Entries tagged with: Webster Hall
words by BBG, photos by Lori Baily
"Totimoshi, Melvins, Isis @ Webster Hall. Why would
I not be here? #fuckyeah." - Aaronzeem
"After Totimoshi, the Melvins hit the stage! I was expecting Isis to be next, as they were always billed as the support act, and, honestly, the Melvins are just more important. But, I'm guessing the groups are alternating for the stint they're doing together, which I guess makes sense, especially since, as mentioned before, Isis is breaking up." [An Uncontrollable Urge]Just three more dates. As I type this, Isis is putting a close on another show, getting closer and closer to closing the book on the highly influential post-metal band, for good. This past Friday (6/18), the band played one of their final shows at Webster Hall with Totimoshi and the Melvins. It was part of a two date stay in NYC (which continued at MHOW on Saturday - photo set on the way). Photos from Webster Hall, where Isis's headlining set got cut short due to Webster Hall's weekend curfew, are in this post.
All Isis dates, with the Webster Hall pictures and two of the night's setlists, below...
photos by Andrew St. Clair
Tokyo Police Club, now on tour with Passion Pit and DOM (who played Brooklyn Bowl last night), played a sort of private show at the Studio @ Webster Hall in NYC last night (6/1). That was followed by a beer pong after-party with Mark Knight and others in attendance. Pictures from the whole night, and TPC's setlist, below...
"From the very first chords -- wisely not something from the new album, but a scorching version of Roky's classic "Night of the Vampire" -- it was evident that it was going to be a show to remember. And it just got better from there. Okkervil's frontman, Will Sheff, who with his beard and spectacles looked every bit like a long-lost son of John Lennon, spent the 90-minute set grinning from ear to ear as he played out his guitar fantasies onstage with Roky.Their amps eventually arrived and the Roky Erickson Okkervil River band played their show at Webster Hall on Tuesday night. More pictures from the show and the selist, below...
This was clearly a labor of love for Sheff and his band. Okkervil River was definitely not a backup band, but a true collaborator with Roky." [WYMMWIG]
photos by Vincent Cornelli, words by Rachel Kowal
one of the sons
I'm not sure when or how it happened, but sometime in the past year Mumford & Sons got big. From Cleveland to Phoenix, the British four-piece has sold out the vast majority of their upcoming tour dates, and their two shows this week in New York were no exception.
The evening at Webster Hall began with a seven-song set by Australian band, The Middle East. Like the main act, the openers had a lot of energy and a number of talented singers. They also exhibited a wide range of moods during their performance. For some songs, the bass boomed powerfully from the speakers and shook the room. But for others, like "The Darkest Side," they took a much more restrained and melodic approach, and the group's token female keyboard player, Bree Tranter, even had a lovely vocal solo. Their final song, "Blood," was particularly beautiful. The song begins gently but eventually crescendos into a lively round of group vocals.
After a long wait between sets, the impatient audience started cheering when the large Mumford & Sons banner unfurled against the stage's black backdrop. Finally, at the tech guy's signal (a few rapid blinks of a flashlight), the band took to the stage to the crowd's great delight.
Lead singer Marcus Mumford kicked things off with the title track from their debut album, "Sigh No More." The floor of Webster Hall started shaking during the very first song as the crowd bobbed up and down in time to the music, proving that this was not your typical group of ambivalent scenesters.
"This is one of the biggest shows we've ever played... we're all very excited," Marcus yelled between songs. With the opening notes of "Little Lion Man," about six songs in, the energy level in the room escalated, prompting lots of clapping, dancing, and a sing-a-long session from both the audience and the band. "Roll Away Your Stone" also got pretty rowdy, especially after the invitation to dance that preceded the song. Though Marcus had called more for a hoe-down than anything else, Webster Hall's huge disco ball was suddenly illuminated, sending rainbow-colored patches of light swirling around the room. The members from Middle East even came on stage and started dancing around and banging on drums.
For their two-song encore, Mumford & Sons played an enchanting acoustic performance of "Sisters," followed by the painfully earnest song "White Blank Page." More pictures from the show, and a picture of Mumford's setlist (which shows a 2nd encore), below...
