Entries tagged with: skateboarding
by Bill Pearis
Baby's All Right offers $1 tacos during Happy Hour. What better to promote it than to put a guy in a taco with a big sign and put him on a skateboard down the pedestrian ramp of the Williamsburg Bridge? Also film it for instagram. The human taco in question was Baby's employee Jon Newport who was a pro skateboarder when he was 16. What could go wrong? Not being able to stop, for one, which Newport solved by plowing into a green sedan. He was ok, as was the car and driver, but the skateboard was toast. (Believe it or not, I was just randomly walking down Bedford and saw it happen in real life.) Animal NY interviewed Baby's employee Ben Wilkes who shot the video:
The driver, too, seemed okay -- just a little shocked. Wilkes paraphrased the driver as saying, "I have no idea what happened to me because a taco in a skateboard just crashed into me."This was all shortly after "Drunk Yoga" with Kirin J Callinan at Baby's, and $1 tacos will definitely be happening this Tuesday (4/14) which means even more reason to get the BrooklynVegan-presented Menzingers show early (admission is first come, first served, even with RSVP). Watch the taco eat shit below...
When asked if he would have crashed into the car had he not been drunk, Newport said, "I wouldn't have put that suit on if I had not been drinking."
"I pre-gamed for 3 hours," he said, laughing.
The drunk taco confirmed that he got paid for the gig, but wouldn't disclose how much. He did, however, get a promotion thanks to the stunt.
He plans to do something similar again. "It worked out great, I can't wait to do it again," he said. "I probably won't get hit by a car, but I will risk my life."
photos by Dana (distortion) Yavin ; words by Andrew Sacher
Metallica / Fucked Up at Orion Music Fest, June 23, 2012
Metallica's Orion Music & More festival went down in Atlantic CIty's Bader Field this weekend, featuring the band performing Ride the Lightning in full on Saturday (6/23) and The Black Album on Sunday (6/24), in addition to many other bands across four stages. Bader Field, which was previously used as an airport, was filled with rockers of all kinds -- from the satanist metalheads to the Gaslight Anthem-shirt bearing rock and rollers. In addition to the bands, you could check out Lars Ulrich's curated film screenings, James Hetfield's classic cars, Kirk Hammett's horror memorabilia, rock memorabilia with everything from old Velvet Underground postcards to Melvins posters, and much much more. And all of this went down just across the water from the towering, lit-up excess of Atlantic City's Trump Plaza, Caesars Palace, and the like.
I showed up to the festival on Saturday about halfway through Baroness' opening set on the main Orion Stage. Though the crowd was still pretty thin (they went on at 1 PM), the band delivered a strong set filled with a great mix of hooks and sludge, winning over most of the people who had showed up early enough to catch them.
Next stop for me was Lucero, also on the Orion Stage. "This song's called 'Women and Work,' it's about whiskey," said singer Ben Nichols of the title track off their most recent LP, making what was only one of many whiskey references during their set. They had a solid mix of the upbeat ones like that, and their sprawling slow-burners. The band sounded best on those slower cuts, as they drifted across the hot, sunny, mid-afternoon Bader Field, though I'm sure the foot-stompers would have taken charge in a smaller, tightly packed venue like their drunken NYE show at Brooklyn Bowl. The band did crank up the distortion on "Sounds of the City," and got great crowd reaction during "All Sewn Up," which he dedicated to the audience: "Plenty of fucking bad tattoos out there, so this one's for all y'all."
After Lucero's set ended, the Fuel stage saw what might have been the wildest set of the day with Fucked Up. Frontman Damian Abraham began by saying, "Last year we were thinking... who would be the craziest band we could play with, and we were like... METALLICA!" before kicking into "Queen of Hearts" off 2011's epic David Comes to Life. As per ushe, it only took about three seconds into that song for Damian to barge into the crowd (where he spent most of the show) and another few minutes before he took his shirt off. They relied most heavily on material off of David, playing other highlights like "The Other Shoe," "Turn the Season," and more. In the past I've said that Damian's in-the-crowd antics tend to be less successful in larger venues, but at Orion fest he did everything in his power to make his way through the entire crowd. He must have been part of every single mosh pit that broke out, and traveled everywhere from the kids pushing against the barrier to the people standing in the very back.
