Entries tagged with: controversy
"Fame Kills canned by Live Nation because tickets were not selling" -thehausofgaga
"@gagadaily creative differences!!!" - Laurieann Gibson
"Lady Gaga/Kanye West tour canceled due to "creative differences" (via Laurie Ann Gibson)" - thehouseofgaga
"Lady Gaga still appearing on SNL tomorrow to perform hits including "Paparazzi" and brand new single off The Fame Monster" - thehouseofgaga
"Lady Gaga said today that both she and Kanye West made the decision to cancel the "Fame Kills" tour, and that she will be embarking on her own headlining tour soon, while West plans to drop out of the spotlight.In related news, Pitchfork just named Kanye West's Late Registration the 18th best album of the decade. Related videos below...
"It was a mutual decision," Gaga said as she arrived for the Billboard Women in Music Event, where she is receiving this years Rising Star Award. "Kanye's going to take some time off. But the good news is that I'm going on tour in a few weeks." [Billboard]
photos by Joseph Xu
"Damn homeboy in M83 has the weakest slap I have ever seen...inviting the crowd on stage is almost as stupid as stage diving to watered down synth-pop" - Jay Reatard
Anthony Gonzalez of M83 played a free NYC show at the WFC Winter Garden on July 14th. He then traveled to the Pitchfork Fest for a set on July 19th (which is where the photos here are from). On the way, Gonzalez had a bit of trouble at his show in Columbus, OH.
Moments before M83's set came to a finish, during closer "Couleurs", Kibby invited the mainly docile crowd on stage to "bring down the house together." While 30 or so accepted the invitation (including myself), and one concert-goer even went so far as to knock over the glass shield in front of Maurin, all three members remained unfazed and continued through their dynamic jam. Unfortunately, not everyone held those exact sentiments.This morning (as reported by Pitchfork), Anthony issued an apology.
Production staff at the Wexner Center started breaking it up. Fans were ushered off stage, then abruptly pushed off, to which it became a screaming jamboree. Although the fans followed orders, Gonzalez was not happy. He wasn't having it. Because 30 seconds later, he waved fans on stage again, all in the name of dance. This time, however, production staff became angry, violent, and irate. Immediately, they pushed oncoming fans off the stage and stood at the front blockading people from jumping back up. This didn't sit well with Gonzalez, who blew up, yelling "Fuck you" into the microphone at the production staff for messing up their set, all while the two accompanying musicians continued playing. You can only imagine the musical genius at hand.
While one member of their touring staff tried to quell the argument, it was too late. Gonzalez left his post and confronted the production manager for the venue head on, hitting him violently with the open palm of his left hand. The crowd, which continued dancing, appeared stunned as well. Strangers turned awestruck to their neighbors as if to say, "Did you see that?". What's more (and kind of, um, bad ass), the band actually finished its song, and Gonzalez jumped into the excited crowd, who threw him up jubilantly. Soon after, M83 exited and the fans dispersed, knowing they not only saw a great show, but saw their newfound hero (Gonzalez) kick ass in their name.[Consequence of Sound]
That apology, a video of the event and Gonzalez discussing it the next day at Pitchfork (as the Thermals play in the background), with more pictures from Pitchfork, below...
" [Dios member] Morales says that, even after the  letter, he was still opposed to changing the band name [from Dios to something else], but went with Dios (Malos) after a long, arduous process in which Dio's lawyers shot down many proposed alternatives. "I thought we should've used the silliness of the whole thing to get our name out more, maybe not even change the name at all and let him sue us," says Morales. "It would've been hilarious and would've been a good story. But there were too many [wimps] in Camp Dios at the time, so no one wanted to go to war with me."
With a new record label, Buddyhead, supporting them, Dios is back to their original one-word name, boldly announced in the title of their new album, 'We Are Dios,' which drops in late July." [Spinner]
It's come to our attention that at last night's Strength in Numbers showcase at Shea Stadium, the show's organizers refused to let in badge-holders. First and foremost, we sincerely apologize to anyone who was turned away-you spent good money on a badge that we said would grant you admission to this show, and we feel terrible about it.
That said, we would also like to point out that if we're guilty of anything here, it was deciding to partner with an organization that would go back on its word in order to carry out what seems to be little more than a publicity stunt. For every copy of this flyer they distributed last night, we have an email from them stating in no uncertain terms, and with lots of exclamation points even, how thrilled they were to be a part of the Northside Festival.