Two Door Cinema Club @ the Bell House on May 11 (more by David Andrako)
UK's Two Door Cinema Club just came stateside for a tour earlier in May. After their two NYC shows, they promised to return in October for another NYC date, which will be happening October 21st at Webster Hall. Tickets go on AmEx presale at noon. General sale starts Friday at noon.
photos by Dominick Mastrangelo
Broken Social Scene made their return to New York Friday night and a sold-out Webster Hall (In 2006 they played the venue three nights in a row). The collective, out in support of their new full-length, Forgiveness Rock Record, played for two solid hours with no opener. BSS Alumni Emily Haines and Jimmy Shaw came out for a handful of songs in the middle of the set, including "Anthems for a Seventeen Year-old Girl" and "Almost Crimes". Those songs book-ended the live debut of Forgiveness' "Sentimental X's" (video below). Shaw came out to play trumpet on "Lover's Spit", the final song of the night. Band leader Kevin Drew gave the crowd a multiple choice of final songs. "We can play "Superconnected". We can play "Major Label Debut". Or We can play "Lover's Spit". A show of hands and applause a minute later tipped the epic ballad to close the show.
One night later, Saturday, the band played the smaller Music Hall of Williamsburg (more about that soon). The full setlist, that video and more pictures from Friday below...
Two months after their record release show (as well as a couple of secret shows) the Swedish band Shout Out Louds returned to New York and Webster Hall on Wednesday, 5/5 (one night after Yeasayer played the same venue and one night before Beach House played there ). The band were only a few days into a three-week tour of the US in support of their third full-length, Work, and minus bass player, Ted Malmros, who stayed in Sweden awaiting the birth of his child. Opening were Freelance Whales who are supporting the band the entire tour and opened for their show at the Music Hall back in March. More pictures and the SOL setlist below...
by Benjamin Lozovsky
Yeasayer made a much deserved homecoming Tuesday night at Webster Hall in NYC. Chris Keating pronounced during the show, "There isn't any place in the world we'd rather play." Three months after cautiously debuting material off their latest album Odd Blood, they returned savvier and sassier; even with so many miles behind them, they performed leagues ahead of their February dates.
The band was brimming was confidence throughout the night, with tapered bravado and an improved, fluid grasp of the instrumentation. From the creeping, sinister Children to the redemptive bounce of closer Ambling Alp, Yeasayer championed the nuanced nature of their music as they steadily raised their intensity throughout their performance.
It was a distinct atmospheric shift after the grinding barrage of the opening acts. Sleigh Bells continued their rise and transformation from austere noisy beginnings to full on performance act; part MIA (whose label recently co-signed the act) part Crystal Castles, the duo never let up their potency, even as their newer numbers bled into one another with a hint of monochromatism.
The most intriguing surprise of the night was Seagull's opening performance. Positioned in the middle of the floor, with Webster Hall's gigantic disco ball lowered and looming just overhead, they smothered the venue with sound tantrums and momentary semblances of glitchy beats. Ranging somewhere between sound exploration and outright music, the inexplicably soothing abrasiveness of their performance was topped off by a ground slamming. ski-masked member sitting agitated in a chair.
Sleigh Bells play two more NYC shows this month before heading to Europe. Yeasayer's tour ends tonight in Philly, but after a short break they head to Europe too. All of those dates and more pictures from Webster Hall below...
photos by Chris La Putt
"Last night, Webster Hall was packed with audience members camped out on the floor and conversing in French or English, sometimes both. Fitting as Charlotte Gainsbourg is fluent in the two languages.Charlotte Gainsbourg concluded her first-ever tour, that included Coachella, at Webster Hall in NYC last night. Charlotte's first-ever live shows just took place in January, and were also right here in NYC. More pictures from Webster Hall below...
Opener AM was delicate, cool and vintage, grafting folk and rock with Brazilian lounge sounds. The New Orleans artist has just released his sophomore album, Future Sons and Daughters, and plans to soon be touring with the French electro-pop band, Air. The set closed with the song "Darker Days," lyrically, a sophisticated song frosted with AM's warm and pacifying voice." [NY Press]
words & photos by Sarahana
Headliner Owen Pallett (no longer called Final Fantasy like he was when he played Webster Hall in December) joined opening act The Luyas for a few songs. Luyas singer Jessie Stein, who has an inviting demeanor, commented on Owen's shirt, "That looks like an 80's mom's shirt." It was a black top with some patterns sprawled around the neckline and printed in gold. He replied that it looked pretty manly. Jessie shared a story about how she and Owen used to be roommates (and then neighbors) when she was about 21; Owen would go down to practice and listen to bands like Animal Collective and Devendra Banhart, and Jessie would think "This stuff is never going to fly".
