Entries tagged with: Webster Hall
Justin Townes Earle @ Governors Island in August (more by Chris La Putt)
Justin Townes Earle has decided to suspend the remaining dates on his tour and enter a rehabilitation facility. Earle is strongly committed to confronting his on-going struggle with addiction and thanks his family, friends and fans for their continued support through this difficult time.The postponed dates include October 19th at Webster Hall in NYC (which also happened to be part of CMJ). Jessica Lea Mayfield and The Sadies were set to open that show, and Bowery Presents says "Refunds are available at point of purchase if requested, but a new date will be announced shortly and all tickets will be honored. We apologize for any inconvenience." All postponed dates below...
In regards to the misdemeanor charges recently filed in Indianapolis, Earle released the following statement earlier this week: "Unfortunately, reports surfacing online about the incident in Indianapolis are not accurate. I have been advised by counsel that I should not comment on a pending criminal matter, but suffice to say that I am looking forward to having my day in court. I would also like to say that I oppose violence against women in any form."
Earle looks forward to resuming the tour in support of his critically-acclaimed third album, Harlem River Blues, on independent record label Bloodshot Records. The album enters this week at #47 on the Top 200 in overall Soundscan.
photos by Toby Tenenbaum
Happy Birthday to Jamie
"Ladies and gentlemen, as Jamie Lidell calls his audience, Lidell has left most of the solo improvising and experimental layering behind, in favor of touring with a five-man band. Rather than balancing roles of producer and singer-performer, the strong support allowed for Lidell to simply sing a little bit of his British-born feel good soul in a tattered blazer and size 13 hobo shoes.That blurb comes from a review of an earlier show on Jamie Lidell's tour that came to Webster Hall in NYC on Saturday night (9/18), his birthday. More pictures from that show (which Bear Hands opened, but we missed them), with the setlist, below....
Most of the band adopted the homeless theme by adorning T-shirts ripe with holes or a faded tie-dye shirt, as was the case with the guitarist. Gone are the glitz and glam of previous shows -- the theme Friday at the Grog Shop was one familiar to Clevelanders.
Despite their humble appearance, Lidell and company went right to work bringing the funk on "The Ring." After, they sprang into "Wait for Me," which was about the hardships of a long-distance relationship, but Lidell assured us that his current girlfriend accompanies him on the road. [Cleveland Scene]
photos by Chris Doss
"If I didnt have so much love for RJD2, I would have run screaming from WebsterHall (electro hell) but glad I stayed, he killed it as always" - Channing Ritter
"RJD2 set killed, to the shorty in the grey dress with the elvis impersonator cuffin, please send me a craigs list missed connection" - Downtown's Prodigy
""RJD2 is using a Super Mario puppet!!!" - Seika Iwaø
"The intent behind "Inversions of the Colossus" lies halfway between the classic in-between albums EP, and an instrumental version of "the Colossus". So there were 7 vocal songs on "the Colossus", and I knew that releasing instrumentals of these would be smart. After all, a lot of people buy rjd2 albums for the production, not for the vocals-just being honest here! :) SO-all of those 7 songs become instrumental versions of themselves. then, there are 7 "new" songs. 2 of these new songs are vocal, so it's not ENTIRELY accurate to call this a completely instrumental album, but it's very close.Inversions of the Colossus is out now. You can check out the video for "The Glow" (which rj just held a remix contest for), along with more pictures from the show Friday night at Webster Hall, below...
All in all, its 14 tracks long. The title was chosen because I want to make sure it's not seen as an entirely new album, but at the same time "Colossus-Instrumentals" is not an accurate title. so, "Inversions of the Colossus" is about as close to an accurate description as I think I can get." [RJD2]
words and photos by Tracy Allison
John McCauley & Matt Vasquez @ Webster Hall
Friday night (8/13) Deer Tick played a phenomenal show for a very enthusiastic audience at a very full Webster Hall. This show was their last before leaving for a month long European tour on September 9th. Prior to the performance, the band promoted the show on their twitter page with various tweets promising motorcyles, horses on nitrous, and crowd surfing babies. While none of those promises were kept, it certainly was not a show to be missed. One audience member commented on the performance, saying, "This was the best Deer Tick show I've ever seen. You could tell how excited they were to be here tonight."
