Beech Creeps

Beech Creeps, which features ex-Ex Models' Zach Lehrhoff and The Library is On Fire's Mark Shue, have been together for a couple years now, making the kind of scuzzy, no-nonsense rock n' roll that New York has always done well...

Austin's Ghetto Ghouls, who had songs on the We Jam By Condos compilation, will follow their self-titled debut with Collisions on August 4 via Monofonus...

Destruction Unit brought their tour to Brooklyn this weekend, giving us two shows in 24 hours. First they played Palisades on Friday night (6/26) and then got up on Saturday (6/27) for a free afternoon show at Union Pool...

Destruction Unit are in town, ready to decimate at Palisades tonight (6/26) and the free "Summer Thunder" Union Pool show on Saturday afternoon (6/27)...

Cake Shop's monthlong 10th anniversary wraps up on Saturday (5/30) with their final "super show" featuring new Sub Pop signees The Gotobeds and SAVAK, the new band from Obits' Sohrab Habibion and Greg Simpson...

Emo revivalists Empire! Empire! (I Was A Lonely Estate) and Dikembe are playing Shea Stadium on July 5. Tickets are on sale now.

Maryland post-hardcore veterans Moss Icon continue to play every now and then since reuniting in 2012 and releasing their discography as a triple LP on Temporary Residence ...

Austin's gritty postpunkers Spray Paint will release their new album, Punters On A Barge, on June 1 via Homeless Records. Like last year's Clean Blood, Regular Acid, this one would be perfect dancefloor fodder for your next paranoid post-apocalyptic party in the Forbidden Zone...

) You can browse our full NYC show calendar for all of tonight's shows, but here are some highlights... Cursive, Beach Slang, John Congleton and the Nighty Nite @ Saint Vitus Cursive are currently celebrating their great cello-filled 2003 album, The Ugly Organ, on this tour (with the album's cellist, Gretta Cohn), and one of 2014's best new punk bands Beach Slang is supporting...

Detroit's Turn to Crime will release their new album, Actions, on April 28 via frontman Derek Stanton's own Mugg & Bopp Records. The album ranges from claustrophobic post-punk to more sprightly pop (the title track) but all filtered through Stanton's unique point of view...