Entries tagged with: cmj
The Ocean Blue made a welcome return last year with new album, Ultramarine, their first new album since the '90s. This year the band are reissuing their hard-to-find 2004 EP, Waterworks, on vinyl, now expanded into LP length with the addition of three extra tracks. We've got the premiere of one of those, "Can't Let Go," which you can stream below.
The band will be touring this fall, including a visit to NYC during CMJ. They'll play Pianos on October 22 and Brooklyn Night Bazaar October 25. Rest of those lineups (and ticket info) are still TBA. All dates are listed, along with the song stream, below...
LA band Meatbodies, who released a 7" on Ty Segall's God imprint and toured through NYC earlier this summer, have just announced their self-titled debut album, which will be out via In the Red on October 14. You can stream the very crunchy "Tremmors" from it in this post.
Meatbodies will be on tour this fall, doing stints with Purling Hiss and Hunters. In between those runs, they'll be in NYC for CMJ on October 23 & 24. No firm details yet, expect those to be revealed closer to the fest.
All dates are listed, along with the new song stream, below...
by Bill Pearis
Tom Vek released his third album, Luck, last month via Moshi Moshi. His style -- jittery, syncopated, danceable postpunk -- is as distinctive as his voice, and he doesn't futz with the formula too much here. That's not a bad thing. You can stream the album via Rdio and check out a few tracks, remixes and videos from Luck below.
Tom will be in NYC in October, playing Baby's All Right on 10/20 and Mercury Lounge on 10/21. Tickets for Baby's and Mercury Lounge go on sale Friday (7/25) at noon with an AmEx presale for Mercury Lounge starting Wednesday (7/23) at noon.
Both of those shows happen the same week as this year's CMJ Fest (Oct. 21 - 25). The Baby's show is before CMJ starts and its unclear whether the Merc show is an official showcase. But expect more Tom Vek shows that week to be announced as we get closer to the fest.
Videos, streams and remixes below...
UPDATE: PRESALE PASSWORD HERE.
photos by Vladislav Grach
Courtney Barnett & San Fermin @ Firefly Fest 2014
Australia's charming and talented Courtney Barnett is currently in North America, touring around a string of festival dates. You may have caught her during Northside (or the Bowery Ballroom show right after), and she just played last weekend's Firefly Music Festival in Dover, DE with San Fermin and many more. Pictures from Courtney and San Fermin's Firefly sets are in this post.
With her debut album in the can and due out this fall, Courtney will be back to play more North American shows leading up to her appearance at Austin's Fun Fun Fun Fest. That includes a co-headlining run with San Fermin that hits NYC for a show at Webster Hall on October 22 with Mikhael Paskalev. All dates are listed below.
The NYC show happens during CMJ (Oct 21 - 25), though it's still unclear if it's part of that fest or not. Tickets for that show go on sale Friday (6/27) at 10 AM. You can get tickets before that though with our BrooklynVegan presale which starts Thursday (6/26) at 10 AM. Check back here Thursday morning for the password.
UPDATE: PRESALE PASSWORD HERE.
San Fermin meanwhile open for St. Vincent in Prospect Park in August, play some shows with the Head and the Heart, and more. Their dates are also listed below.
You may not recognize the female vocalist pictured here with San Fermin. Lucius sang on the album and Rae Cassidy was the singer at our SXSW show. According to Wikipedia, "Rae Cassidy has left the band in April 2014 in order to focus on her solo projects. She has been replaced by Charlene Kaye."
Dates and pictures, below...
Woods @ Austin Psych Fest 2014 (more by Tim Griffin)
In the band's own words: "Fresh off of the release of their eighth official album, With Light and With Love, Woods are pleased to announce a new single for Captured Tracks due July 8th featuring two brand new non-album songs, "Tambourine Light" and "Tomorrow's Only Yesterday," meant as a companion piece to the album. You can pre-order the single here." Listen to "Tambourine Light" below.
