Entries tagged with: Wild Nothing
by Bill Pearis
DIIV, pre-name change, at Red 7 in Austin, April 14 (more Tim Griffin)
While currently busy out on the road supporting Frankie Rose, Dive have changed their name to DIIV. While Allmusic.com lists about 10 artists with the name Dive, Cole Smith tells Pitchfork that the spelling change comes specifically "out of respect" to the Dive that was the pseudonymn of German industrial musician Dirk Ivens. "A name is nothing," Smith told Pitchfork. "I don't really give a fuck what the band is called. I originated this project in a bedroom with no internet and didn't know it would ever leave." Whether the rest of his apartment or his phone had the internet and access to Google.com is undetermined at this time.
DIIV's tour with Frankie Rose, recently hit the Mohawk in Austin and wraps up this Saturday (5/5) with a sold-out at Mercury Lounge that also features Scotland's Spectrals and ex-Team Robespierre duo Black Marble. The band's debut album, Oshin, is out June 26 and you can stream a new song from it, "Doused," at the bottom of this post. DIIV (who played our Hotel Vegan parties during SXSW this year) will headline a record release show at Glasslands on June 23 and tickets are on sale now.
After the record release show, DIIV's only other scheduled show is opening for Grimes and Wild Nothing at Hudson River Rocks on August 9 (DIIV was just added to that bill). Click though for all DIIV tour dates and the stream of "Doused."..
the RSD2012 morning line @ Other Music in NYC (via)
How did you fare on Record Store Day 2012? What did you pick up? What did you have trouble finding? If you were in Austin, did you stop by Waterloo Records and meet Garbage? (Tim did.) If you were in NYC, did you stop by Other Music? If not, this is what it looked like...
Fleet Foxes / Zola Jesus
Pitchfork Fest day two (7/16) had a pretty great variety of acts. In addition to newer acts like No Age, Zola Jesus and Twin Shadow, day two made way for a number of more classic artists including the recently reunited Dismemberment Plan, hardcore punk 'supergroup' OFF!, and instrumental hip hop vet DJ Shadow. You might include Destroyer and The Radio Dept. in that group too, who both played day two of the fest.
Fleet Foxes, who also played Pitchfork Festival in 2008, headlined. Catch Fleet Foxes in NYC when their tour with The Walkmen hits Williamsburg Waterfront on September 24. Tickets for this great double bill are still on sale.
Evan Dando at The Bell House (more by Graeme Flegenheimer)
Evan Dando & The Lemonheads have a few random upcoming dates scheduled. The Lemonheads will share a bill with The Canon Logic on April 28th at Maxwell's in Hoboken. Tickets are still available. You can also catch Josh Lattanzi of The Lemonheads at Bowery Ballroom on May 26 & 27 as part of the Bob Dylan tribute that will also include members of the Strokes, Hold Steady, etc, etc.
All other upcoming Evan Dando dates are in other countries at the moment, including a June 16th Evan & Juliana Hatfield show in Toronto for the NXNE festival which, like Brooklyn's own multi-venue festival Northside, recently expanded its lineup. Some of the other bands playing are in the title of this post. The rest are listed below.
All Dando-related dates and some videos below too...
For a sold-out show, the audience was oddly quiet and subdued for much the evening, but the laid back atmosphere was a perfect match for the first band of the evening, MINKS. As the members of MINKS walked on stage, they casually surveyed the crowd and began to play without uttering a single word. At their posts, they stood as still as stick figures, virtually motionless.
For such pleasantly upbeat music, the surprisingly lively "Cemetery Rain" aside, their performance was surprisingly deadpan - even with additional musicians helping out. (Are you really 'happy' to be playing, Sean Kilfoyle? Really?) They were a morose version of the Crayon Fields (but with female vocals added to the mix). Singer Amalie Bruun may be the most listless tambourine player I've ever witnessed, but I found myself oddly drawn to her. (Would she start to dance? Maybe smile a little? Open up between songs? No. Not so much.)
Up next was Abe Vigoda who immediately imbued the room with a bit of life, thanks largely to the poppy keyboard solo in their opening number, "Dream of My Love." Throughout their set, the LA group kept things interesting by switching instruments - often mid song. The drummer was especially good at jumping around on stage from instrument to instrument. The audience, however, remained largely reserved. "What? Are you scared to dance?" asked the keyboard player after a few songs. "It's fun."
As if responding to the challenge, one audience member tried half-heartedly to get a mosh pit going, but the movement didn't catch on. People did at least loosen up a bit though - especially by the time Wild Nothing began to play.
Like MINKS, Wild Nothing is a fun blend of sunny pop and subdued shoegaze, but they were definitely peppier than their opener. They even had girls dancing on stage for the beginning of their set.