We have a lot of work to do and a lot of music to see, so we don't want to dwell on this for too long. It's worth noting, though, that in orchestrating this stunt, which was meant to call attention to what they perceive as injustice, Strength in Numbers failed to realize that the only impact it would have was essentially to take money out of the pockets of people who support the work they do and the artists they love.
We apologize again, and hope that you enjoy the rest of the festival.
The L Magazine & The Northside Festval.
Last night was the first night of the North Side Festival. It started off really well with a great set by Ducktails at Cameo. We then headed over to Live at Shea Stadium to catch Marnie Stern and Magic Markers.
When we got to the show the guy at the door said that they were not accepting North Side Badges, and there was a sign saying that Marnie Stern canceled. He also handed me this flier...
our deepest apologies to anyone who was expecting (respectively) to enjoy themselves at a dance show last night and instead felt the cold sting of a series of bullshit moves. The situation was unfortunately out of our hands but we greatly appreciate everyone who was looking forward to seeing us and especially to the people at Granada & C3 entertainment who worked with us empathetically amidst the long winded accusations. Though we can't change what CC apparently thinks of us and Granada, we at-least deserve an opportunity to defend our side of the story. Our explanation goes as follows:Read more about the cancelled Crystal Castles show on Gorilla Vs Bear.
Shortly after playing our set in Austin, Crystal Castles asked if they could use our guitar which we gladly agreed too. Shortly after the set the crew packed our gear and helped us load out. An FX pedal they used during their set was packed into our guitar cab (unbeknownst to us). Upon arriving back at my apartment we found it and immediately got ahold of their sound engineer offering to return it promptly. We were told to bring it to Dallas. The next day we arrive at the Granada in Dallas only to be asked to leave the premises by personal request of Crystal Castles via Tom Windish of Windish Agency. We handed the pedal to a sound guy and packed our shit without so much as an explanation for CC Party. Considering we were thrown out of the press pit during the show by their management, accused of mindfully drinking their booze, botching our guest list, and contentiously commenting this to our manager, the fact that they still have the nerve to accuse us of theft is flat out insulting. Do they truly think we'd stupid enough to compromise our reputation as a band, and ruin a rapport with a band we were initially honored to play with for a goofy FX pedal? Treating gigs like these flippantly is just something we don't do. That would be flat out moronic. We still have great admiration for Crystal Castles as artists and in all honesty they seemed very nice in Austin. But the lack of intervention to the arrogance of their management leaves me somewhat disappointed. Granada has already begun working out refunds and compensation. I commend their compassion for the fanbase they've built in Dallas. It's unfortunate that can't be said about the other party involved. I did a radio interview today explaining this shit storm (if things haven't already been made Crystal Clear) (MP3).
Crystal Castles @ MHOW in Brooklyn (more by Ryan Muir)
Crystal Castles were supposed to play a show at the Granada Theater in Dallas last night (4/14). According to the band's manager:
"After witnessing the CC soundcheck, the owner of the club was afraid that CC would "blow up the soundsystem" and the show was cancelled, after three hours of arguing."But according to the club......
2/27/09 - Chicago, IL:Nachtmystium's statement continued below...
Nachtmystium has sad news today with a once-again recurring issue surfacing from the wake of our past. We've been forced, at the request of the promoters and the folks at Scion / Toyota, to pull out of the Scion Rock Festival, scheduled for Saturday, February 28th. This news came to us just this past Tuesday and was very disheartening to say the least. A troubling, and unjustly-applied notion that we are, or ever have been, in any way, a "Nazi" band or a political band on any level, is completely absurd and we are disgusted that there is someone out there who really believes we are of this ilk. It made it as far as the sponsors of this events desks, and now we are forced to pull out of it after some political threatening on the part of these ridiculously uneducated person/people who have caused this ruckus.
alternate headline: Bruce Springsteen fans more mad at Ticketmaster than Phish fans were at Live Nation...
You may have noticed that sometimes when you try to buy a ticket at Ticketmaster, you are instead redirected to TicketsNow which is a scalper site owned by Ticketmaster. In turn, TicketsNow will offer to sell you the same exact tickets for a higher price. Ticketmaster describes it like this...
TicketsNow provides consumers access to live entertainment event tickets, no longer available via primary distribution channels, through its leading online marketplace where buyers and sellers meet in open exchange.The potential shadiness involved there is pretty obvious, as a NJ politician pointed out in a letter he wrote to the federal government this week...