While the show did not begin until 8 p.m., a small line had formed outside of Webster Hall before the doors opened at 6:30 p.m. and a few devoted fans claimed their spots directly in front of the stage as soon as the venue allowed them in. Opener Matt Vasquez (sans the rest of his band, Delta Spirit) took the stage at 8 p.m., expressing how happy he was to be performing and telling the audience he would gladly take song requests. Deer Tick frontman John McCauley joined Matt briefly for a song. By the end of his set, not only was the room fairly full, he was commanding it with just his voice and his guitar.
Around 9 p.m., after a quick introduction by a friend and the sounds of an air horn, the members of Deer Tick began appearing on stage. During their hour and forty-five minute set, lead singer John McCauley serenaded audience members and passed around a bottle of Jack Daniels. Vasquez joined Deer Tick briefly for one song. The band played songs from their three albums, War Elephant, Born on Flag Day, and The Black Dirt Sessions, as well as MG&V covers, a sax solo, and a handful of newer songs. Prior to starting their encore, McCauley grabbed a mysterious box that had been sitting on stage, handed it to the audience, and told them to pass it back. Moments later silly string was flying everywhere and by the time the rambunctious encore was over, the drum set was torn apart and various instruments were covering a good portion of the stage. Despite the state of the equipment, the audience began chanting "One more song! One more song!" to which Deer Tick obliged, returning to the stage as all the members took part in singing an a beautiful a cappella rendition of "Dirty Dishes"
photos by kolored
Robyn @ Webster Hall
"Kelis and Robyn (whose Body Talk Pt. 2 will be out in September) may have been billed as co-headliners for Tuesday night's show at the Trocadero [in Philly], but it was in words only.Robyn (whose Body Talk Part 2 will be out in September - cover art and tracklist below), Kelis (whose milkshake brings all the boys to the yard) & Dan Black (who was just nominated for two MTV Video Music Awards - nominated video below) are on a tour (that also includes Far East Movement) that brought them to Music Hall of Williamsburg last week and Webster Hall last night (8/4).
In a multiracial crowd of men and women in their 20s and 30s, Robyn was the clear favorite.
Kelis took the stage first. The 30-year-old singer hit pop culture with her infectious and slightly risque "Milkshake" back in 2003, but has since transformed herself from a Neptunes-produced rap/hip-hop/neo-soul star into a club diva.
She came on stage in a one-sleeved, sequined mini-dress - wearing five-inch heels and a platinum-blond wig with a partial weave of Christmas-tree tinsel - and said that all she wanted to do was dance. She wasn't kidding. In fact, while she sang a few songs off her latest album, Flesh Tone, most of her set was a karaoke collection of Top 40 hits from past decades interspersed with snippets of her own songs... [Philadelphia Inquirer]
Last night's high energy show was the first of two for the artists at the same venue (they return to Webster Hall tonight, 8/5). All three NYC shows are/were sold out. More pictures from Wednesday's, including Dan and Kelis's setlists, below...
Caribou @ Governors Island Friday night (more by Andrew St Clair)
Caribou, who played Governors Island on Friday, also added a show at Webster Hall today. That's happening on September 22nd, and tickets go on sale Friday at noon. Caribou play the Midpoint Music Festival in Ohio on September 24th.
Kele from Bloc Party rescheduled a show at Webster Hall today.
All Caribou and Matt & Kim dates below....
photos by Matthew Eisman
Minus the Bear, Everest and Keepaway played Webster Hall on Thursday, July 8th. More pictures and the headliner's setlist from that show, below...
words by BBG, photos by Lori Baily
"Totimoshi, Melvins, Isis @ Webster Hall. Why would
I not be here? #fuckyeah." - Aaronzeem
"After Totimoshi, the Melvins hit the stage! I was expecting Isis to be next, as they were always billed as the support act, and, honestly, the Melvins are just more important. But, I'm guessing the groups are alternating for the stint they're doing together, which I guess makes sense, especially since, as mentioned before, Isis is breaking up." [An Uncontrollable Urge]Just three more dates. As I type this, Isis is putting a close on another show, getting closer and closer to closing the book on the highly influential post-metal band, for good. This past Friday (6/18), the band played one of their final shows at Webster Hall with Totimoshi and the Melvins. It was part of a two date stay in NYC (which continued at MHOW on Saturday - photo set on the way). Photos from Webster Hall, where Isis's headlining set got cut short due to Webster Hall's weekend curfew, are in this post.