"You're very polite and quiet and it freaks me out," admitted front man Jack Tatum. He was right. It was kind of weird. Much of the room seemed to be under a trance. (Maybe it was the combination of it being a Sunday and the night before Valentine's Day.)
After playing a few newer songs and a brief cover (Primal Scream's "Velocity Girl"), Wild Nothing closed their initial set with "Summer Holiday," which actually got more than a few people dancing. Following the warm applause from the crowd, they returned for a quick encore - the song "Bored Game," which seemed appropriate, given the lyrics ("I don't feel right without you") and the number of couples in the room.
Abe Vigoda played in Manhattan again last night (Valentine's Day) at Le Poisson Rouge as part of the venue's "Radio Happy Hour" series. Abe and Wild Nothing play a recently-added Brooklyn show at 285 Kent tonight (2/15). Fergus & Geronimo has been added as opener and advanced tickets are on sale at Desert Island Books (540 Metropolitan Ave | 718.388.5087). MINKS' next NYC show is with Dirty Beaches and Dum Dum Girls who they head out on tour with this month. After Brooklyn, Abe and Wild Nothing continue on tour together. All remaining dates and more pictures from Bowery Ballroom, below...
Mr. Wild Nothing @ Bowery Ballroom (more by Chris Gersbeck)
Wild Nothing & Abe Vigoda are out on tour and playing Bowery Ballroom together on February 13th. That show is now just about sold out (grab a ticket fast if you want one), so they added a 2nd NYC show. The new one is happening two days later, February 15th at 285 Kent Ave in Williamsburg, Brooklyn (right by Glasslands). Abe Vigoda, as previously pointed out, are also playing a show on February 14th (Valentine's Day) at Le Poisson Rouge. Todd P will have more details on the Brooklyn show later. Updated tour dates below...
by Bill Pearis
DOWNLOAD: Gross Relations - You Don't Know Me (MP3)
DOWNLOAD: Anika - Yang Yang (MP3)
DOWNLOAD: Anika - Terry (MP3)
DOWNLOAD: ARMS - Floaters (MP3)
DOWNLOAD: Martial Canterel - You Today (MP3)
DOWNLOAD: Martial Canterel - Retrospective (Zip)
DOWNLOAD: The Vacant Lots - Confusion (MP3)
DOWNLOAD: Don Giovanni Sampler (Zip)
In addition to being Black History Month, National Bird Feeding Month and National Sweet Potato Month, February also seems to consistently have a lot of band residencies. You may already be aware of ones by ARMS (who I'll get to shortly) and Yellow Ostrich, but I'd also like to point out that up-and-coming Brooklyn indie rock band Gross Relations starts a three-week Tuesday residency tonight (2/8) at Bruar Falls.
Gross Relations have been going less than a year, but seem to have a clear idea with what they want to sound like. Like Mr. Dream and Diehard, the band shares a love of '90s indie rock. With the prominent keyboard lead lines (or maybe it's heavily-treated guitar?) on both sides of their "Fuzzy Timelines" 7", it's pretty easy to make comparisons to The Rentals, but the band they really remind me of is Chicago's late, great Number One Cup.
Either way, it's a good thing. Gross Relations write some majorly catchy songs. You can download the b-side to their single at the top of this post. Tonight's residency also features The Toothaches (whose debut album is a free download), Gone Bad, and NT.
ARMS @ Glasslands in December (more by Andrew St. Clair)
I mentioned ARMS briefly above who are on Week Two (2/9) of their February Wednesdays residency at Pianos. Todd Goldstein and the rest of the band are finishing up work on their debut album (Kids Aflame was more of a Todd solo thing) with Shane Stoneback (Vampire Weekend, Sleigh Bells). So expect a lot of new songs, I'd imagine. Todd says of the record, "It's a vast, hi-fi album. We're doing everything we can to take full advantage of the studio... the songs are very poppy and a little weird, there are lots of beautiful/scary textures, copious-but-thoughtful use of reverb... sequenced into a song-cycle, a sort of sci-fi breakup album." ARMS are hoping to have it out by the summer.
This week's residency is especially strong I think. It includes the lovely Hospitality, who finally seem to be getting down to business, having wrapped up their long-gestating debut album (also with Stoneback) which could be out as early as the spring. Let's hope! Singer Amber Papini promises a couple new songs at the show.
Also playing: Radical Dads, whose new single is a free for you (with email address) via the increasingly popular Download Widget (found below). And Translations (who share a member with ARMS) open who I am super psyched to finally be seeing live after months of digging their debut 7".
Show's eight bucks, will be a good one.
Also Wednesday is the record release party for Martial Canterel's You Today which came out today on Wierd Records. The show is part of Wierd's weekly Wednesday night party at Home Sweet Home. The flyer says performance at midnight, but I've never seen a band go on there before 1AM.
