Entries tagged with: jazz
by Ian Chainey
Jazz bassist/producer Teruo Nakamura will be playing two upcoming shows with his Rising Sun band that will focus on material from his albums Rising Sun (1976) and Manhattan Special (1977). Both will take place at Greenwich Village's Zinc Bar, with the first happening Tuesday (6/24). The second is scheduled for July 31. Tickets are $15 at the door.
Teruo Nakamura has served as a noted jazz producer and session man, playing with and producing leaders like Roy Haynes, Barry Finnerty, and Bob Mintzer, while also working with all-star session men such as Roy Ayers, Steve Gadd, and Jaco Pastorius. For crate-diggers and samplers, he's known for his fusion/electric jazz albums that balanced a funky edge with effervescent, instrumental hooks. Manhattan Special, featuring Herbie Hancock on keys, even broke into the 1977 Billboard Jazz charts. Plus, if you've heard The Roots' Illadelph Halflife, you've also heard Teruo Nakamura, as Rising Sun's "Cat" served as the sample for the Q-Tip collaboration "Ital (The Universal Side)."
Teruo Nakamura's new Rising Sun band lineup along with a few streams, below...
Swedish free-jazz saxophonist Mats Gustafsson has a number of European dates with his trio The Thing (with bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love) coming up, and he'll also bring them to NYC for a show at the Guggenheim museum on November 20th in celebration of the Christopher Wool exhibit. Also on the lineup for the eclectic event are punk vet/writer Richard Hell (who recently released his autobiography), no wave vet/composer Arto Lindsay and jazz multi-instrumentalist Joe McPhee. Tickets are on sale.
The Thing's new LP, BOOT!, will be out November 12th and you can hear their skronky, distorted cover of John Coltrane's "India" below. According to the band's website, they also have a few more records coming up in the next half-year, including two more LPs and a collaborative live album with Sonic Youth's Thurston Moore (who is touring and playing NYC on NYE) due in spring.
Hear the song below...
Walton grew up in Dallas, Texas. His mother was an aspiring concert pianist, and was Walton's initial teacher. She also took him to jazz performances around Dallas. Walton cites Nat King Cole, Bud Powell, Thelonious Monk and Art Tatum as his major influences on piano. He began emulating recordings of these artists from an early age. He attended the University of Denver as a composition major originally, but was encouraged to switch to a music education program targeted to set up a career in the local public school system. This switch later proved extremely useful since Walton learned to play and arrange for various instruments, a talent he would hone with Art Blakey's Jazz Messengers -[Wiki].Warren, a prolific solo artist as well, also collaborated with some major names of the era, including Gene Ammons and Sonny Stitt, Ornette Coleman, John Coltrane, Jimmy Heath, Pat Martino, Donald Byrd, Freddie Hubbard and many many more. RIP Cedar Wilson, your recordings will live on.
by Fred Pessaro // BBG
Rumors were put to rest when confirmation of Byrd's passing was announced by the artist's nephew Alex Bugnon who said that his 80 year uncle had indeed died on Monday, February 4th, adding that for some reason other family members were trying to shroud his passing in secrecy. "I have no more patience for this unnecessary shroud of secrecy placed over his death by certain members of his immediate family," wrote his nephew. So far the exact cause of death has not been made public.I grew up listening to hip hop, so my first encounters with Donald Byrd came by way of Guru's Jazzmatazz LP and "Buck Em Down" by Black Moon. The latter song samples the "Wind Parade" from his Blue Note LP Places and Spaces, an album I sought out which eventually lead me to more excellent funk/soul-infused jazz. But Byrd had quite the career before adopting funk into his repertoire, playing with the likes of Cal Tjader, John Coltrane, Wes Montgomery, Thelonious Monk, Lou Donaldson, Art Blakey's Jazz Messengers, Sonny Rollins, Herbie Hancock and countless others, as well as a member of his own band The Blackbyrds.