All Isis dates, with the Webster Hall pictures and two of the night's setlists, below...
photos by Andrew St. Clair
Tokyo Police Club, now on tour with Passion Pit and DOM (who played Brooklyn Bowl last night), played a sort of private show at the Studio @ Webster Hall in NYC last night (6/1). That was followed by a beer pong after-party with Mark Knight and others in attendance. Pictures from the whole night, and TPC's setlist, below...
"From the very first chords -- wisely not something from the new album, but a scorching version of Roky's classic "Night of the Vampire" -- it was evident that it was going to be a show to remember. And it just got better from there. Okkervil's frontman, Will Sheff, who with his beard and spectacles looked every bit like a long-lost son of John Lennon, spent the 90-minute set grinning from ear to ear as he played out his guitar fantasies onstage with Roky.Their amps eventually arrived and the Roky Erickson Okkervil River band played their show at Webster Hall on Tuesday night. More pictures from the show and the selist, below...
This was clearly a labor of love for Sheff and his band. Okkervil River was definitely not a backup band, but a true collaborator with Roky." [WYMMWIG]
photos by Vincent Cornelli, words by Rachel Kowal
one of the sons
I'm not sure when or how it happened, but sometime in the past year Mumford & Sons got big. From Cleveland to Phoenix, the British four-piece has sold out the vast majority of their upcoming tour dates, and their two shows this week in New York were no exception.
The evening at Webster Hall began with a seven-song set by Australian band, The Middle East. Like the main act, the openers had a lot of energy and a number of talented singers. They also exhibited a wide range of moods during their performance. For some songs, the bass boomed powerfully from the speakers and shook the room. But for others, like "The Darkest Side," they took a much more restrained and melodic approach, and the group's token female keyboard player, Bree Tranter, even had a lovely vocal solo. Their final song, "Blood," was particularly beautiful. The song begins gently but eventually crescendos into a lively round of group vocals.
After a long wait between sets, the impatient audience started cheering when the large Mumford & Sons banner unfurled against the stage's black backdrop. Finally, at the tech guy's signal (a few rapid blinks of a flashlight), the band took to the stage to the crowd's great delight.
Lead singer Marcus Mumford kicked things off with the title track from their debut album, "Sigh No More." The floor of Webster Hall started shaking during the very first song as the crowd bobbed up and down in time to the music, proving that this was not your typical group of ambivalent scenesters.
"This is one of the biggest shows we've ever played... we're all very excited," Marcus yelled between songs. With the opening notes of "Little Lion Man," about six songs in, the energy level in the room escalated, prompting lots of clapping, dancing, and a sing-a-long session from both the audience and the band. "Roll Away Your Stone" also got pretty rowdy, especially after the invitation to dance that preceded the song. Though Marcus had called more for a hoe-down than anything else, Webster Hall's huge disco ball was suddenly illuminated, sending rainbow-colored patches of light swirling around the room. The members from Middle East even came on stage and started dancing around and banging on drums.
For their two-song encore, Mumford & Sons played an enchanting acoustic performance of "Sisters," followed by the painfully earnest song "White Blank Page." More pictures from the show, and a picture of Mumford's setlist (which shows a 2nd encore), below...
