The National & The Antlers played Radio City Music Hall (with help from Sufjan, Annie Clark & other friends) – pics & setlists
It’s hard to believe that The National headlined last night at Radio City Music Hall (they were the opener a few years ago when the Arcade Fire played there) and harder to believe that the massive space sold out. Sure, their last two albums have done especially well, but really? Radio City? I mean Lady Gaga is playing there in July. In “Little Faith,” Matt Berninger sings, “I know what you think. You’re waiting for Radio City to sink.” Yes, ominous indeed.
The evening began with a rousing set by The Antlers. As if to echo the themes of hospitals, sickness, and funerals found in their solid debut, Hospice, white flowers decorated the stage. The Antlers’ performance was bolstered by the addition of a two-man brass section (courtesy of Tim Cronin and Jon Natchez) and lovely female vocalist Sharon Van Etten. They played an extended version of the standout track “Sylvia” in addition to an unnamed new song. After playing a short string of songs from Hospice roughly in chronological order, The Antlers concluded their set with “Wake.”
Walking into Radio City, I admit that the prospect of seeing two praise-worthy bands in such a huge space had me both exhilarated and fearful. Would they be able to master the space and overcome the obstacles posed by a seated show? How would they make the experience personal?
Though majestic, the space was a bit stifling. But to help cut down on the formality of a seated show, the majority of the orchestra section stood up when the band walked on stage and remained standing for the entirety of the evening. The National’s front man, Matt Berninger, hopped off the stage to cavort with the audience in front during the third song, “Bloodbuzz Ohio.” Sure, he only stayed down there for a few seconds, but it boded well for the rest of the show. The third wall came crashing down early.
The National also had some additional musicians on stage to help fill out their sound. Throughout the show, a small brass section again consisting of a trumpet and trombone contributed to the mix. Additional treats came on the seventh song, “Squalor Victoria,” when a string section walked on stage. After that, it got almost ridiculous. St. Vincent’s Annie Clark hopped on the piano for “Vanderlye Crybaby Geeks” and shared backing vocal responsibilities with Sufjan Stevens for the following song, “Afraid of Everyone.” “I’m sorry they’re so plain looking. We try to set a standard,” Berninger wryly joked. “I wish we could have them on stage all night,” replied a Dessner brother.
But the real magic happened during “Abel.” At least, it did for me. Berninger jumped off the stage once again and started pulling that oh-so-long mic chord behind him as he walked up the aisle in the theatre. For a few seconds, I lost sight of him. And then, there he was, right outside my row. And then… what? Berninger started climbing over the seats and ended up stumbling right into Row WW, Seat 409 – my seat. As he stood haphazardly balanced on the seat behind me, he leaned over, grabbed my shoulder to steady himself and put the mic right in my face as he sang. And, though I know nearly all of the lyrics to their songs and the chorus to “Abel” in particular is embarrassingly simple, I admit I froze a little and was too stunned to sing along. After my moment had passed, Berninger continued on his way, climbing over the seat in front of me and then heading back to the stage. It’s almost as if he knew that this was only going to be a one-paragraph review (since I recently wrote a lengthy one for the BAM show) and wanted to spice it up. After Berninger fled the scene, BrooklynVegan photographer Matt Eisman and I stared at each other in disbelief. Did that just happen?
The show continued with a few more songs and a solid four-song encore that (of course) included “Mr. November”. This time when he wandered into the crowd, Berninger climbed the stairs to the first tier of the balcony where people encircled him and furiously sang along. Berninger proceded to walk to the far side of the balcony and back down again, his mic chord dangling over the crowd in the orchestra section below. After over an hour and a half of play, The National concluded their encore with “Terrible Love.”
More pictures, a video and the setlists from Radio City, below…
The Antlers set list
The National set list
Mistaken for Strangers
Vanderlye Crybaby Geeks
Afraid of Everyone
Daughters of the Soho Riots