In latter years, Donald Byrd's music was sampled by countless hip hop artists as well, including names like J.Dilla, Large Professor, Public Enemy, Nas, Jungle Brothers, Ice Cube, and so many others. Check out some of Donald Byrd's work and some of the music he influenced below. R.I.P. Mr. Byrd, you will be missed.
From the Inbox:
University of the Streets, the University of the Streets Musicians Committee and the musicians union Local 802 are formally announcing the end of a seven month boycott of University of the Streets, effective immediately.---
The announcement follows successful resolution of negotiations between the non-profit jazz venue's management and members of the University of the Streets Musicians' Committee, an ad hoc organization representing musicians who had played at University of the Streets and were participating in the boycott, and Local 802, AFM, whose representatives were present in support of the musicians' committee.
The boycott was called last September, after reports of a musician being injured during an altercation with a UOTS employee circulated widely through social media. The boycott also stemmed from musicians' concerns over what they considered a "pay to play" policy, in which the venue sometimes required bands to pay out of pocket to cover a guarantee in ticket sales.
In January 2012, the UOTS Musicians Committee contacted Saadia Salahuddeen, director of University of the Streets, with a list of grievances. These were resolved in a meeting on April 12, 2012, attended by members of the UOTS Musicians Committee, representatives of Local 802, Ms. Salahuddeen, and several members of the UOTS board.
As part of the agreement, UOTS will end the 'pay-to-play' policy, and will bar the employee involved in the altercation from the venue.
A statement issued by the UOTS Musicians Committee reads:
'We're extremely pleased that UOTS has addressed the musicians' concerns, and that both they and we can now get back to presenting and performing creative music in this historic venue. We wish the venue and the musicians who play there every success.'
A statement byLocal 802 organizer Shane Gasteyer reads:
"These musicians have shown again that collective action really works. Local 802 is happy to be here supporting working musicians in every part of today's scene."
Ms. Salahuddeen invites any interested musicians to join an advisory committee of musicians so that UOTS can work more closely with the local jazz and improvisational music community "to ensure more productive and positive relationships with musicians."
Endorsed by: Marc Ribot, Brandon Ross, Ches Smith, Avram Fefer, Jim Pugliese, and Weasel Walter for the UOTS Musicians Committee, and Saadia Salahuddeen For University of the Streets.
FOUR NIGHTS celebrating the incredible, dynamic, explosively creative jazz, instrumental, and adventurous music being made in New York City.The 2012 Undead Music Festival (formerly known as Undead Jazz Fest) starts Wednesday (5/9) with three shows in Greenwich Village, including a Tonic reunion happening at Le Poisson Rouge on Wednesday, 5/9. (There's a Tonic Reunion tonight at The Stone tonight, 5/7, too, unreleated to the Undead fest.)
May 9th: A Marathon of Concerts in Greenwich Village
May 10th: Medeski, Martin & Wood & ?? at Brooklyn Masonic Temple, featuring So Percussion, Steven Bernstein, Vernon Reid & more!!
May 11th: Night Of The Living DIY in Brooklyn, Seattle, Norway & more...
May 12th: Improvised Round Robin Duets at 92Y Tribeca
Lovingly and tirelessly organized by Adam Schatz of Search & Restore, and Brice Rosenbloom of BoomCollective.
Other Undead performers include Medeski, Martin & Wood at Brooklyn Masonic Temple on Thursday (5/10) and a multi-venue "Night of the Living DIY" on Friday (5/11) which includes the previously mentioned Bjorkestra show at the new Shapeshifer Lab (which meanwhile is hosting two nights of Undead-presented shows with Nels Cline, Tim Berne & Jim Black).