The Gaslight Anthem followed, taking to the Orion Stage, and came out with an introduction from Lars (as many other bands that day did). After his introduction, the Beastie Boys' "Sabotage" began playing through the PA as the band walked out, with frontman Brian Fallon decked out in an "RIP MCA" shirt (written in Run DMC typeset). I didn't notice it during Baroness or Lucero (and maybe Fucked Up's loud mayhem was to blame), but the sound at Orion Stage was significantly lower for all the non-Metallica bands that played, and it became easy to feel removed during The Gaslight Anthem's set. Despite the conditions, the band still sounded on point. They played "45," the single off their upcoming album, which is easily their best song since The '59 Sound, and older favorites as well, like "Old White Lincoln," "The Patient Ferris Wheel," and of course, "The '59 Sound."
Lars Ulrich introducing Hot Snakes
I then made my way over to the Frantic tent -- undoubtedly the best stage to watch bands -- for Hot Snakes, who were also introduced by Lars. Lars acknowledged the stage as well ("this is becoming my favorite stage of the day... this is where all the cool kids hang out!") and said tons of flattering things about Hot Snakes. The band thanked him a couple times for his compliments, before asking the crowd if any of us had heard of them, to which they were greeted with massive cheers that they seemed pretty surprised about. After all the intro-ing, the band began playing the buzzsaw guitar riff of "I Hate the Kids," the opening track off 2002's classic Suicide Invoice. They reunited last year after breaking in 2005, and they've definitely still got it. They played a good amount of Suicide Invoice, including "LAX," "Who Died," "Gar Forgets His Insulin," and the punishing title track.
After Hot Snakes' set, Modest Mouse took over the Orion Stage, and like with The Gaslight Anthem, the sound and setting of this stage did them absolutely no justice. We got some great songs -- "Bury Me With It," "Dramamine," "Tiny Cities Made of Ashes" -- but they were mostly drowned out by the talking of the uninterested crowd, many of who had begun gathering for Metallica. Not surprisingly, "Float On" was the one song that stopped the crowd from talking and got 'em singing along. Things probably went over better for Modest Mouse at the more indie-centric Governors Ball, which they played on Sunday.
Suicidal Tendencies meanwhile were playing to a giant crowd on the smaller metal-centric Damage Inc. stage, with help from their ex-bandmate, Metallica bassist Robert Trujillo who joined them for a bunch of songs.
Suicidal Tendencies/Arctic Monkeys
Hands down, my highlight of the pre-Metallica portion of the festival was Arctic Monkeys, who played the Fuel stage directly before the headliners took over Orion. It goes without saying that Lars took the time to introduce this band (their first record is his favorite of the '00s) and he said tons of appreciative things about the band, including that he's seen them every time they've played his city. They opened their set with the attack of "Brianstorm," which sent the band into a frenzy that didn't let up once during the set. Though the band's latter two records have been a bit less popular than their first two, they've really shown a maturation in sound on them and especially on a festival with a mass of heavier bands a lot of their newer material fit right in. Songs like "Pretty Visitors" and "Don't Sit Down 'Cause I've Moved Your Chair" border on sludge metal and stood out just as much, if not more than older classics like "Teddy Picker," "Fluorescent Adolescent," and "Dancefloor." In keeping spirits with the festival, during "Don't Sit Down," Alex Turner changed the line, "bite the lightning," to "Ride the Lightning," and pointed across the field at the Orion stage where Metallica's stage hands were gearing up for the band to play said album in full.
Alex takes complete control of the crowd and throws in a bit of playful arrogance, like pointing to Matt Helders and saying, "check this shit out," before one of Matt's more technical drum parts. The band pretty much kept their whole set in full throttle mode, eschewing many of their lighter songs, and they delivered with colossal power. Over ruthless drumming, stoner rock guitar solos, and overall ceaseless energy, Alex effortlessly topped it all off with his soaring vocals, almost of all of which were met by singalongs from the crowd.