Extra Life was heavy music with a prominently featured violin, which added refined tragedy to raw anger. You could say Shakespeare meets goth, dorky meets scary. Unlike The Luyas and Owen Pallett, who are both from Canada, these guys are from Brooklyn. Front man Charlie Looker should definitely play Bartleby in a movie.
Owen Pallett's set was spectacular. He played several old songs solo, and had an additional musician, Thomas Gill, play percussion and guitar with him on new ones. Thomas is a talent on his own, which was most obvious when he helped Owen sing the chorus on the last song, a cover of Mariah Carey's "Sweet Fantasy".
Extra Life's next show is May 9th at Cake Shop with Queening and Larkin Grimm ("Also in May, Planaria will release a split 12" single with Larkin Grimm, featuring the Extra Life cover of R Kelly's "Your Body's Callin'" and two new exclusive tracks from Larkin.").
The Luyas played a 'secret' show in Brooklyn one night earlier with sometime-Luya Sarah Neufeld of the Arcade Fire. Sarah did not join the band at Webster Hall, and she won't be with them tonight (4/23) at Sycamore.
Owen (who played as a member of Arcade Fire at Webster Hall in 2005) played Coachella over the weekend and now continues on tour. More pictures from last night at Webster Hall, with Owen's setlist, below...
"floor was literally shaking last night. I felt it and just stood still to see if my mind was playing tricks on me but the floor was taking me up and down on its own. and only the people in the front right were really jumping and dancing. if the entire venue was jumping and dancing i wonder how the floor would have moved." [Anonymous]If I wasn't having so much trouble keeping my eyes open right now, I would write more about how excellent last night's (4/12) Webster Hall show was. I might attempt to compare it more to the life-changing (don't get mad at me for being overly excited and slightly exaggerating) event that was Thursday's gig at Music Hall of Williamsburg, but let's just say that Webster Hall was also awesome, but different due to the band opening with the new song "Pow Wow" off the new leaked album that a less-drunk (which is a good or bad thing depending on your point of view) James Murphy begged the crowd not to leak (it leaked just a few hours earlier) from the stage. Pow Wow was one of three new songs they played, but the only one they were playing for the first time (they also played Drunk Girls and I Can Change at Music Hall). I almost didn't go to Webster Hall because I didn't want to be disappointed, but then I couldn't resist and I'm glad I did.
Next up for the band is Coachella followed by a tour and then three shows at Terminal 5 (I'm definitely going to at least one of those) (and then more touring). The setlist and more pictures from Webster Hall, below...
photos by Brian Reilly
"GIRLS doesn't yet have the power to sell-out Webster Hall, a feat fellow indie giants BEACH HOUSE accomplished in days. But it sure as shit looked like they sold that bitch out, the last row's backs were mashed against the bar. And with good reason. GIRLS 2009 LP Album is packed tight with authentic 60s-touched pop songs spanning all sorts of genres. Christopher Owens is as enigmatic a frontman as you will probably ever find, and Chet White freezes his bass his lines are so cool. Yeah, it's pretty obvious why Webster Hall nearly filled to capacity. Most of the show was pretty slow, and I'll be honest I wish I had a nice couch that shit would have been raw. But it was kinda worth it to stand for the moments when GIRLS straight blew-up onstage. GIRLS does bounce between genres, and they land on slow jams more often than not. But they also stop on land mines, and nowhere is that more evident than on Lust For Life, which is so clearly their best song it's just so phenomenal. And GIRLS just can't help but be GIRLS, putting flowers all over the stage (flowers are kinda their signature) and having a frontman who's legit a little bit crazy. During Lust For Life, Owens lowered his guitar and slung his left leg over the neck, while still playing, as he sang "instead I'm just crazy, I'm totally mad." Yeah." [Right Hear]Girls and Dum Dum Girls are on tour together. That tour took over Webster Hall for a few hours on Saturday night (4/3). Cambridge's Leisure opened the show (like they'll do four more times on the tour). More pictures from it, and some videos, below...
photos by Bao Nguyen
"They started their set behind a huge white curtain glorified with epic lighting that showed all three members as huge silhouettes dramatically playing "Intro". They played all of the songs on their debut album, including a cover of a Kyla song called "Do You Mind". Going into the show I was worried about how the xx would put the songs together live while keeping the crowd involved and interested. They had no problem. They gave songs like Basic Space and Night Time a new life live, engaging the crowd with extra bass and dance inspired electronics. Romy Croft and Oliver Sim's voices were top notch live delivering all of their lyrics with the same passionate consignment that made their debut so excellent." [We All Want Some]The above review is from the xx/jj/Nosaj Thing show that happened Wednesday, March 31st at Webster Hall. Those three bands (who played in the same lineup at Big Ears) continue on tour for the next few weeks.
