Burning" complete with audience members singing along. There's still plenty of common ground to be found in their live show for fans of both incarnations.
The Twilight Singers and Margot are still on tour. A list of all upcoming TS dates, more pictures and the setlist from the Webster Hall show, and a video of the band playing Letterman in April too, below...
NYC did just get two nights of Paul Simon at the fabulous Beacon Theater, but I still couldn't help feeling left out since the March announcement of rare Paul Simon club dates. Seattle, LA, San Francisco, Toronto, Chicago, DC and even Boston were given chances to experience Paul up close and personal . NYC wasn't included... until now. BrooklynVegan is proud to present Paul Simon at Webster Hall on June 6! (at 8pm)
Tickets for the NYC club date will go on sale to the public on May 25 at 10am (via Ticketmaster), but there will also be a presale beginning exactly 24 hours earlier. Check in right here on BrooklynVegan.com on the morning of May 24 for presale details and a password.
UPDATE: Password HERE.
You can also try and WIN two tickets on the BrooklynVegan Facebook page now. All tour dates, Philadelphia on June 4 & 5 included, are listed below.
Paul's Chicago club show happened on Monday at the Vic. Greg Kot was there...
"Paul Simon has played stadiums and festivals. He's done Central Park. So it was a treat Monday to see one of the most venerated songwriters of the last half-century turn the relatively intimate, sold-out Vic Theatre into his living room.The full Chicago setlist, all tour dates, and videos of Paul performing new songs "Rewrite" and "So Beautiful or So What" on Saturday Night Live over the weekend (Ed Helms was the host), below...
The 69-year-old singer-songwriter dressed for the occasion in loose-fitting jeans and black T-shirt underneath an unbuttoned shirt. His eight-piece multi-culti band framed him, with Simon at times resembling a crossing guard at a three-way intersection as he directed musical traffic. His foot tapped, his arms waved, he crouched and jutted a guitar toward his musicians, he even played an air washboard solo...
Toro Y Moi at Bowery Ballroom (more by Toby Tenenbaum)
Shortly after enjoying a relatively leisurely summer compared to his year so far (SXSW, Bowery Ballroom, Mercury Lounge) , Toro Y Moi will hit the road after Labor Day for a string of U.S. dates that will include a stop at Webster Hall on 9/14 with Ava Luna. Tickets for Chazwick Bundick's biggest NYC show yet go on sale at noon on Friday (5/20).
Toro Y Moi welcomed the Underneath The Pine LP in February, and will follow it up with the Still Sound Remix 12" via Amazing Sounds on June 13.
Toro Y Moi recently made a mixtape featuring awesome names like King Tubby, Dorothy Ashby, Ennio Morricone, and Goblin. In related news, Goblin's Claudio Simonetti will play Santos Party House on May 24th as part of Daemonia, his metal band that updates classic songs by Goblin. They'll be joined by Wolf Eyes and tickets are still available.
All tour dates and some video is below.
* Modeselektor photo by Emma Gutteridge
A night of bass in all its wide-ranging permutations! MODESELEKTOR bring their hotly anticipated Modeselektion night to the Metropolis. The "no holds barred" German duo will be DJing alongside their selected guests, including mysterious industrial-dubstep duo ANSTAM, New York garage revivalist FALTYDL, Montreal bass producer JACQUESGREENE, and high-end electro maven SIRIUSMO.The June 3rd event at Webster Hall has almost the same lineup, but includes KRSN instead of JACQUESGREENE and FALTYDL. Both events will have Pfadfinderei Visuals. Unfortunately, the NYC show is also a Friday night "Girls & Boys" party at Webster Hall. Fortuntunately, that means it's only $5 with RSVP if you arrive before midnight.
Modeselektion, the night, is branded to match Modeselektion the mixtape series. Modeselektion Vol. 1 was released on November 5, via Monkeytown, and the tracklist (which you can see in full below), includes Siriusmo. Falty DL appears on Modeselektion Vol. 01 - Bonus Tracks & Versions which was released in December.
The NYC flyer, all Modeselektor dates, the CD tracklist, and some videos, below....