"this newly renovated performance space hosts the world's most innovative artists who are looking for a flexible platform to present their work. Bass player Matthew Garrison, son of Jimmy Garrison (bass player for John Coltrane), is the co-owner and creative director with his business partner, Fortuna Sung. With many years as a successful touring musician under his belt, Matt and his team have designed the space with versatility in sound, lighting and layout, each of which can be tailored to each artist. With state-of-the-art equipment and raw space, Matt and his team are creating something truly unique and desperately needed in today's venue scene in New York City."All About Jazz points out:
"Matthew has also been busy recording a new project of his at ShapeShifter Lab, to be released online as an interactive website in June 2012, and has successfully video and audio captured performances by Meshell Ndegeocello, Arto Tuncboyaciyan, Gene Lake, Terri Lyne Carrington, David Binney, Adam Rogers, Mark Guiliana, Jojo Mayer, Marko Djordjevic, Hadrien Feraud, Tobias Ralph. Many more incredible artists are scheduled to come participate on this ground breaking project throughout May 2012."If you haven't figured it out yet, Shapeshifter Lab, which has been open for a few months now, is catering mainly to the jazz scene. Upcoming shows on their calendar include Nels Cline, Tim Berne & Jim Black (tonight and tomorrow), Bjorkestra (pictured playing the space above), Snarky Puppy (who already recorded a DVD there. Check out a video snippet below.), Kenny Werner, and many more. Check out some videos, including a venue tour with Matthew Garrison, below...
Back on 9/9 we posted about an incident at NYC jazz venue University of the Streets where Kevin Shea of Talibam! ended up with a pretty nasty injury to his face after an altercation with the venue's staff. About a week later the venue did in fact respond.... all in caps and with some fun lines like this: "THE ATTENDANT RAISED HIS HAND TO PROTECT THE DIRECTOR AND IN THE MELEE THE BAND-MEMBER'S FACE CONNECTED WITH THE ATTENDEES HAND." Read the whole thing below...
Due to Hurricane Irene, City Parks Foundation was forced to postpone the Charlie Parker Jazz Festival which was originally scheduled for Saturday, August 27 and Sunday, August 28. We are proud to announce a new date for the festival, Friday, September 23, from 6-10 pm at the Richard Rodgers Amphitheater in Harlem's Marcus Garvey Park. Due to the rescheduling of this event, the lineup has been altered and the typically two-day festival has been consolidated to just one day.Watch James Carter play the saxophone in a video below...
On Friday, September 23, the festival will take place at Marcus Garvey Park with KENNY WERNER, JAMES CARTER, TIA FULLER and THE GERALD CLAYTON TRIO.
This FREE performances is certain to fill up quickly, so get there early: the show begins at 6:00pm.
by Andrew Frisicano
As announced a few months ago, the four-night Undead Jazz Fest kicks off tonight (6/23) with music at Le Poisson Rouge, Sullivan Hall and Kenny's Castaways. The format is similar to that of the Winter Jazz fest (and the inaugural Undead fest last year): one ticket that covers entry to a handful of neighboring venues. This year, each night offers something a little different.
Thursday night the venues are in Greenwich Village and music include Marc Ribot's Ceramic Dog, Dave King Trucking Company, Gerald Clayton and Alan Licht & Brian Chase. Friday night features a "round robin of improvised duets" at the Bell House. Scheduled participants for that are: "David Torn, Elliot Sharp, Jim Black, Erik Friedlander, Dean Bowman, Chris Lightcap, Brian Chase (Yeah Yeah Yeahs!), David King (Bad Plus!), Darius Jones, Chris Speed, Jamie Saft, Chris Dingman, Eivind Opsvik, Charlie Burnham, Marco Cappelli and Kirk Knuffke."
Saturday the music will be in the Gowanus/Park Slope area (at Littlefield and unconventional spots Homage Skateboard Training Facility and Cross Fit) where you'll be able to see Elliott Sharp (playing Thelonious Monk), David S. Ware, the Darius Jones Trio and more, all on the same Degraw Street block.
Sunday, the music (a super-varied lineup that includes The Claudia Quintet, Peter Brotzmann's FULL BLAST, Bobby Previte Quartet, Erik Friedlander and UB313 with Sun Ra Arkestra's Marshall Allen) is in Williamsburg, split between four stages at three venues: Public Assembly, Cubana Social and the Cameo.
There are copies of the Undead Jazz Fest Review floating around town that come with an excellent sampler CD, which you can stream below.