The xx didn't play a show on Tuesday night (that we know of... maybe they played an Auto Show party like She & Him did for Audi last night), but jj used her off night to headline Knitting Factory and Nosaj Thing opened for Kode9 and Flying Lotus at Le Poisson Rouge on that evening (which was the show right after Tanlines and Micachu and the Shapes). Reviews of jj's live show haven't been very positive which used to be the same problem The xx had, but now more and more people are starting to say really nice things about the headliner's live show.
After this tour, the xx team up with Hot Chip for shows that include an April 22nd sold out gig at Terminal 5.
Jamie xx (who's working on a remix of Gil Scott-Heron's I'm New Here) DJed after their Webster Hall show at Santos as part of Fixed. Check out his remix of Jack Penate's "Pull My Heart Away" at WNYC. Jamie didn't remix it, but it should be noted that The Notorious xx, a mashup of Notorious B.I.G. and the xx, has been making rounds online.
More pictures and set list from Webster Hall are below...
by Ben Lozovsky
Shrouded in masks and clouds of rising smoke, Miike Snow brought their consciously resonant electro pop to Webster Hall Saturday (3/27), one of three shows the band played in NYC over the weekend. It was just another incidence of identity cloaking and confusion-inspiring antics from the trio of Swedish producers Christian Karlsson and Pontus Winnberg and American Andrew Wyatt.
But its not just their personas that get shrouded; the music on their eponymous debut album demonstrated an ability to craft music with a widely acceptable reach that was uncharacteristically nuanced and deep. Whether the group masks itself in studio precision and heavily stratified layers of sound, or performs their songs as a bass throbbing dance friendly renditions descending into feral chaos, as they did Saturday night, Miike Snow still have warm emotional messages radiating out like UV rays through the distance and melancholy of their music.
It's a powerful contrast that might have been lost on the screaming, female heavy crowd eager to turn the night into a boy band concert (Karlsson and Winnberg only produced Grammy winning songs for Britney Spears), but Miike Snow managed to please their constituents on all levels; from the undeniable draw of their dance rhythms and melodic nectar to the shrill rising dissonance and dizzying interludes of encircling noise, there was enough of their dualistic personalities to go around.
Equally focused on deconstructed grooves and floor stomping was opener Delorean (who played a show at Coco66 earlier that day aka at 2am). The Spanish band performed their hard-working chamber disco with a usual confidence. Full of gleeful spazz and surprising heft, it was an enticing lead in to the pounding low end that Miike Snow pushed forward.
Miike Snow's next NYC show will take place at Terminal 5 in October. You can currently catch them and Delorean on a tour that continues in Boston tonight (3/31). More pictures from Webster Hall including a post-show jump rope session and the setlist, below...
photos by Ebru Yildiz
"Last night we saw the "loudest band in NYC"-A Place To Bury Strangers. One of my favorites" - Chris Buzelli
"A Place to Bury Strangers and The Big Pink made a perfectly complimentary pair last night at Webster Hall. Both bands draw from the same influences, '80s post-punk/noise pop such as New Order and the Jesus and Mary Chain, but their distillation produces opposite results." [NY Press]The tour also hit Maxwell's in Hoboken two days earlier. More pictures from the Manhattan show, below...
photos by Ryan Barkan
Tickets are now on sale for this summer's Roots Picnic whose lineup includes Mayer Hawthorne & the County whose current tour brought them to Webster Hall in NYC last night (3/4). More pictures and the setlist from that show below....
Vitalic, aka French electronic musician Pascal Arbez, is currently on tour across the US - he did California last weekend...
...Soon he took the stage and the crowd really got into it. My concert companion made it her mission to get us to the front. We eventually were no more than a handshake away from Vitalic. The crowd, energy, and sweat were drenching and surrounding me....and gets to Chicago tonight (2/23). He'll be playing NYC's Girls & Boys party at Webster Hall on Friday, February 26th. Tickets are on sale.
