Entries tagged with: black metal
Mayhem at Irving Plaza (more by Paul Birman)
After cancelling their last batch of dates, Mayhem will head back out to North America for a fall tour with support from Keep Of Kalessin, Hate, and Abigail Williams. Woe will also join on thirteen dates, though no word on which ones. The tour hits NYC at Gramercy Theater on November 3rd. Tickets info is forthcoming. Full tour schedule is below.
In related news, Woe mastermind Chris Grigg recently penned an open letter to Liturgy's Hunter Hunt-Hendrix, an excerpt of which follows:
To the point, then: we get it, dude. You think you are very, very important. Everything about you oozes a sense of superiority. Looking at only the first few pages of your Transcendental Black Metal essay, we find the following:Check out the whole thing at Metal Review. All tour dates and some video is below.
You somehow decided that black metal is the "culmination of the history of extreme metal."
You explain that traditional black metal is ultimately unfulfilling: "Hyperborean [traditional, Scandinavian-derived] Black Metal represents the mountaineer's arrival at the peak and a supposed leap off of it... And he is left, crestfallen, frozen and alone, in the Hyperborean realm."
You authoritatively claim the blast beat as belonging to black metal, though far from unique to it, because it allows you to rationalize your I-can't-maintain-a-hyper-blast beat by plainly stating, "the technique of Hyperborean Black Metal is the blast beat."
You audaciously inform us that your work is the next stage of the art's evolution with "[Transcendental Black Metal] is a sublimination of Hyperborean Black Metal in both its spiritual aspect and its technical aspect."
Those passages, the essay on the whole, and every attempt to defend your position shows that you lack even the smallest sliver of modesty or respect for your peers or listeners. These qualities -- rather, the lack of these qualities -- are not unusual for black metal artists to possess; after all, concepts of superiority and elitism are hallmarks of traditional black metal. In your case, though, they do not apply because you have gone so far out of your way to show that you are not the typical black metal musician, you are not part of this world -- you are an outsider wearing some (just some) of black metal's skin. I appreciate you taking the effort to describe what you are attempting to do; however, when you make lengthy, authoritative statements decrying black metal as dead and outdated, when you deride everything that came before you as little more than a failed attempt at something that is unreachable, you're thumbing your nose at everyone who does not see things your way. It's obnoxious. It's rude. It's annoying.
Liturgy at Scion Rock Fest 2010 (more by Christopher Mumma & BBG)
Brooklyn black-metallers Liturgy released their sophomore effort Aesthethica on May 10 via Thrill Jockey. As previously mentioned, they play an album release party June 2 at Knitting Factory with Sightings, Matteah Baim, Swati, and Todd Pendu (DJ set). Tickets are still on sale. In July they head out on a month-long US tour. All dates are listed below.
If you want to understand the band better, or just need some light reading material for the beach, pick up a copy of the frontman's new book...
"Liturgy consciously inverts old-school black-metal nihilism, complete with theoretical undergirding--Hunt-Hendrix, a former philosophy student at Columbia, has even published a treatise on the subject, Transcendental Black Metal: A Vision of Apocalyptic Humanism.Download "Generation" and "High Gold" off Aesthethica above. Also check out the video for "Returner" off the album, along with the album tracklist and all tour dates below...
"I think that to the degree that anyone involved in underground music has an anti-intellectual attitude, they are making a mistake," Hunt-Hendrix writes via e-mail between European tour stops. "I guess it's just difficult to a lot of people to see that music, philosophy and art share a living common root--in the 19th century everyone knew that." This high-minded rhetoric has attracted its share of critics--"[Transcendental Black Metal] belongs to a rich, collegiate tradition of taking a movement or piece of art that you enjoy and writing about it in a way that suggests you take no enjoyment from it whatsoever," Vice quipped--but anyone attempting to brand Aesthethica as passionless will rapidly dead-end. The record's most memorable tracks ("Generation," "Veins of God") come off like high-fives between Black Sabbath and Lightning Bolt: undiluted collisions of volume and intricate groove." [Time Out]
Marduk at Gramercy (more by Paul Birman)
Despite their failed tour with Mayhem, Marduk have almost become live staples in the US as of late with two visits to NYC in as many years (with Nachtmystium/Black Anvil/Merrimack at Gramercy, and with Withered/Tombs/Black Anvil at Gramercy). The Swedes will be back in the US to play Maryland Deathfest, but this time will hit NYC with the self-proclaimed ugliest band in the world Aura Noir (!!!), Panzerfaust, Black Anvil and HOD at Music Hall of Williamsburg on June 3rd. Tickets go on sale at noon on Friday (1/21). All other known tour dates are below.