We should note that last week, the New York Times published news about an online petition asking for an increase in musician pay for the Undead and Winter Jazz Fests. Initially, it was unclear whether that situation would affect this year's festival (some of the signees are scheduled to perform), but the organizers of the petition have since clarified some points, mainly that they support this year's fest and that they didn't mean for the press to find out about what they thought was a private email, but that they're hoping to negotiate for a pay raise at future fests. Some more info on that is below, if you're interested...
Now that that's out of the way... the fest recently put together a trailer containing one second of music from each artist on the bill. That and the full schedule are below...
Brian Wilson played the Highline Ballroom [Sunday] night as part of its sister club's month-long Blue Note Jazz Festival, and though the two-set show featured his entire current Brian Wilson Reimagines Gershwin album of Gershwin standards, it wasn't jazz, really, but no less demanding--and rewarding.As mentioned in that review, Brian Wilson's three shows at Highline Ballroom this week are part of the ongoing and inaugural Blue Note Jazz Festival, a month-long celebration of Blue Note's 30th Anniversary. The fest includes a ton of shows including the recent Aloe Blacc, Idle Warship, and Larry Graham gigs. Brian finished his run Tuesday night, while, Dave Brubeck (who just turned 90) and George Wein & the Newport All-Stars each began their own three-night run at Blue Note Jazz Club. Advanced tickets to the Dave Brubeck shows are sold out, but you can line up to sit be at the bar on a first come, first served basis (if you're 21+). Tickets are still on sale for George Wein.
The Beach Boys' beloved creative genius brought a 12-piece band of multi-instrumentalists/vocalists--and a local female string section--and all lived up to his contention that it's one of his best bands ever.
The Gershwin album, which was conceived under the aegis of his hero George Gershwin's estate, led off the second set--the first being a breathtaking recreation of Beach Boys classics ranging from the ultra-romantic 1963 ballad "Surfer Girl," his first composition, to the symphonic "Heroes And Villains" of 1967. While Wilson's ability to sing his signature falsetto vocal leads and harmonies is long gone, guitarist Jeff Foskett was downright spooky in mimicking it on hits like "Don't Worry Baby" and "Wouldn't It Be Nice." [Examiner]
The recently mentioned Bjorkestra show at Highline Ballroom on June 14 is also part of the festival. As discussed, tickets are on sale and can be purchased with a 50% discount by using the access code "BIGBAND."
Bootsy Collins, who just played Bonnaroo, brings his previously announced Blue Note festival show to BB King's on June 26....
"Bootsy Collins was just one more band on our to-do list -- we didn't expect him to nearly steal the whole festival. After an annoying hour-plus wait that had the crowd chanting "bullshit," Collins instantly won the fans back in his favor by bringing THA FUNK. Everything was on the one after that. Lead guitarist Blackbyrd McKnight melted minds, while original P-Funk keyboardist Bernie Worrell provided the ballast. A special mid-set run found the band tackling classics by P-Funk, Jimi Hendrix, and Sly and The Family Stone." [American Songwriter]Tickets are still available for the NYC show.
Questlove is presenting Mo' Meta Blues I at The Blue Note on June 20 and 21. Both days consist of an early show and a late show. Mo' Meta Blues I features Questlove on drums/electronics, Booker T on organ/keyboards/vocals, Eric Krasno on guitar, and Christian McBridge on bass. Tickets are on sale.
The following night (6/23), The Roots will present Mo' Meta Blues II - Paid In Full 25th Anniversary featuring Black Thought and Rakim at The Blue Note. There will also be an early and a late show. Advance tickets for table reservations are sold out, but you can still get in at the bar on a first come, first served basis (if you're 21+).
"The Music of Stax Records" featuring Steve Cropper, Duck Dunn, Eddie Floyd and Lester Snell is happening on June 26 at Highline Ballroom. Tickets are on sale.