Martial Canterel is the non de synth of Sean McBride who is also one half of Xeno & Oaklander. McBride is kind of a luddite, making his records entirely on vintage equipment that was probably cutting-edge technology in 1980. Obviously it sounds very retro, but McBride's way of doing things also gives it a sound -- and authenticity -- you can't quite replicate on a laptop. Check out the title track at the top of this post. And if you dig that, also up there is a free downloadable Martial Canterel retrospective, including some rare songs.
In town this weekend is Anika whose debut album was a late-breaking entry into my Favorite Albums of 2011. Recorded in 12 days, live with no overdubs, it sounds like the missing link between The Slits and Lilliput. Portishead's Geoff Barrow -- his other band BEAK> is the backing band here -- gets the claustrophobic vibe just right. A lot of people have tried and failed to recreate that Martin Hannett Sound... Barrow nails it. And the material -- a mix of girl group covers and politically-charged originals -- suits Anika's Nico-esque delivery perfectly.
You can download two tracks from the album at the top of this post. "Yang Yang" is a Yoko Ono cover, and "Terry" was originally recorded by Twinkle, who is probably best-known for having made the original version of "Golden Lights" that was later covered by The Smiths. (Many Smiths fans' least favorite track, but not mine. That would be "Never Had No One Ever.") The album sort of snuck out at the end of 2011, so catch up now. So good.
Don't get too excited though, Anika is just over for some DJ gigs -- I'm hearing we'll get her performing in May (and probably later at ATP) -- but I'd recommend checking one of them out nonetheless. Especially as three of them are free: on Thursday (2/10) she'll be at Gallery Bar with Blu Jemz, then Saturday (2/12) at Trophy Bar and a Valentine's Day set (2/14) at The Commodore. The remaining three NY DJ appearances are atMercury Lounge tomorrow night (2/9) spinning between sets at the Cubic Zirconia show (tickets), and Glasslands on Friday (2/11) where she'll spin in between sets by Javelin, High Life, & Monster Rally (tickets), and finally Santos Pary House on 2/16 as part of the previously discussed Beans show with Edan, Paten Locke & Bluebird (tickets).
That Javelin show on Friday night should be fun, as Anika's tastes will nicely contrast/compliment the sounds of Javelin (always one of the better live bands saddled with the "chillwave" tag), Highlife and Monster Rally.
That's the big stuff this week. Some more picks, day-by-day, are below.
TUESDAY, FEBRUARY 8
Gang of Four at Webster Hall, though really it's more like Gang of Two as it's just Jon King and Andy Gill from the original line-up these days. Their new album, Content, isn't bad. But most people will go to hear "To Hell With Poverty," "At Home He's a Tourist," and other classics. And while Hugo and Dave will be missed, Andy Gill is still amazing to watch spit out those riffs, and Jon King remains possessed on stage -- especially when he's beating the shit out of a microwave on "He'd Send in the Army."
photos bt Chris La Putt
Ted Leo / Big Freedia
Thanks again to everyone for an amazing extended CMJ 2010 weekend that started Thursday night at Music Hall of Williamsburg, continued Friday afternoon at Public Assembly followed by a loft party followed by the free Converse-presented show at Public Assembly on Saturday afternoon, 10/23 (the subject of this post), and which ended on a high, and heavy, note at Union Pool later that night.
This second set of pictures from the event continues below...
Wild Nothing @ Bowery Ballroom during CMJ (more by Amanda Hatfield)
Wild Nothing and Abe Vigoda are going on a co-headlining tour that will hit Bowery Ballroom on 2/13. Tickets for the NYC show go on sale Friday at noon. All dates below...
Oh Land @ Rebel NYC (more by David Andrako)
You've been following the CMJ adventures of multiple BV contributors for two weeks now, including the day by day reviews from Rachel Kowal. Before too much more time passes, here is the conclusion of Rachel's week (with the end of day four and all of day five), and assorted pictures from four other shows all rolled into one big post. Check it all out, below....
Jamie Lidell / Marnie Stern
"As a sucker for daytime events, I headed to Williamsburg's Public Assembly around noon for a show curated by BrooklynVegan. First up (and by "first", I mean, "the first artist I woke up in time to see") was Ted Leo. Performing skeletal, solo versions of his Pharmacists material, Ted more than compensated for the sparse arrangements with furious strumming and hilarious banter. It was nice to see an older, established artist opening a free show designed to showcase rising stars; it sort of set the tone for the rest of the day. His hit-heavy set spanned the full-duration of career, touching on high-water marks like "The High Party" and "Bottled in Cork", and closing with a cover of Euro-dance phenom Robyn's "With Every Heartbeat". This was a perfect set to open the day, and my only recommendation is that the next synth jam he covers be "Chewing Gum", by Annie...Thanks again to everyone for an amazing extended CMJ weekend that started Thursday night at Music Hall of Williamsburg, continued Friday afternoon at Public Assembly followed by a loft party followed by the free Converse-presented show at Public Assembly on Saturday afternoon, 10/23 (the subject of this post), and which ended on a high, and heavy, note at Union Pool later that night.