More tour dates and some videos below..
Twilight 2010. That's Jef Whitehead, second from the left
"A tattoo artist raped his girlfriend using tattoo tools above a near West Side tattoo parlor, authorities allege.What the article doesn't mention is that Jef Whitehead, aka Lurker of Chalice aka Leviathan, is also a highly regarded US Black Metal musician. Leviathan's Massive Conspiracy Against All Life was one of my favorite LPs of 2008 and his catalog has quite a few other highlights. Whitehead, aka "Wrest", also collaborated with Nachtmystium and Sunn O))) among others, and was also a member of the band Twilight alongside Aaron Turner (Isis), N.Imperial (Krieg), Blake Judd (Nachtmystium), Stavros Giannopolous (The Atlas Moth), and Sanford Parker (Minsk). The "supergroup" released Monument to Time End last year and it ended up on a few "best-of" lists.
Jef Whitehead, 42, allegedly choked and beat his 26-year-old girlfriend unconscious by banging her head against a wall above Taylor Street Tattoo and Piercing, 1150 W. Taylor, in t he early hours of Saturday morning.
He also attacked her with a pair of scissors, it's alleged. When she regained consciousness she discovered she had been sexually assaulted with the tattoo tools, Assistant Cook County State's Attorney Tom McGuire said. Whitehead then allegedly knocked her out again, McGuire said. When the victim woke up she was in the street outside the parlor, he added. A heavily-bearded and tattooed Whitehead was dressed all in black as he appeared before Judge Israel Desierto Sunday morning.
Wearing a hooded sweater with the words "stop the madness" printed on it, he was ordered held on bail of $350,000. Whitehead is from California but he and his girlfriend had recently arrived in Chicago and were considering making it their permanent home, McGuire said." [Chicago Sun Times]
words and photos by BBG
Nazxul at Public Assembly
Aussie black metallers Nazxul are currently making the long trek back to their homeland after a reported triumphant set at Maryland Deathfest, and a pit stop in NYC for a show at Public Assembly on June 1st. I'm particular about my keyboards in black metal and Nazxul know how to tastefully integrate the instrument, adding layers of atmosphere and touches of (anti)melody to their stormcloud songwriting. Furthermore, the keyboard touches were not as prevalent as they are on their recorded output. The band played a rousing set that pulled from both their classic 90s burner Totem and their recent release on Moribund, Iconoclast. A picture of their setlist is below.
Direct support came from the killer war-metal trio Witch Tomb who, despite playing in shroud, ripped the crowd with a killer set of high-octane and even higher violence blackened fury.
Mutilation Rites opened the show and though I missed them, I'll be in attendance when the band plays Union Pool alongside The Funeral Pyre (who released their new LP on Prosthetic this week) and Early Graves (who have a certified banger on their hands with Goner).
More pics of Nazxul and Witch Tomb from Public Assembly are below...
words and photos by Stefan Raduta, additional live photos by Steven Brown
Watain LIVE in Chicago during Black Metal Magic 2008
I've said it before and I'll say it again, Sweden's mighty Watain cannot be touched. In a class of their own, they embody the quintessence spirit of what true black metal was always meant to be; I'm talking about what Darkthrone started with A Blaze In The Northern Sky and ended with Panzerfaust.
Beginning with their venomous Rabid Dead Curse exactly ten years ago, this pack of hungry wolves from Uppsala has put a fist in every mouth that took this genre lightly. Casus Luciferi stands as one of the most insanely beautiful black metal pieces of all time, and without a doubt, their Sworn To The Dark can be considered a cornerstone of black metal as magnificent as Mayhem's De Misteriis. Each more crushing and devastating than the other, their recorded output is a volcanic eruption of pure black magic, a magnetic affiliation with the dark, and a spit of contempt against all and everything. This all says nothing of the otherworldly energy they intense rituals created on stage.
On July 8th 2010 they unleash their fourth opus, Lawless Darkness, via Season Of Mist and once more aim to devour every soul standing in their way. It's everything you'd expect it to be; I personally see it as their most epic and heartfelt work so far. Whether the LP is their masterwork is for you to decide, but one thing is sure: it's an impressive and beautiful piece of work.