Last but not least, we want to highlight the Dances of Vice presentred Powerhouse Stomp II: a musical tribute to the classic cartoons of the 1920s, '30s, and '40s on June 29 at Highline Ballroom featuring Brian Carpenter's Ghost Train Orchestra. Sounds fun and tickets are on sale.
Check the Blue Note Jazz Festival's website for the full schedule. A selection of related videos below..
Todd Sickafoose & Mary Halvorson
Speaking of Andrew Bird (who has a big headlining free Brooklyn show coming up), check out who the players in Todd Sickafoose's Tiny Resistors are:
John Ellis * sax + clarinetTickets are still on sale for the Undead Jazz-presented show happening on May 18th at Le Poisson Rouge that also includes a set by the Mary Halvorson Trio
Alan Ferber * trombone
Andrew Bird * violin + looping
Steve Cardenas * guitar
Jonathan Goldberger * guitar
Ted Poor * drums + percussion
Todd Sickafoose * bass + piano
by Andrew Frisicano
Speaking of Colin Stetson, you can see him tonight at the Blue Note (2/25), where he plays with Steven Bernstein (trumpet), Vicente Archer (bass) and Dan Weiss (drums) as part of Spontaneous Construction, a new series put on by Search & Restore happening at the venue most Fridays (midnight doors, with a $10 cover). The idea is to pair up musicians that don't regularly play together into one-night combos, and the schedule for the next few months includes big names like Jason Moran, Bobby Previte, Ari Hoenig, Nasheet Waits and Dave King (with plenty TBAs too). All the sets will be recorded for Search & Restore's ongoing video project, which launched earlier this year. For a taste of the quality of those videos, check out their recording of the group Four Bags, posted below, with the Spontaneous Construction schedule thus far...
by Andrew Frisicano
Ben Perowsky's Moodswing Orchestra w/ TK Wonder
Like the year before it, NYC Winter Jazz Fest 2011 was a hit. Capacity crowds filled the venues on both nights (all together 1,400 on Friday and 2,600 on Saturday), and it'd be hard to find two people who came away seeing the same acts, or with the same impression of the fest. From what I've heard and read of Friday night, the music was stellar, but after LPR closed around 9:30pm for another event the numbers overwhelmed the remaining two spaces, with long lines and many disgruntled jazz-heads.
(Le) Poisson Rouge, the largest of the venues, was crammed full on Saturday for a curious lineup of jam-band jazz (Charlie Hunter), noisy guitar improv + painting (Nels Cline and painter Norton Wisdom) and Steve Coleman & Five Elements (high-strung group improv with vocalist Jen Shyu scatting along). I only stayed for those, before heading to Kenny's Castaways for part of its Search and Restore showcase. Aethereal Bace - drummers Nasheet Waits and Eric Mcpherson, and saxist Abraham Burton - improvised as a duo after Mcpherson didn't show (their tight, restrained set mainly served to make me more curious about the two-drummer set up they usually employ). Talibam!, who followed, were something else entirely: spasmotic punk in jazz clothes. Back at LPR, at this point well after 2am, Ben Perowsky's Moodswing Orchestra backed up MC/singer TK Wonder for a criminally underattended set. Then I ended the night with trumpeter David Weiss's band at Bitter End, which, at 3:45am, it was.
Some pictures of the above-mentioned acts (plus Asphalt Orchestra who made an appearance at LPR) are below...
by Adam Schatz (Search & Restore)
Mary Halvorson (photo by Peter Gannushkin)
Mary Halvorson's sound is a hyena, sharp and active. Historically, the classic jazz guitar tone and reputation is closer to a basset hound. 9 out of 10 dentists prefer the one who's out for blood. Standing out from the pack, Halvorson's strings cut with beauty and precision. Her melodies are hooky and complex at the same time, no small feat, and her talent for improvising with her hand picked ensemble is one to be seen to be believed. There is a fluidness to her style, and it is all in the art of juxtaposition. She is jagged but defined, aggressive but beautiful.