Two Door Cinema Club @ the Bell House on May 11 (more by David Andrako)
UK's Two Door Cinema Club just came stateside for a tour earlier in May. After their two NYC shows, they promised to return in October for another NYC date, which will be happening October 21st at Webster Hall. Tickets go on AmEx presale at noon. General sale starts Friday at noon.
photos by Dominick Mastrangelo
Broken Social Scene made their return to New York Friday night and a sold-out Webster Hall (In 2006 they played the venue three nights in a row). The collective, out in support of their new full-length, Forgiveness Rock Record, played for two solid hours with no opener. BSS Alumni Emily Haines and Jimmy Shaw came out for a handful of songs in the middle of the set, including "Anthems for a Seventeen Year-old Girl" and "Almost Crimes". Those songs book-ended the live debut of Forgiveness' "Sentimental X's" (video below). Shaw came out to play trumpet on "Lover's Spit", the final song of the night. Band leader Kevin Drew gave the crowd a multiple choice of final songs. "We can play "Superconnected". We can play "Major Label Debut". Or We can play "Lover's Spit". A show of hands and applause a minute later tipped the epic ballad to close the show.
One night later, Saturday, the band played the smaller Music Hall of Williamsburg (more about that soon). The full setlist, that video and more pictures from Friday below...
Two months after their record release show (as well as a couple of secret shows) the Swedish band Shout Out Louds returned to New York and Webster Hall on Wednesday, 5/5 (one night after Yeasayer played the same venue and one night before Beach House played there ). The band were only a few days into a three-week tour of the US in support of their third full-length, Work, and minus bass player, Ted Malmros, who stayed in Sweden awaiting the birth of his child. Opening were Freelance Whales who are supporting the band the entire tour and opened for their show at the Music Hall back in March. More pictures and the SOL setlist below...
by Benjamin Lozovsky
Yeasayer made a much deserved homecoming Tuesday night at Webster Hall in NYC. Chris Keating pronounced during the show, "There isn't any place in the world we'd rather play." Three months after cautiously debuting material off their latest album Odd Blood, they returned savvier and sassier; even with so many miles behind them, they performed leagues ahead of their February dates.
The band was brimming was confidence throughout the night, with tapered bravado and an improved, fluid grasp of the instrumentation. From the creeping, sinister Children to the redemptive bounce of closer Ambling Alp, Yeasayer championed the nuanced nature of their music as they steadily raised their intensity throughout their performance.
It was a distinct atmospheric shift after the grinding barrage of the opening acts. Sleigh Bells continued their rise and transformation from austere noisy beginnings to full on performance act; part MIA (whose label recently co-signed the act) part Crystal Castles, the duo never let up their potency, even as their newer numbers bled into one another with a hint of monochromatism.
The most intriguing surprise of the night was Seagull's opening performance. Positioned in the middle of the floor, with Webster Hall's gigantic disco ball lowered and looming just overhead, they smothered the venue with sound tantrums and momentary semblances of glitchy beats. Ranging somewhere between sound exploration and outright music, the inexplicably soothing abrasiveness of their performance was topped off by a ground slamming. ski-masked member sitting agitated in a chair.
Sleigh Bells play two more NYC shows this month before heading to Europe. Yeasayer's tour ends tonight in Philly, but after a short break they head to Europe too. All of those dates and more pictures from Webster Hall below...
photos by Chris La Putt
"Last night, Webster Hall was packed with audience members camped out on the floor and conversing in French or English, sometimes both. Fitting as Charlotte Gainsbourg is fluent in the two languages.Charlotte Gainsbourg concluded her first-ever tour, that included Coachella, at Webster Hall in NYC last night. Charlotte's first-ever live shows just took place in January, and were also right here in NYC. More pictures from Webster Hall below...
Opener AM was delicate, cool and vintage, grafting folk and rock with Brazilian lounge sounds. The New Orleans artist has just released his sophomore album, Future Sons and Daughters, and plans to soon be touring with the French electro-pop band, Air. The set closed with the song "Darker Days," lyrically, a sophisticated song frosted with AM's warm and pacifying voice." [NY Press]
words & photos by Sarahana
Headliner Owen Pallett (no longer called Final Fantasy like he was when he played Webster Hall in December) joined opening act The Luyas for a few songs. Luyas singer Jessie Stein, who has an inviting demeanor, commented on Owen's shirt, "That looks like an 80's mom's shirt." It was a black top with some patterns sprawled around the neckline and printed in gold. He replied that it looked pretty manly. Jessie shared a story about how she and Owen used to be roommates (and then neighbors) when she was about 21; Owen would go down to practice and listen to bands like Animal Collective and Devendra Banhart, and Jessie would think "This stuff is never going to fly".