RJD2 at Webster Hall (more by Chris Doss)
A little more than a year after he last played the venue, RJD2 will return to Webster Hall again on Sept 2nd, but this time as part of the club's Friday night "Girls & Boys" party (aka more club night than concert). RSVP and get in for $5 before midnight ("Neat and trendy appearence a must"). Flyer below.
photos by Winnie Cheung
Appearing as a five-piece following the addition of guitarist Christoph Hocheim, The Pains' live performance largely eschewed excessive bombast and theatrics in favor of sharply-written and arranged shoegaze-inspired songs awash with passion and an understated intensity. The band's romantic, major chord-driven melancholic pop retained the low-key yet dramatic sensibilities of their recent records, with singer Kip Berman's gentle, whispered vocals proving the perfect counterpoint to dense, fuzz drenched guitars and synthesizer hooks.The review comes from the Pains of Being Pure at Heart/Twin Shadow tour stop at Daniel Street in Milford, CT on May 2nd, four days before the tour ended in NYC at Webster Hall (on May 6th). Pictures from Webster Hall, opener Big Troubles included, are in this post.
The band's 13-song set was almost evenly divided between their first and second albums, as early singles "Teenager in Love" and "Come Saturday" brimmed with an indelible youthful energy. But The Pains were especially engaged and confident on songs from their recently-released album Belong. The synth-driven dream pop of "The Body," the Ride-influenced "Heaven's Gonna Happen Now" and the album's dynamic title track easily stood as highlights of the evening and demonstrated a marked evolution in the group's skills as composers and performers. -[kevchino]
The Webster show was one day after Twin Shadow played an NYU show at LPR with the Thermals which was the same night Twin Shadow appeared on Late Night with Jimmy Fallon to perform "Castles in the Snow," and web-exclusive "I Can't Wait." Both videos are below.
Twin Shadow and Pains will cross paths again at the Osheaga Festival in Montreal at the end of July. All upcoming tour dates for both bands, and more pictures and those videos, below...
YACHT at Coachella 2011 (more)
The previously discussed YACHT tour continues until middle May, and the crew is poised to tear down Webster Hall with Light Asylum and Bobby Birdman in NYC tonight (4/27). Tickets are still available, or you can try your luck at winning one of three pairs of tickets we're giving away! Details on how are at the bottom of this post.
YACHT recently made a remix of the Classixx track "Into The Valley" (featuring Karl Dixon) for Green Label Sound (download/stream it below), and the LA production and DJ duo will be in NYC this week and at Webster Hall too. Just two days from today (on 4/29), Classixx will play as part of the Girls & Boys party with Nancy Whang (of Holy Ghost!, the Juan Maclean, and the now defunct LCD Soundsystem) and guests. Tickets are still available and doors open at 10PM.
All tour dates, contest details and that Yacht remix is below.
photos by Toby Tenenbaum
"Last night Yawn opened for Yuck. Indie rock has officially become an Abbott and Costello routine." - Simon Vozick-Levinson
"Had this awesome dream where Tame Impala covered Angel by Massive Attack. No wait...that actually happened." - Peter Sununu
Tame Impala @ Webster Hall
Tame Impala and Yuck and less-advertised opener Yawn brought their tour to a sold out Webster Hall in NYC last night (4/25). It was the headliner's only NYC show this time around, though Yuck will be back soon to headline their own show at Bowery Ballroom on May 27th. Tickets are still on sale for that. Oh, AND Yuck play a free in-store at Other Music TONIGHT.
About last night...
"[Tame Impala] had 9 flat screen monitors behind them that featured a light show that responded to the music. As you can imagine, it was a pychedelic delight. Aside from "I Don't Really Mind," Tame Impala played the entire "Innerspeaker" album as well as a cover of Massive Attack's "Angel." They even dug deep and played "Skeleton Tiger" and "Half Full Glass of Wine" off their debut EP (which is quite hard to find in the United States). The set was just about 70 minutes long and it was awesome." [According to G]The full setlist and more pictures from the whole show, below...
photos by Brook Bobbins
Art Brut @ Webster Hall - March 4, 2011
Hello. We're Art Brut.Art Brut are currently seeking donations in various increments and offering everything from a private live show to a digital download as repayment. Everyone who donates will receive a free live EP and a portion of the proceeds will go toward "housing and homeless charity Shelter, who do incredible work helping to alleviate the massive distress that being homeless, or having a difficult housing situation, can cause".
We've completed the recording of our new album 'Brilliant! Tragic!' and working alongside PledgeMusic, we'd like give you a little more than usual and help us go to places Art Brut have never been.
PledgeMusic allows you to pledge towards Art Brut's dream of touring places that have yet to enjoy the live Art Brut experience. You can get a signed CD or Vinyl before 'Brilliant! Tragic!' reaches the stores. But we're also offering weirder and more wonderful options to a limited number of Art Brut aficionados. What about Art Brut karaoke with Eddie or the whole band playing in your front room...
An exclusive new song "Unprofessional Wrestling" (it won't be on the new album) is also available for free download NOW for the price of an email address. The list of songs that will be on the new album is below, along with the Brilliant! Tragic! cover art (the LP is out May 24 via Cooking Vinyl/The End Records).