With Lawless Darkness on the way and Watain's MDF live conjuring this weekend, front man Erik Danielsson, wild child of today's black metal scene, answered a few questions from his Stockholm stronghold. Danielsson's thoughts on the album, satanism, black metal in 2010, and his thoughts on his own death are below...
words by Kim Kelly, photos by Keith Marlowe
Darkened Nocturn Slaughtercult
This past Sunday (May 23, to be exact) Colombian-bred, Pacific Northwest-dwelling cult black metal horde Inquisition brought their necromantic live ritual to Europa's be-disco balled stage, and were joined by Germany's Darkened Nocturn Slaughtercult on the latter's first-ever US tour. This was the duo's only East Coast date, and the last of three very special shows on the Anthems of Pestilence & Death 2010 minitour, which had kicked off in LA last week. Having caught Inquisition before at Heathen Crusade III in Minnesota and 2008's legendary performance at Remains (featuring the live debut of everyone's favorite blackened tech 'heads, Krallice), I couldn't resist making the trip up to see 'em again. After all, third time's the charm...
People-watching at New York metal shows is an endlessly entertaining pastime, especially if you've stumbled into the kind of show that rolled into Europa this past Sunday. From the Spanish Glen Danzig lookalike to the handful of leather-clad corpsepaint wearers, to the barely-legal drunk broad who kept trying to mosh it up with the pit bosses and falling flat on her face and the smattering of very worried-looking hipsters (this was Greenpoint, after all), it was one hell of a subcultural mish-mash up in there.
continued with more pics below....
Alcest at their first ever live performance in Bucharest (more by Stefan Raduta)
Wardruna at the 2010 edition of by:Larm in Norway
April is supposed to be the gateway to rejuvenation; spring is around the corner and warm sun awaits. Yet Thursday, April 29th is a dark day in NYC despite upward swinging forecasts, as the city will host a pair of black metal events.
First up, is the seminar 'A Blaze In The Northern Sky - Norwegian Metal and The Culture That Spawned It", a discussion featuring Nocturno Culto (Darkthrone), Gaahl (ex-Gorgoroth, Wardruna), and Harold Fossberg (Turbonegro) at Scandinavia House (58 Park Avenue):
In the last two decades, a bizarre, intense, and violent musical subculture called Black Metal has emerged in Norway, and has subsequently become a worldwide phenomenon. In a unique seminar-meets-radio show format moderated by Patrizia Mazzuoccolo (also known as Miss Pee), the lecture will explore and promote the genre and its country through audio clips of bands, interviews with musicians and special guests (see below for details), and an audience Q & A session.Secondly and as previously discussed, Alcest will play NYC along with blackened blasters (and recent Candlelight signees) Woe and Have a Nice Life Tickets are still available for their show at The Studio @ Webster Hall, and I have a pair available for giveaway!
Nocturno Culto recently played Roadburn 2010 as part of Sarke, part II of Kim Kelly's review is on the way.
Wardruna, Gaahl included, recently played Folketeateret at the by:Larm Music Festival in snowy Norway (on Saturday, Feb. 20th) . An unposted set of pictures from that show, which was one of the major highlights of the long weekend, is continued below.
Details on how to win those Alcest tickets, some videos, and flyers for both events are below too...
words and photos by Stefan Raduta, intro by BBG
Agalloch in Bucharest
Stefan Raduta is no stranger to the darkness. As a writer with Metal Maniacs, Imhotep, and many other outlets, the Romanian born scribe has profiled and reviewed some of the biggest and most influential names in the blackened depths of extreme music. In the following piece, Stefan hit the road with the great Agalloch on their recent trek to Romania, where the band intresected with Alcest on their first ever live appearance (they play NYC on 4/29 as part of their first US tour). His story from the road is below.
words by BBG, photos by Greg Cristman
So campy.... but oh so fun! Immortal played Brooklyn Masonic Temple on Tuesday, 3/30, as part of their brief but sweet "Blashyrkh in North America" campaign that laid waste to a select few cities on said continent (namely Toronto, Montreal, Brooklyn, and LA).
With a serious lighting rig and enough smoke machine action to make Greg Anderson proud, the band opened the what-appeared-to-be-sold-out show with the title track and "The Rise of Darkness" from their recent success All Shall Fall. Though guitars were a bit too thin in the mix for my liking, the band blasted their way through killer renditions of classics from across their catalog (setlist below) while the eager and surprisingly not too mosh-y crowd nodded and raised their fists in triumph. It was a big and bold set from the frost-bitten Norwegian legends. If you missed it and can't make it to The Avalon in LA (where the band was already spotted hanging out last night) on 4/2, then pray that the corpsepainted (or should I say warpainted?) horde make another trek to the US soon (and hopefully they don't wait 3 years again this time).