Concertgoers were continuously jumping up on the stage, then shooed away by security every few minutes. This pretty much happened for the duration of the show. Vitalic never seemed bothered, only energized by it. Driven by the music, people got on top of the speakers. It was awesome.
I danced myself sober. That is the way to gauge the worth of a show. If you sweat and move and dance so much that the alcohol has no choice but to be exiled from your pores, then your show was awesome.... [Spinning Platters]
The tour wraps in Toronto on February 27th. Vitalic put out a new record, Flashmob, in fall 2009. Vidoes from that, a flyer and all tour dates are below...
DOWNLOAD: Yes Giantess - I'm Not Your Toy (La Roux cover) (MP3)
photos by Tim Griffin
La Roux, with a healthier Elly Jackson than at their October NYC show, played Webster Hall on February 11th with opener Yes Giantess, who play Brooklyn Bowl on Feb 26th and SXSW in March (and who cover La Roux's "I'm Not Your Toy," above).
In a gold-threaded blazer, her recognizable Jimmy Neutron dollop 'do perched prominently atop her head, Eleanor Jackson, one half of British electro-pop duo La Roux, stole the show at Webster Hall Thursday night. Her better half, Ben Langmaid, forgoes touring, favoring anonymity to the limelight.La Roux is scheduled to be at Coachella and some of the TBA dates of Lilith Fair.
Jackson, however, managed nicely on her own. An icon in training without the painfully obvious obsession with fame, Jackson's performances come with the same hubris and bite that shines through in her interviews, and her lyrics about lost love and heart break are captivating and candid. The set list included may of her post-heartbreak ballads, including "I'm Not Your Toy," "Quicksand," "In For The Kill," and, perhaps most moving, "Cover My Eyes," a sad one about seeing the one you love with someone else.
Jackson's most famous love song, the badass anthem "Bulletproof," served as the set's encore. In deference to a song about putting on emotional armor, Jackson skipped out in a heavily shoulder-padded leather jacket with gold detailing, revving up the evening another notch with this gem of a final act. Lights strobed as she marched in place, reaching out to touch the hands of fans as the words "La Roux" flashed behind her in succession throughout this closing scene. [Papermag]
More pictures of the show, a set list (which included Rolling Stones' "Under My Thumb") and all tour dates are below...
photos by Chris La Putt
"Nouvelle Vague show, Webster Hall. French bossanova pop. Wasn't too sure coming in, so far, very impressed. (Hot singers too.)" - Scott Bleicher
Nouvelle Vague @ Webster Hall
Saw Nouvelle Vague at Webster Hall in NYC last night.Though special guests were promised, Chris doesn't recall seeing any at Saturday night's Nouvelle Vague show (1/23) at Webster Hall in NYC. The French group's new album of new wave bossa nova covers does feature help from Martin Gore (Depeche Mode), Ian McCullough (Echo and The Bunnymen), Barry Adamson (Magazine), Terry Hall (The Specials), Samy Birnbach (Minimal Comact) and Chris Bailey (The Saints) though.
It was good, rather than great (they seem to rotate the vocalists - this pair were the least good of the three pairing we've seen . . . at the last gig at Irving Place in NYC last year one of the singers climbed the scaffolding to the balcony, almost got ejected, and then spat a mouthful of warm beer all over me). [Less, But Better]
Opener Clare & The Reasons, who is currently donating profits from their albums sold to Haiti, will continue on tour with Nouvelle Vague for a few days and then they play West Coast shows with Van Dyke Parks...
The legendary musical genius will be playing some rare (as rare as a good baguette in a small US city) concerts of his very own songs - not anyone else's - his masterpieces. I'm assuming you will want to come to these shows, I know we would - wait, we are!All tour dates and more pictures from Webster Hall below....
Some Reasons will be joining Van Dyke on stage. [Frog Stand Records]
photos by Bao Nguyen
"Drummer Chris Tomson deserves a raise. Or something. Outfitted in a New Jersey Nets jersey and thumping away like a madman all night, Tomson did his best to lend the show some semblance of rock show urgency, veering confidently from Afropop beats to Latin rhythms to reggaeton pop-pop-pops. He essentially picked up his bandmates, slung them over his shoulder and carried them forward as best he could in the direction of a killer live show." [MTV]Holly Miranda opened for Vampire Weekend at Webster Hall Monday night (1/18). It was the VW's 2nd of 3 NYC shows in a row. The first show was Sunday at United Palace with Titus Andronicus. The last show is tonight (1/19) at Bowery Ballroom with Nat Baldwin (who also plays in Dirty Projectors).