Extra Life was heavy music with a prominently featured violin, which added refined tragedy to raw anger. You could say Shakespeare meets goth, dorky meets scary. Unlike The Luyas and Owen Pallett, who are both from Canada, these guys are from Brooklyn. Front man Charlie Looker should definitely play Bartleby in a movie.
Owen Pallett's set was spectacular. He played several old songs solo, and had an additional musician, Thomas Gill, play percussion and guitar with him on new ones. Thomas is a talent on his own, which was most obvious when he helped Owen sing the chorus on the last song, a cover of Mariah Carey's "Sweet Fantasy".
Extra Life's next show is May 9th at Cake Shop with Queening and Larkin Grimm ("Also in May, Planaria will release a split 12" single with Larkin Grimm, featuring the Extra Life cover of R Kelly's "Your Body's Callin'" and two new exclusive tracks from Larkin.").
The Luyas played a 'secret' show in Brooklyn one night earlier with sometime-Luya Sarah Neufeld of the Arcade Fire. Sarah did not join the band at Webster Hall, and she won't be with them tonight (4/23) at Sycamore.
Owen (who played as a member of Arcade Fire at Webster Hall in 2005) played Coachella over the weekend and now continues on tour. More pictures from last night at Webster Hall, with Owen's setlist, below...
"floor was literally shaking last night. I felt it and just stood still to see if my mind was playing tricks on me but the floor was taking me up and down on its own. and only the people in the front right were really jumping and dancing. if the entire venue was jumping and dancing i wonder how the floor would have moved." [Anonymous]If I wasn't having so much trouble keeping my eyes open right now, I would write more about how excellent last night's (4/12) Webster Hall show was. I might attempt to compare it more to the life-changing (don't get mad at me for being overly excited and slightly exaggerating) event that was Thursday's gig at Music Hall of Williamsburg, but let's just say that Webster Hall was also awesome, but different due to the band opening with the new song "Pow Wow" off the new leaked album that a less-drunk (which is a good or bad thing depending on your point of view) James Murphy begged the crowd not to leak (it leaked just a few hours earlier) from the stage. Pow Wow was one of three new songs they played, but the only one they were playing for the first time (they also played Drunk Girls and I Can Change at Music Hall). I almost didn't go to Webster Hall because I didn't want to be disappointed, but then I couldn't resist and I'm glad I did.
Next up for the band is Coachella followed by a tour and then three shows at Terminal 5 (I'm definitely going to at least one of those) (and then more touring). The setlist and more pictures from Webster Hall, below...
photos by Brian Reilly
"GIRLS doesn't yet have the power to sell-out Webster Hall, a feat fellow indie giants BEACH HOUSE accomplished in days. But it sure as shit looked like they sold that bitch out, the last row's backs were mashed against the bar. And with good reason. GIRLS 2009 LP Album is packed tight with authentic 60s-touched pop songs spanning all sorts of genres. Christopher Owens is as enigmatic a frontman as you will probably ever find, and Chet White freezes his bass his lines are so cool. Yeah, it's pretty obvious why Webster Hall nearly filled to capacity. Most of the show was pretty slow, and I'll be honest I wish I had a nice couch that shit would have been raw. But it was kinda worth it to stand for the moments when GIRLS straight blew-up onstage. GIRLS does bounce between genres, and they land on slow jams more often than not. But they also stop on land mines, and nowhere is that more evident than on Lust For Life, which is so clearly their best song it's just so phenomenal. And GIRLS just can't help but be GIRLS, putting flowers all over the stage (flowers are kinda their signature) and having a frontman who's legit a little bit crazy. During Lust For Life, Owens lowered his guitar and slung his left leg over the neck, while still playing, as he sang "instead I'm just crazy, I'm totally mad." Yeah." [Right Hear]Girls and Dum Dum Girls are on tour together. That tour took over Webster Hall for a few hours on Saturday night (4/3). Cambridge's Leisure opened the show (like they'll do four more times on the tour). More pictures from it, and some videos, below...