Black Anvil opened the show after Immortal hosted a fan meet & greet (it cost extra money). The band is like Kiss in more ways than one. More pictures (though not of Black Anvil yet), as well as tons of videos, below...
Influential US Black Metal great Xasthur is calling it quits. Malefic has officially declared that his new album, Portal of Sorrow will be his last metal album and that the "honorable thing to do is to end the band". He cites more than one reason including not wanting to "turn into one of those bands who rely on too many guests and session musicians to make people interested in their music again". At the end of the letter he posted on his blog, he thanks Marissa Nadler (a guest who is definitely making lots of people interested in the new album) "for taking her voice to another level" on the new record. Read the full letter below...
Seattle by-way-of-Columbia black metal duo Inquisition will headline a show at Europa in Brooklyn on 5/23 with Germany's Darkened Nocturn Slaughtercult and support from miscreants Agrath and Dimentianon. Tickets are $25, and purchase link is forthcoming. Inquisition's appearance comes a little less than two years after their now legendary FREE performance at Remains with Copremesis, SMES, and Dagon and the debut of Krallice.
Inquisition is also scheduled to play Austin on May 29th as part of the upcoming Chaos in Tejas fest with Rorschach, Bone Awl, Bastard Noise, The Ponys, Ty Segall, and many many more. Tickets are on sale for the Emo's shows.
Show flyer and some videos are below...
intro by BBG, interview by Kogaionon, English translation of that interview & the rest of the story by Stefan Raduta
Dordeduh with guest percussionist Thelemnar
Stefan Raduta is no stranger to the darkness. As a writer with Metal Maniacs, Imhotep, and many other outlets, the Romanian born scribe has profiled and reviewed some of the biggest and most influential names in the blackened depths of extreme music. In the following piece Stefan examines black metal and its current move toward transcendentalism and then focuses on his Romanian countrymen, black metal band Negura Bunget, and their fracture into Dordeduh. He concludes with an interview with Dordeduh (ex-NB) member Hupogrammos. The interview was originally conducted by another writer in his native tongue and translated for us by Stefan. Check it all out below...
Immortal likes their corpse paint. Still. (photo by Peter Beste)
After triumphant shows in LA & NYC (BB Kings) in 2007, Black Metal pioneers Immortal are returning to our shores. Norwegian black metal comes to NYC just in time for... spring. And Easter. March 30th, to be exact. The Blackened Music Series hosts the show at Brooklyn Masonic Temple and tickets are now on sale in two levels, regular and VIP, which includes a meet & greet pre-show, laminate, a poster, and many other goodies. The show is part of short tour dubbed "Blashyrkh in North America" according to the foursome:
"North American hordes, we are coming your way! After the fantastic experiences we had in New York and Los Angeles in 2007, we are returning next year, and this time we will make sure we visit our Canadian hordes on the East coast as well! We will see you during Easter 2010, which will be a dark and cold one!"Immortal went back to the studio earlier this year and returned with All Shall Fall, their first rager since Sons of Northern Darkness in 2002. The reception for the record has been positive overall (including mine) and it did well on the Decibel top 40. Pick up a copy of that LP via the band/CM distro.
The only other US show is again in LA. A few Immortal videos with all tour dates, below...
Hunter on stage with Liturgy (more here)
For those of you that enjoy to sauce it up on Friday nights or enjoy a light Saturday afternoon, avert your eyes! Hideous Gnosis (named after a song by the great Caïna) is "a gathering dedicated to the mutual blackening of metal and theory", and is scheduled to take place in Brooklyn at Public Assembly on Saturday (12/12) from 1PM to 7PM. The event will examine different facets of black metal via discussion, readings, performance, and much more. The many scheduled guests include Hunter from Liturgy, Nader Sadek, and Haunting The Chapel (ex-Show No Mercy) scribe Brandon Stosuy.
More info, including the flyer and the schedule are below...
by Benjamin Lozovsky
Four distinctly non-metal acts came together to celebrate the upcoming release of Until The Light Takes Us, a much-anticipated documentary on the Norwegian Black Metal scene written and directed by Brooklynites Aaron Aites and Audery Ewell. Aites and Ewell made themselves available for the whole show, amiably speaking to fans about the film and taking pictures in front of promotional gear sporting a pixilated harbinger of doom. The event felt less like a release party than a gathering of friends to show support however. Despite moving to Norway while making the film, Aites still has plenty of Brooklyn-informed leanings, and he tapped friend and collaborator Kyp Malone (the two play in local band Iran together) to perform with his Rain Machine project. It ended up being just Malone solo, as he performed songs from the project's self-titled debut album with just a plaintive (and at times shattering) guitar and his quivering, unpredictable vocal charms.
