Stream UK hardcore band Employed To Serve's killer new two-song single
Not only did Justine Jones and other Employed To Serve/Renounced members release a killer EP with their new punk side project Glorious this year, but Employed To Serve just finally dropped new music, their first since 2019’s great Eternal Forward Motion. It’s a two-song single with the entirely new song “Party’s Over” (which comes with a Zak Pinchin-directed video) and a new version of “Harsh Truth” from Eternal Forward Motion, now featuring guest vocals by Stray From The Path’s Drew Dijorio. The new song puts a slight industrial twist on the band’s usual metallic, melodic hardcore sound, and the new version of “Harsh Truth” kinda does too.
“‘Party’s Over’ is about the fast decay of the unsustainable world we live in, Justine says. “Frustratingly, despite our best efforts, the quest for a sustainable way of living feels hopeless due to what humanity deems a birth right rather than a luxury. What we think we need in order to live just does not seem compatible with our eco system, making me feel like we’re aliens that have taken the planet hostage.”
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Must-Hear Hardcore Albums of 2020 So Far
Gulch – Impenetrable Cerebral Fortress
Rotting Out – Ronin
Drain – California Cursed
Power Alone – Rather Be Alone
Xibalba – Años En Infierno
END – Splinters From An Ever-Changing Face
Year of the Knife – Internal Incarceration
Sharptooth – Transitional Forms
Baltimore's Sharptooth made a name for themselves as one of the brightest new voices in political hardcore with their 2017 debut LP Clever Girl (which, among other things, includes a rager called "Fuck You Donald Trump"), and they're now back with their followup Transitional Forms, which is bigger and better in every way. The band now sounds tighter and heavier and more varied, the production is crisper (this one was produced and mixed by Brian McTernan, Paul Leavitt, and Sharptooth guitarist Lance Donati), and the anger that fuels these songs is even more palpable than it was on Sharptooth's debut. As powerhouse screamer/singer Lauren Kashan puts it, the album tells the "story of my personal struggle with the societal, interpersonal, and internal constructs that have left me feeling small, afraid, broken, and utterly hopeless," and you hear how all of that informs the incisive lyricism on this LP.
Compared to Clever Girl, Sharptooth push their sound to new extremes in a handful of new directions. The nu-ish chugs of "Say Nothing (In The Absence of Content)" find Sharptooth at their heaviest, "Life On The Razor's Edge" finds them at their most atmospheric, and at least a couple songs find them upping the melodicism in interesting ways. "The Gray" belongs in the same lineage of melodic hardcore as bands like Modern Life Is War and Comeback Kid, while "153" sounds like a fresh update on the metalcore-tinged hard rock of mid 2000s Every Time Die, and "Evolution" gets a dash of melodic punk from Anti-Flag frontman Justin Sane's guest spot. The variety of the album keeps you on your toes, while the pure rage and adrenaline that fuels these songs keeps your blood rushing.