Catch Woods on tour this summer and fall. New Yorkers who missed the band at Baby's All Right (4/22) and Bowery Ballroom (5/16) have another chance on 6/13 when the band open for The War On Drugs at the big Northside Festival show at 50 Kent. If you already bought a ticket for this show, consider youself lucky to get such a fine, fine opener. All of the band's dates, which take them to Chicago for Wicker Park Fest, to Portland for Pickathon, to Big Sur for their own festival, back to Austin (where they recently played Psych Fest), to San Francisco for Outside Lands to all over Europe, are listed below.
On October 24, possibly as part of CMJ, the band plays another NYC show, this time with psychedelic light show pioneers Joshua Light Show at NYU Skirball Center for the Performing Arts (a venue we've seen the Joshua Light Show do a series of performances at before). We'll post more details about that one as they surface.
Dates and song below...
Ejecta, the duo of Neon Indian's Leanne Macomber and Ford & Lopatin's Joel Ford, put out their debut album, Dominae, last year and now one of its singles, "Eleanor Lye," has been given video treatment (by Allie Avital Tspyin of BANGS). As you may have realized by now, Leanne's character as Ejecta is almost always naked (like in press shots), and the new video is no different. See for yourself, below (unless you're at work).
Why always nude? Her press release notes:
Macomber describes Ejecta as a character, one that conceptually represents her various inner-struggles, and yet also as a way to "deflect" them. This alternate identity acts a conduit for Macomber's countless longings, and as such is always depicted completely nude.Leanne also spoke to Polari Magazine about it:
In all the artwork, you were photographed nude to portray this character. The final results are stunning but were you apprehensive about baring all for the artwork?Read more at Polari, at Hungarian site Recorder, and in the interview with Emmy the Great that Leanne, who is also in Fight Bite, did for Noisey.
Leanne: I grew up in the dark room around adults who, among other things, gave me the gift of bravery. I feel detached from myself when I'm this character, when I'm on stage. Art is a wonderful escape for the shy and awkward. Art is my armor.
That all said, Leanne was clothed at their live debut at CMJ 2013, and again when they played SXSW 2014. You can watch videos from both with the new NSFW video, below...
photos by Chris La Putt; words by Bill Pearis
Spires @ Baby's All Right 10/19/2013
Spires played a lot of shows during CMJ. Maybe not as many as Joanna Gruesome, but close. And when they weren't playing, they were out and about. It felt like wherever I went that week, there was usually at least one member of Spires there, just hanging out. One of those shows was opening our Saturday party at Baby's All Right where they brought a lot of energy to the tough noon slot. We already posted one set of pictures from their set, and we've now got a second in this post.
Spires released their debut single a couple weeks back and have just put forth the video for its very catchy A-side, "Candyflip," a pretty straightforward performance clip of the band superimposed with crashing waves. You can watch it below.
Meanwhile, Spires play tonight (11/8) at Bowery Ballroom with Pure Bathing Culture and headliners Widowspeak. Tickets are still available. The band have a few other shows lined up too: opening for UK band Temples at Union Pool on November 26 (tickets); opening for the Allah-Las at Rough Trade NYC on December 6 (tickets); and playing a free Brooklyn Night Bazaar on December 7 show with Au Revoir Simone, Splashh, and Grooms.
Dates are listed, plus the music video and more pics from their BV CMJ party performance, below...
photos by Dominick Mastrangelo
Au Revoir Simone / Jacco Gardner @ Mission Sound 10/17/2013
On October 17, 2013, Insound and Just Managing hosted their annual CMJ Recording Lounge at Mission Sound in Williamsburg, Brooklyn. Eight bands were recorded in eight hours in whirlwind sessions helmed by Grammy winning engineer Matt Shane (Flight of the Conchords) and Hector Castillo (David Bowie, Bjork). It that short span of time, they got two tracks recorded each from Au Revoir Simone, Jacco Gardner, Ghost Wave, Tweens, Doug Keith, John Murry, Dream Shake and Ski Lodge. You can check out Au Revoir Simone's "Just Like a Tree" and Jacco Gardner's "Chameleon" and photos from those sessions in this post, and you can download all 16 songs for free over at Insound.