Malone might have a future, although maybe just a small one, in comedy or motivational speaking; he filled up the awkward pauses of a quiet audience with deadpan cracks and mildly inspirational calls to move about, if not at this show, then perhaps sometime in the future.
Dave Pajo, playing as Papa M, was probably the only musical participant that had delved into metal material in the past, but on this night he performed his critically revered post-rock album Live From a Shark Cage. Or at least part of it, because after 5 or 6 numbers, the band left the stage. His ambient, textural guitar lines grew slowly as he looped percussive guitar bits underneath the ambling melodies that joined to form a more grand harmonic synthesis. He too had his peoples out in force, as co-members of his new band Yeah Yeah Yeahs Nick Zinner and Brian Chase showed up to cheer on their collaborator and friend. Pajo plays the album again at ATP's 10th Anniversary Festival in England in December, and he'll assist Zinner and Co in performing their breakthrough debut Fever To Tell at the same event.
Overall, it was very subdued night, with only one out of the four acts even rocking a drum kit on stage. That was Soft Circle, who mixed reverb-heavy, almost surfer guitar sounds with punishing krautrock and dance punk beats, courtesy of drummer (and layering whiz) Hisham Akira Bharoocha. But after listening to all that black metal, can you really blame Aites and Ewell for toning it down a notch on this night? There will be plenty of time for bleeding ears once the movie is released. Catch it in New York starting December 4th at the Cinema Village.
Kevin Barker was the first of four on the bill. We missed him, but more pictures from the rest of the show below...
A pale and heavily photoshopped David Pajo returns from church
As previously discussed, Until The Light Takes Us is the much talked about documentary chronicling the Norwegian Black Metal scene, which after months of anticipation, is FINALLY getting a theatrical release in NYC on Dec 4th (you can catch it at Cinema Village). Featuring a killer lineup of interviewees (Fenriz, Hellhammer, Frost, Abbath, Harmony Korine, and even the elusive and now free Vark Vikernes himself) as well as a soundtrack with many faves of different genres (Darkthrone, Mayhem, Ulver, Thorns, Enslaved, Boards of Canada, Black Dice, Sunn 0))), Múm, many others), fans of all types of music should be able to follow the fascinating story behind one of the most extreme musical scenes in modern history.
Maybe all of the years of research put into the documentary has burned the filmmakers out on buzzing guitars, pained vocals and frost-bitten blasts though, because they recruited bands of a different sort for their release party at Knitting Factory TONIGHT (11/18): Papa M, Rain Machine, Soft Circle, and Devendra Banhart collaborator Kevin Barker. Tickets are on sale. Flyer below.
The director of Until The Light Takes Us Aaron Aites and Rain Machine aka Kyp Malone (of TV on the Radio) are in a band together, Iran, who currently have no US dates lined up. Rain Machine have a total of four.
Papa M, aka David Pajo (who is also now in the Yeah Yeah Yeahs), will be showcasing all of his 1999 LP Live From A Shark Cage at the show as one of only two US dates (the other is in San Francisco on 12/20), with a third date as part of the previously discussed and sold out Ten Years of ATP show in Minehead. Pajo is also prepping to release his new LP, Evila, which is set to blast off in early December. Full tour dates are below.
Kevin Barker, who has also been known to collaborate with Joanna Newsom, Devendra Banhart, Vashti Bunyan, and Antony and the Johnsons among many others, has one other date on his calendar, Dec 20th at The Stone. His new album You and Me is out now digitally and features many of those same people as guest musicians.
The movie trailer and party flyer with Papa M dates and a video of Pajo covering "Where Eagles Dare" by The Misfits, below..
words by Black Bubblegum, photos by Chris La Putt
Mortuus of Marduk is angry. You won't like him when he's angry.
Three beers and as many bands into the blackened bonanza at Gramercy, nature was calling. I scooted downstairs to a mostly empty bathroom where every stall was open but all of the sinks were occupied. Standing at the sinks were four men applying a base coat of white to their face, adding black around their eyes and upside-down crosses to their cheeks.
Mental note: corpse paint and beige khaki shorts is not a good look.
Gramercy's doors swung open for me a little bit before 9:30, missing Black Anvil & Tombs (who by all accounts, destroyed... me = not surprised) but just in time to catch Withered for the umpteenth time in a year. Vocalist/guitarist Dylan Kilgore was absent for the second time in recent months (similar to the tail end of Mayhem fest), but their new guitar player was a suitable replacement. In fact, the road has been good to Withered; every single NYC performance is better than the last, with Saturday's performance topping them all. It is debatable, yet entirely possible, that Withered were as or more powerful than the mighty Marduk.