On Thursday, January 13th, she's performing at Littlefield in Brooklyn in a collaborative trio with improvisers Weasel Walter on the drums and Peter Evans on the trumpet. This double whammy show pairs Halvorson's crew with Mostly Other People Do The Killing, an gloriously titled high energy group (sharing Evans on the trumpet and Talibam!'s Kevin Shea on drums), smashing jazz aesthetics with subtle and not so subtle humor and phenomenal talent. Don't miss it.
The Littlefield show is a record release party for the trio's new record, Electric Fruit, out January 25th via Thirsty Ear. It will be Mary's first release in 2011. She lists nine that came out in 2010. Those include the notable Mary Halvorson Quintet album, Saturn Sings, which was released via Firehouse 12.
Mary can also be found tonight, January 12th, playing with Marc Ribot at Le Poisson Rouge. A video and all of her tour dates can be found below...
"NEVER STOP is the first album by The Bad Plus to consist entirely of originals. Recorded in Minnesota with a live, stripped-down sound, NEVER STOP showcases the band's range as well as its three distinct personalities. From gentle and melodic to fierce and abstract, from swing to 80's techno, NEVER STOP is tied together by a group sound that embraces diversity as strength. Ten years in, The Bad Plus is here to stay."- The Bad PlusThe Bad Plus play The Village Vanguard in NYC on December 28th, 29th, 30th, 31st, January 1st and 2nd. They play two sets each day except New Years Eve. New Years Eve tickets are $150 each. All the other December shows are either sold out or not selling anymore advanced tickets, but you can still get $25 advanced tickets for 1/1 11pm and 1/2 11pm. Info on their latest CD is above. All Bad Plus tour dats below...
Dave Brubeck is playing the Blue Note in NYC Friday, Saturday and Sunday (11/26-11/28). Reserved tables are sold out, but first come, first served bar tickets are available for all the shows. You can also catch him at Tarrytown Music Hall on December 3rd.
The jazz pianist legend will turn 90 years old on December 6th which is the same day TCM will premier "In His Own Sweet Way," a Clint Eastwood-produced documentary on his life.
A mix with some of the artists is up on Bandcamp. The full lineup with set times, a poster for the fest and group rosters are below...
by Andrew Frisicano
John Hollenbeck @ The Bitter End for Winter Jazz Fest 2010 (more)
The sixth Winter Jazz Festival in January brought some of the city's best jazz musicians to five Greenwich Village venues. With that lead in, the inauguaral Undead Jazz Festival will be happening in three of the same venues - (Le) Poisson Rouge, Sullivan Hall and Kenny's Castaways - on June 12th and 13th. Tickets for one night and two-night passes are on sale.
The lineup - almost perfectly configured to complement Winter Jazz Fest - includes Happy Apple (sideproject of the Bad Plus' David King), pianist Matthew Shipp, trumpeter Dave Douglas & Keystone (his cinema-scoring/inspired sextet), drummer-composers Dan Weiss and John Hollenbeck (who both appeared with different groups in January) and many more. The initial lineup is posted below...
Rocks Off Concert Cruises are not the only way to see live music on a boat in NYC. Bargemusic, a much less punk rock series of shows, kicks off its 'Jazz Thursdays' series tonight, 4/29, with music from Foldersnacks (Terrence Mcmanus, Guitar; Tyshawn Sorey, Drums; Jesse Elder, Piano, Keyboard and Vocals; Zack Foley, Vocals; Aidan Carroll, Bass). The barge, which also hosts classical shows, is parked in the East River under the Brooklyn Bridge on the Brooklyn side, Ticket info is here. The rest of the schedule is below...
We mentioned how Tortoise's upcoming NYC show on June 23rd is part of the CareFusion Jazz Festival (June 17th-26th). Well, the full lineup for that fest has been released, and it's posted below. It varies from local acts like banjo-led, rapidfire metal-improv Seabrook Power Plant to Brazilian bossa nova legend João Gilberto. Sun Ra Arkestra directed by Marshall Allen, Darcy James Argue's Secret Society, Punch Brothers, Jason Moran with Mary Halvorson and Ron Miles, and McCoy Tyner Quartet with Ravi Coltrane, Esperanza Spalding and Francisco Mela (free at the SummerStage!) are some of the others. The full schedule is below...