...Closing the show, metal prodigy Marnie Stern dominated stage two, directly opposite neo-funkster Jamie Lidell headlining the main room. While she reveled in the loose atmosphere, dropping hilariously lewd stage banter and slamming PBR's, Lidell tried a throwback set reflecting his early, robotic Warp Records catalog." [MTV Music Blog]
Hopefully you got there early on Saturday to catch Morning Teleportation who went on when we opened the doors around noon. If so, you may have also grabbed one of the free EarPeace earplugs we gave out, and grabbed a free V-Spot empanada. Hopefully you also had your fill of the free Firefly Vodka + Bourbon and Magic Hat beer we were giving out, snacked on free Raw Revolution bars, bought a free t-shirt or poster for charity (email if you still want one - we have more left). If you weren't there, maybe you caught the live stream (if we can ever make it available for podcast, I will let you know).
Speaking of the bands, hopefully Titus Andronicus's short set didn't bum you out. And if it did, hopefully Big Freedia cheered you right back up.
Like for the Friday party, there are two sets of pictures for this one. The second one is on its way. The first one, along with a bunch of videos, continues below...
photos by Amanda Hatfield
Lia Ices @ Bowery Ballroom
"The sweetest white lie of the CMJ Music Marathon came from the folky songwriter Lia Ices, leading her band at the Lower East Side club Pianos on Thursday night. While half the crowd chatted indifferently, she sang, "For only you I sing, for only you." Yet Ms. Ices, whose debut album is due in January, was playing CMJ, along with more than 1,000 other groups, for precisely the opposite reason. She was seeking a chance to be heard, sooner or later, by a larger audience." [NY Times]Neon Indian co-headlined the VFW (Veterans of Foreign Wars?) Group CMJ showcase at Bowery Ballroom on Saturday night, 10/23. After a super long week of shooting day and night, Amanda didn't make it to their midnight set. She did get to the show though and caught openers Braids (6pm), Fake Problems (6:45), Lord Huron (7:30), Lia Ices (8:30), Lower Dens (9:15), and Wild Nothing (10:00). She left before Dom. I also went to the show but got there close to when Neon Indian was finishing (I caught Surfer Blood's entire 1am set).
Did you miss Neon Indian too? The next chance to see them is tonight (10/29), at Brooklyn Bowl where they're playing with the buzz-tacular lineup of Prince Rama and Apache Beat. Tickets are still on sale, and I have a pair you can win.
Details on how you can win, with tonight's flyer (under the pics), and more pictures from the Bowery Ballroom show (sans Neon Indian), below...
photos by Toby Tenenbaum
Wild Nothing @ Irving Plaza
Way back at the beginning of CMJ, Times New Viking, Happy Birthday and Wild Nothing opened for Jenny and Johnny at Irving Plaza. This post has the pictures of those openers.
Since then Times New Viking played two more shows: Pitchfork's #OFFLINE Fest and our Friday day party.
Wild Nothing played a bunch too, including our Saturday day party (pics coming soon). If you missed them, and Baths who played a bunch of CMJ shows too, you have another chance tonight (10/28), courtesy of NYU. Wild Nothing, Baths, and Julianna Barwick play a show on the 4th floor of the NYU Kimmel Center, in the E&L Auditorium at 7pm. It's $5 for NYU students (who could buy tix in advance) and $7 to the public (who could not).
More pictures from Irving Plaza, and a video of Baths from their show at the Terrorbird show at Cake Shop, below...
by Andrew Sacher
CMJ (pic by thewildhoneypie)
The 2010 CMJ Music Marathon took place in NYC from Tuesday, 10/19 through Saturday, 10/23. Here's what I did, broken down by day...
I started day one of CMJ, my first-ever CMJ, at the 'Future of the Music Business, Really?' panel. It was really interesting and I learned a lot. The panelists discussed potential ways to keep the industry of recorded music alive, and from what I gathered, most of them agreed that if there was some way to pay a fee for unlimited music downloading, it would probably result in the most positive reception.
From there I hit the 'American Hardcore and the Rise of Modern Rock' panel. This was probably the most interesting panel I went to all week. It was moderated by American Hardcore: A Tribal History author Steven Blush and the panelists talked about how so many aspects of modern rock really are directly influenced from the early '80s hardcore scene, especially regarding the relevance of indie record labels, street teams, and samplers.