Besides some of the more familiar landmarks in their setlist (from their two LPs Folie Circulaire and Memento Mori), Witheredalso revealed "From Shadows", a new song which, according to members of the band, will be recorded in the coming months for a new LP(!). The track retains all of the Withered signatures of subtle melody, blasting power, and unplanned left turns. Get psyched.
To chants of "Panzer Division Marduk", the Swedish black metallers took the stage clad in all black (doy), 14 hole combat boots, and the requisite corpse paint. The band was gloriously powerful, and I couldn't help but wonder about how the band would have fared on Blackened Fest. Would opening for the extremely theatrical Mayhem diminish their impact or would Cephalic Carnage's relatively clinical approach made them seem all the more punishing? Either way, dem boys were good. The sound was well balanced for Marduk from multiple points of view (as it was for Withered), with my single complaint being there wasn't enough guitar in the mix (which is probably is due to the fact that the band had one guitarist).
Before the set, multiple backstage sources were spreading the word that the band had gallons of cow blood prepped for use during their set. Gallons, I cannot verify, but vocalist Mortuus (also known for his work in Funeral Mist) did pause for a moment mid-set to "drink" a chalice filled with cow blood, most (all?) of which ended up on his chin and chest. Yummy. It was highly theatrical and down right hilarious/awesome. To quote Bon Scott: "If you want blood, you got it!"
Marduk has said in the recent past that these three dates are just a taste before they embark on a full-on US tour in the winter. Let's hope that NYC gets another date... just don't count on me to get made-up for it.
More pictures below....
by Black Bubblegum
Withered @ Blackenedfest (more by Paul Birman)
Now that the debacle that was Blackened Fest is behind us, rest comfortably in knowing that Marduk has arrived in the US, ready to play three shows including one in Baltimore (home of Maryland Death Fest, one of their original destinations) TONIGHT (8/12) with Withered and Black Anvil. The band will land in NYC on 8/15 at Gramercy to be joined by Tombs (tickets are still available, and for $5).
Meanwhile, if you have Friday (8/14) available and feel like making a weekend of it, the band will be at the one and only Duff's in Brooklyn for a "special signing session". Details are on the below flyer.
The Marduk dates are supposedly just the tip of the iceberg, as the band preps for the impending release of their new album Wormwood:
"We are excited to finally be over in the states and do these shows after all the problems with the visas. The three shows in August are just the start. We are preparing for a full tour in the winter that will cover all the areas we missed on Blackenedfest. Please join us as we raise the Banner Of The Wolf!"Full tour dates, Duff's flyer and some videos are below. Tombs was recently added to the super-terrific Planet Caravan festival in North Carolina featuring Pentagram, Clutch, YOB, Kylesa, Burst, Orange Goblin, Sourvein, The Gates of Slumber, and so many others. Tickets for that event on 9/18 and 9/19 are available here.
- [Marduk guitarist Morgan Håkansson]
King Khan & the Shrines @ Sasquatch 2009 (more by Chris Graham)
The Almighty Defenders CD, out September 22nd on Vice, brings together the Black Lips, King Khan and Mark Sultan. The latter two make up King Khan & the BBQ Show, which is the band that'll be playing Brooklyn's Bell House this Halloween (its an early show - 7:30pm doors / over by 10:30pm) (there's a TBA late show at the same venue). Prizes for best costume. As you can see above, King Khan already has some ideas in mind. Tickets are on sale now.
Can't make it Halloween? King Khan and BBQ are also playing Bowery Ballroom one night earlier (10/30). Ticket info TBA. Full tour dates are still forthcoming, but there are a few more below (including November 1st in Philly). They'll be touring in support of the new King Khan & the BBQ Show album, Invisible Girl, out November 3rd on In the Red.
Another Halloween NYC gig happening in Brooklyn is the Mount Eerie metal show at the Market Hotel. His tourmates, No Kids and Tara Jane O'Neil, will also be his backing band for a set that promises "2 drummers, some gongs and a wall of amps." Liturgy is one of the bands on the bill. Another will be Malkuth. That tour formerly had a TBA for another NYC show. That will happen (with No Kids & TJO playing sets too) on Sunday, November 1st at (Le) Poisson Rouge. Tickets for that Manhattan show (which does not include Liturgy or Malkuth) are on sale (Market Hotel doesn't have advanced tickets).
