Entries tagged with: Wreck and Reference
photos by Caroline Harrison; words by Doug Moore
Pelican / Aksumite at IO CMJ @ Saint Vitus, 10/17/2013
Invisible Oranges threw two sold-out CMJ bashes last week -- the first (10/17) featured HASJ, Aksumite, Primitive Man, Ringworm, and Pelican on Thursday (10/17), while the second spotlit Pyrrhon, Phantom Glue, Wreck & Reference, Kings Destroy, Sannhet, and Pelican (again) on Friday (10/18, right after the BV day party). We also had an late-night afterparty show on Friday featuring Flown, Aksumite, Phantom Glue, and Ramming Speed.
We've got a huge collection of pictures and video of all three shows over at Invisible Oranges. You can scope out some of the pics and vids in this post from both our official showcase and head to IO for the full collection.
More pics, and video, below...
by Doug Moore
Doomriders at House of Vans in 2012 (More by Fred Pessaro)
The new Doomriders album, Grand Blood, came out yesterday. As you may recall, they're also playing a string of support dates for the extremely awesome-looking High On Fire/Kvelertak tour going down in November, including the November 15 NYC date at Webster Hall (tix available here).
To celebrate, we've got a lengthy interview with Newton over at Invisible Oranges. Here's an excerpt:
Is there a particular Doomriders song that you use for a particular purpose?Read the whole thing over at IO. You can purchase Grand Blood here; we've got a song streaming and the full run of High on Fire dates below.
There's a number of different ones. There's one song in particular called "The Chase" that Jeb, our bass player, sings on. It's really mid-tempo, a head bobber, but it's good to throw in the middle of a set because when I'm usually screaming my head off, it gives me a bit of a rest. "Jealous God" is a good song to let everybody tune but build some tension, because it opens with me just hitting that one note for a while, so we can kind of raise the intensity using feedback, different effects and things. It's like when you sequence an album. You want it to take you on a journey.
The new one's sequenced really well―the last four songs, from "Back Taxes" into "Gone to Hell," just blitz to the end.
The last record was a lot more expansive―I think we put too much material on the last record. With this one, I wanted you to put it on and listen from beginning to end. You have a record like that, that is paced so well that when it ends you want to start it all over? That was the goal. Think of the album like a Pixies song. You need to have the loud and the quiet, the fast and the slow. We're all just really excited to play all the new songs. If it was up to me, we'd just go out and only play the new songs.
Speaking of celebrating, we've also posted a preview of our Friday night (10/18) CMJ showcase at Saint Vitus. As with our Thursday event at Vitus, Pelican will be headlining, but with a different support lineup: Sannhet, Kings Destroy, Wreck & Reference, Phantom Glue, and Pyrrhon. And don't forget about our late-night free show/boozefest at the Omega Order warehouse on Friday with Aksumite, Phantom Glue, Flown, and a special guest headliner.
Doomriders dates are listed, along with a song from Grand Blood, below.
by Bill Pearis
SISU, the solo project of Dum Dum Girls drummer Sandra Vu (the live band also features DDG guitarist Jules), are one of the many bands here for CMJ. They've added shows to their busy week, now with five total (plus a radio appearance), including one tonight:
10/16 - WED 9:45pm - Brooklyn, NY - The FlatWe should note that the Saturday Fader Fort happens at Eventi Hotel in Chelsea and not at Converse Rubber Tracks (where the 10/17 & 10/18 Fader Fort dates are happening.) Sandra will also be one of the guest judges at Saturday's Soul Clap & Dance Off party at Brooklyn Bowl.
10/17 - THU 10ish - Brooklyn, NY - Shea Stadium
10/18 - FRI 5:00pm - WNYU 89.1 FM
10/18 - FRI 10:00pm - New York, NY - The Delancey
10/19 - SAT 2:15pm - New York, NY - FADER Fort
10/19 - SAT 10ish - Brooklyn, NY - Union Pool
If you haven't heard SISU's new album, Blood Tears, it's an alluring mix of gothy postpunk and shoegaze styles that doesn't timestamp itself to a particular year. You can stream a couple tracks off the record below and hear the whole thing via Spotify. SISU also just recorded a faithful cover of Magnetic Fields' 69 Love Songs nugget "If You Don't Cry" and we've got the premiere of that in this post.
SISU's full CMJ schedule (including the other bands at their shows) are listed, plus the Magnetic Fields cover and a few other streams, below...
DDGs @ T5, CMJ 2012 (more by Gretchen Robinette)
It's been a little over a year since Dum Dum Girls released the excellent End of Daze EP. Their third album has been in the works for a while now, with much of the recording happening this past spring in LA with usual suspects Richard Gottehrer and Sune Rose Wagner behind the boards. No release date for record has been announced yet. Dum Dum Girls did, however, record the theme song for Cartoon Network's animated series Beware the Batman that debuted over the summer. You can check it out in the show's opening title sequence below.