They also discussed how the American hardcore movement really is an art movement, not just a style of music. Among the panelists were Vic Bondi from Articles of Faith and Jack Rabid from the magazine, The Big Takeover. It was great to hear things about the movement from people who had really been there when it was prevalent. The event was one of many recent promotional appearances for Steven Blush. You can catch him again in NYC at The Strand at 7pm on 12/15.
Then I made my way over to the Ground Control showcase at Irving Plaza which was headlined by Jenny and Johnny (who I couldn't stay for). I really enjoyed Times New Viking - my first time seeing them. The drummer has the band move from one song to the next so quickly. I also enjoyed Wild Nothing's set a lot, especially now that I knew their album. I had actually seen them over the summer open for The Morning Benders but wasn't really familiar with them at the time.
The Drums @ Santos, late Wednesday night (this photo by Nathan Lee Bush)
When I started to scope out the schedule for Wednesday night, I planned on spending the first part of the night running back and forth between Spike Hill and Bruar Falls, but I decided to head over to Rock Shop instead, comforted by the knowledge that most of the bands I wanted to see (Dale Earnhardt Jr. Jr., The Magic Bullets, etc.) would be playing more sets later in the week anyway.
When I arrived at the Park Slope venue, Tape Deck Mountain was mid-set. At the time, I was fairly satisfied with the few songs I did catch (including a cover of "Mother" by Danzig) (a theme this week?). The band has decent vocals and execution, but when I later reflected on the bands I had seen, I realized that nothing about their set really stuck with me.
Up next was Cloud Nothings. The energy in the room picked up immediately when the Cleveland group began to play (of course it helped that the crowd had begun to fill out at that point). Possibly propelled by nerves or sheer excitement, the youthful band raced through their set as if competing at a track meet, slowing down just long enough for vocalist Dylan Baldi to entertain the audience with his endearing asides. Baldi may not have what you'd generally consider to be a 'good' voice, but he more than makes up for it in his delivery.
Just when I had begun to get a little sick of all-guy groups, the next two acts on the bill each featured a more even distribution of the sexes. Up first - Blair. Right before she and her backing band began their set, there was a bit of an upset when her acoustic guitar came crashing down, but she didn't let the setback dampen the mood. "I just broke a guitar, but it's ok," she said surprisingly nonchalantly. Thanks to their matching tie die shirts (worn by 3 out of 4 people anyway), sunny indie pop melodies, and Blair's unadulterated voice and accompanying song topics (she sings about things like love, candy, and dancing to Whitney Houston), things suddenly took a turn for twee, but I was totally ok with that.
For what it's worth, it was Blair's upbeat diddy "Hello Halo" that I found stuck in my head at the end of the night, and given the position of her set (right in the middle), that's saying something.
The Rock Shop was treating me well, but sadly, my itinerary called for me to return to Manhattan. I did get to stay just long enough to know what I was missing with Braids though. Their set-up may have been nearly identical to that of Blair, but their sound was much more polished thanks to the many overlapping layers of instrumentation and vocals that they carefully crafted on stage. Though I would have gladly stayed longer, I made my way to the train midway through their set.
When I arrived at Santos Party House for the Stereogum/PopGun show, I was a bit dismayed to see the long line extending down the block, but I somehow managed to get into the venue. I made my way to the smaller downstairs room to see Dale Earnhardt Jr. Jr. Just when I was really starting to get upset about the obnoxiously long wait (I could have seen more of Braids set!), I understood the reason for at last part of the hold-up: the group's two main members (Joshua Epstein and Daniel Zott) had run backstage to change into their costumes. Yes, costumes. Head to toe Nascar uniforms to be exact. It's hard to say whether this kind of shtick will hold up in the long run, but it's a pretty good way to stand out on a long list of relatively unknown bands (well that and their ridiculous name).
Whether it's your bag or not, chances are you might end up seeing these guys at some point during the week if you haven't already. They're certainly putting in the time. It was apparently their third show of the day. There wasn't much room for dancing in the packed room, but that didn't stop people from trying, and their light-hearted and energetic set certainly helped propel me through the rest of the night.
To close the evening, I darted upstairs to the main room at Santos to catch (the second half of) Wild Nothing and The Drums. It was kind of a weird succession of moods at that point. After leaving the lively basement room, Wild Nothing seemed even more subdued than I had remembered, but the group (under Jack Tatum's lead) put on a tight set. Considering the next band's laid back, sun-drenched sound, "Summer Holiday" was particularly enjoyable since it was distinctly more upbeat than their other tunes.
Then, finally a bit after 1:00am - The Drums. At this point, I was pretty exhausted, so I was pretty glad when singer Jonathan Pierce announced that they were going to play everything "twice as fast" so we could get home. The Drums seem to have mastered that fine balance of playfulness and artistry. It's hard not to grin at Pierce's over-the-top delivery. With a distinct swagger in his voice and some ridiculously exaggerated dance moves, he's a sight to behold - but so is the rest of the band, swaying in the background. These boys have come a long way since last summer.