Art Brut is plotting a return to North America in June. The band will play NYC at Music Hall of Williamsburg on June 23rd Tickets for that show go on AmEx presale Wed at noon, and regular sale on Friday. All dates are listed below.
Art Brut were here earlier this year to play the Downtown Records celebration at Webster Hall with The Suzan, A-Trak (whose next NYC show is at Terminal 5), White Denim, & Lissy Trullie. Pictures from that show, album info and tour dates, below...
Destroyer's new album, Kaputt, is Dan Bejar's grandest musical statement to date, resplendent with horns and bubbling sequencers, bringing to mind Roxy Music, The Blue Nile and even Steely Dan. In order to replicate Kaputt's lush sound, Bejar put together the "Destroyer Orchestra," an eight member band more than up to the task, as heard last night (4/3) at Webster Hall.
Much credit for this should be given to saxophonist/flautist Joseph Shabason and, in particular, trumpet player J.P. Carter who is like the Kevin Shields of trumpet players. Carter ran his instrument through a couple delay/loop pedals, making it sound epic and weird and amazing. It mixed with the sax and lead guitar to form this sonic swarm that hovered around the songs all night. It was rather magical, so much so that Bejar spent much of the time not singing crouched down, swigging his drink and quietly digging this world of sound he helped orchestrate.
The rest of the band brought the laid back groove, so prevalent on Kaputt of which we got all but two songs (No "Savage Night at the Opera" or "Poor in Love.") "Suicide Demo for Kara Walker" and Kaputt's title track were especially good. The expanded line-up also elevated older songs in the set like "Painter in Your Pocket" that was transformed into a lost Al Stewart single from 1978. (Dan Bejar has always kinda been the indie Al Stewart.) The only thing missing was Sibel Thrasher, whose vocals are such a big part of Kaputt. Keyboardist Larrisa Loyva sang her parts ably, but lacked Thrasher's gravitas and soul.
The night's showstopper came with the encore -- the nearly 15 minute "Bay of Pigs" which was released as a single in 2009 and closes the album. Bejar needed a lyrics sheet, but much of the crowd didn't. A group of girls next to me shouted out the lyrics with the kind of enthusiasm you half expect the taciturn Bejar to display. I'm pretty sure it was that group of girls who launched a pair of undies onto the stage. Bejar smiled, and gave them to the saxophonist who proceeded to throw them back into the crowd. He's just not that kind of frontman.
The War on Drugs opened, but I missed them entirely. We have pictures of them though, More pictures from the whole night, Destroyer's setlist and video of "Painter in Your Pocket", below....
photos by Andrew St. Clair
Lupe Fiasco's "Lasers" album finally will be released to the public this Tuesday. It's been a long time coming -- his last record was "The Cool" in 2007 -- but it's not at all the album the Chicago rapper wanted to make. His valiant attempts to buck up and promote it are downbeat and disheartening. When I first chatted with Fiasco during some down time last week in New York City, I congratulated him on the album's first single, "The Show Goes On," which had just gone gold (selling 500,000 singles). He huffed, his whole attitude was "whatever" as he responded: "It's their record. My words, their music. They forced this song to be a No. 1 single, and that's what they got. I can't take any credit for it."Regardless of Lupe Fiasco's feelings on Lasers, the Chicago MC gave a highly-energetic performance as he celebrated its release last night, 3/7, at a sold-out headlining NYC show at Webster Hall. Special guests included John Legend, Sway, and Dosage. Black Milk, who also opens the upcoming Roseland show, opened the night.
He's referring to Atlantic Records, the once historic label (founded by Ahmet Ertegun) that is now a subsidiary of the Warner Music Group. According to Fiasco, various players at Atlantic thwarted his artistic mission on this, his third album for the label -- a process that dragged on for three years and ended only when several hundred fans scheduled a protest last October in downtown Chicago and outside the label's New York City offices. -[Chicago Sun-Times]
Lupe also recently played a sponsored event at the smaller Music Hall of Williamsburg. His next show may be the Atlantic Records showcase (he can't be that angry) with Wiz Khalifa and Cee-Lo at SXSW.