Tickets listed on TicketsNow come from licensed brokers, as well as from individual sellers. All tickets listed on TicketsNow are 100% authentic or your money back.
A New Jersey congressman has asked the federal government to investigate allegations that tickets to two Bruce Springsteen concerts were diverted to a ticket resale agency moments after they went on sale Monday morning.The Superbowl (halftime show) was Sunday, Bruce tickets went on sale Monday, and the above letter was in the papers on Wednesday (yesterday). In no time, both Ticketmaster and Bruce Springsteen personally responded with letters of their own...
Rep. Bill Pascrell (D-8th Dist.) said his constituents complained that Ticketmaster, the primary ticket seller for the concerts, said tickets were sold out and directed consumers to its subsidiary, TicketsNow, a secondary marketplace where tickets were being offered for resale at three and four times the cover price.
Pascrell wrote a letter yesterday to the Federal Trade Commission and the antitrust division of the Justice Department asking them to "investigate the relationship between Ticketmaster and TicketsNow to ensure that the procedure for purchasing tickets remains fair to the average consumer."
"There is a significant potential for abuse when one company is able to monopolize the primary market for a product and also directly manipulate and profit from the secondary market," he wrote. "The speed with which tickets were made available on Ticketmaster's official resale site raises questions about whether TicketsNow brokers were given preferential treatment." [NJ.COM]
"I felt like a dagger went right through my heart. It hurt so much," Satriani says. "The second I heard it, I knew it was [my own] If I Could Fly."So now Joe is suing. Watch a video comparison of the songs in question HERE. Watch a video comparing Satriani's guitar solos to Kirk Hammett's below...
As it turned out, Satriani wasn't the only one who noticed the similarity between If I Could Fly and Viva La Vida.
"Almost immediately, from the minute their song came out, my e-mail box flooded with people going, 'Have you heard this song by Coldplay? They ripped you off man.' I mean, I couldn't tell you how many e-mails I received.
"Everybody noticed the similarities between the songs. It's pretty obvious. It's as simple as that - when you listen to a song and you say, 'Wow, that's a real rip-off.'"
What makes the situation especially painful for Satriani is that If I Could Fly isn't just any song. It's a composition he'd been laboring over for well over 10 years before he recorded it.
"I started writing it on the Flying In A Blue Dream tour back in 1990. But because of the way I write, sometimes songs take a while, as this one did. In 2003 I started demoing it in earnest. I played it on the acoustic guitar on a demo so I could sing the melody, then I demoed it on electric to get the sound. And the performance turned out to be so spontaneous, so right and so emotional, that it wound up being a keeper."
..."That was the intent all along," he says. "It was a love letter to my wife, Rubina - a simple, direct expression of feeling.
"That's what really hurts about this whole thing. That I spent so long writing the song, thinking about it, loving it, nursing it, and then finally recording it and standing on stages the world over playing it - and then somebody comes along and plays the exact same song and calls it their own."
"Coldplay didn't want to talk about it. They just wanted this whole thing to go away." Joe Satriani... [the interview continues @ Music Radar]
DOWNLOAD: White Lies - Death (Crystal Castles remix) (MP3)
Trevor Brown writes....
MIA @ MoMA (more by Ryan Muir)
without belittling the heinous acts propagated by the LTTE, DeLon's diss track and video feel much less like a thoughtful critique of a debatable move on M.I.A.'s part, and much more like an empty ploy for publicity.
M.I.A. seems to agree. "I don't support terrorism and never have," she wrote in a statement. "As a Sri Lankan that fled war and bombings, my music is the voice of the civilian refugee. Frankly, I am not trying to start dialogue with someone who is really just seeking self-promotion." [Pitchfork]
Neon Neon have backed up Kele from Bloc Party's statement on John Lydon's alleged racist attack, after witnessing the event.John Lydon denies it. John Lydon played in the fourth best punk band ever. John Lydon has sexy dance moves.
Speaking exclusively to MTV News Gruff Rhys from the group said: "It was horrific. Kele is a very brave man and what he said is exactly what happened."
The band were backstage at the Summercase Festival in Barcelona with other British groups when the alleged assault took place and confirmed they saw everything.
Neon Neon and Super Furry Animals singer Gruff added: "The statements Kele has said are absolutely true. It did happen."
Neon Neon are up for this year's Mercury Prize, a prize that Gruff (Super Furry Animals 'Rings Around the World;') lost to PJ Harvey in 2001.