I may not have gone to sleep until nearly 4:00am last night, but the constant adrenaline rush from just knowing how many good acts there are tonight should be more than enough to keep me going... that and the knowledge that I'm already planning on taking a personal day tomorrow.
Also Wednesday: "Viral sensation" Kyle Andrews, Animal Collective friends Prince Rama, and Minneapolis-based "chamber-folk sextet" Dark Dark Dark played the Terrorbird day party at Cake Shop with Kordan, Botany, Revolver, Baths, Marnie Stern, and Dale Earnhardt Jr. Jr. Pics of the first three adorn this post.
Dark Dark Dark are also on board for Supply & Demand/InDigest CMJ Official Showcase at CoCo 66 on Friday 10/22 with Franz Nicolay, Vandaveer, The Lisps, Milageres, and Spirit of the Red City. The band will also then Fontana's during the day on Saturday 10/23 to team up with Swells, Brian Bonz, Fairmont, New Numbers, and Skyler.
Prince Rama have a few dates this week, as discussed, including the Paw Tracks/ Car Park show at Cake Shop tonight (10/21) with Cloud Nothings, and the WFMU Record Fair on Saturday (10/23) with Ted Leo (who will also play the BV Day Party earlier that day).
Cloud Nothings also have shows coming up at the Fader Fort and Don Pedro's.
More pictures from Cake Shop show, with all Cloud Nothings dates, below...
For those keeping count, BrooklynVegan will be at Music Hall of Williamsburg Thursday night, Public Assembly on Friday day, and Sunday night at Union Pool. Add to that list (as previously mentioned): Saturday day at Public Assembly. And for this one we teamed up with Converse to bring you the following stellar 100% FREE SHOW....
The date: Saturday, October 23rd, 2010
The time: noon-6pm
The place: Public Assembly (70 North 6th St)
STAGE 1That's sixteen kick ass (yes, Big Freedia is performing) artists (including the DJ) in six free hours (yes, Ted Leo plays at 1pm). But that's not all... We'll have free alcoholic beverages (sorry, this event is 21+) and free food. And free EarPeace ear plugs to the first 50 people through the door (a $14.95 value). Get there for:
12:00 Morning Teleportation
01:00 Ted Leo (solo)
01:45 Dale Earnhardt Jr. Jr.
02:30 Wild Nothing
03:15 Titus Andronicus
04:15 Big Freedia
05:00 Jamie Lidell
DJ sets by SUNCELEb
* free EarPeace (while supplies last)No ticket or RSVP necessary. No badges. Just get there early and get inside. You won't need to spend any money, though we will have some schwag for sale to help raise some cash for Music Has Power (The Institute for Music and Neurologic Function). Moby talks more about what that is in a video we posted in our Friday party announcement.
* free V-Spot breakfast burritos & empanadas (while supplies last)
* free Firefly Vodka + Bourbon (while supplies last)
* free Magic Hat beer (while supplies last)
* free Raw Revolution bars
Can't make it? We'll be streaming select sets live on Converse Radio. Tune in.
Converse is doing a lot lately to help support music, and has especially hooked up Brooklyn. You might have heard about this:
"Converse announced details for an unprecedented initiative that directly supports artistic creativity and the music community in a unique way through the opening of a new, state-of-the-art recording studio in Brooklyn, NY later this year. Converse Rubber Tracks will provide emerging artists with the incredible opportunity to record music in a high-quality studio alongside a team of experienced local engineers at no cost. Converse Rubber Tracks will provide a platform for new musicians and directly help them overcome one of the biggest hurdles in their career-affording studio time."Musicians should apply for free studio time at the Converse Rubber Tracks site.
Stay tuned to @bvCMJ for even more CMJ news and updates than you'll find on BrooklynVegan.com.
Thanks to: Zach Jaeger of Tonally Dude Productions for the sweet flyer you see above, and to Vinny's Music for providing us with some sweet gear, and to Underground Press (who have their own day party on Thursday) for getting us some merch printed to help raise money for charity including screenprinted versions of the above poster that we'll have available at the show.
Some videos below...
This year's FADER Fort is located at 38 Delancey Street at Forsyth and runs from 2-9PM on Friday and Saturday (10/22-10/23). Full lineups have yet to be announced, but some of the artists playing there are Jamaica, Zowie, Cloud Nothings, Wild Nothing, and The Knux. You can RSVP (though admission is still based on capacity). "CMJ Music Marathon registrants will receive expedited admission into The FADER Fort. Registrants must also RSVP to this invitation and pick up FADER credentials/wristbands for admission."