photos by Bao Nguyen
"They started their set behind a huge white curtain glorified with epic lighting that showed all three members as huge silhouettes dramatically playing "Intro". They played all of the songs on their debut album, including a cover of a Kyla song called "Do You Mind". Going into the show I was worried about how the xx would put the songs together live while keeping the crowd involved and interested. They had no problem. They gave songs like Basic Space and Night Time a new life live, engaging the crowd with extra bass and dance inspired electronics. Romy Croft and Oliver Sim's voices were top notch live delivering all of their lyrics with the same passionate consignment that made their debut so excellent." [We All Want Some]The above review is from the xx/jj/Nosaj Thing show that happened Wednesday, March 31st at Webster Hall. Those three bands (who played in the same lineup at Big Ears) continue on tour for the next few weeks.
The xx didn't play a show on Tuesday night (that we know of... maybe they played an Auto Show party like She & Him did for Audi last night), but jj used her off night to headline Knitting Factory and Nosaj Thing opened for Kode9 and Flying Lotus at Le Poisson Rouge on that evening (which was the show right after Tanlines and Micachu and the Shapes). Reviews of jj's live show haven't been very positive which used to be the same problem The xx had, but now more and more people are starting to say really nice things about the headliner's live show.
After this tour, the xx team up with Hot Chip for shows that include an April 22nd sold out gig at Terminal 5.
Jamie xx (who's working on a remix of Gil Scott-Heron's I'm New Here) DJed after their Webster Hall show at Santos as part of Fixed. Check out his remix of Jack Penate's "Pull My Heart Away" at WNYC. Jamie didn't remix it, but it should be noted that The Notorious xx, a mashup of Notorious B.I.G. and the xx, has been making rounds online.
More pictures and set list from Webster Hall are below...
by Ben Lozovsky
Shrouded in masks and clouds of rising smoke, Miike Snow brought their consciously resonant electro pop to Webster Hall Saturday (3/27), one of three shows the band played in NYC over the weekend. It was just another incidence of identity cloaking and confusion-inspiring antics from the trio of Swedish producers Christian Karlsson and Pontus Winnberg and American Andrew Wyatt.
But its not just their personas that get shrouded; the music on their eponymous debut album demonstrated an ability to craft music with a widely acceptable reach that was uncharacteristically nuanced and deep. Whether the group masks itself in studio precision and heavily stratified layers of sound, or performs their songs as a bass throbbing dance friendly renditions descending into feral chaos, as they did Saturday night, Miike Snow still have warm emotional messages radiating out like UV rays through the distance and melancholy of their music.
It's a powerful contrast that might have been lost on the screaming, female heavy crowd eager to turn the night into a boy band concert (Karlsson and Winnberg only produced Grammy winning songs for Britney Spears), but Miike Snow managed to please their constituents on all levels; from the undeniable draw of their dance rhythms and melodic nectar to the shrill rising dissonance and dizzying interludes of encircling noise, there was enough of their dualistic personalities to go around.
Equally focused on deconstructed grooves and floor stomping was opener Delorean (who played a show at Coco66 earlier that day aka at 2am). The Spanish band performed their hard-working chamber disco with a usual confidence. Full of gleeful spazz and surprising heft, it was an enticing lead in to the pounding low end that Miike Snow pushed forward.
Miike Snow's next NYC show will take place at Terminal 5 in October. You can currently catch them and Delorean on a tour that continues in Boston tonight (3/31). More pictures from Webster Hall including a post-show jump rope session and the setlist, below...
photos by Ebru Yildiz
"Last night we saw the "loudest band in NYC"-A Place To Bury Strangers. One of my favorites" - Chris Buzelli
"A Place to Bury Strangers and The Big Pink made a perfectly complimentary pair last night at Webster Hall. Both bands draw from the same influences, '80s post-punk/noise pop such as New Order and the Jesus and Mary Chain, but their distillation produces opposite results." [NY Press]The tour also hit Maxwell's in Hoboken two days earlier. More pictures from the Manhattan show, below...