Finally, after the rest of the festival had wrapped up, the strings of Ennio Morricone's "The Ecstasy of Gold" from Metallica's S&M album began playing through the PA, which meant the band -- who for many, were the sole reason of coming to the festival -- were about to take the stage. They opened with a bunch of live staples, like "Hit the Lights," "Master of Puppets," "Sad But True," and "The Four Horsemen," plus a newer one as well. Then the lights went black and on the stage's screens, popped up a video of clips from Metallica's Ride the Lightning period, which was greeted by huge cheers of the thousands of people that knew the band's performance of the album was on the way. When soundclips of Cliff Burton surfaced on the video, even more applause came, honoring the band's bassist who performed with them on their first three albums before passing away in a tour bus accident in 1986. After the video ended, an animated play on the Lightning album artwork took over the screens and the album's final track, "Call of Ktulu" began playing (they performed the album in reverse). Once "Ktulu" picked up, the lights came back on, revealing the band members on stage playing the song, and yielding more and more applause.
After the instrumental track, live favorite "Creeping Death" came in, sending the band pummeling into a spiraling vector of thrash. The band's theatrics, rock star approach, and tendency to play hits-heavy sets can give off the feeling that they've reached the point where their shows are simply crowd-pleasers, but it's really not the case. The band whole heartedly rock the fuck out on stage, and despite everything else going on, simply watching them play is pretty mind blowing.
According to Lightning's reverse tracklist, after "Creeping Death," came "Escape," which the band have never performed live, mainly because James absolutely hates the track. For anyone who didn't know, he made it abundantly clear at the show and even looked like he was having a bit of trouble getting into it while they played it live for their first time ever, but by the end, the crowd had welcomed its live debut more than excellently. Though James wouldn't hear of it -- "NO!" he yelled when the crowd tried convincing him that they loved it.
Then came "Trapped Under Ice," followed by "Fade to Black," which was by far the loudest singalong on the album during the acoustic guitar-led verses and, as occurs at Metallica concerts, the melody to Kirk's guitar solo in the intro. After the song's headbanging second half, James, with a smug smile, responded to the fanatic cheers with, "Yeah, I like that one too." The level of noise stayed above 10 for the following song, "For Whom the Bell Tolls," whose chorus saw tons of \m/-raised arms attached to bodies screaming along. Following the album's title track, Metallica wrapped up their performance of the album with much anticipated opening thrasher, "Fight Fire With Fire," for which the screens behind the band showed the masses of audience members singing along to the song's choppy vocals.
Directly after the performance of the album ended, the band stayed on stage and went immediately into more live staples -- "Nothing Else Matters" and "Enter Sandman." They then left the stage before returning for an encore which began in the dark with the acoustic intro of "Battery," and then hitting the lights for the song's slaying mile-a-minute riffing. The encore wrapped up with loud fireworks, black Metallica beach balls thrown int the crowd and two more live staples, "One" and "Seek & Destroy" and after the members of the band continued to thank the crowd for coming and making their festival a success.
More Orion Music Fest coverage to come. Lots more pictures, including Roky Erickson, Red Fang, Suicidal Tendencies, and more are below.
High on Fire at Fun Fun Fun Fest (more by BBG)
March 16th, March 16th, March 16th! If you're going to be in Austin, save the date on your calendar folks! On Friday March 16th, 2012 at Scoot Inn (1308 e4th St), BrooklynVegan, The Power of The Riff, and Southern Lord will combine forces for a MARATHON of events that kickoff at noon and end waaaaay after the sun goes down.
The FREE daytime portion, in conjunction with the four-day Thrasher/Converse "Death Match" event at the venue, is an all-ages shindig that will kick off at noon and feature a skateramp with skaters and bands all day long. Shortly after doors open, expect to see eleven bands across two stages including sets from the following:
March 16, 2012 @ Scoot Inn, Austin, TX (noon-6pm)That's right... High on Fire AND Off! AND Trash Talk (playing their FOURTH year of SXSW shows with us) AND Black Cobra AND Ceremony all in the same space, not to mention the awesome undercard of bands like Deafheaven (playing their second year of SXSW shows with BV), new favorites Full of Hell, Balaclava, Heartless and Dead in The Dirt. It is going to be insane, so bring a hard hat.