In addition to their upcoming Kidrockers show at Brooklyn Bowl on November 17 (tickets), Au Revoir Simone are also playing a free show at Brooklyn Night Bazaar on December 7 with Spires, Grooms and UK band Splashh who will be performing as a duo for this show. Splashh also play the Bazaar the night before (12/6) with TEEN, Forest Fire and Valleys. They're flying over just for these shows which are being presented by Kanine Records. All BK Night Bazaar shows are free.
Check out Jacco Gardner and Au Revoir Simone streams, and more pics from their sessions, below...
photos by Amanda Hatfield
Torres / Pallbearer / Joanna Gruesome
After a hot set by Yuck (who played after Courtney Barnett, Pity Sex and more), things cooled down during King Dude's set, literally, as the venue succesfully tested out their air conditioning for the first time. Nothing were then followed by the heaviest band of the day: doom traditionalists Pallbearer, we announced as our special guest just hours earlier. They played with Saint Vitus at Europa the night before.
Then things eased their way back in a lighter direction, with alt-folk singer Torres -- playing as a duo rather than a four-piece -- who continues to get grungier and more intense each time. We were worried that the transition from the metal of Pallbearer to Torres would be a disaster, but it was just the opposite and both bands played to a full room, even if the faces were not all the same.
Then came one of the most fun sets of the day (if we do say so ourselves) from Hop Along, who had fans packing in towards the front of the venue and singing along for much of their set. Hop Along gave the love right back and didn't hide their excitement that they were getting to open for Superchunk frontman Mac McCaughan and Mary Timony's new band Ex Hex. More about both of those special sets HERE.
After Ex Hex, the late-night portion of the show (we were only initially going until 10 PM) began with a set from Amsterdam's Jacco Gardner, who like Spires ten hours earlier, sound a lot like late '60s psych/baroque pop. Then came NYC's good lookin' rockers Drowners, followed by another big winner of this year's CMJ, Joanna Gruesome. The UK band only recently formed, banged out a debut LP mixing twee pop and punk called Weird Sister, and seriously honed their live show, which was one not to miss. A lot of folks who had clearly been at Arcade Fire earlier in the night (a lot of tuxes, a lot of animal masks) made it over for JG's set. The band didn't let amp issues or it being their last of a zillion CMJ shows slow them down, and their set ended with three of the five members in the crowd.
Finally, our epic-length party ended on a highly eccentric note, with a post-1AM set from UK duo Public Service Broadcasting who mix krauty dancerock with samples from '70s and '80s educational films. While they were lacking the projections they normally play with, they were still quite entertaining -- they addressed the crowd purely with dialogue samples -- and their tight set featured the only banjo of the night. After it all, somewhow we we were still standing.
Thanks again to Sailor Jerry and to Raw Revolution for supplying the free organic live food bars that scattered around the venue. Thanks to Vinny's Music, who provided backline equipment for the artists, to Baby's All Right for being so accomodating and for getting the doors open on time, to all the bands who played and to everyone that stopped by.
photos by Amanda Hatfield
Courtney Barnett / Pity Sex / Yuck
Thursday morning we still didn't even know if new Williamsburg venue Baby's All Right would be allowed to open. One day later, we hosted what ended up being the venue's first show ever for six hours straight on Friday afternoon. We then returned the next morning for an all-day Saturday CMJ party that went from noon til just after 2 AM. Pictures, videos and a recap of that 14 hour 10/19 BrooklynVegan show are in this post.
We kicked things Saturday off with local band Spires, who may be a newish band from Brooklyn but sound more like one from the UK in the late '60s, followed by the shoegazey emo of Pity Sex, who balanced whispered vocals and atmospheric guitars on either side of the stage with their driving rhythm section in the middle. Before their set, at least one member of Pity Sex got some new art on his body in our pop up Three Kings Tattoo shop courtesy of Sailor Jerry who also supplied the free rum we started serving right at noon.
Next up was Australian singer/songwriter Courtney Barnett, one of the big winners of this year's CMJ, who just released The Double EP: A Sea Of Split Peas, a collection of witty lyrics and Summer of Love psych pop. The songs are excellent, and she's got a nice stage presence with a funny attitude and some killer guitar freakouts. She offered a free CD to anyone who got a tattoo of her name.