The Apple store doesn't have much going on. The short list of events happening there, and all Glasser dates below...
by Andrew Sacher
DOWNLOAD: The So So Glos - "Lindy Hop" (MP3)
So So Glos Fans (more by Zach Stern)
The lineup has been announced for this year's SUNY Purchase Fall Fest, an annual one-day, students-only festival which will take place on November 5th in the SUNY Purchase Student Center (The Stood). Fall Fest '10 (aka Halloween 2) will be headlined by Raekwon, and features a very varied lineup of other acts including Death who just announced a NEW album...
BASEMENT OF WHAT WAS ONCE KNOWN AS GROOVESVILLE STUDIOS - DETROIT, MI - May 7th, 2010The SUNY show is Death's only at the moment.
"After searching for almost eight hours, I removed a box with a Master in it and vaguely saw some big red letters on the box below it. I shinned the light on this box to clearly see the writing in big red letters DEATH. I screamed with excitement DEATH!!, DEATH!!, DEATH!! Everyone in the building starting to scream and wildly cheer and applause. Upon seeing those tapes, it brought it all back, David had written those big red letters on the tape. Engineer Jim Vitti had jokingly drew a skull and crossbones on the box after the name to which David did not like telling him "We are not that kind of Death". I was full of emotion, I cried. We were all elated, Jacque was elated, I called up Dannis who was in Vermont and he began to joyfully celebrate. I thought about David. If David were here with us all that has happened to Death up to this point would pale in comparison to what we found today. The tapes were right where Brian said they were sitting there awaiting us for 34 years." - Bobby Hackney
Spiritual, Mental, Physical is the new Death CD/LP and it will be released 01/25/11.
The So So Glos will also be performing at SUNY, and are about to embark on a Five Borough NYC tour to celebrate the release of their new EP, Low Back Chain Shift, which came out Tuesday, October 12. The NYC tour happens to take place during CMJ, kicks off in Staten Island, includes a Queens BBQ with Patrick Stickles of Titus Andronicus, and a showcase at Pianos...
Friday, Oct. 22All dates and lineups are below.
158 Ludlow St
Force Field PR Official CMJ Showcase
08pm - Lord Huron
09pm - La Sera
10pm - Violens
11pm - Woven Bones
12am - Wild Nothing
01am - The So So Glos
FREE w/ CMJ Badge
or $10 advance / $12 at door
Omar Souleyman will be performing at SUNY as the concluding date on his current tour, which also includes a November 2nd show at MHOW. Updated dates below.
Fucked Up is also returning to Purchase after getting their set cut short by the police at their 2008 Culture Shock Performance.
Full Purchase lineup, videos, and other tour dates below...
Matthew Dear @ MHOW in 2008 (more by Bao Nguyen)
As mentioned, Pitchfork will be hosting three days of shows at Brooklyn Bowl during, but-it-looks-like/probably completely unaffiliated with, CMJ this year (Thursday/Friday/Saturday CMJ week). "Brooklyn Bowl is located at 61 Wythe Avenue between N. 11th and N. 12th streets. The festival starts at 2 p.m. each day, with doors opening at 1 p.m. Tickets are $10, both in advance and day of the show." They're calling it the #OFFLINE Festival.
Based on the lineups and start time, it looks like each #OFFLINE day will be about a 12 hour show. No set times yet though, but the full lineups and ticket links are below...
Matthew Dear is one of the biggest names on the list (he plays Saturday), and it will be one of three CMJ week shows for Matthew. His first is Friday night at Webster Hall with Jamaica and Dominique Young Unique. His third is later on Saturday at Public Assembly for the FIXED/Making Time Party with Matthew Dear, Crocodiles, Holy Ghost!, Javelin, Gold Panda, Jamaica, and Kisses.
The FIXED/Making Time party starts after the BrooklynVegan party which is also happening at Public Assembly that same day. Just to be clear:
SATURDAY OCTOBER 23RD
* BrooklynVegan @ Public Assembly 12-6pm (free - more details TBA)
* FIXED/Making Time @ Public Assembly 9pm-late (tickets)
* Pitchfork @ Brooklyn Bowl 2pm-late (tickets)
* BrooklynVegan metal @ Union Pool 7pm-late ($5.00 or CMJ badge at the door)
We (BrooklynVegan) will also be at Public Assembly all day on Friday, October 22nd (details TBA), and at Music Hall of Williamsburg on the Thursday night.
All Matthew Dear tour dates (many of which we previously posted including a November show at MHoW), and the Pitchfork #OFFLINE Fest info, below...
Dom @ Governors Island (more by Chris La Putt)
If you haven't heard, Dom, the ginger-fronted guys from Worcester, Mass., recently signed a deal to release an EP on Virgin/EMI label Astralwerks (release date TBA). The band will be opening for Ratatat at Terminal 5 on October 8th and 9th (Bobby Birdman also play). Both of those are sold out, but there are other chances to catch the band.