* High on Fire
* Trash Talk
* Black Cobra
* Full of Hell
* Dead in The Dirt
* DNF (members of Trash Talk, Touche Amore)
As the day show comes to a close, we'll get ready for our night show at the same venue... amounting to a total of FOURTEEN HOURS of destruction! Not to mention the food trucks, a full bar, and so much more to keep you fed and hydrated (or buzzed, depending on your poison) during the onslaught.
Stay tuned to BrooklynVegan for details regarding the official night showcase (it has been announced), and for more about the day show (or our OTHER day show on Saturday at Lovejoys), including set times. In the meantime, head below for video of some of the bands playing our MEGA-show at Scoot Inn on March 16th!
Watch out House of Vans, it looks like yeat another corporate-sponsored show-series is vying for contender of "best free shows" in NY this year. Taking place over fifteen days in Long Beach, NY (and finally explaining that mysterious Flaming Lips date), The Quiksilver Pro New York series ("the first-ever ASP World Championship Tour stop on the East Coast of the United States") will feature surfing, skating, and BMX demos from some of the biggest names out there (Kelly Slater, Tony Hawk, etc).... not to mention some major music acts like The Flaming Lips, Girl Talk, Interpol, Black Rebel Motorcycle Club, Q-Tip, Neon Indian, Wavves, Taking Back Sunday, Saves The Day, and many more. Best of all, admission to everything is FREE.
All dates with the full lineups are below, but the music portion kicks off on Saturday, 9/3 with Girl Talk, Saves The Day, "a special surprise performance" & more. Sunday has Interpol, Portugal. The Man, The Ettes (who play NYC tonight), and more. Monday (Labor Day) will see Black Rebel Motorcycle Club, Civil Twilight, and more. 9/9 is probably the most impressive show with The Flaming Lips, Q-Tip, Neon Indian, Wavves and Charlotte O'Connor. Saturday 9/10 will play host to a "Benefit Concert Hosted By Kelly Slater & Friends + The Max Weinberg Experience" with Taking Back Sunday, The Sounds and SLUNT. More details on the benefit show are TBA.
If you can't make it to Long Island, "The Quiksilver Pro New York will be broadcast from September 3-15 by MSG and Fuse, with programming that will feature some of the biggest artists, athletes and live performances from the event."
More details and lineups below...
Eric Swensen (left) at the Independent foundry in 1983
The man who ended his life in front of the Mission Police Station on Monday was a skateboarding icon and co-founder of San Francisco-based Thrasher magazine.If you grew up like me, then you probably took in your share of Thrasher magazines and skated on Independent Trucks as well. Swensen co-founded both, as well as both Juxtapoz and Slap magazines as part of his High Speed Productions Inc. magazine company. Swenson left behind a wife and daughter in the wake of his suicide. - BBG
Skaters worldwide are mourning the loss of Eric Swenson, 64, of Potrero Hill, whose local manufacturing and publishing ventures helped launch a massive and lasting subculture.
Swenson shot himself around 8:30 a.m. without going inside the police station or talking to any officers. Loved ones believe the longtime San Franciscan's struggle with a debilitating motorcycle injury led to the suicide.
A "very private person," Swenson may have chosen the police station to end his life in order to spare his loved ones from finding him, said Gwynn Vitello, Thrasher's publisher and wife of Swenson's business partner, the late Fausto Vitello. - [SF Examiner]
photos by Andrew St. Clair
"Vans made a power move into Brooklyn Saturday October 18, 2010 and unveiled its new, state-of-the-art event space, the House of Vans, opening it's doors to 900 of New York's skate community.The 25,000 square feet House of Vans (15,000 indoors and 10,000 sq. ft outdoor enclosed patio and skate plaza), located at 25 Franklin St (at Meserole), hosted a Warped Tour kick-off show back in March. It's not exactly the type of show we'd normally cover, but when I heard there will be more concerts there this summer (stay tuned for announcements), I asked Andrew to send over some of his shots from that event so we could get an idea of what to expect. They continue below...
The new space is located in Brooklyn's Greenpoint neighborhood and is a prime example of Vans' commitment to and respect for the East Coast skate scene. The House of Vans is a 25,000-square-foot renovated warehouse, featuring an indoor concrete bowl and outdoor street course, a permanent stage for concerts and enough space to do whatever the Vans heart and soul could desire. The House of Vans will be Vans' East Coast hub, with two full-time employees to start.