By Andrew Frisicano
Jenny Scheinman & Jason Moran @ Winter Jazz Fest @ LPR
Winter Jazz Fest 2010 brought a diverse lineup of contemporary jazz to six Greenwich Village venues on Friday, January 8th and Saturday, Jan. 9th. The sheer number of compelling acts in one place made the fest a great primer for anyone interested the current state of the scene (a topic many of the reviews have addressed). By all accounts it was a big success, with an engaged and diverse crowd turning out. The gigs I went to were all well-attended, mostly-standing affairs (NY Times reports 2,500 attendees at the fest's sold-out Saturday night). The tight schedule (short 40-minute sets) and the closeness of the venues gave a definite festival atmosphere to the shows (like the LES during CMJ). Though some venues had lines waiting to get in (like the cozy Zinc Bar), it was still totally possible to see who you wanted to with a little planning. At each show I managed to find spots close to the stage as the previous crowd shuffled to their next destination.
On Saturday I got a late start and still caught six sets: Jenny Scheinman & Jason Moran at LPR, Claudia Quintet with Gary Versace at the Bitter End, Vijay Iyer Trio at LPR, and Mary Halvorson, Rudresh Mahanthappa and Tyshawn Sorey's bands, all trios, at Kenny's Castaways.
Tonight (1/19) you can catch Vijay Iyer and some of the other Winter Jazz Fest names (Lionel Loueke, Dr. Lonnie Smith) at (Le) Poisson Rouge's jazz-based Haiti benefit concert. The lineup (with special guests TBA) includes organizers Groove Collective, DJ Logic, Bernie Worrell, Roy Hargrove, Yatande Bwakaiman Vodou Drums and Swiss Chris, plus Loueke with Richard Bona, Smith and Iyer. Tickets are on sale. Proceeds go to Haiti Action, Hands Together, The Lambi Fund of Haiti and Grassroots International.
Pictures of the above-mentioned WJF acts, videos and more words about the music are below...
by Andrew Frisicano
FONT (Festival of New Trumpet music) hosts Forward Flight, a four-night fest of diverse cross-genre jazz, chamber pop and classical, at Abrons Arts Center from Wednesday, January 13th to Saturday, January 16th. Last night was the opening benefit night which featured brass innovator and composer Dave Douglas, trumpeter and fest honoree Wilmer Wise and "a gathering of special surprise guests."
Tonight (1/14) Wise leads new chamber arrangements of Ornette Coleman works. Then Friday (1/15), the fest hosts an eclectic bill: chamber pop group Opsvik & Jennings pairs with electro-acoustic trumpeters Ignite a Noise Trumpet Trio (who also use iPhones, Wiimotes and more), Thrill Jockey jazz from Chicago Underground Duo (Rob Mazurek and Chad Taylor, whose new album Boca Negra , just came out on the label), and folk group The Low Anthem with special appearance by Dave Douglas. Full fest passes and individual tickets are on sale.
The tracks above are from Opsvik & Jennings's latest, A Dream I Used to Remember, which came out on the Loyal labelin 2009. A stop-motion video of Low Anthem's song "Charlie Darwin" is below.
Drummer Chad Taylor and another of his groups, Circle Down (with pianist Angelica Sanchez and bassist Chris Lightcap), will be at Jazz Gallery for two sets on January 14th. Tickets are on sale. The band plays again at The Stone on January 29th.
A full schedule and videos are below...
by Andrew Frisicano
William Parker Quartet
New York Guitar Festival, with shows between January 8th and February 4th, has already been mentioned here in a few different contexts. The "Silent Film/Live Guitars" portion is certainly a big highlight, with one-off performances by Bon Iver's Justin Vernon and Steve Kimock, David Bromberg and Marc Ribot, Alex de Grassi and James Blackshaw, and the fest closers Chicha Libre and Gyan Riley. Tickets are still available for all but the Vernon/Kimock show.