More pictures from Webster Hall, setlist included, below...
photos by Amanda Hatfield
Beach House and Papercuts played their second of two shows at Webster Hall on Friday (2/25). The first was two days earlier, and the tour came to an end Saturday night in DC. Pictures and the setlist from the 2nd NYC show are in this post.
photos by Brook Bobbins
A-Trak & Dave 1 @ Webster Hall Friday
In a new Valentine's Day feature posted over at Hearty Magazine, "eligible bachelor" A-Trak says he is "rambunctious" in the sack and hopes not to spend Valentine's Day on an airplane (ok, it's a pretty boring interview actually). On Friday night, after checking out his brother's show at Terminal 5 with The Suzan (who are signed to A-Trak's label Fool's Gold), A-Trak helped his brother DJ at the Chromeo afterparty at Webster Hall (where A-Trak is officially playing with The Suzan on March 4th).
Mr. Oizo played the party too, but Brook wasn't there for his set. More pictures and a couple of video from the Chromeo/A-Trak part (there's a shot of Alex English in there too), below....
The production team which brought house music back from the brink of commercial mediocrity, Leftfield made it safe for artistic producers to begin working in a new vein termed progressive house. Paul Daley (a former member of A Man Called Adam and the Brand New Heavies) and programmer Neil Barnes combined the classic soul of early Chicago and New York house with the growing Artificial Intelligence school of album-oriented techno to create classic, intelligent dance music. [After a series of well-recieved singles, Leftfield released] their debut LP, Leftism... in 1995; the long-awaited Rhythm and Stealth followed four years later. With only two albums under their belt, Leftfield decided to split in early 2002 to focus on solo projects. -[Allmusic]Neil Barnes resurrected Leftfield last year, and though founding member Paul Daley is not on board, he has been replaced by original vocalists Djum Djum, Earl 16 and Cheshire Cat plus Adam Wren (keyboards), Kwes Sey (keyboards and computers) Jess Mills (vocals) and Sebastian Beresford on drums. The electronic [now] crew is scheduled to play a few shows in Australia in March and, at the moment, two US dates in April. One is at the sold-out Coachella and the other is right afterwards on April 19th at Webster Hall in NYC. Tickets for that show go on AMEX presale Wednesday, 2/7, at noon, and then general sale starts Friday.
All tour dates (more to be announced?) and some videos below.
photos by Chris Gersbeck
"Off to Wavves and Best Coast -
maybe I'll show up on Hipster Runoff tomorrow" - Wesley Barrow
"At best coast/wavves, 99 percent of people here
follow best coast's cat on twitter" - WiLD ViBES
Best Coast @ Webster Hall
"The '90s are back, and along with flannel, environmentalism and 20-something ennui, the resurgence has brought some great self-deprecating rock songs.You won't be able to see the stage, but the entire DC show is streaming at NPR. It took place the same night Best Coast's Letterman's appearance aired.
Best Coast and Wavves are responsible for the best of them. The two young bands performed at the 9:30 Club on Monday night, singing about California boredom and slacker romance - the latter made all the more intriguing by the fact that Best Coast singer Bethany Cosentino and Wavves singer Nathan Williams are a couple.
And while the neo-grunge lovebirds have both toured doggedly (and separately) in support of their both-excellent 2010 albums, Monday's gig proved that neither act has quite figured out how to translate the heroic loserdom of their recordings to the stage.
Still, these losers have been wildly successful." [Washington Post]
Two nights after DC, last night (2/2), Best Coast, Wavves, and tour-opener No Joy played a sold out show at Webster Hall, and they do it again tonight at Music Hall of Williamsburg. More pictures from Webster Hall are below...
Alt-bros Dave 1 and A-Trak (more by Brook Bobbins)
Miike Snow/Major Lazer/Santigold/etc. at Terminal 5 on March 5th (on sale now) isn't the only birthday party Downtown Records is throwing for itself. They're also hosting A-Trak, Art Brut, White Denim, Lissy Trullie, and The Suzan at Webster Hall on March 4th. Tickets for that first part of the two-day celebration go on sale Saturday (1/29).
The Suzan is hitting the road with Chromeo (also are playing Coachella this year) and MNDR for US dates next week. The tour hits a sold-out Terminal 5 on Feb 4th (the afterparty is at Webster Hall). The Fool's Gold-signed Suzan recently dropped a pair of releases in Japan, a live iTunes only LP and a CD+DVD combo of Golden Week For The Poco Poco Beat.