In addition to those, Dom has a CMJ show at Bowery Ballroom set for October 23rd. That's the same CMJ show that Neon Indian is playing, now with venue revealed. The killer "VFW Group Presents" CMJ bill also includes Wild Nothing, Lower Dens, Lia Ices, Fake Problems, Lord Huron and The Static Jacks. Tickets go on sale Thursday at noon.
And in addition to those gigs, Dom headliners a pre-Halloween (Mischief Night) show at 171 Lombardy (502 Varick Ave @ Lombardy St), along with Smith Westerns, Yellow Fever, Total Slacker and Sweet Bulbs. That's one night after Neon Indian plays Brooklyn Bowl.
Dom, Wild Nothing and Lower Dens are all also on board for a Stereogum CMJ party happening at Santos Party House on October 20th. And I guess I might as well point out that Dom, Wild Nothing and Lower Dens are all booked for TBA BrooklynVegan parties happening during CMJ too. Stay tuned for more details.
Dale Einhardt Jr. Jr. plays that Stereogum party too. It's one of at least six upcoming NYC shows for that band including one with Nada Surf at Mercury Lounge.
All current Dom tour dates are below...
words and photos by Dominick Mastrangelo
Montreal's Stars and Virginia's Wild Nothing are the latest casualties of the hit or miss sound at Terminal 5. To be fair, Stars are just as culpable for the uneven show Friday night (9/24), especially considering their familiarity with the venue (they played there in 2008).
If you're going to play T5 then you need to play as many upbeat songs as possible. After starting well, Stars' first misstep was bringing out a bench to perform one of their fastest numbers, "Ageless Beauty", stripped down. Way down. The stripped down versions should be saved for intimate shows (like the one happening at Littlefield TONIGHT, Sunday, 9/26). Any momentum built to that point was gone and didn't return until a singalong of "Your Ex-Lover is Dead" which was the highlight of the show.
That was followed by a confusing and rambling pre-encore lecture about the use of the military, coming out over the PA. Then Amy Millan came out alone to start the 5-song encore with "Celebration Guns." Songs like "Big Fight" and "Going, Going, Gone" never made it into the 23-song set which was dissapointing since the dynamic between the soft-around the edges Millan and the ever-intense, way-over-the-top Torq Campbell is the centerpiece for Stars. They closed the show with "Changes". A picture of the full setlist is below.
Stars are a good band and spent a good part of the night thanking the appreciative crowd, tossing roses and petals into the crowd. Campbell reminded everyone that they were a New York band first. Hopefully on their subsequent trips "home" they opt for playing the cozier Bowery Ballroom and Music Hall of Williamsburg on consecutive nights.
Wild Nothing opened the show, delivering a solid and business-like performance, though it was to a one-third capacity crowd in the echoey venue. More dates, including Littlefield tonight, HERE. More pictures and the setlist from the Terminal 5 show are below...
"i really wish superchunk would tour more often. one of the best shows of the year tonight at mhow." - jarid maged
"It was unclear just who was throwing the water balloons at last night's Superchunk show at the Music Hall of Williamsburg, but the band, back in town with Majesty Shredding, their ninth full-length record and first since 2001, were clearly tickled that their fans still had it in them.If you were feeling nostalgic last night (9/19) in Brooklyn, where would you go? You had at least two choices. Pavement was playing the Williamsburg Waterfront (one of their five area shows) and Superchunk was at the considerably smaller Music Hall of Williamsburg (their third of three NYC shows) with openers Toddy Barry and Wild Nothing. Well, if you didn't have an advanced tickets to Superchunk, and couldn't get one at the door, at least after your choice was made for you, you could just walk a couple more blocks where Pavement had plenty of room (Pavement also ended early enough to see the headliners of both shows).
"You guys are rowdy tonight," singer-guitarist Mac McCaughan told the packed house of former teenagers halfway through the set, by way of congratulations. "Good for you."" [Capital]
Superchunk started their NYC run at Bowery Ballroom on Saturday, also played a free in-store at Other Music earlier on Sunday and will play Late Night with Jimmy Fallon TONIGHT (9/20), so set your DVRs if you'll be out too late dancing to tunes chosen by Pavement's Bob Nastanovich at the Living Room. Set Colbert to tape too because that's the TV show Pavement will be on tonight.
Comedian and Music Hall opener Todd Barry, who took part in the Eugene Mirman Comedy Fest earlier in the weekend (and later Sunday night), sat in on drums with Superchunk for a Misfits song. Pics and video of that below.
More pictures, the Superchunk setlist, and video from both OM and MHOW (including one of Todd Barry playing "Horror Business" with the band), below...
Stereogum listed the "40 Best New Bands of 2010". They have a lot more detail, but you can also check out their list, alphabetically, below...