The LPR show is put on by Wordless Music, who has a bunch of big shows coming up (not the least Rhys Chatham's A Crimson Grail on Saturday). There's also Warp20NYC, the Wordless series at Columbia's Miller Theatre, Deefhoof and Why?.
The Market Hotel show is curated by Brandon Stosuy - music writer and organizer of Show No Mercy (that Black Bubblegum co-curated this past Sunday). Tonight (August 5th) Brandon will be be presenting from his "in-progress oral history of American black metal [briefly excerpted at Believer] joined by Matt Luem for "Joe's Pub's Happy Ending Reading & Music Series. Also at the event will be "Rachel Cohen reading from her book A Chance Meeting: Intertwined Lives of American Writers and Artists. And Lawrence Weschler reading from his work on the visual artists David Hockney and Robert Irwin. And Colin Stetson delivering an opening invocation on saxophone. And Buke & Gass playing a short set of clear voiced yet fuzzed out pop experiments on homemade instruments." Tickets are still on sale.
Videos, new KK&BBQ album tracklist and tour dates from King Khan & the BBQ Show, below...
by Black Bubblegum
The black metal star, with the star of classic cinema such as Ghost Rider, Next, Knowing, and Captain Corelli's Mandolin.
In 1987, actor Nicolas Cage was "Raising Arizona." Three years later, he began raising future underground black-metal singer Weston "Arcane" Cage....That "undergound black metal band" is Eyes of Noctum, whose debut album, Inceptum was recorded by Fredrik Nordström (Dimmu Borgir) and features Hellhammer (!?!?!?!) (Mayhem, Satyricon, Dimmu Borgir) and Snowy Shaw (King Diamond, Therion, Mercyful Fate). Eyes of Noctum play two nights in NYC starting tonight (7/17), and though I wouldn't necessarily recommend this band, they are playing with the mighty Malkuth at Studio @ Webster Hall and then again on July 20th (Mon) at Europa with the also awesome Villains and Bezoar. Advance tickets for tonight are here while tickets for Europa are here.
Weston tells BostonHerald.com. "I have a dark maniacal side and sometimes I want to decimate every person in the room. But I also want to enlighten. We have a variety of different fans and get different reactions."
Snowy Shaw rwas recently interviewed by SickDrummer.com where he spoke on his current projects as well as his time with Eyes of Noctum:
SDM: Tell us about your relationship with Fredrik Nordstrom. Do you ever do studio sessions for him?Tour dates below...
Snowy: Fredrik and I are great friends, and occasionally I do sessions for him or in his studio.
Most recently was last summer for a band I think is called Eyes of Noctum with Hollywood actor Nicolas Cage's son as the leader/singer. Fredrik just called me one night, asking me to attend in the studio as some sort of coach for this poor young LA drummer who simply couldn't get it down, so after having wasted several days, Fredrik as the producer just had to take charge of the procedure and get things moving. I got there the next morning thinking I'd be coaching the guy, then understand they expect me to do ghost drumming, then the next day I'd be listed as the drummer. I'm a very quick learner, and although I don't consider myself a very good black metal drummer (since I hit the drums very very hard, playing that ultra fast gets tricky), but I did my best to please them with all their wishes and requests, and I nailed it all in a few days time, and everybody was happy.
by Black Bubblegum
Irving Plaza last month (more by Paul Birman)
Call it mini-Blackenedfest if you will. Marduk, after never making it to the actual Blackenedfest to do visa issues, have scheduled three US tour dates with Withered (another Blackenedfest participant) and the now-Relapse-signed Black Anvil. The NYC show will take place at the Gramercy Theater on 8/15 with Tombs also on the bill. Tickets for that show go on sale at noon on 6/23 here. All tour dates below.
Black Anvil also have an additional FOUR shows scheduled for NYC including July 11 @ Rockstar Bar with Dimentianon, July 20 at Europa with Eyes of Noctum, August 15th at Aladdin's Garden, and August 17th @ Lit Lounge with Lightning Swords Of Death. The shows lead up to Relapse's reissue last year's Time Insults The Mind LP (due Sept 1st). Black Anvil is currently writing material for a follow-up LP. All dates below.
The Blackenedfest, which played Irving Plaza in May, concluded last week with only Mayhem left on the bill.
Tombs recently played Irving Plaza as well, but with Isis and Pelican.
All dates below...
by Black Bubblegum
it hasn't turned out to be a disaster on the level of Blackenedfest, but the current CIII tour has had it's fair share of ups and downs. First Averse Sefira dropped off and were subsequently replaced by Rumplestiltskin Grinder. Then French Black Metallers Glorior Belli drop off. That said, Absu is still prepared to destroy NYC with Sothis (and Rumplestiltskin Grinder) this Sunday (6/21) at BB King's. tickets are still available.