After Courtney was Yuck, who were playing their first U.S. shows since singer Daniel Blumberg left the band. He wasn't really missed, as the rest of the band traded off vocals on the first album's songs and their new material seemed to go over equally well. (They also gave us their cover of New Order's "Age of Consent.) It was a packed -- and sweaty -- house with a very enthusiastic crowd. Great set.
Then we changed gears for goth/country singer King Dude (playing as a trio), who were a bit more rockin' than they are on record, which made for a good transition into Nothing, who have been tagged as shoegaze, are signed to a metal label but really just came off as a heavy rock band not tied to any specific subgenre (catch them, complete with a new tattoo they also got at the show, at 285 Kent on 10/29).
More about this show with pictures of the second half of the day are HERE. Everything described above, is pictured below...
photos by Wei Shi; words by Bill Pearis
Sondre Lerche, Luke Temple @ Bowery Ballroom -- 10/15/2013
Sondre Lerche, who's been somewhat quiet of late, broke the silence for a show at Bowery Ballroom during CMJ, headlining The Talkhouse showcase on October 15 that also featured Luke Temple and others. Where most NYC shows tend to just be Sondre solo, for this one he had a rhythm section in tow -- a nice treat, though he's certainly capable of captivating a crowd all by his lonesome. Pictures from his and Temples' sets are in this post.
While Lerche finishes up his new album, fans can look forward to a new 12" which is one of the many 2013 Record Store Day Black Friday releases. It's the first in a series of releases under the title Public Hi-Fi Sessions where bands record at Jim Eno's studio. This one features Sondre doing "Like Lazenby" and "Screen Door."
And speaking of the Talkhouse, Sondre reviewed the new Prefab Sprout album, Crimson / Red which was the first all-new Prefab Sprout album in 16 years. If you are familiar with Prefab Sprout, the band's influence on Lerche's music is pretty evident, and "I Cannot Let You Go" from his 2009 album Heartbeat Radio is an unabashed PS homage. In his review, he writes:
While I raked autumn leaves in my stepfather's garden, my vanity scanned the record for anything that might remind me of my own music. What I found resembled not so much how I sounded but how I felt. Barely 19 and still living with my mom while chasing my debut album across the world on infinite promotional tours, it was an incredibly confusing and eventful time. And Prefab Sprout turned out to be my absurd and emphatic compass through most of it. Their songs made room for everything I was dealing with: adolescent arrogance, sexual frustrations, conflicted resentment, helpless romanticism, long overdue generational confrontations.The review is mostly positive and nicely considered, and you can read the whole thing here. And if you haven't heard Crimson / Red yet, Paddy Mcaloon is in fine form -- both vocally and songwriting-ly. If the production is missing some of the granduer of 1990's Jordan the Comeback, the album is a welcome return, and album-opener "The Best Jewel Thief in the World" stands among Mcaloon's finest. You can stream that, and check out more pictures from Sondre Lerche's CMJ set, below...
words by Andrew Sacher, photos by Amanda Hatfield
"Ex Hex casting a spell on the @brooklynvegan party " - Amanda Contrada
Mac & Ex Hex @ BV CMJ @ Baby's All Right - 10/19/2013
After our Friday CMJ day party on opening day of new Williamsburg venue Baby's All Right, we returned the next morning for an all-day Saturday party that went from noon til just after 2 AM, and with even more complimentary Sailor Jerry flowing.
Eight hours in, Superchunk frontman Mac McCaughan played a rare solo set that reminded me of a past BV-CMJ party when Ted Leo did a similar thing -- scrappy and powerful like he is with his main band, but still stripped down and intimate. His setlist, which you can see below, included Superchunk and Portastatic songs, and a Mary Lou Lord cover (video of that one below).
Then Mary Timony (Wild Flag, Helium, Autoclave), whose guitar Mac was borrowing, made the NYC debut of her new band Ex Hex. Betsy Wright of The Fire Tapes plays bass, Laura Harris of Aquarium is on drums, and it was a killer first set from the trio. It was immediately appealing to fans of Mary's previous bands while also the most riffy rock n' roll thing she's ever done. Their set consisted of basically every song they have so far, including "Hot and Cold" (listen on NPR). Everyone had a blast. A couple of videos are below.