Sex Pistols @ Summercase, Barcelona - July 19, 2008 (lalitaporfavor)
John Lydon has responded to allegations of his involvement in a racist assault by saying his accuser is a liar and in need of the publicity. In a carefully worded statement, Lydon said: "I feel very sorry for a man that needs to lie about what was a perfect evening." In Lydon's version of events, the Sex Pistols singer claims that, "trouble was brought us, resulting in those causing the trouble being physically removed by festival security". He added: "If they need publicity so badly this is the allegation universe they run into." [Guardian]In related news, Bloc Party bassist Gordon Moakes will not be with the band when they arrive in North America next week. The reason: "in order to prepare for the imminent arrival of his first child."
Moldy Peaches @ Central Park Summerstage, 2002 (m. norr)
Tickets are STILL on sale for tonight's Kimya Dawson show at Music Hall of Williamsburg (July 2, 2008). It's a benefit with a bunch of bands on the bill that only costs $20, and for what it's worth, it's in a smaller venue than her last and next NYC shows *.
Has the Juno buzz worn off a little? It should be strong now that there's all this pregnancy talk that has "the Most Successful Indie Film in Six Years" back in the news. Maybe parents are afraid to let their kids near Kimya....
With a lot of attention on teen pregnancy these days, parents can use the news to talk about sex and pregnancy with their children. Here are some tips from experts.Juno is the new Judas Priest. Okay, I made the last tip up (not the one before it though), but young girls across the world are apparently watching Juno and getting Knocked Up like crazy... or are they?
- Have age-appropriate discussions about sex. Answer their questions openly and honestly.
- Talk about teen pregnancy. Ask your kids what they thinks about "Juno" and Jamie Lynn Spears' pregnancy, says Bill Albert, spokesman for the National Campaign to Prevent Teen and Unplanned Pregnancy....
- Throw away your kids' Moldy Peaches albums...
Juno" actor Jason Bateman has defended the Oscar-winning movie against claims it has encouraged teenage girls to get pregnant.Adam Green and Ozzy Osbourne could not be reached for comment...
He tells "Access Hollywood," "I don't know the specifics, but I can speak about what sort of responsibility entertainment should hold for social behavior.
"Unfortunately, we've had these instances where guys kill people because of what they hear in rock 'n roll lyrics or some garbage like that. Look, if you're going to blame a movie or song for your actions, whether they be good or bad, I think you're looking at the wrong things to influence your life.
"What we're doing is providing entertainment in different flavors for your consumption. I think people should look to other areas of their life for lessons and guidance, mainly parents, or teachers, or friends, or whomever. That should probably be where you should point your eyes and ears." [SFGate]
Thousands of fans converge on the Pyramid stage to witness the fabulous Amy Winehouse perform live and to find out if, as the gossip magazines say, she is indeed truly out of control. [BBC]I can't believe they really had her play the festival this weekend. Check out some songs, including one where she descends into the huge crowd (and "punches fan"), in the videos below...
"Kanye Sux" - Bonnaroo 2008 (cred)
The Grammy winner walked onto the festival stage nearly two hours past his scheduled 2:45 a.m. performance time Sunday morning and was greated by bleary-eyed fans' chorus of boos and chants of "Kanye sucks." [E Online]"Kanye Hates Hippies" - Bonnaroo 2008 (cred)
Ken Weinstein, a spokesman for the annual festival held on a 700-acre site south of Nashville, said the delay was simply a matter of unloading the Pearl Jam stage (the band went an hour past its scheduled end time, playing until about 1:15 a.m.) and loading the West stage. [AP]"Fuck Kanye" - Bonnaroo 2008 (cred)
People were mad about the set time. Now Kanye West has reacted to the controversy with an angry blog posting. More pictures, and his ENTIRE ANGRY MESSAGE, BELOW....
I'm running a little behind again today...
Bigmouth has struck again and, heaven knows, he’s miserable now.
Morrissey is suing the NME and its editor for defamation after the music magazine quoted him on its cover this week as saying: “The Gates of England are flooded. The country’s been thrown away.”
The magazine lambasts the former Smiths frontman for taking a “naive and inflammatory” stance on immigration by employing language that “dangerously echoes” the British National Party’s current manifesto.
Morrissey’s reported comments come 15 years after the NME accused him of experimenting with racist imagery in some of his solo songs and by draping himself in a Union Jack at a gig in Finsbury Park, North London. The singer, 48, says that his words have been taken out of context and now, after one of the most intense relationships in British music, Morrissey and the NME could be heading for the High Court. [TimesOnline]