More pictures from Webster Hall, including one of the setlist, below...
photos by Bao Nguyen
Holly Miranda @ Webster Hall - 1/18/2010
Hello,Holly Miranda, who was joined on stage at one point by her friends The Antlers, opened for her labelmates Vampire Weekend at Webster Hall last night (1/18). It was the headliner's 2nd of three NYC shows in a row. The first night was uptown at United Palace with Titus Andronicus. The third is tonight (1/19) at Bowery Ballroom with Nat Baldwin.
I'm am writing to you from lovely California [on December 30, 2009]. I have been here since finishing my last tour of 2009 with The XX and The Friendly Fires on the West Coast in early December.
Being as it is two days before New Years Eve, I have been reflecting on the year that has past. I cannot begin to say how grateful I am to everyone who has come out to support Timmy and I on the road. To those of you who have given us warm, home cooked meals; a cozy bed to sleep in or visited me at the merch table and kept me company. We could not have done it with out you.
From the Midwest tour with AA Bondy, the East Coast with The Antlers, Europe with The XX, and then again with The XX and The Friendly Fires on the West Coast. We have been busy, but there has been no shortage of good music and amazing people surrounding us at all times.
I am happy to announce that it looks like the coming year will be more of the same...
First I am so excited to say that we will be opening for Vampire Weekend in New York on January 18th at Webster Hall!
Secondly, beginning in February, we will be touring across the continental United States with Tegan & Sara!!! The tour dates are below.
Last, but not least, I'm happy to announce that my full-length album The Magician's Private Library will be out on XL Recordings February 23rd!
Cheers! Here's to 2010!
I hope this finds everyone safe and warm and having a happy holly day!
See you in the new year!
Holly's new cover art and tour dates and more pictures from Webster Hall, below...
photos by Vincent Cornelli
Eugene Hutz on stage w/ Forro in the Dark
Rick Rubin, Madonna, world tours - it's a long way from Eugene arriving in New York City as a refugee with no money and very few contacts, apart from his kinfolk who had always made him part of a micro community in every town in the world he visited.Gogol Bordello played their second of three shows at Webster Hall in NYC last night (12/28). The third and final show is tonight (12/29) with Dillinger Escape Plan. Marianni opened the first night (pics). Forro in the Dark opened the second. More pictures from it, below...
Just being in New York was enough after a tangled upbringing in the Ukraine and several years schlepping around East Europe as a refugee: "It would be pretty funny to imagine that a punk rock kid in the Ukraine would listen to folk music at that time. When you discover punk rock you go to the most far away thing possible. You get a musical wanderlust. I was listening to the Clash, Joy Division, Mano Negra, The Fall. It was right around glasnost. Music was cassette driven, word of mouth, hand to hand driven. It was so under the radar that if you would see somebody on the subway in Kiev who had a remotely funny kind of funky haircut you would walk up and start talking to them - 'Yeah man wanna go to my house and listen to the Sex Pistols?', 'Fuck yeah! Let's go!'. There were a couple of places where sub cultural kids would hang out. It was so tight in a city of 3 million - we would have a couple of hundred of us punks - then there would be a couple of thousand of kids who would specialise in beating us up! We were outnumbered by everybody." [The Quietus interview w/ Eugene Hutz, 11/09]
photos by Paul Birman
Happy Holidays! I take on more than I can handle. That results in a lot of unposted content. In the name of catching up, while also taking it easy during this final week of the year, here's some of that lost material.
"This'll be our last gig for a long time," reckons Friendly Fires front man Ed Macfarlane, before the band bursts into Lovesick in front of a lively, beered-up crowd at The Coronet [in London].That review comes from Friendly Fires' London show which was not long after their December 5th show at Webster Hall in NYC where this second set of pictures are from. They're continued below...
We hope he's just being dramatic, because tonight's gig proves that live, Friendly Fires are even better than their intelligent, original, pop-carnival-dance album suggests. And we're looking forward to seeing more of them. Soon.
Although their reception is magnified by the audience's boozing and the lateness of the hour (it's 1.40am), the acclaim is totally deserved. [Londonist]