More about the other artists on the show in a minute. Here's pictures from Mac and Mary's set. More of them with videos and Mac's setlist, below...
photos by Amanda Hatfield
GEMS / Wilsen / John Murry @ Mercury Lounge, 10/17/2013
As one of the biggest "indie" booking agencies, The Windish Agency had a lot of bands at CMJ this year, like usual. Their official showcase at Mercury Lounge on Thursday, 10/17 presented some of their newer talent: the atmospheric, downcast songs of MOJO-approved San Franciscan John Murry; ethereal duo Wilsen (who covered Grimes' "Oblivion"), and DC duo GEMS who were one of the more talked-about bands of the fest. We also caught Dan Croll and Bad Suns, and pictures from their sets are in this post.
Stream some GEMS tracks, along with more pictures from Mercury Lounge, below...
videos by (((unartig))), photo by Chris La Putt
(((unartig))) was in the house to capture some video at our 2nd of two CMJ shows at Baby's All Right over the weekend. The fruits of his labor include footage of Yuck, Courtney Barnett, Pity Sex, Pallbearer, King Dude and Nothing, Watch away, below...
photos by Wei Shi
Savages @ Terminal 5, 10/16/2013
Now, I get that writers--especially those who caught Savages' 2012 sets--could be a little bit blasé about double dipping for this year's coverage. But isn't that sort of crazy? Doesn't it stand to reason that a band is going to be much more accomplished after a solid two years of touring than they were in their first nervous NYC moments? This is compounded because we are still talking about a very young band, just starting their career. Their debut record, Silence Yourself, came out this May! They are the same age as any number of young bands we're treating as more exciting new commodities this week, but they are untold magnitudes better as performers. I enjoyed Joanna Gruesome quite a bit Tuesday night, but there's no comparison as to who is the more powerful live act right now. It's different universes! It's possible when listening to Savages' songs on record, or especially reading their myriad online manifestoes, to write them off as actually tame or pretentious post-punk acolytes. As Siouxsie without the novelty, to be basic. Live though? Holy fuck.2012 CMJ "winners" Savages came back for a victory lap at this year's fest, moving to Terminal 5 on October 16. Pictures from their set (we missed opener Duke Garwood) are in this post.
No duh they "won" CMJ last year, if we're being honest they won this one too. They might be "winning" rock music. Period. - [The L Magazine]
The band are back in Europe for a tour that just started and they'll head to Australia and NZ in the new year. Those dates are listed, along with more pics from T5, below...
photos by Amanda Hatfield
Omar Souleyman - playing BVCMJ, walking around NYC
Syria's Omar Souleyman, now in Europe for more shows, has been keeping busy around the world and in NYC. Most recently he visited the Big Apple for CMJ and to promote his new Kieran Hebden-produced album (out today), and also recently to film parts of his first-ever video, which you can watch along with another set of pictures from the BrooklynVegan CMJ show he played, below...
Hospitality @ Glasslands 10/19/2013
Hospitality came out of hibernation to play the last night of CMJ, hitting Glasslands on Saturday (10/19) as part of a bill that also featured Pattern is Movement and The Building. Their set featured a bunch of new songs, and their line-up was a little different too, with Nathan Michael back in the drummer's seat just for this show (he moved to guitar two years ago) and Glass Ghost's Elliot Krimsky on keyboards.
Those keyboards may figure heavily into the band's new album, Trouble, which will be out January 28 via Merge (almost two years exactly after their debut). The first taste of the album, a video teaser, definitely sounds more dancey than anything we've heard from them. A new direction? Stay tuned. You can check out more pics from Hospitality's CMJ set and that video trailer below.
photos by Caroline Harrison; words by Doug Moore
Pelican / Aksumite at IO CMJ @ Saint Vitus, 10/17/2013
Invisible Oranges threw two sold-out CMJ bashes last week -- the first (10/17) featured HASJ, Aksumite, Primitive Man, Ringworm, and Pelican on Thursday (10/17), while the second spotlit Pyrrhon, Phantom Glue, Wreck & Reference, Kings Destroy, Sannhet, and Pelican (again) on Friday (10/18, right after the BV day party). We also had an late-night afterparty show on Friday featuring Flown, Aksumite, Phantom Glue, and Ramming Speed.