The new space's outdoor skate park and bowl, designed by California Skateparks and influenced by Lance Mountain and Brian Pino, were well received by those in attendance." [probably a press release]
photos by Leia Jospe
No Age @ Don Hill's
No Age paid a visit to NYC on Friday for not one, but two Skateboarding-related shows. Earlier in the evening they played on the halfpipe at KCDC Skateshop in Williamsburg in Brooklyn. Later that night, they played an Ooga Booga-presented free show at Don Hill's in Manhattan with Bubbles, Allies, No Fear and Rat King. Ooga Booga is a California surf and skate shop.
No Age went on around midnight at Don Hill's, were backed by visuals, and played for about an hour. In Leia's words, "during the show the bouncer would come into the crowd and grab people and tell them to stop dancing. After awhile he just stood in the middle of the crowd glaring at everyone if they bobbed their heads." DJ Total Freedom played after No Age for the rest of the party.
More pictures from Don Hill's and a video and picture from KCDC, below...
photos by Tim Griffin
David Yow rides the crowd as beer flies
Titus Andronicus drama aside for a second, I was worried that the "party" crowd wouldn't be a good audience for the Jesus Lizard and Bad Brains. But as security pointed out, the audience very much treated the show like the "concert" it was. It got crazy for Jesus Lizard, energetic front-man David Yow included...
"The Jesus Lizard performed a ferocious set, with singer David Yow crowd diving and singing noise rock anthems while sweaty hands held him aloft. Meanwhile, the line outside on North 10th Street snaked around the block, as hundreds of costumed revelers waited in the rain to get inside." [The Wall Street Journal???]The crowd was ferocious too, but ironically they were 10 times more ferocious for Bad Brains whose front-man just stood there in a white hoodie. Luckily for security (who after a few songs of frustration just let the show be), Bad Brains played a lot of reggae jams. That kept it relatively calm. Bad Brains setlist below. The Jesus Lizard will be back for two more NYC shows later this month.
The bands played upstairs in the two-level warehouse on North 10th Street between Berry and Wythe. Downstairs, and between bands, there were DJs. I was especially appreciative of all the classic 90's techno hits (at the 1994-themed party). The music mixed with the warehouse location, lights, and smoke machines probably made the Vice event more Maskarave than the actual Maskarave happening across the river. That felt especially true late night, after Bad Brains which was when the majority of the crowd left (and they weren't letting anyone else in). I don't know a lot of song names, but Moby's "Thousand", Josh Wink's "Don't Laugh", and "Percolator" were at least three of the more popular ones I remember hearing during the DJ sets from Dave 1 from Chromeo, Peanut Butter Wolf, Nick Catchdubs, Rub-N-Tug, and/or Blu Jemz. Earlier in night there was also lots of classic hip hop, sometimes accompanied with the song's video.
As promised, there was a skate ramp with skaters too (and all the alcohol was free) (I wish they had more porta potties though). More pictures below...
photos by Chris La Putt
Spike Jonze @ MoMA
Just got back from NYC. I made a special trip up to the Big Apple to check out "An Evening of Skate Videos" - an event held by Poprally in support of the Moma's exhibit honoring the work of Spike Jonze, co-owner of Girl Skateboards and director of "Video Days" (the epic Blind Skateboards video), and director of "Where the Wild Things Are." The panel included a who's who of the skateboarding world, they included Spike Jonze, Patrick O'Dell (MC for the evening), Mark Gonzales, Lance Mountain, Jake Phelps, Tobin Yelland, Ty Evans, Greg Hunt, and Ed Templeton. Some other notable's that showed up included Giovanni Reda, Steve Rodriguez, Steve Olson, Jason Dill, Mike O'Meally, and Pitcrew Local Tyler Tufty. It was a great night of some classic skate videos and a great chance to get some great comments by those that were involved with them. Following the event, the band No Age put on a kick-ass show while the Colt 45 flowed.After playing LPR on Wednesday, Oct. 14th, No Age's next stop on their four-show NYC run last week was at MoMA, where the band appeared with Spike Jonze and friends. After the skate-video clips and well-attended panel, No Age played in the lobby. It was No Age's first of two consecutive museum shows, though the second, the band's performance at the New Museum on Friday, October 16th, wasn't a regular set, but a live score to the 1989 Jean-Jacques Annaud film The Bear.