There's more on the schedule too. World Financial Center Winter Garden hosts a free opening show on Friday, January 8th with Hindustani slide guitarist Debashish Bhattacharya. There are also theme nights, with Barbes holding Django [Reinhardt] A Go Go (1/24) and 92nd Street Y hosting a Bach Guitar Marathon (1/31).
And LPR has two shows for the fest as well - a night headlined by James Blackshaw (with Max Ochs, Ben Hall, and Nick Jonah Davis too) on January 26th (tickets) and a previously mentioned show with the stellar pairing of Marc Ribot's Ceramic Dog and Skeleton$ (possibly in Big Band form). A video of the Skeletons Big band from their December show at the Stone is below. Tickets for Marc Ribot/Skeletons show are on sale.
(Le) Poisson Rouge is also one of the main spots for the NYC Winter Jazz Festival this Friday and Saturday, when it hosts Jenny Scheinman & Jason Moran, Vijay Iyer Trio, Darcy James Argue's Secret Society and others. Other Village venues are well-stocked with talent too (and getting better - Saturday's Sullivan Hall lineup just added William Parker Quartet). Tickets to day one and two (or a two-day pass to both) are still on sale.
Iyer is also at the Stone this weekend, on Sunday (1/10), as is Tyshawn Sorey, who plays there Friday (1/8) (and plays the Winter Jazz Fest on Saturday).
While on the topic of Iyer, a few other excellent, top-of-their-game, consistently original pianists have shows in the same week (could be called the 'inadvertent piano fest'). McCoy Tyner Trio with special guest Gary Bartz are at Highline Ballroom on Friday, January 8th on a latin-tinged bill with Francisco Mela's Cuban Safari, Jon Batiste Band and Alfredo Rodriguez. Tickets are still on sale.
The full schedule for the NY Guitar Fest and videos are below...
by Andrew Frisicano
DOWNLOAD: Charlie Hunter - High Pockets and a Fanny Pack (MP3)
Charlie [Hunter] has wrapped up the recording of his next record titled 'Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid.' The lineup includes Eric Kalb (Sharon Jones and the Dap Kings, John Scofield) on drums, Curtis Fowlkes (Jazz Passengers, Lounge Lizards, Bill Frisell) and Alan Ferber (Don Byron, Kenny Wheeler) on trombone, and Eric Biondo (Antibalas, TV On The Radio) on trumpet! The official street date for the new album is January 12th!Guitarist Charlie Hunter's residency at Brooklyn's Rose Live Music starts tonight (1/5) and runs through the month of January. Tickets are on sale. The shows coincide with Hunter's new record Gentlemen, I Neglected To Inform You You Will Not Be Getting Paid, a track from which is posted above.
Eric Biondo, who plays with Charlie, is also a member of Antibalas, who are continuing their Thursday night residency at Knitting Factory Brooklyn into 2010. They're on the schedule for January 7th (tix), 14th (tix), 21st (tix), and 28th (tix). Members of Antibalas play in the Broadway musical Fela!, which is currently selling tickets into June 2010 (we're rooting for it in light of the news that 10 Broadway shows are closing this month alone)...
...[Fela!]producer Stephen Hendel knows that developing audiences for Fela! isn't going to be easy: He needs to sell three times as many seats a week as he did off-Broadway. So he's enlisted rapper Jay-Z and superstars Will Smith and Jada Pinkett-Smith to lend their names as producers. He hopes Fela! will become a hot ticket, like it was off-Broadway.More on Fela! here.
"Suddenly, we were just sold out," he says. "Celebrities calling every day, world-famous musicians. We had no tickets. We'd squeeze them in."
Jones says he's already hearing good word of mouth when he stands at the back of the theater.
"It's a fun evening," he says. "Even with all the things that go down in that second act, I heard some people describing it as 'uplifting' the other day. Uplifting? Well, it ends with people bringing coffins into the theater, but I guess that's ... I've also heard people say, 'It made me want to go out and be an activist!' Well, that's good." [NPR]
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