We've got a huge collection of pictures and video of all three shows over at Invisible Oranges. You can scope out some of the pics and vids in this post from both our official showcase and head to IO for the full collection.
More pics, and video, below...
photos by Chris La Putt
Yamantaka Sonic Titan / Omar Souleyman / Speedy Ortiz
New Williamsburg venue Baby's All Right, after canceling CMJ shows scheduled for Tuesday, Wednesday and Thursday (they found them other venues), had its opening day Friday (10/18) with our free BrooklynVegan day party, the first of two parties we threw at that venue for CMJ.
The day began pretty big with an acoustic set by Sub Pop-signed folk band The Head & the Heart who just released a new album called Lets Be Still. The first-ever performance at the new venue Friday at noon was a stripped down performance ahead of their much bigger sold out shows at Terminal 5 and Webster Hall. They also played a sold out CMJ showcase at Music Hall of Williamsburg the night before.
Then things took a turn for the weirder when the eccentric Kirin J Callinan (now backed by a band, unlike last year) came on. He was followed by the sneering UK post-punks Eagulls. Their pals/fellow Leeds band Hookworms came next, upping the psych/noise quota for the day.
Due to a last-minute scheduling change, Syrian pop singer Omar Souleyman came on next, characteristically not doing much on stage but still taking control of the room with an unforgettable set, and he was followed by the captivating, face-painted genre-defiers Yamantaka // Sonic Titan. Finally to wrap things, indie rockers Speedy Ortiz came on and showed off some new songs (like they've been doing at other CMJ shows too). Not a bad way to spend a Friday afternoon.
Complimentary drinks were provided to those in attendance by Sailor Jerry who also brought in the Three Kings Tattoo artists who were giving out free tattoos for six hours straight in the venue's side bar. Plus, if you were hungry, free Raw Revolution organic live food bars were scattered around the venue for your taking. Thanks also to Vinny's Music for supplying the gear.
Saturday we were at the same venue with the NYC debut of Ex Hex (new band fronted by Mary Timony of Wild Flag, Helium, Autoclave), a solo set from Mac McCaughn of Superchunk, Pallbearer, Joanna Gruesome, Hop Along, Nothing, Public Service Broadcasting, Torres, King Dude, Pity Sex, Yuck, Courtney Barnett, Drowners, Spires and more. Pictures from that day coming soon.
Pictures from our Friday party are in this post. More below...
by Andrew Sacher
Perfect Pussy at 285 Kent earlier this month (more by Amanda Hatfield)
Syracuse noise punks Perfect Pussy just returned to NYC for a couple CMJ shows, including the Pitchfork showcase at 285 Kent on Friday (10/18) and a show at The Flat two days earlier (10/16) with SISU, Total Slacker, Hunters, Tweens, and Lodro. At their show at The Flat, they played a new song, which you can watch a video of below.
Perfect Pussy must not mind the drive down here, because they've been playing NYC a lot lately, and they've already announced they'll return on December 6 at Shea Stadium. That show is an all around great lineup, also including Amherst sludge rockers California X, another solid bunch of Mass rockers Blessed State, who are working on the followup to their 2012 demo with producer Justin Pizzoferrato (Sonic Youth, Dinosaur Jr, Speedy Ortiz), and Brooklyn garage punks Flagland. Tickets for that show go on sale Monday (10/28) at noon.