No more Art Brut dates to report at the moment. All A-Trak and Suzan tour dates and some videos below.
photos by Kurt Christensen
"[The Jayhawks] followed up Town Hall with 1995's Tomorrow the Green Grass, the Jayhawks' signature record. Opening with Olson's masterpiece "Blue," which cracked the Top 40 in Canada, the record is dominated by genius offerings from Olson, especially the shit-kickin' country-rocker "Miss Williams Guitar" (named after Olson's then-girlfriend Victoria Wilson), the melancholy "Ann Jane," and "Blue's" downbeat, somber counterpart, "Over My Shoulder." Louris was no ghost on Green Grass, adding gorgeous harmonies to Olson's songs, as well as lush compositions like "I'd Run Away" and "Nothing Left to Borrow." Despite some success north of the border, the reaction stateside was lukewarm at best. The band had overspent on the recording of Green Grass and the CD receipts could not recoup the cost..." [Bill Reese]The Jayhawks also followed up their performance of Hollywood Town Hall Thursday night at Webster Hall, with a performance of Tomorrow the Green Grass at Webster Hall on Friday night (1/21). Both NYC shows were part of a short and ongoing tour that is coinciding with the reissue of both classic albums.
A second set of pictures from the first night (by Kurt instead of Chris), along with a video and the setlist from night two, and remaining tour dates, below...
photos by Chris Becker
NY Press: You seem to be in a great place as a band right now. You're popular around the world, but still not so massive that connecting with your fans is a challenge. Do you have any fear that if you become bigger your music will become less meaningful?So far The Radio Dept made it through sold out shows at Knitting Factory and Bowery Ballroom. Hopefully Webster Hall on February 3rd isn't the one that kills them. Tickets for the new NYC show go on sale Friday at noon.
Johan Duncanson of The Radio Dept: Yes, it's been our biggest fear since our first single in 2002. We've never been interested in 'making it.' We just want to create something strong, meaningful and different--something that matters to us. We're shy people and not very confident on stage. When the band grows you start attracting the kind of people who expect you to act out when you're playing live. The rock audience. That's what will kill us in the end.
Braids opened for the band at Bowery Ballroom, like they did at Knitting Factory. More pictures from Bowery and all Radio Dept dates below...
the current issue of FADER
It's all about Lykke Li all of a sudden. There she is on the cover of the new issue of FADER which has appeared not long after the recent release of her new single and video which was followed by the announcement that she...
"...is set to release her highly-anticipated sophomore album, Wounded Rhymes, on her label LL Recordings on March 1st, 2011. Produced by Bjorn Yttling of Peter, Bjorn & John and recorded in Stockholm, Wounded Rhymes is the follow up to Lykke Li's critically-acclaimed debut, Youth Novels.And that album release comes with a May tour which came with a May 17th Webster Hall show which must be close to selling out because she added a May 18th show at the same venue (it goes on AmEx presale Wednesday at noon).
On top of all that, Lykke is now in NYC for a one-off, pre-tour, pre-album, very-sold-out show at Le Poisson Rouge which goes down tonight, 12/1, with the recent addition of DJ Scribe on the bill. AND, we spent some time in the past few days prepping an interview which we'll be conducting along with a video team from Kanon Organic Vodka who are sponsoring both the show and the afterparty which Lykke Li is DJing at SoHo Grand Hotel after the show. Stay tuned for that along with pictures and a review from LPR.
Updated Lykke Li tour dates below...
photos by Tracy Allison, words by Erin Allison
Long Beach natives The Fling opened the show around 8 p.m., playing a short but sweet 30 minute set. They were followed by Darker My Love (also California natives) who took the stage at 8:45 p.m. Darker My Love took small breaks in between songs to announce that there was no use in crying over spilled beer on their amp, and to thank Delta Spirit for playing the show with them. Their 9 song set included songs off their most recent album Alive as You Are, which was released this past summer.
By 10 p.m. the members of Delta Spirit started appearing on stage. The venue was packed wall-to-wall with a rambunctious, shouting audience. The band played off the crowd's energy and brought plenty of their own. Between dancing around the stage, encouraging sing alongs, copious amounts of hand clapping and a very enthusiastic fan up on stage, Delta Spirit kept the floor shaking throughout the entire set, which included a Pink Floyd cover and songs off their albums Ode to Sunshine and History From Below. Their just released five song EP entiltled The Waits Room was available as limited edition vinyl at the merch table.
Singer Matt Vasquez, who got some practice playing to the large Webster Hall crowd when he opened solo for Deer Tick on 8/13, expressed his gratitude and excitement about playing for the New York audience. Before playing "Bushwick Blues", he announced it was "for Bushwick" and dedicated "St. Francis" to non-native New Yorkers. Towards the end of the set, the enthusiasm that the audience felt became visible, with every person in attendance vigorously dancing and clapping along with the band. By 11 p.m. Delta Spirit had left the stage, but not a single person in the crowd was ready to leave and when fans demanded more music, they obliged with a two song encore consisting of "Motivation" and "People Turn Around".
More pictures from the show below...