In addition to Sunday's show, tonight's sold out gig at Fontana's (6/19) will offer a rare live glimpse into the black metal underground with the first EVER US show by Quebecois BMer Akitsa crossing paths with Bone Awl, Ashdautas, and Volahn.
Absu is currently touring off of their first LP in 8 years, and first to feature an entirely new lineup save for drummer/vocalist Proscriptor McGovern. In addition to the CIII tour, the band has lined up an appearance at Hostile City Deathfest with Deicide, Vital Remains, Monstrosity, Anal Cunt, Fuck The Facts and many many others.
Anal Cunt & Fuck The Facts will join Copremesis, Gwynbleidd and Locrian for Show No Mercy on July 5th. Stay tuned for some VERY exciting announcements regarding Show No Mercy August!
Check out the Seldon Hunt-designed flyer for Show No Mercy, all Absu tour dates, and a few Absu videos below...
"The situation with MARDUK not having performed during the first week of Blackenedfest is due to vocalist Mortuus not having received his visa yet. Note, it is not a "denied" visa. The band filed for a P-1 non-immigrant work visa, which is required for a band to play in the states. The visa was approved by the United States Government's Homeland Security Office. Furthermore, as required, the band members each individually went to their Visa appointments at the US Embassy in Stockholm for the standard interview, at which point the persons handling the band's applications informed the band that there was no further action needed and that they should expect their passports in the mail with the P-1 visa attached. Everyone in the band received theirs except Mortuus. The day before tour, while the rest of the band were at the airport awaiting to board their flights to the US, Mortuus returned to the embassy to inquire as to the location of his passport. At this point, he was informed that he was missing one document in order to finalize the visa. No one in the band, nor the label, was made aware of this missing form. After we were made aware of this missing document, we provided the document to the Embassy in Stockholm and we are currently awaiting each day for the Passport to be returned to Mortuus with the visa stamp. The Embassy is aware of the urgency of this matter and we expect the band to join the tour in progress any day now. We are hope to announce the arrival of the band soon." -MARDUKPictures of the bands that did play the Irving Plaza show (Mayhem, etc), and all tour dates HERE.
photos by Paul Birman, words by Black Bubblegum
Wolves in the Throne Room
Like a dark mist settling in the Hudson Valley before blowing off to sea, Wolves In The Throne Room, Krallice, and A Storm of Light cast darkness upon The Studio @ Webster Hall last night (5/26) as part of their tour surrounding Maryland Death Fest which included an earlier NYC Date at Europa on 5/22 (except with Thrones instead of Krallice). Videos from Europa and full tour dates are below.
A Storm of Light opened the evening at The Studio with their Neurosis-style dirge and thunder, drawing from newly reworked material due to the addition of a new female voice, Nerissa Campbell. Comparing Tuesday night to my prior experience with them, the vocals with the now-harmonizing Josh Graham only further highlight their Swans influence, and Campbell's voice has a pained quality that reminds me of a simpler, more blues-y Jarboe. I think the addition is a smart one.
Krallice followed, and though apparent instrument issues plagued Colin Marston, the trio banged out a set of (I believe) mostly new material. The new material seems to be in the same vein as the old; dual tremelo picking, blasting drums, and odd left turns delivered with underlying complex melody. Bassist Nick McMaster plays a different role in the new material (he did not play on the S/T), showcasing some finger-tapping and a death-metal growl that contrasts well with Mick Barr's reverb drenched, higher pitched screams.
I recently spoke with Krallice, and the band is working on their new album for a late June/July recording, after which the band will take a break until August. (To work on Gorguts?!?!? Please?)
Wolves In The Throne Room were candlelit and engulfed in fog by the time the clock struck 10:45PM. The foursome charged through abbreviated versions of songs from their current and last LPs, Two Hunters and Black Cascade respectively, including "Ahrimanic Trance", "Behold The Vastness and Sorrow", and "Crystal Ammunition". As menacing and unholy as they seem on stage, their melodies soar from beneath the darkness, making their live show all the more undeniable. If you missed this or the Europa show, make sure to get to the next one. I have a feeling that with the crowd the size that it was last night (sold out?), we may get another taste very soon. (I hope)
To close, a note for aspiring photographers. If the band likes to perform with the lights so low, don't flash away 100+ times at the same target. It's distracting, annoying, and just plain uncool. That said, more pictures, and those videos, below...