12:45 Pity Sex
1:30 Courtney Barnett
3:00 King Dude
7:00 Hop Along
8:00 Mac McCaughan (of Superchunk)
9:00 Ex Hex (Mary Timony's new band's NYC debut)
10:00 Jacco Gardner
12:00 Joanna Gruesome
01:00 Public Service Broadcasting
Islands at Culture Shock 2012 (more by Kellyann Petry)
Islands have been on the road in support of their new album, Ski Mask, and as discussed, their tour hits NYC on Sunday (10/20) at Bowery Ballroom with Brazos and Fat Tony (tickets). Their tour schedule had a gap right before this NYC show, which fell right during CMJ, yet they had no CMJ shows scheduled. However, they will be making one CMJ appearance, as they are the special guests at tonight's Flowerbooking showcase at Knitting Factory (10/19) with Obits, The History of Apple Pie, Kid Karate, Prides, and Flashlights. Tickets for tonight's show are still available, and you can also try to get in using your CMJ badge.
Set times for tonight below...
Pallbearer at MDF 2013 (more by Fred Pessaro)
Earlier today, we announced that our blowout free CMJ party at Baby's All Right on Saturday (10/19) has been extended until 2am, but we're not done yet. It's not BV without a metal contingent, so we're pleased to announce that Pallbearer (who played with Saint Vitus the band tonight at Europa) will be filling the 5 PM slot at Saturday's festivities. The run from King Dude through Nothing and into Pallbearer should be ridiculous, and then you can keep partying for an additional EIGHT HOURS. Free drinks courtesy of Sailor Jerry. Free tattoos by Three Kings Tattoo from 1-6pm courtesy of Sailory Jerry.
See you there. Full Saturday free party schedule is below...
by Wyatt Marshall
As part of his run of dates surrounding CMJ, neo-folk Americana specialist King Dude played the weekly Nothing Changes party at Home Sweet Home on Wednesday (10/16). (We missed that one -- did you go?) Looking forward, the Dude's going to be a busy guy. King Dude's doubling up on Saturday--he's slotted to play both the 14-hour extravaganza that is the BrooklynVegan Saturday CMJ Party at Baby's All Right (10/19) and Union Pool later that night. No rest for the weary, the Dude will be playing an acoustic candlelit set the following day (10/20) at Worship at 117 Wilson Ave in BK. The show starts at dusk, so hit up your local meteorologist for an exact time. He then plays Saint Vitus later Sunday night.
King Dude's just one of the many great acts to have graced the Nothing Changes stage, and looking forward it looks like it's only getting better. Newly announced shows from Mueran Humanos, Clay Rendering and Hot Guts are things to look forward to, and you know Raspberry Bulbs on November 13 will be one not to miss.
See the upcoming show schedule for the Nothing Changes party below...
photos by Amanda Hatfield; words by Bill Pearis
Joanna Gruesome / Eagulls @ Pianos 10/16/2013
The biggest surprise for me at CMJ so far had to be Welsh band Joanna Gruesome, who I caught yesterday (10/16) at the Kanine Records/SESAC party at Pianos (one of many CMJ shows the band has). I arrived a few more minutes before they started, and the crowd was already packed in all the way back to the door. And once they came on, the buzz for this band became pretty clear. From the sounds of their noise pop debut Weird Sister (out now on Slumberland), I expected something a bit more restrained and stripped down, but Joanna Gruesome are a beast of a live band. - [Andrew Sacher]For those looking to catch some of the more hotly-tipped 2013 CMJ acts on the early side, the Kanine Records / SEASAC day party at Pianos on Wednesday was the place to do it, with sets from UK acts Joanna Gruesome, Eagulls, The History of Apple Pie, and Atlanta's Mood Rings, plus CMJ vets Eternal Summers, Bleeding Rainbow and Beach Day. Pictures from the Kanine party are in this post.
You can catch Eagulls today (10/18) at the free BrooklynVegan day party at brand new Williamsburg venue, Baby's All Right (the venue's first-ever show). Eagulls play at 1:30 PM, so come if you can. I caught them Wednesday night and thought they were really good angsty, postpunk-y rock.
As for Joanna Gruesome, they're definitely one of the Bands to See this week and you've still got a few chances to do so -- including the just-announced midnight slot at our takeover of Baby's All Right on Saturday (10/19), playing in between Drowners and Public Service Broadcasting. The whole day is free for anyone 21 and over, no RSVP or CMJ badge needed.