Good Times! [Eastern Imagery]
No Age @ MoMA
Village Voice: Does it seem uncanny for you guys, within a week's span, to be playing at the MoMA and then at Todd P.'s venue, then at the New Museum?More pictures from MoMA are below...
Randy Randall from No Age: No, it's not strange at all. For us, it's something we've always wanted to do. We come from a world of Todd P. auto-part store shows, yet we've always been fans of going to museums and galleries as patrons. We've always played places like Death By Audio, a venue with totally fun energy in the room. But sometimes, the rooms are too small and not everyone can get in. So we have to play (le) Poisson Rouge, a place with a bar, where your feet won't get stepped on, and money is paid to security guards and whatnot. That's more strange to us. The museum events we're playing are going to be fun and we've been fortunate now to get booked in places like that. It's hard to book those yourselves.
No Age and Spike Jonze are both involved in an upcoming PopRally event at MoMA happening October 15th. For the night, "An Evening of Skate Videos," the museum "invited Patrick O'Dell (Epicly Later'd) to assemble an evening of influential skateboarding videos from the 1980s to today -- including Jonze's own legendary contributions to the genre -- and to bring together a panel of significant skateboarders and filmmakers, including Jonze himself, to discuss their work. An after party with a live performance by No Age follows the film program."
The event is in conjunction with the museum's mid-career retrospective of Jonze's work (titled "Spike Jonze: The First 80 Years") taking place from October 8th-18th. A schedule of the screenings at MoMA (which include his music videos, feature films like Being John Malkovich, etc., and his work as a producer) is below. The opening event on October 8th pairs Jonze with Maurice Sendak, the author of Where the Wild Things Are. Jonze's film adaptation of the book is coming out October 16th and features a soundtrack by Karen O "and the Kids".
""Where the Wild Things Are" seems sure to appeal to the sensibilities of a certain cohort of urban young adults -- the type who read comic-book novels and wear skateboard sneakers; who might concur with a note I saw one day scrawled on a legal pad in Jonze's office: "There is no difference between childhood and adulthood." Finding an audience beyond that demographic, though, may well pose a challenge to Warner's marketing department, which is trying to position the movie as a family-friendly film for kids of all ages. They have adopted a broad-based strategy to lure children into the theater, buying advertising on Nickelodeon and the Cartoon Network. They'll also be making a special effort to reach what one executive described to me as "hip, tastemaker" kids: Ugg will be selling a special "Where the Wild Things Are" kids' boot, and Urban Outfitters has a collection of "Where the Wild Things Are" T-shirts and shadow puppets." [NY Times Magazine]
The No Age performance at MoMA is in addition to the band's four other upcoming shows in the NYC area. One of those will be the band performing a live score to the Jean-Jacques Annaud film The Bear at the New Museum on October 16th (no tickets yet). They played with the movie at L.A.'s Cinefamily on August 30th and you can find a video of that show (with the full Jonze/MoMA schedule) below...
Despite that, Williams is still scheduled to go on with his upcoming shows, the first of which is tomorrow, Wednesday, July 15th at Bowery Ballroom in NYC. Opening will be Woods, Real Estate (who both play the Cameo Gallery the next night) and Popo. Tickets are still on sale.
After that he'll be playing Pitchfork Festival on July 18th and two SoCal dates, one of which is a benefit for a skate park with No Age.
All tour dates, with a clip of Williams discussing his favorite records, below...
photos by Tim Griffin
"The other day I attended the Afro-Punk Festival at the BAM skate park. I had the pleasures of seeing Janelle Monae and Saul Williams. There were also cats skating [and biking] around and doing tricks. All around there was just a good ol' merry vibe and I had fun for the short time I was there." [Phantastictful?]Janelle Monae has been added as opener to the Erykah Badu show happening on the beach at Governors Island on August 4th. Tickets are still on sale. More pictures from Monday's Afro-Punk Fest show, below...