Dum Dum Girls are also playing some shows in January, though right now there are only dates for NYC and LA. The New York show happens at Mercury Lounge on January 30. Tickets go on sale Friday (10/4) at noon with an AmEx presale starting Wednesday (9/2) at noon. Might those be record release shows? We shall see.
Meanwhile, half of the DDGs (Sandy and Jules) will be in NYC during CMJ as part of SISU. Four shows have been announced: 10/16 at The Flat with Total Slacker, Hunters, Weekend and Habibi ($8 at the door); 10/17 at Shea Stadium with Billy Woods, Wreck & Reference, YC The Cynic, Guardian Alien, and Odonis Odonis; 10/18 at The Delancey w/ Thomas Azier, Psychic Twin, Spirit Animal, LE TROUBLE, Raccoon Fighter, and SWF (FREE); and 10/19 Union Pool with King Dude, Weeknight, and Zig Zags (tickets).
Dum Dum Girls and SISU dates are listed, along with the Beware the Batman theme, below.
by Doug Moore
You already knew that Pelican would headline both nights of Invisible Oranges' two-night 2013 CMJ showcase. And now I'm pleased to announce the rest of line-up. The shows will take place on October 17 & 18 at Saint Vitus:
10/17Buy tickets for the show on 10/17 here, and for 10/18 here.
Wreck & Reference
In related news, Pelican debuted a new song from their upcoming LP, Forever Becoming, over at Noisey today. Stream it below.
Dysrhythmia at Saint Vitus, Jan 5, 2012 (photo by Caroline Harrison)
Dysrhythmia played Saint Vitus on Jan 5th, 2012, joined by a rare appearance from California crew Wreck & Reference with Soren (of Rosenkopf) and Planning for Burial. Check out a review, videos and a full set of pictures at Invisible Oranges.
AFE; file under brutal promo shots, houseplants
You had better have some big cojones to name your band A Fucking Elephant. The technical/progressive two-piece (bass/drums) are prepping to release their classily-titled Seven Inches of A Fucking Elephant, a two song effort that demonstrates the band's prowess as an instrumental powerhouse. At times AFE sound like they've studied the jaw-dropping skills of their recording engineer Colin Marston (the 7" was laid to tape at his A Thousand Caves studio) while others give glimpses of latter Bastard Noise. Stream that release in full below for the first time, get your copy via Nefarious Industries, and see themon the road at the dates below -- including at Public Assembly on Jan 20 with Hannibal Montana, Noxious Foxes and Multitudes. Advance tickets are on sale.
Speaking of Colin Marston, the multi-instrumentalist will be at Saint Vitus on Saturday (1/5) as part of Dysrhythmia's appearance with Wreck & Reference, Soren and Planning for Burial. Tickets are still available.
photos by Jonathan McPhail
Dysrhythmia @ Public Assembly
Dysrhythmia finished their round of dates in celebration of Test of Submission in Brooklyn at Public Assembly on Saturday (11/17). They were joined by a rare appearance from Loincloth (who we profiled here) and NYC's STATS and Rivers of Nihil. Though the latter band leans more toward the death metal end of things, the other three made it clear to see that the night was dedicated to math-y technical metal in different variations. Pictures from the show are in this post.
Dysrhythmia will join Wreck & Reference (profiled here and here), Soren (of Rosenkopf, who played his debut show at WIERD) and Planning for Burial on January 5th at Saint Vitus. The show is a rare appearance for Wreck & Reference, who are are visiting from their native Bay Area. Tickets are on sale.
More pictures from Public Assembly, though unfortunately none of Rivers of Nihil (who we missed), below...
Wreck & Reference's No Youth art
Demo is an abbreviation for demonstration and Wreck & Reference's Black Cassette demo last year was a clear demonstration of intent - of what this California band was capable of. Now the band have created No Youth, a new LP that sits somewhere in the nether between gothic post-punk darkness, noise and ambient shadow, and epic metallic majesty with elements of black metal and hardcore, Wreck and Reference occupy a unique space on No Youth. Bauhaus-ian moments meet with Swans style dirge-and-purge and evolve into shoegaze-y black metal in a wholly cohesive manner; check out the wild trip for yourself. The album is available for pay-what-you-want-download and it is streaming in full below....
In the nether between no wave, shoegaze, and black metal sits Wreck and Reference, who are offering their new release Black Cassette for free download and a remastered version via physical forms on Flenser Records on November 28th. Stream the remastered version for the first time in its entirety below, and preorder your copy along with the new Panopticon at the Flenser Records site.
One listen to Black Cassette and you'll find it impressive to hear that the driving force behind the melodies is not a six-string, but rather triggered samples. The versatility allows for the band to conjure the guitar-like sounds in addition to layered-keyboard soundscapes that make Wreck and Reference so oddly compelling. Add in compressed and snappy drums that would have made J.Dilla reach for his SP-1200, and you have the blackened, pummeling gothic sound of this California crew. Fans of noisy-darkwave from Bauhaus to the roster of Sacred Bones should take note.
Stream all of "Black Cassette" below.